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Love Stories with Dolly Alderton
4.0
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Podcast
In this new podcast series, author and journalist Dolly Alderton will be talking to guests about...
Thousands (Dollar book 4)
9.0
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Book
“Love had been stolen from me for reasons entirely my fault. But then a miracle happened, and...
The Legacy (Children's House, #1)
10.0
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Book
The Legacy is the first installment in a fantastic new series featuring the psychologist Freyja and...
David McK (3600 KP) rated Dungeons and Dragons: Honour Among Thieves (2023) in Movies
Apr 10, 2023 (Updated Sep 10, 2023)
Feature-length movie set in the D&D universe, this is much better than the 2000 travesty, with Chris Pine this time taking the lead, alongside Michelle Ridriguez and Hugh Grant and is set in the 'Forgotten Realms' campaign setting, with Baldurs Gate and Neverwinter both getting name-dropped.
(I must admit that, as large parts of it were filmed in my home of Northern Ireland, I did spend quite a bit of time playing 'spot the location').
It also has a refreshing low-stakes feel about it (there's no real 'end of the world' disaster to be averted), and I did also feel that it had elements of Monty Python around it (particularly in the talking to the dead graveyard bit)
(I must admit that, as large parts of it were filmed in my home of Northern Ireland, I did spend quite a bit of time playing 'spot the location').
It also has a refreshing low-stakes feel about it (there's no real 'end of the world' disaster to be averted), and I did also feel that it had elements of Monty Python around it (particularly in the talking to the dead graveyard bit)
Bethr1986 (305 KP) rated A Lovely Paradox in Books
Sep 14, 2022
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Raj dishonoured his family by going to America to chase a woman he has fallen in love with. Will he get his happily ever after?
First off, let me say yes, I know it says it's an erotic book. It really is. It certainly made me blush in parts, as well as wanting to say aww bless as he is so innocent. It just proves how different cultures work.
I read it as if Raj was talking, as that's how it seems to be written. Not sure if it was intentional but it works. It's not a story that I would read again but I enjoyed it.
** same worded review will appear elsewhere **
Raj dishonoured his family by going to America to chase a woman he has fallen in love with. Will he get his happily ever after?
First off, let me say yes, I know it says it's an erotic book. It really is. It certainly made me blush in parts, as well as wanting to say aww bless as he is so innocent. It just proves how different cultures work.
I read it as if Raj was talking, as that's how it seems to be written. Not sure if it was intentional but it works. It's not a story that I would read again but I enjoyed it.
** same worded review will appear elsewhere **
Hope (Indigo Dreams #2)
10.0
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Book
Perfection. Beauty. Pain. For Indigo Stevens there’s no such thing as weakness or privacy at the...
Young Adult Contemporary
David McK (3600 KP) rated Daredevil (2003) in Movies
Dec 6, 2024
pre-MCU much-derided superhero movie, with a pre-Batfleck Ben Affleck miscast as the titular (and blind) Daredevil, vigilante by night and lawyer by day, alongside an equally miscast Jennifer Garner as Elextra Nachios.
Colin Farrell, however, chews the scenery as Bullseye whilst Michael Clarke Duncan does make an imposing Kingpin, and some of the fight scenes (particularly in the directors cut) are effectively brutal - talking of which, if you must, the Directors Cut is the one to watch - whilst a pre-MCU Jon Favreau again effectively plays the sidekick ('Foggy' Nelson instead of - in the MCU - 'Happy' Hogan).
Charlie Cox, however, is a much better fit for the role and, indeed, stars in a much better series than this movie is.
Colin Farrell, however, chews the scenery as Bullseye whilst Michael Clarke Duncan does make an imposing Kingpin, and some of the fight scenes (particularly in the directors cut) are effectively brutal - talking of which, if you must, the Directors Cut is the one to watch - whilst a pre-MCU Jon Favreau again effectively plays the sidekick ('Foggy' Nelson instead of - in the MCU - 'Happy' Hogan).
Charlie Cox, however, is a much better fit for the role and, indeed, stars in a much better series than this movie is.
Gareth von Kallenbach (980 KP) rated WALL-E (2008) in Movies
Aug 14, 2019
To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
Matthew Krueger (10051 KP) rated Dark Waters (2019) in Movies
Dec 19, 2019
What Lies Within Inside
How come no one is talking about this, how come no one has seen this movie. People should know about this movie and see it, cause it is powerful, epic, sicken, disturbing, and over a phenomenal movie with a message.
The Plot: A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. While trying to expose the truth, he soon finds himself risking his future, his family and his own life.
It is based on the 2016 article "The Lawyer Who Became DuPont's Worst Nightmare" by Nathaniel Rich, published in The New York Times Magazine.
Parts of the story were also reported by Mariah Blake, whose 2015 article, "Welcome to Beautiful Parkersburg, West Virginia" was a National Magazine Award finalist, and Sharon Lerner, whose series "Bad Chemistry" ran in The Intercept. Robert Bilott, the principal character in the film, also wrote a memoir, Exposure, detailing his 20-year legal battle against DuPon.
Mark Rufflo does a fantastic job in this film and so does Anne Hathaway and Tom Robbins.
Its really sad that not aot of people know about this story, its also sad that no alot people seen this movie, that no one is talking about, cause like I sais before it is disturbing and sicken. Makes you think what else are companies and coperorations are hidden for us.
This movie is my 3rd favorite film that i have seen this year, right behind Endgame and Joker. A must see if you havent seen it or know about it.
The Plot: A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. While trying to expose the truth, he soon finds himself risking his future, his family and his own life.
It is based on the 2016 article "The Lawyer Who Became DuPont's Worst Nightmare" by Nathaniel Rich, published in The New York Times Magazine.
Parts of the story were also reported by Mariah Blake, whose 2015 article, "Welcome to Beautiful Parkersburg, West Virginia" was a National Magazine Award finalist, and Sharon Lerner, whose series "Bad Chemistry" ran in The Intercept. Robert Bilott, the principal character in the film, also wrote a memoir, Exposure, detailing his 20-year legal battle against DuPon.
Mark Rufflo does a fantastic job in this film and so does Anne Hathaway and Tom Robbins.
Its really sad that not aot of people know about this story, its also sad that no alot people seen this movie, that no one is talking about, cause like I sais before it is disturbing and sicken. Makes you think what else are companies and coperorations are hidden for us.
This movie is my 3rd favorite film that i have seen this year, right behind Endgame and Joker. A must see if you havent seen it or know about it.