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Phillip McSween (751 KP) rated Ready or Not (2019) in Movies
Jan 6, 2021
Great From Beginning to End
A new bride agrees to an innocent game with her in-laws on her wedding night only to find out the game involves her murder.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10The film has a dark, yet colorful cast that works on both engaging and eery levels. Part comedy, part horror directors Matt Bettinelli-Olpin and Tyler Gillett masterfully capture both without either looking out of place. I was very impressed with the attention to detail.
Conflict: 10
Entertainment Value: 10It’s hard to miss when you combine action, comedy, and horror into a solid movie. Every moment of this movie is engaging. it’s a ride you’re excited to be a part of as you wade through what the heck is going to happen next. A fun, wild ride.
Memorability: 9
Ready Or Not will definitely stand in the memory long after being watched. Again, it checks the boxes in the three different categories. However, it doesn’t quite master any of them hence the docked point.
Pace: 10
Great start, then the tension continues to mount from there. it never lets its foot off the gas save for a few short breaths. It shoots out of a cannon then moves forward at a breakneck pace.
Plot: 10
Resolution: 10
One of my favorite parts of the entire story. Mums the word here.
Overall: 99
In the near future, I’m going to do a piece on “Movies I Can Watch Repeatedly and Not Get Bored”. Ready Or Not will probably make that list. It does so many things right. Definitely a movie to remember.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10The film has a dark, yet colorful cast that works on both engaging and eery levels. Part comedy, part horror directors Matt Bettinelli-Olpin and Tyler Gillett masterfully capture both without either looking out of place. I was very impressed with the attention to detail.
Conflict: 10
Entertainment Value: 10It’s hard to miss when you combine action, comedy, and horror into a solid movie. Every moment of this movie is engaging. it’s a ride you’re excited to be a part of as you wade through what the heck is going to happen next. A fun, wild ride.
Memorability: 9
Ready Or Not will definitely stand in the memory long after being watched. Again, it checks the boxes in the three different categories. However, it doesn’t quite master any of them hence the docked point.
Pace: 10
Great start, then the tension continues to mount from there. it never lets its foot off the gas save for a few short breaths. It shoots out of a cannon then moves forward at a breakneck pace.
Plot: 10
Resolution: 10
One of my favorite parts of the entire story. Mums the word here.
Overall: 99
In the near future, I’m going to do a piece on “Movies I Can Watch Repeatedly and Not Get Bored”. Ready Or Not will probably make that list. It does so many things right. Definitely a movie to remember.
Erika (17789 KP) rated Profile (2018) in Movies
Aug 8, 2021
Profile is based upon a true story of a French journalist who went undercover online to report on how ISIS recruits young, recently converted, European women to the jihadi cause. This film uses the same narrative style as Searching, everything is witnessed via screens, and it really works for this story.
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.
Lorene Scafaria recommended GoodFellas (1990) in Movies (curated)
Kirk Bage (1775 KP) rated M (Movie) (1931) in Movies
Jan 28, 2021
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Eleanor Luhar (47 KP) rated Boot Camp (Rock War #2) in Books
Jun 24, 2019
So this is the sequel to Rock War by Robert Muchamore, which is the only other novel I've read by this author. I can't say I loved the first book, but I was intrigued to find out what happened next!
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Lyndsey Gollogly (2893 KP) rated Death Be Blue (Terra Vane #1) in Books
Jul 15, 2019
Contains spoilers, click to show
She can glimpse visions of the past, present, and future but she doesn’t know when, how, or why. She only knows the outcome, and it doesn’t look good…
Being human is hard enough. Being human with psychic abilities is worse. It was for Terra Vane anyway, until she immigrated to Portiside. There she feels at home in the thriving city of the Fey, Shifters, Vampires, and other gifted humans.
Where there are many factions of creatures, however, crime and skirmishes are to be expected. With a stubbornness born out of years of being deemed a “freak,” Terra’s determination and unique ability serve her well as an Enforcer Field Agent for the Portiside City Agency.
Alongside her annoying wolf-shifting partner, Kaleb, there is no case that is too strange to solve. No case too dangerous—until there is, and the trail of bloodlust leads them to unravel a mystery that threatens Portiside as they know it.
Brilliant
This is the first book I've read of Katie Epstien and I couldn't put it down I was hooked from the start. Her style reminds me of Keri Arthur's and I love her books. It was full of action and sexual tension. It's refreshing to have a strong female lead that's kickass and not wingy. I love the relationship dynamics that she has put together. Terras friends are brilliant strong women helping each other along, then you have the two father figures in Dan and her step dad, her best friend and partner relationship with Kaleb. All this set in such a fantastic world. So ready for the next book.
⭐⭐⭐⭐⭐

Being human is hard enough. Being human with psychic abilities is worse. It was for Terra Vane anyway, until she immigrated to Portiside. There she feels at home in the thriving city of the Fey, Shifters, Vampires, and other gifted humans.
Where there are many factions of creatures, however, crime and skirmishes are to be expected. With a stubbornness born out of years of being deemed a “freak,” Terra’s determination and unique ability serve her well as an Enforcer Field Agent for the Portiside City Agency.
Alongside her annoying wolf-shifting partner, Kaleb, there is no case that is too strange to solve. No case too dangerous—until there is, and the trail of bloodlust leads them to unravel a mystery that threatens Portiside as they know it.
Brilliant
This is the first book I've read of Katie Epstien and I couldn't put it down I was hooked from the start. Her style reminds me of Keri Arthur's and I love her books. It was full of action and sexual tension. It's refreshing to have a strong female lead that's kickass and not wingy. I love the relationship dynamics that she has put together. Terras friends are brilliant strong women helping each other along, then you have the two father figures in Dan and her step dad, her best friend and partner relationship with Kaleb. All this set in such a fantastic world. So ready for the next book.
⭐⭐⭐⭐⭐

Hazel (2934 KP) rated Seven Days in Books
Oct 12, 2019
Oh my goodness ... you have got to read this book!!!
Harrowing, hopeful, heart wrenching, gripping, thrilling and full of tension, this is one of those books that you won't forget in a hurry. It's absolutely gripping from the very first paragraphs and takes you through all manner of emotions from anger, disgust and hatred to love, sympathy and hopefulness. Although a very difficult subject-matter, it is dealt with carefully and without sensationalism; it felt authentic and believable and, unfortunately, is only too real.
You quickly become invested in the plight of Maggie and her son, Max; the strength of her human spirit and the will she has to keep her son safe whatever the cost oozes from the pages. It doesn't stop there though, oh no, her family are as big a part in this book as Maggie and Max and they embark on their own roller coaster ride in which you are a but a passenger.
Written from different perspectives and covering different timelines, you might think that this would be confusing ... it is anything but. With short chapters, great pace and easy writing, this book is a gem of a read and, cliché I know, hard to put down. I couldn't read it fast enough and thank goodness I was coming towards the end on a Saturday evening so it didn't matter if I slept in the next day!
This is most definitely a 5 star read for me and highly recommended.
Eternal thanks go to HarperCollins UK, HarperFiction via NetGalley for my copy in return for an honest and unbiased review.
Harrowing, hopeful, heart wrenching, gripping, thrilling and full of tension, this is one of those books that you won't forget in a hurry. It's absolutely gripping from the very first paragraphs and takes you through all manner of emotions from anger, disgust and hatred to love, sympathy and hopefulness. Although a very difficult subject-matter, it is dealt with carefully and without sensationalism; it felt authentic and believable and, unfortunately, is only too real.
You quickly become invested in the plight of Maggie and her son, Max; the strength of her human spirit and the will she has to keep her son safe whatever the cost oozes from the pages. It doesn't stop there though, oh no, her family are as big a part in this book as Maggie and Max and they embark on their own roller coaster ride in which you are a but a passenger.
Written from different perspectives and covering different timelines, you might think that this would be confusing ... it is anything but. With short chapters, great pace and easy writing, this book is a gem of a read and, cliché I know, hard to put down. I couldn't read it fast enough and thank goodness I was coming towards the end on a Saturday evening so it didn't matter if I slept in the next day!
This is most definitely a 5 star read for me and highly recommended.
Eternal thanks go to HarperCollins UK, HarperFiction via NetGalley for my copy in return for an honest and unbiased review.
i Fishing Fly Fishing Edition
Games and Entertainment
App
You've played iFishing, and iFishing Saltwater Edition, now try your luck at Fly Fishing! Fish...
LeftSideCut (3776 KP) rated The Void (2016) in Movies
Aug 10, 2020
I watched The Void with absolutely no prior knowledge of what it was, and what it is, is certainly...something.
The Void felt to me like a series of homages to other horror classics. The overall plot seems like an obvious nod to Prince of Darkness. The creature designs are reminiscent of The Thing, albeit with a sprinkling of Guillermo Del Toro. The climax reminded me sometimes of Hellraiser. One of the villains gave me Re-Animator vibes. All the while, there's a distinct Lovecraftian undercurrent from start to finish.
All of this is a good thing though. The Void never feels like it's ripping off any of these movies, but rather wearing it's heart on it's sleeve.
As mentioned above, the creature designs reminded me of The Thing. This is further bolstered by their nightmarish aesthetic, and the fantastic use of practical effects. In fact, there's very minimal use of CGI at all, something you don't see too often these days.
My only criticisms are aimed at the plot. It's starts off well enough, and evokes a feeling of tension and uncertainty, well realised by a decent cast. Before long however, it's clear that a lot is left open to audience interpretation. The fever dream approach to the filming style leaves you questioning what is real and what's not, a plot technique that I'm usually all for, although The Void is a film that I feel could have benefited from a little more explanation and resolve.
Overall though, it's a gory, entertaining horror creature-feature, that I would recommend watching, even if it's just the once.
The Void felt to me like a series of homages to other horror classics. The overall plot seems like an obvious nod to Prince of Darkness. The creature designs are reminiscent of The Thing, albeit with a sprinkling of Guillermo Del Toro. The climax reminded me sometimes of Hellraiser. One of the villains gave me Re-Animator vibes. All the while, there's a distinct Lovecraftian undercurrent from start to finish.
All of this is a good thing though. The Void never feels like it's ripping off any of these movies, but rather wearing it's heart on it's sleeve.
As mentioned above, the creature designs reminded me of The Thing. This is further bolstered by their nightmarish aesthetic, and the fantastic use of practical effects. In fact, there's very minimal use of CGI at all, something you don't see too often these days.
My only criticisms are aimed at the plot. It's starts off well enough, and evokes a feeling of tension and uncertainty, well realised by a decent cast. Before long however, it's clear that a lot is left open to audience interpretation. The fever dream approach to the filming style leaves you questioning what is real and what's not, a plot technique that I'm usually all for, although The Void is a film that I feel could have benefited from a little more explanation and resolve.
Overall though, it's a gory, entertaining horror creature-feature, that I would recommend watching, even if it's just the once.
The Golden Hour
Book
The Bahamas, 1941. Newly-widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the...