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Daylight Robbery (Aspen Falls #6)
10.0
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It was supposed to be a seamless robbery. In and out without a trace. But then Police Chief Marks...
Contemporary Romantic Suspense
The Survivors
Book
Jane Harper is one of Australia's most loved and successful authors and The Survivors is her latest...
Merissa (13288 KP) rated Fractured Hearts in Books
May 23, 2023
Charlie has her heart broken at a young age and decided that it would never happen again. She threw herself into her studies and becomes a new resident vet. Whilst out one night with her friend, she sees a sexy cowboy who she would like to know more about. He seems to feel the same way and they dance together, feeling the sparks fly. However, when it appears that his friend is the one who broke her heart years previously, Charlie makes a run for it, unwilling to see the disgust in his eyes when he realises who she is.
Now, to be honest, that's the one part that confused me. I could understand her not wanting to see him, to be wary of his reaction, but I just don't know why he would have had disgust in his eyes. Anyway, that's a distraction from the story, which I thoroughly enjoyed!
The scenes between these three as they learn to have a relationship with each other, and how it changes, are very well-written. There is a lot to read and it is written in a way that draws you in, letting you see events from every perspective. The bedroom scenes are smokin' and will leave you wanting more.
With an intricate love story, action and suspense, this is a brilliant story that I would definitely recommend. Brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 25, 2016
Now, to be honest, that's the one part that confused me. I could understand her not wanting to see him, to be wary of his reaction, but I just don't know why he would have had disgust in his eyes. Anyway, that's a distraction from the story, which I thoroughly enjoyed!
The scenes between these three as they learn to have a relationship with each other, and how it changes, are very well-written. There is a lot to read and it is written in a way that draws you in, letting you see events from every perspective. The bedroom scenes are smokin' and will leave you wanting more.
With an intricate love story, action and suspense, this is a brilliant story that I would definitely recommend. Brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 25, 2016
Debbiereadsbook (1533 KP) rated Show No Mercy in Books
Nov 20, 2024
i liked the instanta nd powerful attraction
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
Hector's blind date goes wrong, and then he finds himself running for his life with a bleeding stranger in tow.
I liked that this book jumps straight into what is going on with Callum, and that Hector gets pulled in. I wasn't sure it was going to work for me, but it holds up well through the book, that start. It's sort of sets the pace for the book.
I did feel though, at times, that the pace was WAAAAAAAAAAAAY too quick. I found myself struggling to keep up, things were happening so fast. But it's a relatively short book, 195 pages, and you can only get so much on the page count. I would have just liked a bit of a let up from everything, really. Just to catch my breath!
I would have liked some more of the suspense that is tagged with the book. There is, I felt, none. We know, right from the start, who is doing what they are doing to Callum and Hector.
But there is lots of the passion the book is tagged with, and I liked that the attraction and connection between these two men is powerful and almost instant, but it never ever wavers, not even when they are both faced with such a situation they find themselves in.
Only Hector gets a say though. And really this is the only reason I rounded my 3.5 stars down, rather than up.
3.5 stars, rounded down for the blog.
*same worded review will appear elsewhere
Hector's blind date goes wrong, and then he finds himself running for his life with a bleeding stranger in tow.
I liked that this book jumps straight into what is going on with Callum, and that Hector gets pulled in. I wasn't sure it was going to work for me, but it holds up well through the book, that start. It's sort of sets the pace for the book.
I did feel though, at times, that the pace was WAAAAAAAAAAAAY too quick. I found myself struggling to keep up, things were happening so fast. But it's a relatively short book, 195 pages, and you can only get so much on the page count. I would have just liked a bit of a let up from everything, really. Just to catch my breath!
I would have liked some more of the suspense that is tagged with the book. There is, I felt, none. We know, right from the start, who is doing what they are doing to Callum and Hector.
But there is lots of the passion the book is tagged with, and I liked that the attraction and connection between these two men is powerful and almost instant, but it never ever wavers, not even when they are both faced with such a situation they find themselves in.
Only Hector gets a say though. And really this is the only reason I rounded my 3.5 stars down, rather than up.
3.5 stars, rounded down for the blog.
*same worded review will appear elsewhere
The Committee Will Kill You Now
Book
The gripping new book from the author of The Algorithm Will See You Now. Based on the true-life...
Medical Thriller
We'll Always Have Poison (A Dr. Lily Robinson Novel)
Book
In this series finale, pathologist Dr. Lily Robinson races around the globe to hunt an assassin who,...
Enemies to Lovers Romantic Suspense
Merissa (13288 KP) rated Next Door Protector (Hot as Sin #3) in Books
Apr 16, 2025
NEXT DOOR PROTECTOR is the third book in the Hot as Sin series, featuring firefighters from the same unit. You don't need to have read the others to get this one. If you haven't read a Kitty O'Bliss book before, then you need to know they are short and hot, without much of a backstory.
Alexandra is a dancer who has been stalked for the past three years, moving countless times, but he always finds her. She isolates herself from everyone, not trusting anyone or wanting anyone to get close. Until Jake bangs on her door after deciding she is his. He has decided she is his to protect and claim and he won't take no for an answer. Sounds to me like Alexandra now has two stalkers!
This short story is told completely from Jake's perspective and is incredibly fast-paced. I expected to read more about the stalker, but that would have made it a longer book. Instead, everything is pretty much sorted without any danger or suspense.
While I enjoyed the second book in the series, this one was just too out there for me, especially with just how stalkerish and caveman-like Jake was, and there were some errors in the last chapter that jolted my reading. This is a hot read if that's what you're looking for.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 16, 2025
Alexandra is a dancer who has been stalked for the past three years, moving countless times, but he always finds her. She isolates herself from everyone, not trusting anyone or wanting anyone to get close. Until Jake bangs on her door after deciding she is his. He has decided she is his to protect and claim and he won't take no for an answer. Sounds to me like Alexandra now has two stalkers!
This short story is told completely from Jake's perspective and is incredibly fast-paced. I expected to read more about the stalker, but that would have made it a longer book. Instead, everything is pretty much sorted without any danger or suspense.
While I enjoyed the second book in the series, this one was just too out there for me, especially with just how stalkerish and caveman-like Jake was, and there were some errors in the last chapter that jolted my reading. This is a hot read if that's what you're looking for.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 16, 2025
Guarding Her Heart (Willow Creek Romance #3)
8.0
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I was Willow Creek's confirmed bachelor. Never wanted more than a night. Never stayed for breakfast....
Contemporary Mystery Suspense Romance Military
Forewarned: A Daphne Ann Post Novel
Book
For 15-year-old Daphne Ann Post, the summer of 1976 at Lake Carlson should be filled with new...
Young Adult Supernatural Mystery Suspense
BankofMarquis (1832 KP) rated Psycho (1960) in Movies
Oct 29, 2018
An all-time great performance by Anthony Perkins
I'm sure all of you have (at least) heard of the 1960 Alfred Hitchcock film, PSYCHO. And I'm sure most of you have seen (at least in part) the famous "shower scene". But when was the last time you really sat down and watched this film? It had been awhile for me and I walked away with the following impression:
PSYCHO is not all that scary, but it is suspenseful as heck with strong Direction by the "Master of Suspense" and very strong performances anchoring the front and back end of the film.
PSYCHO was billed when it came out as a "Janet Leigh Film". So, to give this review context, let's look at who Janet Leigh was at the time. Before shooting PSYCHO, Leigh was generally cast as the ingenue and/or love interest in mainstream fair such as LITTLE WOMEN, ANGELS IN THE OUTFIELD and HOUDINI (a modern "comp" to her might be someone like Anne Hathaway before she started doing "edgier" work). Leigh did show that there was more to her than just being an ingenue when she played the morally ambiguous wife of Charlton Heston's character in Orson Welles' TOUCH OF EVIL. This film (probably) gave Hitchcock the idea to cast Leigh in PSYCHO.
When 1960's audiences first saw Leigh on screen in PSYCHO, I'm sure that most of them were shocked for, instead of being the pure and wholesome ingenue and wife, she plays the entire first scene in a bra and slip. Her character, Marion Crane, is not morally ambiguous, she is morally corrupt - and when Leigh's character has a chance to act on her moral corruptness, she jumps at the chance. The rest of the first half of this film is Leigh trying to get away with her "crime". She is quite good in this part of the film and was nominated for an Oscar for Best Supporting Actress (deservedly so).
And then...Anthony Perkins shows up.
We are about 45 minutes into the 1 hour and 49 minute film when Perkins' Norman Bates first appears on screen and an interesting thing happened - I couldn't take my eyes off of him. I was enjoying Leigh's performance but instantly pushed her aside (and to the background) when Perkins shows up. Without giving plot away, let me say that there is much, much going behind Norman's eyes and the performance by Perkins strongly suggests this, without going over-the-top or being melodramatic. It is a perfect blend of actor, character and performance and I was shocked that he was not even NOMINATED for an Oscar (Peter Ustinov would win for SPARTACUS). Perkins performance is one of the all-time greats with one of the most interesting and unusual characters - and portrayals - of all time.
Much of the credit for Perkins' and Leigh's strong performances have to go to Director Hitchcock who was at the height of his Directing powers (and power). From the "get go", you can feel the Director's hand in this film, building suspense from scene to scene and shot to shot, first with Leigh's character and, later, with Perkins. Both characters are trying to get away with something and Hitchcock pulls his camera in close to make a point - from a distance all seems good, but when you get up close, you can tell that things are very bad, indeed.
The filming of the famous "shower scene" is well documented and is a Master Class in film and editing. It is worth the price of admission on it's own - as is a scene on a staircase with Private Detective Arbogast, played by Martin Balsam. Hitchcock chooses to heighten the realism in this scene on the staircase by going a more esoteric route (rather than traditional filming of the events) and, one can argue, it doesn't belong in this film. Until, that is, you think about it and then it makes great sense and absolutely, positively has to be in this film in that way.
Another aspect of this film that begs to be mentioned is the Film Score by the great Bernard Herrmann - Hitchcock's regular collaborator. The music in this film punctuates the action on the screen - from the persistent beat and pacing of the opening credits music - driving the audience forward into the action - that does not let go, reaching it's peak and crescendo in the shower scene and then floating down gently like an animal catching it's breath after great activity.
Does the entire film hold up almost 60 years later? Almost...but not quite. Most annoying to me was the "wrap-up" scene at the end where a character spells out everything for the audience. As if we are not smart enough to "get it" - and perhaps the audiences in 1960 weren't.
But that is a quibble for a film that is a classic and is one that, if you have not seen (or seen for awhile), begs to be seen. Check out this film, not for the scares, but rather, the suspense that is generated by Hitchcock and his performers throughout. A GREAT entree into the world of Alfred Hitchcock films.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
PSYCHO is not all that scary, but it is suspenseful as heck with strong Direction by the "Master of Suspense" and very strong performances anchoring the front and back end of the film.
PSYCHO was billed when it came out as a "Janet Leigh Film". So, to give this review context, let's look at who Janet Leigh was at the time. Before shooting PSYCHO, Leigh was generally cast as the ingenue and/or love interest in mainstream fair such as LITTLE WOMEN, ANGELS IN THE OUTFIELD and HOUDINI (a modern "comp" to her might be someone like Anne Hathaway before she started doing "edgier" work). Leigh did show that there was more to her than just being an ingenue when she played the morally ambiguous wife of Charlton Heston's character in Orson Welles' TOUCH OF EVIL. This film (probably) gave Hitchcock the idea to cast Leigh in PSYCHO.
When 1960's audiences first saw Leigh on screen in PSYCHO, I'm sure that most of them were shocked for, instead of being the pure and wholesome ingenue and wife, she plays the entire first scene in a bra and slip. Her character, Marion Crane, is not morally ambiguous, she is morally corrupt - and when Leigh's character has a chance to act on her moral corruptness, she jumps at the chance. The rest of the first half of this film is Leigh trying to get away with her "crime". She is quite good in this part of the film and was nominated for an Oscar for Best Supporting Actress (deservedly so).
And then...Anthony Perkins shows up.
We are about 45 minutes into the 1 hour and 49 minute film when Perkins' Norman Bates first appears on screen and an interesting thing happened - I couldn't take my eyes off of him. I was enjoying Leigh's performance but instantly pushed her aside (and to the background) when Perkins shows up. Without giving plot away, let me say that there is much, much going behind Norman's eyes and the performance by Perkins strongly suggests this, without going over-the-top or being melodramatic. It is a perfect blend of actor, character and performance and I was shocked that he was not even NOMINATED for an Oscar (Peter Ustinov would win for SPARTACUS). Perkins performance is one of the all-time greats with one of the most interesting and unusual characters - and portrayals - of all time.
Much of the credit for Perkins' and Leigh's strong performances have to go to Director Hitchcock who was at the height of his Directing powers (and power). From the "get go", you can feel the Director's hand in this film, building suspense from scene to scene and shot to shot, first with Leigh's character and, later, with Perkins. Both characters are trying to get away with something and Hitchcock pulls his camera in close to make a point - from a distance all seems good, but when you get up close, you can tell that things are very bad, indeed.
The filming of the famous "shower scene" is well documented and is a Master Class in film and editing. It is worth the price of admission on it's own - as is a scene on a staircase with Private Detective Arbogast, played by Martin Balsam. Hitchcock chooses to heighten the realism in this scene on the staircase by going a more esoteric route (rather than traditional filming of the events) and, one can argue, it doesn't belong in this film. Until, that is, you think about it and then it makes great sense and absolutely, positively has to be in this film in that way.
Another aspect of this film that begs to be mentioned is the Film Score by the great Bernard Herrmann - Hitchcock's regular collaborator. The music in this film punctuates the action on the screen - from the persistent beat and pacing of the opening credits music - driving the audience forward into the action - that does not let go, reaching it's peak and crescendo in the shower scene and then floating down gently like an animal catching it's breath after great activity.
Does the entire film hold up almost 60 years later? Almost...but not quite. Most annoying to me was the "wrap-up" scene at the end where a character spells out everything for the audience. As if we are not smart enough to "get it" - and perhaps the audiences in 1960 weren't.
But that is a quibble for a film that is a classic and is one that, if you have not seen (or seen for awhile), begs to be seen. Check out this film, not for the scares, but rather, the suspense that is generated by Hitchcock and his performers throughout. A GREAT entree into the world of Alfred Hitchcock films.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)