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40x40

Hazel (2934 KP) rated Witch (The Cursed Manuscripts) in Books

May 30, 2021  
Witch (The Cursed Manuscripts)
Witch (The Cursed Manuscripts)
Iain Rob Wright | 2021 | Horror
7
7.5 (2 Ratings)
Book Rating
I think I can safely say that I am a fan of Mr Wright's tales; they take me back to my teenage years when I read anything and everything that was described as horror or creepy and even now, in my 50's, I still enjoy a story "from the dark side"!

This is a good, short, quick read that has great characters and a great story however, I don't think the blurb makes much sense when you read the book - it doesn't seem to bear any relation to the actual story and the only think I can think of is there are more to come ... which is great but a tad confusing.

The story is actually about 2 teenagers who, on escaping some bullies, find themselves stumbling upon a ruined house in the middle of a wood; what they find there defies belief but no-one sees what they do so they decide to sort it out themselves which devastating consequences.

This is a good start to, hopefully, a new series where we will get to learn what the "Cursed Manuscripts" are all about.

My eternal thanks go to the author who provided a copy to me to read and review, this is no way influenced my thoughts on this book and it is is unbiased and unedited.
  
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Thundercat recommended Academia de Dancas by Egberto Gismonti in Music (curated)

 
Academia de Dancas by Egberto Gismonti
Academia de Dancas by Egberto Gismonti
(0 Ratings)
Album Favorite

"This one I discovered more recently. I'm a big Hermeto Pascoal fan; I was turned onto Hermeto by Kamasi Washington when we were teenagers. But, again, it's Brazilian and stuff like that you have to seek out, you have to want to find it yourself because it doesn't always get translated. I didn't know about Egberto Gismonti at first, but I spent a lot of time listening to Hermeto, and I remember I went on tour with Miguel Atwood Ferguson in the band with me at one point. And Miguel is also an astute follower of music, to say the least. We were listening to Hermeto Pascoal backstage and Miguel turns and he goes 'Is this Hermeto? Do you know about his friend Egberto Gismonti?' and I was like, 'no'. Miguel proceeds to tell me this is the person that plays bass with Hermeto Pasqual, and he's a beast of a composer. He played me the album, and I was floored. I was completely overtaken by this album and the composition. It tells such a story – Egberto Gismonti's albums in general tell a story – but this specific album, there's some moments on it that are so intense that it's hard to listen to them. It's hard to play one song for somebody, but if I've ever played the record for somebody, it has to be listened to very loud."

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