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Unmasked: A Memoir
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“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort...
Solar Walk - Explore Space and Planets System 3D
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Solar Walk is an amazing 3D model of our solar system bringing the universe to the palm of your hand...
Tennis Coach Plus HD
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Video Analysis for Tennis - Anyone Anywhere Anytime RECORD | COMPARE | IMPROVE your tennis shots ...
Learn Hot English Magazine
Education and Magazines & Newspapers
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Learn English with the Hot English app! English for all levels (easy – advanced). A monthly...
Football Coach Plus HD
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Video Analysis for Football - Anyone Anywhere Anytime RECORD | COMPARE | IMPROVE your Football...
Janeeny (200 KP) rated The Pisces in Books
May 9, 2019 (Updated Jun 10, 2019)
Lucy is a student who doesn’t really know what she wants in life, and after an acrimonious break up from her boyfriend. Her sister throws her a lifeline, giving Lucy a break from her desert life in Phoenix, her sister asks Lucy to housesit for her whilst also attending a local therapy group. So Lucy heads to Los Angeles and it’s here that she has an awakening and a lurid affair with a merman.
I read this as this months book club book. The lady that suggested it did mention that there are a fair amount of sex scenes and sexual references so I was prepared. However I must say that, for me, none of the sex scenes were gratuitous, they formed part of the story. If you took out the sex scenes the book really wouldn’t make a lot of sense or would at least be a bit weaker for it. The language she uses isn’t cliche or cringey either (there’s no heaving breasts or throbbing body parts) it’s very ‘real’.
This book is a bit like the ones you’re given to read in English literature classes in school, that are rife with meaning and symbolism that you have no idea about until your teacher points it out. I feel there is a strong feminist message in there somewhere, as most of the women in the book are trying to fight a sexual reliance on men. It’s also heavily underlined by the fact that literally all the male characters are weak in one way or another.
To that point I really did not like Theo, the main love interest. He seemed a bit too weak, not as a character but as a person. This is a book with a strong feminist message, so it wouldn’t do to have your heroine overshadowed by a man so that is understandable. (A little side note, a member of my book group bought up the interesting idea that the ‘weakness’ is just an act and he’s psychologically preying on Lucy’s vulnerability)
There are a lot of references to Sappho, which again I feel hints at a feminist message. I’m sorry to say that even though I am aware of Sappho I have barely any knowledge about her. I have now acquired a couple of books from the library to remedy this.
There were some quite strong opinions on this in book group. Whilst I liked the book for it’s style of writing, one of the other ladies liked it for its controversy, but most of the group really didn’t like it at all. The strong feeling against it came, mostly, from the explicit language that was used, whilst one member was so bewildered by the events within the book she was convinced the main character was just on a big drug trip and hallucinating the whole thing.
A couple of us did take something away from the book, I took away a strong interest in the works of Sappho, and one of the other members took away a deeper understanding of a past friend whose behaviour she recognised in some of the characters in the book.
I think we’re going for something a little less controversial next month
I read this as this months book club book. The lady that suggested it did mention that there are a fair amount of sex scenes and sexual references so I was prepared. However I must say that, for me, none of the sex scenes were gratuitous, they formed part of the story. If you took out the sex scenes the book really wouldn’t make a lot of sense or would at least be a bit weaker for it. The language she uses isn’t cliche or cringey either (there’s no heaving breasts or throbbing body parts) it’s very ‘real’.
This book is a bit like the ones you’re given to read in English literature classes in school, that are rife with meaning and symbolism that you have no idea about until your teacher points it out. I feel there is a strong feminist message in there somewhere, as most of the women in the book are trying to fight a sexual reliance on men. It’s also heavily underlined by the fact that literally all the male characters are weak in one way or another.
To that point I really did not like Theo, the main love interest. He seemed a bit too weak, not as a character but as a person. This is a book with a strong feminist message, so it wouldn’t do to have your heroine overshadowed by a man so that is understandable. (A little side note, a member of my book group bought up the interesting idea that the ‘weakness’ is just an act and he’s psychologically preying on Lucy’s vulnerability)
There are a lot of references to Sappho, which again I feel hints at a feminist message. I’m sorry to say that even though I am aware of Sappho I have barely any knowledge about her. I have now acquired a couple of books from the library to remedy this.
There were some quite strong opinions on this in book group. Whilst I liked the book for it’s style of writing, one of the other ladies liked it for its controversy, but most of the group really didn’t like it at all. The strong feeling against it came, mostly, from the explicit language that was used, whilst one member was so bewildered by the events within the book she was convinced the main character was just on a big drug trip and hallucinating the whole thing.
A couple of us did take something away from the book, I took away a strong interest in the works of Sappho, and one of the other members took away a deeper understanding of a past friend whose behaviour she recognised in some of the characters in the book.
I think we’re going for something a little less controversial next month
Saffy Alexandra (89 KP) rated Harry Potter and the Chamber of Secrets in Books
Jun 1, 2019
Characters (3 more)
New plot
Humour, Wit and Sarcasm
Mystery
Ssssomething Special
As with all Harry Potter books I love them, because why wouldn’t you? And the one thing I find is that in the movies they tend to miss some of Rowling’s amazing sarcastic and hilarious scenes and if you are only a lover of the movies you tend to miss so much.
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Movie Metropolis (309 KP) rated The DUFF (2015) in Movies
Jun 11, 2019
Disappointingly Generic
The school-set comedy genre has been done to death over the last two decades. From body swap comedies like 17 Again that hang on the pulling power of their stars, to films that now have a cult following like 10 Things I Hate About You, each of them has little to offer once the end credits roll.
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
Kristy H (1252 KP) rated The Lying Game in Books
Jan 21, 2018
Predictable (1 more)
Slow-moving
Isa, Kate, Fatima, and Thea were the best of friends for a year in boarding school. Thick as thieves, they kept to themselves at Salten House, bonded by a game they invented (The Lying Game), where they came up with increasingly higher stakes lies for a series of points and boasting rights. The girls spent much of their time at The Mill House, Kate's childhood home--a quick walk across the marsh from their boarding school and home to Kate's father, Ambrose, and stepbrother, Luc. But all that changes when Ambrose, an art teacher at Salten, dies; a scandal is uncovered; and the girls are expelled. Years pass without the four women seeing each other, until they receive a text from Kate: I need you. Isa--with her baby daughter in tow, Fatima, and Thea return to The Mill House, where Kate still lives, to help their friend. But what exactly happened all those years ago? And are the women still playing The Lying Game?
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.