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Creepy and Maud
4
4.0 (1 Ratings)
Book Rating
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.

The title did catch my attention especially since it had the word Creepy in it.

I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.

The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.

The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.

I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.

I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.

Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.

Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.

Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.


(I won this book from a competition. I was not required to write a review).
  
TD
The Daughter of the Sea and the Sky
David Litwack | 2014 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>

<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.

In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.

This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
 
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
  
IT
Into the Dim (Into the Dim, #1)
8
8.0 (1 Ratings)
Book Rating
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review

Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.

Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.

Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.

<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.

Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
  
Extraordinary Means
Extraordinary Means
Robyn Schneider | 2015 | Romance, Young Adult (YA)
10
8.0 (3 Ratings)
Book Rating
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review

Extraordinary Means</i> is a coming of age novel by Robyn Schneider that promises to live up to the expectations of John Green and Stephen Chbosky fans. Set in the near future, Lane Rosen has spent his seventeen years studying and making sure he is always achieving his best at school. With high hopes of getting into Stanford, he is distraught when he is sent to Latham House, a sanatorium in the Santa Cruz Mountains, after contracting tuberculosis.

Although in today’s society tuberculosis is curable, Schneider has invented a total drug resistant TB, which is highly contagious, therefore needs to be contained. Lane finds himself in the middle of nowhere surrounded by other teenagers with the incurable disease. Here he meets Sadie Bennett with whom, after a shaky start, he develops a close relationship.

Ironically, whilst suffering with an illness that could kill him, Lane learns there is a lot more to life than school. With his new friends: Sadie, Nick, Marina and Charlie; Lane begins to become more adventurous and starts to relax and have fun whilst they wait for scientists to come up with a cure. The only trouble with this waiting game is that the odds of some of them not living long enough to see this cure is fairly high.

Narrated by both Lane and Sadie, <i>Extraordinary Means</i> is a love story with a heart-breaking ending. The readers really feel for the teens as they are separated from their family, and forgotten about by their friends. Unlike other potentially terminal illness, they cannot have support from their loved ones because of the risk of spreading the disease.

There is an underlying sadness to the novel, as the reader knows that no matter how much fun the characters have and no matter what their hopes and dreams, chances are something dreadful could happen. With this in mind, the story becomes much more powerful and moving as Sadie, Lane and friends determine to keep on going and enjoy their lives on a day-to-day basis.

Schneider is an excellent writer who has created a contemporary romance with a unique setting. The imagination involved with the tuberculosis could almost describe the novel as dystopian minus the science fiction genre. <i>Extraordinary Means</i> is the perfect novel for young adult fans, but warning: it could break your heart!
  
Toil &amp; Trouble: 15 Tales of Women &amp; Witchcraft
Toil & Trouble: 15 Tales of Women & Witchcraft
Variety of authors | 2018 | LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
10
8.5 (4 Ratings)
Book Rating
Toil & Trouble was a much-hyped anthology of YA stories, and I think it lived up to that hype. I really enjoyed almost every story in this book - only one or two of them were less than awesome. And they still weren't bad! Anthologies like this keep introducing me to yet more authors that I want to read, and just keep growing my TBR list! Some of the authors in this book I was familiar with; while I hadn't read her work yet, I met Zoraida Córdova at the Baltimore Book Festival, and she was amazing. I'm familiar with Brandy Colbert's work, and have not yet read Anna-Marie McLemore but desperately want to, and her story in this work (Love Spell) only increases that need.

I read this book just before Halloween, and it was a perfect choice. I'm not a fan of actual horror novels, which seem to be what everyone else is reading this time of year. Give me my strong witchy women! The stories in this book are all young women - teens to early adulthood - learning to rely on themselves. They embrace what family traditions mean to them, or break free of them entirely if they're the wrong path. They break social taboos and fall in love where they will. They FIGHT for what they want.

I think my favorite story in this book involved a woman whose powers had been bound by her coven until she was old enough to use them wisely, but had to watch her father die in an accident when she could have healed him if she'd had access to her magic. She went to an ancient place of power in the mountains and broke the binding, horrifying her coven. The story is actually about her defying them further in refusing her destined soul mate for the girl she's been in love with since she was a child, and Fate's punishment for that. The two girls fighting for each other and for their own magic was amazing. (The Heart in Her Hands, Tess Sharpe.) Unfortunately it doesn't look like it's part of a larger story, I was hoping for more in that world!

As far as I can tell, only one of the stories is part of something larger - I'm pretty sure Zoraida Córdova's story is part of her Brooklyn Brujas world. Other than that, they all appear to be standalones, which is a little sad as I'd like to see more of many of these worlds!

Toil & Trouble is an outstanding anthology of magical women, and I loved it.

You can find all my reviews at http://goddessinthestacks.com
  
40x40

TacoDave (3568 KP) rated Gentlemen Broncos (2009) in Movies

Oct 30, 2019 (Updated Oct 30, 2019)  
Gentlemen Broncos (2009)
Gentlemen Broncos (2009)
2009 | Adventure, Comedy
dry humor (2 more)
great actors
unique feel
weird, and not for everyone (0 more)
I love this weird movie.
I love Gentelmen Broncos. Full stop.

I saw it for the first time in a theater where I was the only customer, and I was a bit wary of watching a comedy by myself, but it ended up being a great experience. This film is written and directed by the same people who made Napoleon Dynamite and Nacho Libre, which should let you know out of the gate that it is a bit abnormal.

The plot centers around a teenage boy named Benjamin who writes science fiction novels. Benjamin is headed off to a writing camp for home-schooled kids. In the bus on the way to camp he meets some other interesting teens and becomes fast friends with a few of them.

Once at the writing camp, he discovers that his favorite author - Ronald Chevalier (played by the hilarious Jemaine Clement) - will be judging everyone's writing. Overjoyed by this news, Benjamin submits his "best" book "Yeast Lords" into the competition. But it seems that things are not what they seem, because Chevalier has a bad case of writer's block, so he steals the plot of "Yeast Lords" and turns it into a new novel that keeps some elements, but destroys others.

Will Benjamin be able to prove a famous author stole his story? Can Benjamin and his friends film their own version of "Yeast Lords" and make a successful movie out of it? Can Benjamin kiss a girl without puking?

Interspersed with the regular scenes of the movie are scenes from the story "Yeast Lords" where Sam Rockwell (amazing, as always) plays the hero Bronco. These scenes morph and shift over the course of the movie as Bronco turns from a manly, tough hero into an effeminate oddball once Chevalier rewrites the story. Watching this transition is fascinating and hilarious.

And interspersed between everything else are oddball character moments that don't add to the plot, but are quirky and funny.

I'll admit that this movie isn't for everyone. It is weird. Some of the humor is so dry you need a drink afterwards. But for my sense of humor, it was dead-on. I have watched it many times, I own it on Blu-ray, and I show it to friends.

Give the trailer a try and see if it is your cup of tea. You'll either hate it (and curse me), or you'll love it and become a fan.
  
Jumanji: The Next Level (2019)
Jumanji: The Next Level (2019)
2019 | Action, Adventure, Comedy
Half baked
jumanji next level is like an uninteresting game cutscene thats also unskippable its dull, frustrating, overlong and makes you wish you were doing something else. I actualy quite enjoyed the first instalment I it had some genuinely good ideas, great set pieces and some really fun action so i find it sad to say the sequel is not worth your time at all. Starting in the real world here lies its fist problem: not only are all the teens really boring and generic characters they are all also played by people that just cant act which absolutely kills any attachment to the characters and makes them seem more like one dimensional npcs in a cheap videogame. This would all be fine if the film jumped quickly into the game and the action but instead we get stuck with them for so long that i was begining to get restless way before we even begin to enter the jumanji. Once we do enter the game things do pick up but not by much as what we get is essentially a long drawn out re-skin of the first movie stuffed full of repetative humour and references. Its also contains some of the worst shot/lazy action scenes i have seen this year with not only poor cgi that offers no sense of weight but also no sense of thrill or excitement either. Long unnecessary scenes also plague the film too adding nothing to the story or character development and some jokes even go on for way to long even though they muster no laughs at all. Theres definitely some fun in watching the rock, kevin heart, jack black and karen gilinham act like thier in movie real world counterparts as they do a really impressive job of imitating the teen characters better than the teen actors do them selves. Another huge problem comes from each game character having only three lives as this immediately removes all threat/peril from the movie and again kills all tension too. If i had to sum up this sequel i would say its a movie made for people that talk through movies and i garantee if you go and see it at the cinema i bet thats what people will do because it lacks anything to keep even casual movie goers engaged and focused. More like disappointing dlc that you paid for upfront than 'next level' this movie really isnt worth your time. If you own the previous movies id stay home in the warm and watch them instead save yourself an over two hour slog of bad jokes and poor action.
  
Carrie (2013)
Carrie (2013)
2013 | Horror
8
6.5 (14 Ratings)
Movie Rating
If you’ve got a taste for terror…take Carrie to the Prom.”

Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.

The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.

Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.

Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
  
Pickup on South Street (1953)
Pickup on South Street (1953)
1953 | Classics, Drama, Mystery
(0 Ratings)
Movie Favorite

"I remember being baffled by the first Sam Fuller film I saw when I was in my late teens or early twenties, a revival at the old St. Mark’s theater on Second Avenue in New York. The audience was guffawing and cheering and I thought it was really stupid: some kind of condescending intellectual slumming, about a movie that looked to me like plain harmless, and pretty much sincere, if inept, cheap melodramatic exposé. It was Shock Corridor. The movie was bad, but the audience was worse. I can’t remember which film turned me around. The Naked Kiss? That’s a great one, as is Shock Corridor. Eventually I also learned how highly Fuller is rated by the most intellectual film analysts. I think what makes Fuller so popular with them is Fuller’s unpretentiousness, not because it’s naive, but because it makes him a purer example of filmmaking talent: since there’s no subtlety, no subtext, no self-consciousness, it means that to enjoy it you’ve got to enjoy it for the pure, abstract methods of film as film. Famously, his roots are in two realms, tabloid journalism and World War II (where he saw a lot of action with the infantry). In a scene at a party in Godard’s Pierrot le fou, when he’s asked what cinema is, he says, “Film is like a battleground: love, hate, action, violence, death. In one word: emotion.” And that’s the way his films feel: like they’re emotion, the way music is. They’re not about ideas except on the most basic level, like a tabloid. They’re “hard-boiled,” and there’s tabloid/sensationalist fury and irony. His fight scenes are thrilling and like no one else’s; you can recognize them in a second. His style altogether is distinctive. Everything is in your face. Lots of close-ups, lots of tracking in for close-ups, long takes with plenty of camera movement. It is like pulp journalism, like a fluid Weegee. Emotion. As corny and cartoony as she is, Thelma Ritter’s last scene in this is really moving. She actually got an Academy Award nomination for supporting actress for the role. The close-up smooching of Richard Widmark and Jean Peters can leave you breathless too, even though the sessions usually end with him mocking or slapping her. In 1974, when I was first singing my song “Love Comes in Spurts” at CBGB, I sometimes used to introduce it with the line that comes when Widmark’s kissed an eager Peters and she’s told him she really likes him and he sneers, “Everybody likes everybody when they’re kissing.”

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Scream by Siouxsie &amp; The Banshees
Scream by Siouxsie & The Banshees
1978 | Punk
8.1 (7 Ratings)
Album Favorite

"This one is down to my best friend, my dearest friend from when I was three years old – we met at nursery school and we grew up together. We grew through our teens and went through puberty together, starting to experiment with alcohol and cigarettes and boys. She had very lenient parents whereas my parents were really old-school and sort of conventional; she had a very unconventional family life. She and I used to be able to just do whatever we wanted, whenever we wanted, up in her attic bedroom. 

 Because I'd been caught smoking by my parents, I didn't have any pocket money but my best friend Sarah did. She was able to buy records that I couldn't get my hands on – she bought The Scream – I'm not entirely sure why she bought The Scream, but she played it in her bedroom and I can still remember her putting the needle on the vinyl and just that record beginning, starting: I was mesmerised. I just was like, 'What the fuck is this? And who is this? And what is it?' 

 We just became quickly obsessed. We finally saw them on Top Of The Pops and I just fell madly and obsessively in love with Siouxsie and the whole band for that matter: I just loved how they looked like nothing I'd ever laid eyes on before.
 
 Up until that point I'd only been exposed to very conforming women in music. I'd never seen someone who identified as a female but looked somewhat androgynous and referenced Native American Indian culture, which excited me for whatever reason. She had this incredible, strange style that seemed very confrontational and rebellious. She just excited me visually and musically. 

 I've been obsessed with her ever since and my love for her has never waned at all. She's another artist who's never, ever let me down. I still go back to those records over and over again because there's a certain power in Siouxsie's delivery that's very hard to find amongst most female-identifying artists. She still sounds unique, and she still sounds like she can wipe the floor with any of us.
 
 I was starting to experiment with what my version of what adulthood meant and I think I was 13 or 14; I became obsessed with 'Suburban Relapse' and 'Nicotine'. 'Suburban Relapse' had such a strong narrative: I just could see everything in detail through her lyrics. She was very erudite and I was just so mesmerised by her."

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