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TacoDave (3523 KP) rated Young In My Head by Starflyer 59 in Music
May 9, 2019 (Updated May 9, 2019)
songs (3 more)
instruments
vocals
vibe
15 Albums In and Starflyer 59 Still Rocks
If you've never heard of Starflyer 59, I have a treat for you.
What began as a "shoegazer" band in the mid 90's (think Smashing Pumpkins meets The Smiths) has progressed over the years through heavy, chunky guitars, to Brit-pop mixed with synth, to this new album which just ... rocks. With the release of the band's 15th full album (not to mention many EPs and collections), band lead Jason Martin has shown that he's still got it. "Young In My Head" is soothing, catchy rock that is perfect driving music.
I'll attach a Youtube link so you can hear the title song from the album.
The songs themselves are catchy in a way that makes you sing along without realizing it. The lyrics are surprisingly melancholy, dealing with growing older and realizing that you aren't the energetic kid you were when you started ("It's been 25/since I wrote/Blue Collar Love/Man, I had my turn/I need to go/Stayed longer than most"). But the music still has an upbeat groove to it that keeps it from feeling depressing. Martin walks that line between melancholy and depression like an expert.
My only complaint isn't really a complaint: Starflyer has some of the best guitar solos to end songs, and this album is no different, but they feel truncated - like they cut out too early. I would love longer outros like they used on older albums. Listen to the song "Cry," for a good example - the end of the song is amazing, beginning at 2:00, but it doesn't last long enough.
In the past 25 years Starflyer 59 has not released a bad album. Each album has a different sound and groove to it, but they are all undeniably Starflyer. I, for one, will continue to listen to their albums and hope they go another 25 years.
What began as a "shoegazer" band in the mid 90's (think Smashing Pumpkins meets The Smiths) has progressed over the years through heavy, chunky guitars, to Brit-pop mixed with synth, to this new album which just ... rocks. With the release of the band's 15th full album (not to mention many EPs and collections), band lead Jason Martin has shown that he's still got it. "Young In My Head" is soothing, catchy rock that is perfect driving music.
I'll attach a Youtube link so you can hear the title song from the album.
The songs themselves are catchy in a way that makes you sing along without realizing it. The lyrics are surprisingly melancholy, dealing with growing older and realizing that you aren't the energetic kid you were when you started ("It's been 25/since I wrote/Blue Collar Love/Man, I had my turn/I need to go/Stayed longer than most"). But the music still has an upbeat groove to it that keeps it from feeling depressing. Martin walks that line between melancholy and depression like an expert.
My only complaint isn't really a complaint: Starflyer has some of the best guitar solos to end songs, and this album is no different, but they feel truncated - like they cut out too early. I would love longer outros like they used on older albums. Listen to the song "Cry," for a good example - the end of the song is amazing, beginning at 2:00, but it doesn't last long enough.
In the past 25 years Starflyer 59 has not released a bad album. Each album has a different sound and groove to it, but they are all undeniably Starflyer. I, for one, will continue to listen to their albums and hope they go another 25 years.
LeftSideCut (3778 KP) rated Halloween II (1981) in Movies
Mar 5, 2021
There's a fair amount to love about Halloween II, a sequel set on the same night as the original, immediately following that films ending.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
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Neon's Nerd Nexus (360 KP) rated Revenge (2018) in Movies
May 13, 2019
Doin it for the kill
#revengemovie is without question the best looking movie of #2018, its so slick & #stylish I'd go as far as saying its this years #drive. #Revenge has a standard #rape/revenge plot we've all seen a million times before but you'd be greatly mistaken by passing up on this one believe me. Part #horror part drama Revenge has one of the most amazing visual styles ive seen in a while. Colours are blinding at times almost to the point of over saturation giving the film heat & vibrancy. This mixed with some insanely #beautiful cinematography had me literally sat with my mouth open in amazement. Every scene seems meticulously shot with such purpose & precision that its hard to not feel like your watching a piece of #art. Top that with a #comicbook/#80s feel & tone & what you have here is film that feels so fresh you forget that this genre hasnt been done to death already. #Soundtrack wise its pure perfection too with synth music pulsing throughout its intoxicating & keeps the films momentum flowing well. Metaphors are absolutely everywhere but the main one i picked up on is #femaleempowerment. At the start of the film #male character are chauvinistic & dominant treating her as a possession rather than a person but once she gets impaled by a tree roles seem to reverse & we see her become the man in a kind of #twisted rebirth (the tree implement scene i also see as a metaphor for the pain they put her through & even while walking around she has severed tree branch sticking out of her stomach almost like it represents that she's the man now with the tree branch representing male genitalia). Even the tagline suggests themes of fighting domestic abuse too. Acting is superb with #matildaannaingridlutz literally dominating the #film not only with her acting but with her incredible #beauty too. Right from the start i was sucked right in by its beauty, unnerved by its atmosphere & repulsed by its gore but theres not a second of it i didnt #love. Half #french subtitled half #english dialog Revenge is a #violent, unnerving, grisly & down right #gorgeous piece of #cinema that i cant recommend enough. Perfection. #odeon #odeonlimitless #filmbuff #filmcritic #fridayfeeling #gore