"Definitely my favourite song on that record [Yeezus]. I think it's a great record, if you can get past the ""bitches"" and what's that about Chinese pussy? Kanye, fucking grow up man, you're not 15. I was talking to Michael Azerrad, 'cause he's got me to do a couple of podcasts for him. And his clever little thing is to get musicians to review other albums. In conversation, I mentioned this track, and he said he got Lou Reed to write about the record. He said Lou Reed was in tears listening to this track. It's a very emotional track and it's very clever. He switches between making jokes and sounding very desperate indeed. One minute he's being very flippant, and I guess it's like being drunk and not drunk. The drink and the comedown, the hangover, whatever. Really beautiful, but also powerful, and quite punk in a way. And the arrangement is so clever and unexpected and unusual. He'll give you one thing and then give you something quite different, but it all works from section to section. I heard this while I was making What Happens Next and I was really impressed with the synth bass sounds, so I ended up having Thomas [McNeice] in, and we worked out where there would be a mixture of his bass playing and some electronic bass. You know, Lou Reed's point is that Kanye is demonstrating what he can get away with, which is good. I think there's quite a few ""I can do what I like moments"", including talking about ""sweet and sour pussy"" [sic]."

"Baxter Dury was a big inspiration for me and Laurie. Back in the day when we were first touring we’d do loads of shows and I remember that on pretty much every journey we’d have the album Happy Soup on, not talking to each other, we’d just have that on full blast. ‘Claire’ was the one that struck a chord with me, I love the honesty and sincerity of it and the softness in his voice. The instrumentation is everything that I love about a tune, it’s quite melancholic and nice and sad. “I love Baxter Dury. I love Ian Dury as well, but I think they’re in completely different ballparks, they get compared quite a lot but I don’t think they should. I actually discovered Baxter Dury through my Mum, I feel like I’m dropping my parents into this whole thing! My Mum’s very much into new and current music, she’s got her finger on the pulse and she’s always introducing me to new stuff. When this came out she was the first person who showed it to me. She said ‘This is Ian Dury’s son’ and I was ‘Woah, this is fucking sick.’ “Weirdly, Baxter was doing something on 6 Music and he played one of our tunes. He ended up talking to Laurie about the tune, a song of ours called ‘Where's Your Car Debbie?’ and I think he wanted to know more about it. Much to our excitement, we got in contact with him and ended up doing a tune with him and becoming friends with him, it was wicked."

"Again, this is a really recent discovery. I was touring with Kevin Morby in America and we were talking about maybe trying to do a cover together at the end of the night. He kept talking about this guy called Bill Fay and kept telling me to listen to this album. He kept at it and eventually said, ""Can I play you Bill Fay, because I don't know why you have never heard of him? This album is like a classic record."" So, Kevin put some songs on and I remember thinking, ""Shit – this is incredible!"" and then to learn that Bill is a British musician and had made an album that is as classic as this record but I had never heard of him was a huge surprise. It wasn't an album that was in the tapestry – like a record by David Bowie that you would have heard of. The songwriting and musicianship on the album is amazing and this seems like a classic story of being dropped by a record label after a second album - this was the second record he'd made. I don't understand how he could have been dropped – you listen to this album and it contains some of the best-written songs ever. There is a song on it called 'I Hear You Calling' which is really poignant and beautiful and arresting. The album as a whole is just perfect – it's an absolute classic and to me it should be a staple in anyone's collection. I'm just glad I finally discovered it and am just sorry it took that long."