Rotten Peaches
Book
Rotten Peaches is a gripping epic filled with disturbing and unforgettable insights into the human...
Noir Suspense Thriller
The Tall Man
9.0
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Book
The Tall Man is an addictive and unforgettable blend of psychological suspense and spine-tingling...
Dangerous Women
10.0
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Book
Kezia Hayter knows these women aren't dangerous. One hundred and eighty petty convicts, all...
Historical fiction Suspense
Charlotte (184 KP) rated Mockingbird's Cry (Hera Force #1) in Books
Oct 26, 2021
Mockingbird's Cry is full of suspense, intrigue and romance, which makes a good all around read. There's plenty of action to keep you entertained.
Jo, an ex-member of Hera Force (all-female black ops group) is pulled back into the military life (that was ruined by a failed mission) working with Lincoln.... gorgeous, ex co-operative and lover from many moons ago!
Both are strong and capable, you'd need to be with all the twists, turns and lies that keep getting in their way personally and professionally.
The way that the two characters interact is well written and I really feel for them. I love how resilient Jo is.
Hazel (2934 KP) rated The Guest House in Books
Jun 26, 2022
The characters are well developed and whilst you may not like some of them very much, this works well with the story. It is written in the past and present which helps to build the tension and intrigue until the killer twist is revealed.
Recommended to those who enjoy something a little different with plenty of suspense and thanks go to Orion Publishing Group and NetGalley for enabling me to read The Guest House and to share my thoughts.
Merissa (12358 KP) created a post
Jun 28, 2023
Show No Mercy
6.0
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Book
When a blind date ends in disaster, Hector is about to swear off dating for good, until he sees a...
Contemporary MM Romance Paranormal Thriller Dark
Companion (2025)
Movie
"Companion" (2025) is a sci-fi thriller directed by Drew Hancock. Starring Sophie Thatcher and Jack...
JT (287 KP) rated Don't Breathe (2016) in Movies
Mar 10, 2020
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Natalie (23 KP) rated We Were Liars in Books
Nov 13, 2017
Though I enjoyed Lockart's technique and style overall and really enjoyed the twist, there were a few hang-ups that I couldn't get over. The suspense is there, but accounts for about 80% of the book, before we get to the substance. I have no problem with a book that is slow-paced in general, but this felt like much of the first two thirds of the book was inconsequential, then we quickly dealt with the nitty-gritty. Furthermore, Cady is so passive that it's frustrating and makes it no wonder that the narrative crawls along - we might get somewhere faster if Cady had any spark about her and could face a confrontation or two. By making Cady herself a writer, Lockhart has opened up a few other interesting techniques to get to know our protagonist better, though they unfortunately fall just short.