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Want to give your students loads of activities to do with MIT's appinventor 2? Then here's the...
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* FROM THE CREATORS OF PETTSON'S INVENTIONS DELUXE * ** Please note that this game is not optimized...
The Byline Bible
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Newspaper, magazine, and web editors are desperate for new voices and anyone, in any field, can...
The Last Thing I Told You
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I hear myself whispering. Not again. Not again. Why did I ever come back here? Surely because of...
fiction suspense thriller
Small Spaces (Small Spaces #1)
8.5
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Bestselling adult author of The Bear and the Nightingale makes her middle grade debut with a creepy,...
Childrens Middle School Middle Grades Horror Fantasy Fantasy Horror
I was really looking forward to reading a new Ian McEwan novel, and I’m very pleased to say that I haven’t been disappointed.
Lessons is the story of Roland Baines’ life. His successes, loves, losses - all set against an historical background of the 20th and 21st centuries: World War 2, the Cuban Missile Crisis, Chernobyl and Covid 19 (and others besides, but there are too many to mention them all!).
I was completely engrossed, and it’s a book that you don’t want to race through. I love McEwans writing - so much is said in each sentence.
I’ll admit it now, a lot of what really kept my attention were the details about Germany: WW2 and it’s aftermath, Roland’s trips beyond the Berlin Wall and it’s fall.
The future is set for Alissa (Roland’s wife) when her English mother presents her with her journals, written when she travelled to Germany after the war. She had wanted to write articles about German Resistance during the war, and specifically the Scholls White Rose movement. These journals remained unpublished and unread 40 years later. And so when Alissa walks away from Roland and their baby to ensure her own dreams of literary success, it’s unsurprising even if it’ll ears callous.
The book is told from Roland’s point of view, first person, so we hear his inner voice throughout. What stood out most for me, was that his voice doesn’t change through the years. Yes, I know this is obvious - it’s the same book. What I mean is that what younger people often forget, is that the 72 year old man at the end of the book is the same as the 11 year old boy - just with 61 years experience. His experiences as an 11-14 year old with his piano teacher have a lasting and life-changing impact.
I loved this book and would highly recommend it. It’s a book to be savoured.
Lessons is the story of Roland Baines’ life. His successes, loves, losses - all set against an historical background of the 20th and 21st centuries: World War 2, the Cuban Missile Crisis, Chernobyl and Covid 19 (and others besides, but there are too many to mention them all!).
I was completely engrossed, and it’s a book that you don’t want to race through. I love McEwans writing - so much is said in each sentence.
I’ll admit it now, a lot of what really kept my attention were the details about Germany: WW2 and it’s aftermath, Roland’s trips beyond the Berlin Wall and it’s fall.
The future is set for Alissa (Roland’s wife) when her English mother presents her with her journals, written when she travelled to Germany after the war. She had wanted to write articles about German Resistance during the war, and specifically the Scholls White Rose movement. These journals remained unpublished and unread 40 years later. And so when Alissa walks away from Roland and their baby to ensure her own dreams of literary success, it’s unsurprising even if it’ll ears callous.
The book is told from Roland’s point of view, first person, so we hear his inner voice throughout. What stood out most for me, was that his voice doesn’t change through the years. Yes, I know this is obvious - it’s the same book. What I mean is that what younger people often forget, is that the 72 year old man at the end of the book is the same as the 11 year old boy - just with 61 years experience. His experiences as an 11-14 year old with his piano teacher have a lasting and life-changing impact.
I loved this book and would highly recommend it. It’s a book to be savoured.
Debbiereadsbook (1611 KP) rated Music & Dreams (The Road to Rocktoberfest 2023) in Books
Nov 3, 2023
hits spots I didn't know needed hitting!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
This book is part of the Rocktoberfest 2023 series, a multi author series. I haven't read any others, but they are all stand alone reads.
Lorcan is a rock star, high up the food chain. Rogan is his child's nanny slash teacher. Rogan has all the feels for Lorcan, but knows that's crossing boundaries. Lorcan has something for Rogan, but it isn't till there is an accident that Lorcan begins to feel for Rogan.
Sometimes, you need a super low angst book, with some smexy times and some difficult times thrown in. This book delivers on those levels, and it delivers beautifully!
Rogan has crushed on Lorcan from the start of his employment to teach Lorcan's daughter, Amy. Lorcan's feelings weren't so pronounced from the beginning, but having to look after Ro was an eye opener. And when Lor discovers Ro can sing?? The man was a goner!
I loved Lorcan, and Rogan and Amy as a unit. Amy will be a force to be reckoned with, when she gets older! She sees far too much for a little un, but she has a down to earth demeanor that everyone loves. The things she says to make Lor see Ro, REALLY see him, are far too wise!
I didn't find it especially explicit, but its not about that. This book is about seeing what's in front of you, or rather, who. And about Ro getting over his insecurities to finally be able to fulfill his dreams through HIS music, not just everyone else's.
I loved the guys in the band, Tibi and Finlee and I hope they get a story too.
Hitting spots that I really didn't know I needed hitting, and at short notice too, this was a wonderful read!
5 full and shiny stars
*same worded review will appear elsewhere
This book is part of the Rocktoberfest 2023 series, a multi author series. I haven't read any others, but they are all stand alone reads.
Lorcan is a rock star, high up the food chain. Rogan is his child's nanny slash teacher. Rogan has all the feels for Lorcan, but knows that's crossing boundaries. Lorcan has something for Rogan, but it isn't till there is an accident that Lorcan begins to feel for Rogan.
Sometimes, you need a super low angst book, with some smexy times and some difficult times thrown in. This book delivers on those levels, and it delivers beautifully!
Rogan has crushed on Lorcan from the start of his employment to teach Lorcan's daughter, Amy. Lorcan's feelings weren't so pronounced from the beginning, but having to look after Ro was an eye opener. And when Lor discovers Ro can sing?? The man was a goner!
I loved Lorcan, and Rogan and Amy as a unit. Amy will be a force to be reckoned with, when she gets older! She sees far too much for a little un, but she has a down to earth demeanor that everyone loves. The things she says to make Lor see Ro, REALLY see him, are far too wise!
I didn't find it especially explicit, but its not about that. This book is about seeing what's in front of you, or rather, who. And about Ro getting over his insecurities to finally be able to fulfill his dreams through HIS music, not just everyone else's.
I loved the guys in the band, Tibi and Finlee and I hope they get a story too.
Hitting spots that I really didn't know I needed hitting, and at short notice too, this was a wonderful read!
5 full and shiny stars
*same worded review will appear elsewhere
Lyndsey Gollogly (2893 KP) rated The Poppy War (The Poppy War #1) in Books
Mar 11, 2024
47 of 220
Book
The poppy War ( Book 1)
By R.F. Kuang
⭐️⭐️⭐️⭐️⭐️
When Rin aced the Keju – the test to find the most talented students in the Empire – it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she was finally free from a life of servitude. That she got into Sinegard – the most elite military school in Nikan – was even more surprising.
But surprises aren’t always good.
Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Fighting the prejudice of rival classmates, Rin discovers that she possesses a lethal, unearthly power – an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of psychoactive substances and a seemingly insane teacher, Rin learns that gods long thought dead are very much alive – and that mastering these powers could mean more than just surviving school.
For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most people calmly go about their lives, a few are aware that a Third Poppy War is just a spark away
I was really nervous going into this book as I tried to read Babel and really hated it!
But this was another level I absolutely loved it. I really enjoyed part 1 but the part 2 was even better and that ending was definitely worth it. This didn’t hold back on the details either really really good read. So much to take in and I love anything to do with the gods.
Book
The poppy War ( Book 1)
By R.F. Kuang
⭐️⭐️⭐️⭐️⭐️
When Rin aced the Keju – the test to find the most talented students in the Empire – it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she was finally free from a life of servitude. That she got into Sinegard – the most elite military school in Nikan – was even more surprising.
But surprises aren’t always good.
Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Fighting the prejudice of rival classmates, Rin discovers that she possesses a lethal, unearthly power – an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of psychoactive substances and a seemingly insane teacher, Rin learns that gods long thought dead are very much alive – and that mastering these powers could mean more than just surviving school.
For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most people calmly go about their lives, a few are aware that a Third Poppy War is just a spark away
I was really nervous going into this book as I tried to read Babel and really hated it!
But this was another level I absolutely loved it. I really enjoyed part 1 but the part 2 was even better and that ending was definitely worth it. This didn’t hold back on the details either really really good read. So much to take in and I love anything to do with the gods.
5 Minute Movie Guy (379 KP) rated Whiplash (2014) in Movies
Jul 1, 2019
Whiplash makes for a painfully tense and terrifying learning experience that is nothing short of cinematic brilliance. It'll have you on the edge of your seat, with your heart still pounding even after it's over.
I believe that there’s a desire in all of us to achieve greatness. A deep, internal yearning for importance, respect, and acceptance. We want to be remembered and we want to fulfill a sense of purpose in our lives. For Andrew Nieman (Miles Teller), the central character in the 2014 Best Picture nominated film Whiplash, that desire is to be one of the all-time great jazz drummers. Of course, he knows that accomplishing such a goal will require a firmly fixed focus, an uncompromising dedication, and endless hours of practice. What he surely wasn’t expecting was to run into a teacher like Terence Fletcher (J.K. Simmons), who will stop at nothing in order to push his students to strive to be their very best. Whiplash makes for a painfully tense and terrifying learning experience that is nothing short of cinematic brilliance.
Andrew is a first-year student at the prestigious Shaffer Conservatory of Music in New York where the presence of their great head music conductor, Terence Fletcher, looms over everyone. Fletcher is well-known, respected, and feared. More importantly, he is their ticket to success as musicians. Landing a spot in his band is a coveted high honor. Earning his respect is even greater. Though under Fletcher’s guidance, success doesn’t come easy. He rules over the school like a maniacal dictator and he demands absolute perfection from his students. After all, he has a highly revered reputation to preserve, and he’s not about to let anyone jeopardize it. Andrew finds himself lucky enough to be chosen to rehearse with Fletcher’s band, but he’s soon tested, humiliated, abused, and pushed to the limit by his short-tempered instructor.
Already something of a loner, Andrew delves even deeper within due to pressure from his teacher, turning his passion for music into an unhealthy obsession. He cuts off contact with others and devotes himself entirely to practicing. With fingers bloodied from extensive drumming, he simply bandages them up and keeps at it. Not only is his music playing taking control of his life, but it’s also clearly taking a toll on his mental health. Even more troubling for Andrew is that no matter how hard he tries, Fletcher is never satisfied, and he torments his students until they get things right, even if it means practicing all night. Resentment and tension rapidly rise for Andrew as he approaches his breaking point, resulting in the film’s unforgettably tense conclusion.
Whiplash is no walk in the park. It will have you sitting on the edge of your seat in suspense and terror, with your heart still pounding even after it’s over. It’s an emotional horror for young Andrew who is put through Hell by his mad musical conductor. I was legitimately in fear for his life and sanity. While the movie has given me a greater respect for musicians, and jazz bands in particular, it sure makes me feel glad that I was never in band!
Whiplash is remarkable in its design and execution. The film’s cinematography shows a wonderfully adept eye for camera angles, and gives this low-budget film a distinguished look. The director revels in the closeness of the scene, putting us right alongside Andrew as he comes face-to-face with the ever-menacing Fletcher. It’s unbelievably tense and uncomfortable to watch while he’s being verbally and physically assaulted right before your eyes. The film’s Oscar-winning editing finds the right tempo with knowing when to cut and when to linger. It also expertly accompanies the music with its barrage of clear, fast-paced shots. Of course, Whiplash is also very respectful to its music sources, and it does an amazing job in showcasing the outrageous musical talent on display.
The performances from Miles Teller and J.K. Simmons are sensational. It is estimated that roughly forty percent of the drumming you see by Andrew in Whiplash was actually performed by Teller. Considering the ridiculous amount of skill involved in these jazz band classics, that statistic should not be understated in the least. Teller puts on an incredible display and pours his heart into this movie. He carries the film, appearing in every single scene, and makes for a believable transition of character under the strict discipline of Fletcher. Even more extraordinary is J.K. Simmons, who won the Oscar for Best Supporting Actor with this performance. Simmons injects his character with an intense ferocity that demands your attention. He terrorizes his musicians while conducting with an iron fist. Yet there’s far more to his character than just being a bully. While I disagreed with his abusive methods, I couldn’t argue against his intended result. His character’s extreme conduct will no doubt take things too far for some viewers, but despite all of his anger, I still found Fletcher to be remarkably fascinating. In the end, as deserving of hatred as he may be, I couldn’t help but feel some level of respect for him, and I think that really speaks to the quality of the film.
Whiplash is an emotionally stirring masterpiece that questions how much is too much when it comes to pushing someone to be their best. It also explores the emotional and psychological harm that can result from that level of pressure and abuse. The movie is bolstered by two tense and energetic performances from Miles and Simmons, who are deserving of all of their praise and accolades. You don’t have to be a fan of jazz music to enjoy this phenomenal film. I found the music to be intoxicating, but the real strength of the movie is the teacher and student dynamic between Andrew and Fletcher. With a diabolically delightful and brilliant ending, these two characters have achieved an esteemed level of movie greatness that make Whiplash a must-see!
Andrew is a first-year student at the prestigious Shaffer Conservatory of Music in New York where the presence of their great head music conductor, Terence Fletcher, looms over everyone. Fletcher is well-known, respected, and feared. More importantly, he is their ticket to success as musicians. Landing a spot in his band is a coveted high honor. Earning his respect is even greater. Though under Fletcher’s guidance, success doesn’t come easy. He rules over the school like a maniacal dictator and he demands absolute perfection from his students. After all, he has a highly revered reputation to preserve, and he’s not about to let anyone jeopardize it. Andrew finds himself lucky enough to be chosen to rehearse with Fletcher’s band, but he’s soon tested, humiliated, abused, and pushed to the limit by his short-tempered instructor.
Already something of a loner, Andrew delves even deeper within due to pressure from his teacher, turning his passion for music into an unhealthy obsession. He cuts off contact with others and devotes himself entirely to practicing. With fingers bloodied from extensive drumming, he simply bandages them up and keeps at it. Not only is his music playing taking control of his life, but it’s also clearly taking a toll on his mental health. Even more troubling for Andrew is that no matter how hard he tries, Fletcher is never satisfied, and he torments his students until they get things right, even if it means practicing all night. Resentment and tension rapidly rise for Andrew as he approaches his breaking point, resulting in the film’s unforgettably tense conclusion.
Whiplash is no walk in the park. It will have you sitting on the edge of your seat in suspense and terror, with your heart still pounding even after it’s over. It’s an emotional horror for young Andrew who is put through Hell by his mad musical conductor. I was legitimately in fear for his life and sanity. While the movie has given me a greater respect for musicians, and jazz bands in particular, it sure makes me feel glad that I was never in band!
Whiplash is remarkable in its design and execution. The film’s cinematography shows a wonderfully adept eye for camera angles, and gives this low-budget film a distinguished look. The director revels in the closeness of the scene, putting us right alongside Andrew as he comes face-to-face with the ever-menacing Fletcher. It’s unbelievably tense and uncomfortable to watch while he’s being verbally and physically assaulted right before your eyes. The film’s Oscar-winning editing finds the right tempo with knowing when to cut and when to linger. It also expertly accompanies the music with its barrage of clear, fast-paced shots. Of course, Whiplash is also very respectful to its music sources, and it does an amazing job in showcasing the outrageous musical talent on display.
The performances from Miles Teller and J.K. Simmons are sensational. It is estimated that roughly forty percent of the drumming you see by Andrew in Whiplash was actually performed by Teller. Considering the ridiculous amount of skill involved in these jazz band classics, that statistic should not be understated in the least. Teller puts on an incredible display and pours his heart into this movie. He carries the film, appearing in every single scene, and makes for a believable transition of character under the strict discipline of Fletcher. Even more extraordinary is J.K. Simmons, who won the Oscar for Best Supporting Actor with this performance. Simmons injects his character with an intense ferocity that demands your attention. He terrorizes his musicians while conducting with an iron fist. Yet there’s far more to his character than just being a bully. While I disagreed with his abusive methods, I couldn’t argue against his intended result. His character’s extreme conduct will no doubt take things too far for some viewers, but despite all of his anger, I still found Fletcher to be remarkably fascinating. In the end, as deserving of hatred as he may be, I couldn’t help but feel some level of respect for him, and I think that really speaks to the quality of the film.
Whiplash is an emotionally stirring masterpiece that questions how much is too much when it comes to pushing someone to be their best. It also explores the emotional and psychological harm that can result from that level of pressure and abuse. The movie is bolstered by two tense and energetic performances from Miles and Simmons, who are deserving of all of their praise and accolades. You don’t have to be a fan of jazz music to enjoy this phenomenal film. I found the music to be intoxicating, but the real strength of the movie is the teacher and student dynamic between Andrew and Fletcher. With a diabolically delightful and brilliant ending, these two characters have achieved an esteemed level of movie greatness that make Whiplash a must-see!