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The Lake House Massacre
Book
18-year-old Tate Robinson should focus on having a relaxing winter break with his friends. Their...
Young Adult Horror LGBTQ+ Thriller
Mark @ Carstairs Considers (2572 KP) rated Death by Bubble Tea in Books
Jul 13, 2022
Deadly Drink in the Dark
Yale Yee is not thrilled that her cousin, Celine, is coming for a visit and even less thrilled when her father suggests the two of them work together to represent his restaurant at the new night market in her neighborhood of L.A. However, she is will to admit by the end of the first night that things went well. That’s before she finds a dead body on her way back to her apartment. The young woman is lying next to one of the distinctive glasses that Yale and Celine served their drinks in, so the police zero in on them as their prime suspects. Can Yale figure out what really happened?
Like many firsts in series, this one has to do a juggling act of introducing characters and setting while also getting the story going. It does a good job, especially since some of the things introduced early on do come into play later. The pacing did lag a little in the middle before we reached the logical solution. The characters did a few things that felt like they were more plot driven than coming from real characterizations. On the other hand, I really did like the characters and their relationships kept me reading. I found Yale’s aversion to technology interesting and fitting her character. Naturally, we get a couple recipes at the end of the book. I’m looking forward to visiting these characters again when the second book comes out.
Like many firsts in series, this one has to do a juggling act of introducing characters and setting while also getting the story going. It does a good job, especially since some of the things introduced early on do come into play later. The pacing did lag a little in the middle before we reached the logical solution. The characters did a few things that felt like they were more plot driven than coming from real characterizations. On the other hand, I really did like the characters and their relationships kept me reading. I found Yale’s aversion to technology interesting and fitting her character. Naturally, we get a couple recipes at the end of the book. I’m looking forward to visiting these characters again when the second book comes out.
A Siren's Finale: Part Three (Aria & the Seven Seas #3)
10.0
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Book
Am I a princess of the waters or is this my final siren’s song? As death and betrayal sweep...
Fantasy Mythology Multi-Partner Reverse Harem Romance Erotic
ClareR (6230 KP) rated Love Orange in Books
Jan 23, 2023
Love Orange is a scathing look at the state of society in the modern age. Technology rules all. Jenny and Hanks Smart House is in charge of everyone in the house, and listens in to everything. Jenny’s children are obsessed with video games, and internet porn makes an appearance as well.
I can see why Jenny becomes increasingly frustrated with Hank - from his constant references to his Viking heritage, to his Mindfulness - he has little time for her.
Jenny hates her job, and decides to do something meaningful by writing to a prison inmate. She looks forward to receiving his letters that smell of oranges and taste rather too nice when she licks them. To be fair, it seems reasonable to lick an envelope (yes, I know how this sounds!) if it helps her though the daily drudgery and having to put up with in-laws who clearly dislike her.
Jenny’s life may look perfect on the outside, but it’s anything but that.
There’s a rather sizeable reference to the opioid crisis in the US that I found interesting, but what I found MOST interesting was how Jenny appeared to be completely hollowed out by her boring life, the lack of attention and care she gets from her husband and children, and what’s expected of her from society. I’d want to escape her life too.
There’s some seriously dark humour in this, and it does come across as bleak. But I thoroughly enjoyed it.
I can see why Jenny becomes increasingly frustrated with Hank - from his constant references to his Viking heritage, to his Mindfulness - he has little time for her.
Jenny hates her job, and decides to do something meaningful by writing to a prison inmate. She looks forward to receiving his letters that smell of oranges and taste rather too nice when she licks them. To be fair, it seems reasonable to lick an envelope (yes, I know how this sounds!) if it helps her though the daily drudgery and having to put up with in-laws who clearly dislike her.
Jenny’s life may look perfect on the outside, but it’s anything but that.
There’s a rather sizeable reference to the opioid crisis in the US that I found interesting, but what I found MOST interesting was how Jenny appeared to be completely hollowed out by her boring life, the lack of attention and care she gets from her husband and children, and what’s expected of her from society. I’d want to escape her life too.
There’s some seriously dark humour in this, and it does come across as bleak. But I thoroughly enjoyed it.
Violet Spark (Butterfly Witch #1)
8.0
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Book
Imogen Taylor: Artist. College dropout. Gamer. Screwup. I had big plans for art school in...
Urban Fantasy New Adult
Mark @ Carstairs Considers (2572 KP) rated A Quiet Undertaking in Books
Jan 27, 2022 (Updated Jan 27, 2022)
Scandal in Flat Skunk
Deaf reporter Connor Westphal is hot on the trail of another scandal in her small Gold Country town for her weekly newspaper. A storage locker full of human ashes has been found near the town of Flat Skunk, California. The ashes were supposed to be scattered at sea by Jasper Coyne, but before anyone can question Jasper, he is found dead near his houseboat. With the scandal impacting Connor’s friend, Del Rey, Connor has an extra motive to investigate. But with Del Rey hiding secrets of her own, will Connor ever figure out what really happened?
This was an inventive mystery that kept me guessing until the end. There were plenty of surprises on the way to the logical climax. Unfortunately, Connor did make some pretty stupid moves as she was investigating, which is a bummer since I like her overall. She leads a strong cast of fun characters. I love how her deafness is worked into the book and how it makes certain scenes even more suspenseful. There are more four letter words than usual in a cozy mystery, so know that going in. The book was first released over 20 years ago, so some of the technology is dated, but keep that in mind as you read it, and you’ll be fine. Overall, this was another fun, confusing mystery. I’m glad I’m finally reading this series.
This was an inventive mystery that kept me guessing until the end. There were plenty of surprises on the way to the logical climax. Unfortunately, Connor did make some pretty stupid moves as she was investigating, which is a bummer since I like her overall. She leads a strong cast of fun characters. I love how her deafness is worked into the book and how it makes certain scenes even more suspenseful. There are more four letter words than usual in a cozy mystery, so know that going in. The book was first released over 20 years ago, so some of the technology is dated, but keep that in mind as you read it, and you’ll be fine. Overall, this was another fun, confusing mystery. I’m glad I’m finally reading this series.
ClareR (6230 KP) rated Double Blind in Books
Jul 28, 2023
I really enjoyed Double Blind, not least because of Benedict Cumberbatch’s excellent narration on the audiobook!
There’s a lot packed in to this book: mental health, love, bravery, illness, fear, adoption, climate change, genetics, inheritance and technology (there might be more, but this is off the top of my head!). These are all pretty meaty themes, but I think they were all addressed with sensitivity, and nothing seemed contrived - even though one of the characters was ridiculously rich!
There’s a fair bit of internal dialogue going on, but it’s all relevant to the story itself, and I feel it was easier to listen to than it might have been to read. In fact, this book seemed to go by really quickly - I thoroughly enjoyed it, and listened to it whenever I could.
The characters were all very likeable: Lucy has a brain tumour, and after the initial shock she takes the news very well. She works for an American called Hunter Sterling, a tycoon and hedonist. He takes a lot of drugs.
Francis is a conservationist on an estate, and he meets Olivia, a biologist. Her father is a psychoanalyst who works with schizophrenics (amongst others), in particular a man called Sebastian. His deeper connections emerge in the story.
All of these people and themes are woven into a beautifully written book. I loved it, and it looks as though I have another authors backlist to investigate!
There’s a lot packed in to this book: mental health, love, bravery, illness, fear, adoption, climate change, genetics, inheritance and technology (there might be more, but this is off the top of my head!). These are all pretty meaty themes, but I think they were all addressed with sensitivity, and nothing seemed contrived - even though one of the characters was ridiculously rich!
There’s a fair bit of internal dialogue going on, but it’s all relevant to the story itself, and I feel it was easier to listen to than it might have been to read. In fact, this book seemed to go by really quickly - I thoroughly enjoyed it, and listened to it whenever I could.
The characters were all very likeable: Lucy has a brain tumour, and after the initial shock she takes the news very well. She works for an American called Hunter Sterling, a tycoon and hedonist. He takes a lot of drugs.
Francis is a conservationist on an estate, and he meets Olivia, a biologist. Her father is a psychoanalyst who works with schizophrenics (amongst others), in particular a man called Sebastian. His deeper connections emerge in the story.
All of these people and themes are woven into a beautifully written book. I loved it, and it looks as though I have another authors backlist to investigate!
The Memory of Animals
10.0
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Book
Neffy is a young woman running away from grief and guilt and the one big mistake that has derailed...
Speculative fiction Literary fiction apocalyptic
Gareth von Kallenbach (980 KP) rated G.I. Joe: Retaliation (2013) in Movies
Aug 7, 2019
Who didn’t grow up as a child of the eighties and nineties and not play with G.I. Joes? And of those, who can honestly say they were not thoroughly disappointed in G.I. Joe: The Rise of Cobra? Surprisingly, I can say that I wasn’t thoroughly disappointed, but I know the movie could have been so much more than it was. Could it have done without the surreal technology, the sappy love story and the unrealistic action scenes in the movie? Yes. Many fans cried out about this. G.I. Joe: Retaliation set out to respond.
Did they succeed? That’s debatable, but they did a lot of things right in the go-around. Don’t get me wrong, it’s not award winning or anything, and you should never expect a movie like this to be that. But let’s run through a check list. Sappy out of place love-story: gone. Surreal technology: less. Let’s face it, despite what some people felt about the first movie, it did kind of set that precedent. Retaliation is considered a true follow up to The Rise of Cobra. So would it honestly make any sense to go from one extreme of nearly impossible gadgets to none at all? Absolutely not. Besides, the cartoon series also had technology in it. I am not trying to defend the use of it, and there were some pretty crazy gadgets going on in this movie, but it seemed to jive better with what I remember of it as a kid. And they found a really unique way to tone it down without it not seeming right. Unfortunately, there is still a fair amount of unrealistic action in this movie, but that’s kind of become the norm for most action movies these days.
We pick up fairly close to where we left off in The Rise of Cobra. Duke (Channing Tatum) is now commanding a unit of the Joes with Roadblock, Lady Jaye, Flint and Snake Eyes (Dwayne Johnson, Adrianne Palicki, D.J. Cotrona and Ray Park respectively) under his command. The Joes are sent out on a mission, a good rapport is built between Duke and Roadblock, but then they go and destroy that when their convoy gets attacked by Cobra eliminating Duke from the rest of the film. Go cry spoiler somewhere else, this happens in the beginning of the movie, and it’s been everywhere since the delay of the movie from last year. I was hoping they would somehow managed to keep him in the movie, especially after seeing the chemistry between Tatum and Johnson, but alas…
So the convoy attacked, and all the Joes presumed dead. Only Roadblock, Jaye and Flint actually survive and try to get to the bottom of everything. Meanwhile President Zartan (remember how the last movie ended) is up to his own nefarious plans in breaking out Cobra Commander with the aide of Storm Shadow. The Joes work their magic, still have access to some technology (though not over the top like The Rise of Cobra), and recruit people to help them along the way, including the man who is the reason the Joes were started: General Joe Coulton (played epic-ly by Bruce Willis).
The movie was entertaining, had a lot of great and clever humor that wasn’t thrown in your face, and had some great action scenes (if you can get past the fact that in one scene they are fighting Cirque Du Soleil style on the side of a cliff). But it’s some of the little things in this movie that prevent it from redeeming the franchise after the first iteration, including the casting of RZA in a part that looks like it is meant to be serious, but his horrible acting make you really wonder if it was supposed to be a serious role or not. The other gripe I had with the movie was the unlikely resolution of the main conflict. With the Cobra Commander so confident in his plan, why would he, or any self-respecting super villain, deliver a way to foil the evil plan with literally half a second left on a silver platter. The last issue I had with the movie was Storm Shadow. I really liked the conflict between him and Snake Eyes in The Rise of Cobra, but they seemed to discredit his character a lot in this movie. Ultimately they changed the nature of Storm Shadow to make it seem as if he might switch sides in any future installments of the franchise, and that’s just not cool. The character was awesome the way he was.
As for the 3D aspect, it’s said this was the reason that the studio delayed the movie for a year. They wanted to add more effects to it. This tells me two things: the movie was shot in 2D and they had little faith in it. Honestly, I think we all know they tried to add more Duke to the movie in this time (which it’s really hard to tell if they did), but you can tell there was work done with 3D aspect. Too much. It was very distracting at points, and it seemed liked they added elements to scenes just to have 3D. For instance there was a scene where you were in a situation room viewing information on a monitor. It literally looked like they just super imposed a shoulder into the lower right of the screen so they could have in 3D as if you were looking over someone’s shoulder. That’s just silly.
All that being said. I had fun watching the movie. Dwayne Johnson is becoming a powerhouse that everyone was expecting him to years ago. I hope that he can continue this streak with some good movies (he’s got two more within the next month alone). I own the first one on Blu Ray, and I will probably buy this one when comes out as well. I would watch it in theater just for the enormity of the action on the big screen, but skip the 3D.
Did they succeed? That’s debatable, but they did a lot of things right in the go-around. Don’t get me wrong, it’s not award winning or anything, and you should never expect a movie like this to be that. But let’s run through a check list. Sappy out of place love-story: gone. Surreal technology: less. Let’s face it, despite what some people felt about the first movie, it did kind of set that precedent. Retaliation is considered a true follow up to The Rise of Cobra. So would it honestly make any sense to go from one extreme of nearly impossible gadgets to none at all? Absolutely not. Besides, the cartoon series also had technology in it. I am not trying to defend the use of it, and there were some pretty crazy gadgets going on in this movie, but it seemed to jive better with what I remember of it as a kid. And they found a really unique way to tone it down without it not seeming right. Unfortunately, there is still a fair amount of unrealistic action in this movie, but that’s kind of become the norm for most action movies these days.
We pick up fairly close to where we left off in The Rise of Cobra. Duke (Channing Tatum) is now commanding a unit of the Joes with Roadblock, Lady Jaye, Flint and Snake Eyes (Dwayne Johnson, Adrianne Palicki, D.J. Cotrona and Ray Park respectively) under his command. The Joes are sent out on a mission, a good rapport is built between Duke and Roadblock, but then they go and destroy that when their convoy gets attacked by Cobra eliminating Duke from the rest of the film. Go cry spoiler somewhere else, this happens in the beginning of the movie, and it’s been everywhere since the delay of the movie from last year. I was hoping they would somehow managed to keep him in the movie, especially after seeing the chemistry between Tatum and Johnson, but alas…
So the convoy attacked, and all the Joes presumed dead. Only Roadblock, Jaye and Flint actually survive and try to get to the bottom of everything. Meanwhile President Zartan (remember how the last movie ended) is up to his own nefarious plans in breaking out Cobra Commander with the aide of Storm Shadow. The Joes work their magic, still have access to some technology (though not over the top like The Rise of Cobra), and recruit people to help them along the way, including the man who is the reason the Joes were started: General Joe Coulton (played epic-ly by Bruce Willis).
The movie was entertaining, had a lot of great and clever humor that wasn’t thrown in your face, and had some great action scenes (if you can get past the fact that in one scene they are fighting Cirque Du Soleil style on the side of a cliff). But it’s some of the little things in this movie that prevent it from redeeming the franchise after the first iteration, including the casting of RZA in a part that looks like it is meant to be serious, but his horrible acting make you really wonder if it was supposed to be a serious role or not. The other gripe I had with the movie was the unlikely resolution of the main conflict. With the Cobra Commander so confident in his plan, why would he, or any self-respecting super villain, deliver a way to foil the evil plan with literally half a second left on a silver platter. The last issue I had with the movie was Storm Shadow. I really liked the conflict between him and Snake Eyes in The Rise of Cobra, but they seemed to discredit his character a lot in this movie. Ultimately they changed the nature of Storm Shadow to make it seem as if he might switch sides in any future installments of the franchise, and that’s just not cool. The character was awesome the way he was.
As for the 3D aspect, it’s said this was the reason that the studio delayed the movie for a year. They wanted to add more effects to it. This tells me two things: the movie was shot in 2D and they had little faith in it. Honestly, I think we all know they tried to add more Duke to the movie in this time (which it’s really hard to tell if they did), but you can tell there was work done with 3D aspect. Too much. It was very distracting at points, and it seemed liked they added elements to scenes just to have 3D. For instance there was a scene where you were in a situation room viewing information on a monitor. It literally looked like they just super imposed a shoulder into the lower right of the screen so they could have in 3D as if you were looking over someone’s shoulder. That’s just silly.
All that being said. I had fun watching the movie. Dwayne Johnson is becoming a powerhouse that everyone was expecting him to years ago. I hope that he can continue this streak with some good movies (he’s got two more within the next month alone). I own the first one on Blu Ray, and I will probably buy this one when comes out as well. I would watch it in theater just for the enormity of the action on the big screen, but skip the 3D.
Movie Metropolis (309 KP) rated The DUFF (2015) in Movies
Jun 11, 2019
Disappointingly Generic
The school-set comedy genre has been done to death over the last two decades. From body swap comedies like 17 Again that hang on the pulling power of their stars, to films that now have a cult following like 10 Things I Hate About You, each of them has little to offer once the end credits roll.
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/