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Movie Metropolis (309 KP) rated The Lego Batman Movie (2017) in Movies
Jun 11, 2019
All Hail the Bricks
LEGO may have just single-handedly saved the DC Universe. Yep, you heard me right; the construction toy has come to the aid of one of the comic-book heavyweights in spectacular fashion.
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/

LeftSideCut (3776 KP) rated Brightburn (2019) in Movies
Jan 9, 2020
Contains spoilers, click to show
Brightburn is a mostly solid 'superhero' horror that sets out what it means to do. The narrative plays out a bit like an issue of Marvel's What If? - in this case, what if an alien baby crashed to earth, much like Superman, but grew up to be a danger to mankind.
One of the main issues I had with Brightburn rears it head pretty early on - it doesn't spend a huge amount of time establishing 12 year old Brandon (Jackson A. Dunn) before hurtling straight into his turn to evil. It's not the biggest deal I guess, the movie does enough to set up the main bulk of the plot, but I can't help but feel that the execution would have been more effective if the set up had been a bit more drawn out.
We're also introduced to Brandon's parents, the people who found him when he was a baby and raised him as their own, Tori and Kyle, played by Elizabeth Banks and David Denman. Both actors are great throughout, but their characters are a bit iffy. There's a lot silliness going on - Tori takes an abnormally long time to accept that Brandon in dangerous, even when loved ones are being murdered around her - she purposefully keeps information from Kyle about Brandon nearly stumbling across the spaceship he arrived in, even though that should really be something shared considering how Brandon is an alien and all that - at one point, Kyle tries to get one over on Brandon by shooting him in the head when he's not looking, despite clearly stating earlier on in the movie that Brandon has never even bled throughout his whole life...
It sounds like nitpicking, but it's just silliness that is very obviously included to easily advance the plot, and it's a little distracting.
The special effects used are mostly good, but they are purposely done quickly to avoid much room for scrutiny, however, there are some really great shots throughout Brightburn, especially in the third act. Brandon's costume design is suitably creepy, his mask looks almost Mothman-esque, and his glowing red eyes make him a genuinely sinister looking villain.
The violence in Brightburn really packs a punch as well... It doesn't happen often, but when it does, it's creative, and brutal. The movie leans a little into jump scare territory, but just about toes the line, and provides a decent enough unsettling atmosphere to justify it.
On a final note, it always refreshing when a Hollywood film like this has the balls to end in the way it does. The movie sets up Brandon for defeat and failure, and it just doesn't happen. The bad guys win and that's that. The ending credits feature news reports showing Brandon in the following weeks wreaking havoc all over the place, and it sets up a sequel which I don't think will happen due to box office reasons. Which is a shame, because even though Brightburn has its flaws, it still kept me involved.
Worth checking out for superhero and horror fans alike.
One of the main issues I had with Brightburn rears it head pretty early on - it doesn't spend a huge amount of time establishing 12 year old Brandon (Jackson A. Dunn) before hurtling straight into his turn to evil. It's not the biggest deal I guess, the movie does enough to set up the main bulk of the plot, but I can't help but feel that the execution would have been more effective if the set up had been a bit more drawn out.
We're also introduced to Brandon's parents, the people who found him when he was a baby and raised him as their own, Tori and Kyle, played by Elizabeth Banks and David Denman. Both actors are great throughout, but their characters are a bit iffy. There's a lot silliness going on - Tori takes an abnormally long time to accept that Brandon in dangerous, even when loved ones are being murdered around her - she purposefully keeps information from Kyle about Brandon nearly stumbling across the spaceship he arrived in, even though that should really be something shared considering how Brandon is an alien and all that - at one point, Kyle tries to get one over on Brandon by shooting him in the head when he's not looking, despite clearly stating earlier on in the movie that Brandon has never even bled throughout his whole life...
It sounds like nitpicking, but it's just silliness that is very obviously included to easily advance the plot, and it's a little distracting.
The special effects used are mostly good, but they are purposely done quickly to avoid much room for scrutiny, however, there are some really great shots throughout Brightburn, especially in the third act. Brandon's costume design is suitably creepy, his mask looks almost Mothman-esque, and his glowing red eyes make him a genuinely sinister looking villain.
The violence in Brightburn really packs a punch as well... It doesn't happen often, but when it does, it's creative, and brutal. The movie leans a little into jump scare territory, but just about toes the line, and provides a decent enough unsettling atmosphere to justify it.
On a final note, it always refreshing when a Hollywood film like this has the balls to end in the way it does. The movie sets up Brandon for defeat and failure, and it just doesn't happen. The bad guys win and that's that. The ending credits feature news reports showing Brandon in the following weeks wreaking havoc all over the place, and it sets up a sequel which I don't think will happen due to box office reasons. Which is a shame, because even though Brightburn has its flaws, it still kept me involved.
Worth checking out for superhero and horror fans alike.

JT (287 KP) rated Spider-Man: Far From Home (2019) in Movies
Mar 10, 2020
With the news that Disney and Sony will no longer co-produce Spider-Man films, it seems apt that the teen web-slinger headed off on a European vacation to get away from it all. A chance to chill out and take in the sights after the traumatic events of Avengers: Endgame.
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?

BankofMarquis (1832 KP) rated Shazam! (2019) in Movies
Sep 1, 2019
Entertaining Enough
In the battle of DC vs Marvel in the Cinematic world, the prevailing theory is that DC is "righting the ship" with back-to-back decent films - AQUAMAN and SHAZAM. And...after viewing both of these films, I will agree that they are moving the ship in the correct direction, but they have a long, long way to go before they can say they have "righted" this ship.
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)

BankofMarquis (1832 KP) rated The Marvels (2022) in Movies
Nov 10, 2023
Fun. Lightweight Romp
If you, like many others, have opted out of the past few Marvel Cinematic Universe (MCU) films and are, likewise, suffering from “SuperHero” fatigue but are now looking for a re-entry into the MCU, then THE MARVELS is the film for you, for unlike some previous MCU films, it does not take much in the way of previous knowledge to get into the flow of this (somewhat) lightweight, fun action comic-book flick.
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)

Nick Friesen (96 KP) rated Deadpool (2016) in Movies
Jul 18, 2017
Deadpool! For real this time! (3 more)
Francis!
Damn Near Everything
Ryan Reynolds is Just Perfect
Deadpool Finally Has His Day
Studio execs and producers had no idea just how popular Deadpool would be. If they did, this movie would have been made a lot sooner and with a much larger budget. If that had happened though, we probably would not have been blessed with a Deadpool movie of this high a caliber. Ryan Reynolds poured a lot of himself into getting this movie made, and it shows. He is so perfect for the role, with his sarcastic attitude towards all things and dark undertones in all of his humor. The director and writers have created a faithful iteration of the titular character, with none of that mouthless garbage we received before. Deadpool is funny, with visually striking action and mocking attitude towards the superhero movie genre. The character breaks the fourth wall and insults practically everyone he interacts with, and it is glorious. The R rating, while the studio considered it a big risk, is actually the movie's greatest boon, as it allows Deadpool to be what he is. The only thing the movie suffers from is that the stakes don't ever feel too high, as anyone familiar with Deadpool knows he is capable and powerful enough to take down much greater threats. The movie mostly serves as a primer for bigger and better things for the character, however, and in that function it is an overwhelming success.

Kyera (8 KP) rated Batgirl, Volume 2: Son of Penguin in Books
Feb 1, 2018
I fell in love with Babs again when her story was reintroduced in DC's New 52 and she got a costume redesign. As much as I enjoyed Gail Simone's run, it was the collaboration of Cameron Stewart, Brenden Fletcher and Babs Tarr that pulled me back in. I became obsessed with the new costume and loved Babs Tarr's art style. I adored issues 35-52, but then there was another change with DC Rebirth and Batgirl left Burnside. I was not quite as invested in the first few issues (plus I didn't enjoy the art), but that was soon remedied with the introduction of Penguin's son.
The story arc contained in Volume 2: Son of Penguin felt more like the New 52 Batgirl I fell in love with, again. Although the plot was predictable at times, it will still enjoyable. Both Hope Larson's writing and the talents of the artists gave me hope that Batgirl's run will continue to improve. As she is my favourite female superhero (other than Wonder Woman, I truly couldn't choose) I cannot wait to see where this team takes her story.
I would definitely recommend her Batgirl of Burnside arc from the New 52 and her new story in Rebirth to fans of comics and interesting female characters. I may also be biased because in this iteration she is a grad school student who is currently studying to become a librarian, which is exactly what I am doing - so I feel like we are kindred spirits, or twins. Whatever.
The story arc contained in Volume 2: Son of Penguin felt more like the New 52 Batgirl I fell in love with, again. Although the plot was predictable at times, it will still enjoyable. Both Hope Larson's writing and the talents of the artists gave me hope that Batgirl's run will continue to improve. As she is my favourite female superhero (other than Wonder Woman, I truly couldn't choose) I cannot wait to see where this team takes her story.
I would definitely recommend her Batgirl of Burnside arc from the New 52 and her new story in Rebirth to fans of comics and interesting female characters. I may also be biased because in this iteration she is a grad school student who is currently studying to become a librarian, which is exactly what I am doing - so I feel like we are kindred spirits, or twins. Whatever.

Kevin Wilson (179 KP) rated Black Panther (2018) in Movies
Jul 19, 2018
Great cast (2 more)
Lots of action
Interesting story
The typical marvel formula (2 more)
Too many characters to develop each one
Boring villain
Are we finally feeling marvel fatigue?
I do feel this movie is very overrated. It was good sure but not as good as what people have made it out to be.
This could just be superhero fatigue. Or maybe it's just marvel fatigue because I'm still interesyed in what DC will offer. This just didn't feel very unique to me. Marvel seems to focus a lot on action, set pieces, CGI than its characters. The villain was boring and underdeveloped. It did have strong female characters, I'll give it that but was very underused. Black panther is well cast.
There were parts of this movie that felt very ironman and other parts that felt very James bond weirldy enough. There were times the CGI was distracting and when they tried to be too funny it didn't work. I'm talking about the car chase scene.
I knew nothing about black panther going in except was was in civil war and I'm not sure where they are going to go with the character.
I know I'm talking negatively but don't get me wrong the action was fun. The fight scenes were well choreographed, I live Martin Freeman in everything and it was interesting to see wakanda with all the technological advances. It's nots a bad movie, it was just overrated and just didn't live up to expectations. They falled flat in many areas.
This could just be superhero fatigue. Or maybe it's just marvel fatigue because I'm still interesyed in what DC will offer. This just didn't feel very unique to me. Marvel seems to focus a lot on action, set pieces, CGI than its characters. The villain was boring and underdeveloped. It did have strong female characters, I'll give it that but was very underused. Black panther is well cast.
There were parts of this movie that felt very ironman and other parts that felt very James bond weirldy enough. There were times the CGI was distracting and when they tried to be too funny it didn't work. I'm talking about the car chase scene.
I knew nothing about black panther going in except was was in civil war and I'm not sure where they are going to go with the character.
I know I'm talking negatively but don't get me wrong the action was fun. The fight scenes were well choreographed, I live Martin Freeman in everything and it was interesting to see wakanda with all the technological advances. It's nots a bad movie, it was just overrated and just didn't live up to expectations. They falled flat in many areas.

Erika (17789 KP) rated Glass (2019) in Movies
Jan 19, 2019 (Updated Jan 19, 2019)
Bruce Willis is just collecting a paycheck at this point in his career. (1 more)
Foreshadowing makes everything completely obvious.
A completely polarizing film
Disclaimer: I've now seen this film twice, and I'm fully prepared to finally write this review. I may be a partial M. Night apologist, so, warning, that's where I'm coming from. Side Note: Avatar: The Last Airbender is never a film I'll defend, it sucked.
This is probably not the movie people were expecting. This film was purposely the antithesis of the standard superhero film, and it was completely on purpose. Yes, the end was anti-climactic, however, for these characters, it made complete sense.
My issue was that the heavy-handed foreshadowing made the story line completely obvious. Again, I watch a lot of films and read a lot of books, so I am rarely surprised by twists. One of the twists was foreshadowed by Split itself, and the lineage of a certain character was kind of obvious once it was revealed Unbreakable was connected.
I also feel like Bruce Willis is just collecting a paycheck, he was mostly just moody Dunn. Which, was fine for the character, but it's almost all of his characters now.
I absolutely adored James McAvoy in the film, his performance made the film worth watching, hence, why I went again. Also, I want all of Casey's (Anya Taylor-Joy) clothing worn throughout the film.
Again, this is a polarizing film, and I'm sure a ton of people will disagree with me. But, it was the perfect ending to the trilogy.
This is probably not the movie people were expecting. This film was purposely the antithesis of the standard superhero film, and it was completely on purpose. Yes, the end was anti-climactic, however, for these characters, it made complete sense.
My issue was that the heavy-handed foreshadowing made the story line completely obvious. Again, I watch a lot of films and read a lot of books, so I am rarely surprised by twists. One of the twists was foreshadowed by Split itself, and the lineage of a certain character was kind of obvious once it was revealed Unbreakable was connected.
I also feel like Bruce Willis is just collecting a paycheck, he was mostly just moody Dunn. Which, was fine for the character, but it's almost all of his characters now.
I absolutely adored James McAvoy in the film, his performance made the film worth watching, hence, why I went again. Also, I want all of Casey's (Anya Taylor-Joy) clothing worn throughout the film.
Again, this is a polarizing film, and I'm sure a ton of people will disagree with me. But, it was the perfect ending to the trilogy.

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