"I’m sort of torn on my last film between Badlands and Alice Doesn’t Live Here Anymore. I’m on the fence — I love both of those films. Badlands, for me, is a very important film because I feel like a lot of the time it’s the kind of film I would love to make, if I could just make one. It’s so small, but really perfect. I think another great example of a film, which is like a second film, that people don’t think about, is Days of Heaven, which is again another flawless film. His use of voice over is the best out of any filmmaker. Linda Manz, her voiceover, nothing can beat it, you know. I always think that if there’s a voiceover in a film, it’s gotta be like that, where it?s not telling you what’s happening, it’s talking about completely different things. It’s incredible."

"When I left school, The Wall was the pothead’s album. Dark Side Of The Moon and Wish You Were Here I maybe overplayed but The Wall I could never get tired of. That track ‘Nobody Home’ just brings back so many memories for me. After leaving school, I just used to go round my mates house, skin up, and we’d listen to this. Happy, carefree days. I met Dave Gilmour once at an industry thing and I think I pissed him off. I said to him, 'Dave, I think The Wall is your best album but my wife won’t have it, she prefers listening to Meddle.' And he said, 'Well, clearly your wife has impeccable taste where you have little. I suggest you listen to her.' I was like, 'What the fuck are you talking about? She hasn’t got a clue! Get out of it…'"