"When I was first living in Los Angeles. I was in love with a French girl, now my wife, and I became immersed in the way her culture viewed life. There was a different set of priorities at work, a value of simplicity and pure ingredients, both in the food and the filmmaking. This film blew my mind. The cast is all children. It contains one of the great suspense sequences of all time: a toddler climbing out an apartment window trying to reach a kitten while his mother talks on the phone, ignorant to the tragedy at hand. Another vignette follows an older boy teaching a younger boy how to pick up girls. Very French, but so honest and pure. I remember watching the extras on the DVD of A Man and a Woman, another great film. The crew consisted of a handheld Bolex and a sound recordist, mostly natural light. Everything was in the eyes, the body language — just two people learning each other. It informed the way I made Safety Not Guaranteed. Stripped down, but not messy or ugly. Clear and audible sound, like what your ears would capture if you were there. Intimate. Real. The best."

"It’s a newer one, but John Wick or John Wick 2. I’m obsessed. I’m obsessed. I grew up doing martial arts, and I know that Keanu did all of his own fight scenes in it, and then I was working on Predator when I watched John Wick 2, and… I have a gun in Predator, and they were teaching me how to do certain things, and I’m like, “Oh my gosh! Keanu did this really cool thing. Teach me how to do it!” I love… Like, back in the day in kung fu movies, they filmed the fight scenes in wide angles so you get to see everybody doing it, but nowadays, everything’s like cut, cut, edit, edit, close-up of this, close-up of that. But we actually got to see Keanu in these wide shots because he’s doing his own stunts, and he’s kicking ass, and he’s amazing in it. I just love that, and I feel like we don’t get enough of that in American cinema anymore, or actually ever. You have to go back to, like, old kung fu movies and stuff. I just love watching that movie and the action of that. It’s a good one."