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LeftSideCut (3778 KP) rated Doctor Sleep (2019) in Movies
Nov 5, 2019 (Updated Nov 24, 2019)
Contains spoilers, click to show
Doctor Sleep certainly has some big footprints to follow. Nearly 40 years after the release of the hugely beloved The Shining, Director Mike Flanagan has the rather complicated task of adapting Stephen King's follow up sequel novel, whilst also attempting to deliver a solid follow up to Stanley Kubrick's original film. And he pulls it off pretty damn well.
The narrative follows a now adult Danny Torrance (Ewan McGregor), as he struggles with alcoholism. As he begins to put his life back together, he is thrown into a friendship with Abra Stone (Kyliegh Curran), a young girl who has similar powers to Danny, and who is being pursued by a cult who feed on the life force of those who possess 'The Shining'.
This new story is a really tight and fantastic thriller story in its own right. Flanagan takes a leaf from Kubrick's book and provides us with and unsettling atmosphere, complete with a Shining-esque creepy string music score, instead of relying on jump scares and other horror tropes.
It's effective, and engaging. A big part of this is down to the cast. Danny and Abra are both very likable protagonists.
The cult is lead by Rose the Hat, played by Rebecca Ferguson, who is both charming and sinister, and a big highlight of Doctor Sleep. Her and her followers fight for survival shows they will not even stop short of child sacrifice to get what they need, and it makes for a band of genuinely scary villains
The scenery is beautiful throughout, the the effects work on some of the more trippy scenes are decent, and the film toes the line in regards to relying on The Shining nostalgia too much, that is until the final act.
HUGE SPOILERS FOR DOCTOR SLEEP INCOMING
The last 30 minutes are undeniably fun, and a genuinely great climax, to a genuinely great film, but it does just about go overboard with it's 'look at this, remember this?' style of nostalgia. The sad thing is, it probably amounts to about 10 seconds of screentime that slightly sours the experience.
When Danny is at the bar, it's clear that he is talking to Jack before we even see the side of his face. His side profile is fine - absolutely no need to show his full face. Similarly a bit later, a recreated shot of Jack Torrance walking up the stairs towards his wife, didn't need to be there, nor did the shot of Rose the Hat seeing blood pouring from the elevator doors.
The film stops just short of having Ewan McGregor axe his way through a door panel thankfully, and it's only a small criticism of an otherwise nicely executed sequence.
Elsewhere tells a different story - The opening scene of The Shining is recreated, complete with the same iconic score, as overhead shots show us Danny driving up the mountain, towards the Overlook Hotel. It gave me goosebumps and the
scenes near the start of the film which follow directly on from The Shining are great, especially Carl Lumbly, who plays a spot on Mr. Hallorann.
END OF SPOILERS
All in all though, I thoroughly enjoyed Doctor Sleep. The Shining is not an easy shadow to step out from, but Mike Flanagan has created something here which stands on its own two feet.
It's dark, it's fun, it's unnerving, everything you could want from a horror in this day and age, and I genuinely can't wait to watch it again soon.
The narrative follows a now adult Danny Torrance (Ewan McGregor), as he struggles with alcoholism. As he begins to put his life back together, he is thrown into a friendship with Abra Stone (Kyliegh Curran), a young girl who has similar powers to Danny, and who is being pursued by a cult who feed on the life force of those who possess 'The Shining'.
This new story is a really tight and fantastic thriller story in its own right. Flanagan takes a leaf from Kubrick's book and provides us with and unsettling atmosphere, complete with a Shining-esque creepy string music score, instead of relying on jump scares and other horror tropes.
It's effective, and engaging. A big part of this is down to the cast. Danny and Abra are both very likable protagonists.
The cult is lead by Rose the Hat, played by Rebecca Ferguson, who is both charming and sinister, and a big highlight of Doctor Sleep. Her and her followers fight for survival shows they will not even stop short of child sacrifice to get what they need, and it makes for a band of genuinely scary villains
The scenery is beautiful throughout, the the effects work on some of the more trippy scenes are decent, and the film toes the line in regards to relying on The Shining nostalgia too much, that is until the final act.
HUGE SPOILERS FOR DOCTOR SLEEP INCOMING
The last 30 minutes are undeniably fun, and a genuinely great climax, to a genuinely great film, but it does just about go overboard with it's 'look at this, remember this?' style of nostalgia. The sad thing is, it probably amounts to about 10 seconds of screentime that slightly sours the experience.
When Danny is at the bar, it's clear that he is talking to Jack before we even see the side of his face. His side profile is fine - absolutely no need to show his full face. Similarly a bit later, a recreated shot of Jack Torrance walking up the stairs towards his wife, didn't need to be there, nor did the shot of Rose the Hat seeing blood pouring from the elevator doors.
The film stops just short of having Ewan McGregor axe his way through a door panel thankfully, and it's only a small criticism of an otherwise nicely executed sequence.
Elsewhere tells a different story - The opening scene of The Shining is recreated, complete with the same iconic score, as overhead shots show us Danny driving up the mountain, towards the Overlook Hotel. It gave me goosebumps and the
scenes near the start of the film which follow directly on from The Shining are great, especially Carl Lumbly, who plays a spot on Mr. Hallorann.
END OF SPOILERS
All in all though, I thoroughly enjoyed Doctor Sleep. The Shining is not an easy shadow to step out from, but Mike Flanagan has created something here which stands on its own two feet.
It's dark, it's fun, it's unnerving, everything you could want from a horror in this day and age, and I genuinely can't wait to watch it again soon.
Darren (1599 KP) rated Freaks Of Nature (2015) in Movies
Nov 29, 2019
Verdict: Silly Sci-Fi Horror Comedy
Story: Freaks of Nature starts as we head to Dillford, where humans, vampires and zombies leave side by side, we follow three high school students, Dag (Braun) who doesn’t want to follow in his father’s footsteps, Petra (Davis) that has been crushing a vampire, hoping to get turned into one herself and Ned (Fadem) a school geek that is destiny for better things, but is tired of his parents dreams in his brother, deciding he wants to become a vampire.
When aliens arrive in the town, the vampires and zombies go on a feeding craze, where Dag, Petra and Ned, must stand together in an attempt to survive the alien invasion even if they are different species now, they must put these difference behind them to survive.
Thoughts on Freaks of Nature
Characters – Dag comes from a normal family that sees him being in the middle of the high school hierarchy, he gets picked on by the jocks and just wants to be something more, waiting for the day he can be with his dream girl. Petra is dreaming of a vampire party, which sees her getting turned into one, looking for a chance to learn about her new blood lust. She hasn’t always fitted in, which has never bothered her. Ned is the smartest kid in school, his parents are more interested in their jock son, which sees them ignoring him more often than not, making him want to become dumber like the zombies. We do meet a host of other characters that are different a mix of humans, vampires and zombies each with their own stigma.
Performances – Nicholas Braun, Mackenzie Davis and Josh Fadem in the leading roles do bring out the colourful side of their characters even if they fit the generic types for a high school movie. We do have some big name comic actors that get their moments to shine too.
Story – The story here follows three high school kids growing up in a world of humans, vampires and zombies when aliens visit causing chaos as the three unlikely friends must come together to save themselves and the town. This is meant to be more of a parody, more than a serious story, which for the most part is fine, it plays out like a zombie survival story when the outbreak just starts, finding a hiding place before figuring out what to do, while trying to deal with high school problems the three are facing. It isn’t as clever of a story as it thinks, which does leave parts of it feeling flat by the end.
Comedy/Horror/Sci-Fi – The comedy is meant to be more parody, which tries to poke fun at the invasion genre, while the horror is meant to be about the creatures in horror, rather than being scary in anyway, with the aliens being the sci-fi side of the film, which is the biggest threat, but not focused on enough.
Settings – The film is set in a small town which does bring the characters together through the problems they will be facing, how certain stories around town bring them together.
Scene of the Movie – Opening attack.
That Moment That Annoyed Me – Doesn’t get enough laughs for a comedy.
Final Thoughts – This is a comedy that just doesn’t get enough laughs and ends up feeling flat by the end of the film.
Overall: Flat Comedy.
Story: Freaks of Nature starts as we head to Dillford, where humans, vampires and zombies leave side by side, we follow three high school students, Dag (Braun) who doesn’t want to follow in his father’s footsteps, Petra (Davis) that has been crushing a vampire, hoping to get turned into one herself and Ned (Fadem) a school geek that is destiny for better things, but is tired of his parents dreams in his brother, deciding he wants to become a vampire.
When aliens arrive in the town, the vampires and zombies go on a feeding craze, where Dag, Petra and Ned, must stand together in an attempt to survive the alien invasion even if they are different species now, they must put these difference behind them to survive.
Thoughts on Freaks of Nature
Characters – Dag comes from a normal family that sees him being in the middle of the high school hierarchy, he gets picked on by the jocks and just wants to be something more, waiting for the day he can be with his dream girl. Petra is dreaming of a vampire party, which sees her getting turned into one, looking for a chance to learn about her new blood lust. She hasn’t always fitted in, which has never bothered her. Ned is the smartest kid in school, his parents are more interested in their jock son, which sees them ignoring him more often than not, making him want to become dumber like the zombies. We do meet a host of other characters that are different a mix of humans, vampires and zombies each with their own stigma.
Performances – Nicholas Braun, Mackenzie Davis and Josh Fadem in the leading roles do bring out the colourful side of their characters even if they fit the generic types for a high school movie. We do have some big name comic actors that get their moments to shine too.
Story – The story here follows three high school kids growing up in a world of humans, vampires and zombies when aliens visit causing chaos as the three unlikely friends must come together to save themselves and the town. This is meant to be more of a parody, more than a serious story, which for the most part is fine, it plays out like a zombie survival story when the outbreak just starts, finding a hiding place before figuring out what to do, while trying to deal with high school problems the three are facing. It isn’t as clever of a story as it thinks, which does leave parts of it feeling flat by the end.
Comedy/Horror/Sci-Fi – The comedy is meant to be more parody, which tries to poke fun at the invasion genre, while the horror is meant to be about the creatures in horror, rather than being scary in anyway, with the aliens being the sci-fi side of the film, which is the biggest threat, but not focused on enough.
Settings – The film is set in a small town which does bring the characters together through the problems they will be facing, how certain stories around town bring them together.
Scene of the Movie – Opening attack.
That Moment That Annoyed Me – Doesn’t get enough laughs for a comedy.
Final Thoughts – This is a comedy that just doesn’t get enough laughs and ends up feeling flat by the end of the film.
Overall: Flat Comedy.
Sophia (Bookwyrming Thoughts) (530 KP) rated This Is Where It Ends in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I don't know whether or not to applaud Marieke Nijkamp for writing about a school shooting. (I might have to – I'll honestly admit I haven't read a single book about this particular subject.)
I won't be applauding over the fact <i>This Is Where It Ends</i> is told in a span of about an hour from four different student perspectives.
Far too much is happening in the span of 1-3 minutes per chapter for the book to feel realistic in some parts. But the timing is the least of my worries, because I've never actually been a shooting (nor do I ever want to). Therefore, I don't actually know. Maybe <em>a lot</em> of things actually happen in a minute when it comes to the fight for survival. Maybe everyone does everything faster, including moving around the outside of an auditorium (large or small, it wasn't specifically mentioned, but let's go with a typically large auditorium).
But then there are texts and social media and a blog. It only makes the book feel modernized.
I also won't be applauding over the name, aside from the fact the punny side of me is in a fit of giggles the entire time. The city name – Opportunity – is one of those puns worthy of a major facepalm (but I do love horrible puns).
Anyways, to the student perspectives. All of them are related to or impacted by the shooter, Tyler, in some way.
<ul>
<li><strong>Autumn</strong> – Tyler's sister who loves to dance.</li>
<li><strong>Sylv</strong> – Raped by Tyler for liking girls.</li>
<li><strong>Claire</strong> – Tyler's ex-girlfriend (who apparently has a thing for kissing guys first).</li>
<li><strong>Tomas</strong> – Some sort of clash/feud with Tyler. Among other problemos. Oh, and Sylv's twin brother.</li>
</ul>
Then the shooter. Tyler, who apparently has a lot of problems with the above four people and many more. Who got kicked out of high school, planned to come back, and then decided to blow as many brains out as possible in the process.
I feel like I'm repeating what plenty of other reviewers have said thus far, but I have to say, I agree with them.
I want to hear from Tyler's viewpoint. I want to hear his motives that led him to this action. I don't really want to hear from four other people who may or may not know Tyler really well – they don't actually read minds and are therefore more worried about the now (read: surviving or finding help), pondering on his motives, and wondering if they should have known he was going to go blow the brains out of people.
Maybe a prequel needs to be in store.
Although <i>This Is Where It Ends</i> should have been a sequel, it's still psychologically impacting to those who had first hand experience with the topic.
<a href="https://bookwyrmingthoughts.com/arc-review-this-is-where-it-ends-by-marieke-nijkamp/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I don't know whether or not to applaud Marieke Nijkamp for writing about a school shooting. (I might have to – I'll honestly admit I haven't read a single book about this particular subject.)
I won't be applauding over the fact <i>This Is Where It Ends</i> is told in a span of about an hour from four different student perspectives.
Far too much is happening in the span of 1-3 minutes per chapter for the book to feel realistic in some parts. But the timing is the least of my worries, because I've never actually been a shooting (nor do I ever want to). Therefore, I don't actually know. Maybe <em>a lot</em> of things actually happen in a minute when it comes to the fight for survival. Maybe everyone does everything faster, including moving around the outside of an auditorium (large or small, it wasn't specifically mentioned, but let's go with a typically large auditorium).
But then there are texts and social media and a blog. It only makes the book feel modernized.
I also won't be applauding over the name, aside from the fact the punny side of me is in a fit of giggles the entire time. The city name – Opportunity – is one of those puns worthy of a major facepalm (but I do love horrible puns).
Anyways, to the student perspectives. All of them are related to or impacted by the shooter, Tyler, in some way.
<ul>
<li><strong>Autumn</strong> – Tyler's sister who loves to dance.</li>
<li><strong>Sylv</strong> – Raped by Tyler for liking girls.</li>
<li><strong>Claire</strong> – Tyler's ex-girlfriend (who apparently has a thing for kissing guys first).</li>
<li><strong>Tomas</strong> – Some sort of clash/feud with Tyler. Among other problemos. Oh, and Sylv's twin brother.</li>
</ul>
Then the shooter. Tyler, who apparently has a lot of problems with the above four people and many more. Who got kicked out of high school, planned to come back, and then decided to blow as many brains out as possible in the process.
I feel like I'm repeating what plenty of other reviewers have said thus far, but I have to say, I agree with them.
I want to hear from Tyler's viewpoint. I want to hear his motives that led him to this action. I don't really want to hear from four other people who may or may not know Tyler really well – they don't actually read minds and are therefore more worried about the now (read: surviving or finding help), pondering on his motives, and wondering if they should have known he was going to go blow the brains out of people.
Maybe a prequel needs to be in store.
Although <i>This Is Where It Ends</i> should have been a sequel, it's still psychologically impacting to those who had first hand experience with the topic.
<a href="https://bookwyrmingthoughts.com/arc-review-this-is-where-it-ends-by-marieke-nijkamp/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Riddick (2013) in Movies
Mar 10, 2020
When are directors ever going to learn from their own mistakes. I mean you would think it was a no brainer really. Your first film is a hit, the sequel dies on its arse and the third instalment is a chance to right the wrongs and win back the fans – yet you’re not able to capitalise.
Riddick (Vin Diesel) has been left for dead… again, which is becoming something of a habit. This time stranded on a planet with practically no chance of survival. The opening twenty minutes almost plays out like an episode of Bear Grylls, as Riddick fends off an attack from a pack of rabid Alien like dingos, finds water and fixes a broken leg as only he can (causing some wincing from the audience).
This part is slow, although it still proves that Vin Diesel is worth the entrance fee if he’s able to hold the attention on his own for this long. All this messing about tries to set up the film on some kind of narrative, cutting back to how Riddick ended up in this predicament in the first place. Vin Diesel’s character has his Fuyran backstory elaborated further and how he was betrayed and left for dead on the rock we find him on which, incidentally, he thought was his home planet of Fuyra but as he puts it “not Fuyra!”
After the one man show the film moves into overdrive as two teams of bounty hunters descend to take Riddick’s head back in a box. This begins about forty-five minutes of awful one liners and total blatant sexism. The characters are mismatched and none that you really care about. When you suddenly get immersed in the action you get a sense of deja vu taking you back to Predator and Aliens, as the team of crack shots get picked off one by one.
The action is alright but it’s nothing special. The overall shooting of the film isn’t enhanced by the fact it’s all done in front of a green screen.
There are plenty of plot holes and Twohy has to result in pinching a sub plot from Pitch Black as the character Johns (senior in this case) becomes an all too familiar figure. Fans of the original will know what I’m talking about. This does little to enhance the film and is just a glorified way to salvage something that really hasn’t been good from the outset. What made Pitch Black so revering was the fact that we knew nothing about Riddick, he was just there for the ride.
In this we know far too much about him, and personally I didn’t really want to. I liked him how he was, a dark entity with issues and whether or not he was the type of person that you could trust? Perhaps the biggest shock and something of an annoyance was the blatant sexism on show for poor Katee Sackhoff. Clearly a sexy on screen presence she spends most of her time fending off advances from Jordi Mollà’s Santana.
The final act is almost a par with the end of Pitch Black as Riddick and the remaining crew fend off a mass attack from those scorpion like atrocities that we met at the start. Riddick is a step down not up for the franchise and it’s a bit of a misguided mess with a poor script and sexist dialogue. If they even attempt to think of returning for a fourth then they’re going to have to re-shine their eyeballs so they can see more clearly.
Riddick (Vin Diesel) has been left for dead… again, which is becoming something of a habit. This time stranded on a planet with practically no chance of survival. The opening twenty minutes almost plays out like an episode of Bear Grylls, as Riddick fends off an attack from a pack of rabid Alien like dingos, finds water and fixes a broken leg as only he can (causing some wincing from the audience).
This part is slow, although it still proves that Vin Diesel is worth the entrance fee if he’s able to hold the attention on his own for this long. All this messing about tries to set up the film on some kind of narrative, cutting back to how Riddick ended up in this predicament in the first place. Vin Diesel’s character has his Fuyran backstory elaborated further and how he was betrayed and left for dead on the rock we find him on which, incidentally, he thought was his home planet of Fuyra but as he puts it “not Fuyra!”
After the one man show the film moves into overdrive as two teams of bounty hunters descend to take Riddick’s head back in a box. This begins about forty-five minutes of awful one liners and total blatant sexism. The characters are mismatched and none that you really care about. When you suddenly get immersed in the action you get a sense of deja vu taking you back to Predator and Aliens, as the team of crack shots get picked off one by one.
The action is alright but it’s nothing special. The overall shooting of the film isn’t enhanced by the fact it’s all done in front of a green screen.
There are plenty of plot holes and Twohy has to result in pinching a sub plot from Pitch Black as the character Johns (senior in this case) becomes an all too familiar figure. Fans of the original will know what I’m talking about. This does little to enhance the film and is just a glorified way to salvage something that really hasn’t been good from the outset. What made Pitch Black so revering was the fact that we knew nothing about Riddick, he was just there for the ride.
In this we know far too much about him, and personally I didn’t really want to. I liked him how he was, a dark entity with issues and whether or not he was the type of person that you could trust? Perhaps the biggest shock and something of an annoyance was the blatant sexism on show for poor Katee Sackhoff. Clearly a sexy on screen presence she spends most of her time fending off advances from Jordi Mollà’s Santana.
The final act is almost a par with the end of Pitch Black as Riddick and the remaining crew fend off a mass attack from those scorpion like atrocities that we met at the start. Riddick is a step down not up for the franchise and it’s a bit of a misguided mess with a poor script and sexist dialogue. If they even attempt to think of returning for a fourth then they’re going to have to re-shine their eyeballs so they can see more clearly.
Zachary Wilson (3 KP) rated Super Mario Party in Video Games
Jul 29, 2019
A return to familiar territory (2 more)
Clever use of strategic elements
Variety of modes
Requires a single Joy-Con (2 more)
Boards are small and uninteresting
Only 4 boards in the main party mode
Super Mario Party returns to its classic roots, you know, before Mario Party 9. Though at the same time however it's not a 100% reunion. Sure you can move around freely again which is nice; but this party still wants to spice things up. See, they loved what they created on the 3DS, specifically Star Rush because elements of Star Rush make it's way to this classic party. For instance, every character has a unique die, and you can have up to 3 partners as you play. All taken from Star Rush. Heck, there's a team mode that plays very similarly to the main mode of Star Rush. The main mode in Super then is a disappointment. For starters, 4 boards is terrible and actually, this game now officially has the LEAST amount of boards out of any Mario Party game and that's terrible (I do not count Mario Party Advance or The Top 100 because both are completely different). It doesn't help that the boards aren't as fun as the old games. For one, they're all big squares and that's because they use the same 4 boards in the team mode, which turns the 4 boards into a grid design. These 4 boards are uninteresting to play on in my opinion compared to the very creative boards of the GameCube era Mario Parties. Yes, all the elements of a classic Mario Party are here. Collect coins, buy the star, don't get screwed. Even this has changes for the worse. Everything is cheaper so stars now only cost 10 coins. It's so easy to get coins, you might as well make stars free because I'd be very impressed if you couldn't afford a star. Coins basically become meaningless as you can constantly buy whatever item you want and the star at all times unless you have the absolute worst luck. This means you can go to the same corner of the board that sells the golden warp pipe, and use the pipe to get free stars. Items are not randomized in shops so if you know which item shop sells the pipe, then you can always just visit that shop over and over and not even bother actually trying to chase after the star. There is one board that's an exception to all've my complaints, and it's the best board because of it. Overall the main mode is just meh to me. Because this review is getting stupidly long, I'll rush the rest. The other modes are fine. Team mode's great if you liked Star Rush. Rythm Heaven moddme was fun. Water survival would've been better without the minigames. Basically everything else is perfectly fine and save this game from getting any lower. Look, I don't hate this game. I just think it's an ok game and isn't necessarily the return I was hoping for. If you're a fan of Mario Party then sure, get this game. I wouldn't trust my review. I think Mario Party 9 is amazing and I have no idea why anyone loves Mario Party 4 because I think it's one of the worst. Do you really trust my criticism of this one?
Darren (1599 KP) rated The Keeping Room (2015) in Movies
Aug 6, 2019
Story: The Keeping Room starts as during the civil war, Augusta (Marling), Louise (Steinfeld) and their slave Mad (Otaru) must work together to look after their family home together, while the men are out at war, they are getting by with Louise wanting to do more than just work around the house.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
Gareth von Kallenbach (971 KP) rated Maze Runner: The Scorch Trials (2015) in Movies
Aug 6, 2019
Knowing my love of reading, a friend of mine suggested I read The Maze Runner by James Dashner a few years ago. I had just finished reading Hunger Games so, honestly, I was burned out on post-apocalyptic survival stories so I set it aside. However, being familiar with the title, my interest was piqued when the movie was announced and I found myself drawn into the story more than I expected when I screened The Maze Runner movie in 2014. It didn’t have the desperate drama of The Hunger Games, but the mystery of the maze was intriguing enough.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
Gareth von Kallenbach (971 KP) rated Interstellar (2014) in Movies
Aug 6, 2019
For my money, Christopher Nolan is the best director and storyteller in the film industry today. Over the years he has grown with each film he has created. In his early work, like Following, Memento, and Insomniac, he experimented with different notions of how we as an audience perceived a story unfold on film. In each of those films he learned techniques that he carried with him as he moved onto bigger commercial success’ like The Dark Knight Trilogy and The Prestige. All of those techniques, culminated in my humble opinion, his masterpiece with 2010s Inception. Now he is back, with a space exploration film for this generation that rivals Stanley Kubrick’s 2001: A Space odyssey with an added dash of 1997s Contact.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
Neon's Nerd Nexus (360 KP) rated Underwater (2020) in Movies
Feb 13, 2020
Under Pressure
Underwater is basically Alien underwater but without a doubt proves that sometimes you just cant go wrong when you just borrow from the best. From the moment it starts the nostalgia that hit me watching this was insane, its like all my favourite scifi movies from growing up got mashed together and came back just to surprise me. In a sense its The Abyss, Alien, Deep Rising, Virus, Prometheus and Doom all rolled into one movie and I just couldnt help but smile as the film played out in front of me. Right off the get go we are thrown straight into the action and ive read so much criticism from people on this part of the movie saying that it doesnt give us time to get to know the characters. Personally I quite liked this approach as I felt we didnt really need to get to know everyone because in a random catastrophic situation such as this it really doesnt matter about who people are, everyone is a blank slate and they must all put aside thier differences and band together to fight solely for survival. Yes it does mean to an extent we aren't as attached to them but when tension and panic is created so well here not knowing these characters adds way more unpredictability and also helps make you the viewer step into thier shoes easier too. While the story is also fairly basic its way of story telling is subtle using the environment or small character actions so you can piece together a deeper story for yourself. Getting a hold on your mind/mental state is a big theme here and I loved the way the film subjects our already unstable characters to extremely traumatic events but forces them to learn how to subdue or tame thier emotions if if they are to maintain focus and survive. Kristen Stewart is fantastic as always and probably could of carried the film on her own if she had to. Her character is clearly already suffering with trauma and anxiety of her own and watching her have to hold together and stay strong to help motivate others is riveting as every now and then we see small glimpses of her cracking under the pressure. What an absolute joy it also is to see Vincent Cassel back in movies again, the guy is just awesome in what ever he is in and its no different here. Oh and TJ Miller isnt anoying and unlikable for once either, how about that. Visualls are also great and combine with nice sets they help create a creepy, claustrophobic, tense and unnerving sence of dread constantly. Creature design is really nice too (reminded me of the creatures from the recent Doom games) and theres some scenes that are absolutely chilling to watch too. Score wise its is also noticeably good really helping to ramp up the dread and fear elements nicely. To sum everything up I found this movie so much fun and while it doesnt do anything new I lost count of the times I just sat there thinking to myself "Daaamn thats so friggin cool". I do miss movies like this and its nice to see Underwater dare to bring back the good old 90s scifi monster movie vibe.
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