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Haley Mathiot (9 KP) rated Blood Magic (The Blood Journals, #1) in Books
Apr 27, 2018
Books should capture you from the first page, right? They should cause you to want to read more and not be able to put it down. They should also have important interesting things happening in every scene.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
This is the problem with Blood Magic. The very first chapter was interesting: beyond interesting. It felt like I'd opened up to the middle. It threw me into the story with no explanation, no development, and no mental preparation. Because I didn't know the character I was reading about, it felt out of place and I just didn't care. The excitement was gone: it could have been dramatic if it was in Chapter 7, but it wasn't, it was in Chapter 1. The pacing felt off.
Same with the romance between the two main characters: It was way too smooth, way to fast, and there was no chemistry. They kissed a lot, but there was no chemistry, because there wasn't enough time for the tension between them to build.
I felt like the story didn't really get started until halfway through the book. I kept wondering "what's the point of all this?" See, stuff was happening, but there was no real plot. A plot is the main point of the story, and events link together to form it. Blood Magic had lots of events, but they didn't start connecting until late, and by that time I was tired of lots of kissing and cutting and looking at each other with go-go eyes.
On the good side, I did like the female protagonist, Silla. Her personality and her character were fun, her responses and reactions were plausible. The blood magic she performs was intriguing, as all magic is to me, and I enjoyed reading about it (however gruesome cutting yourself to use your blood for magic potions is).
However I am terribly disappointed. I expected much more from a Randomhouse book. The concept of Blood Magic had so much potential… but I feel disappointed and annoyed after hitting the halfway point. And the thing about reading is, why read something disappointing when I could read something that will please me? So I'm moving on.
Rachel King (13 KP) rated A Pointed Death in Books
Feb 11, 2019
I am not usually a fan of mysteries. They often seem like pre-scripted storylines with fill-in-the-blank characters and place names. Not so with this book. The mystery that Nola Billingsley finds herself in the midst of is set against a background of dot-com start-up corporations and the biotechnology industry. I was intrigued right away by the biotechnology aspects thanks to some education in biology myself. Russell often goes into the technical details of this thriving industry, which I think can slow a reader down who does not already understand much of this terminology.
Many of the characters are unique, if a bit cliche - such as Nola's southern belle mother, Janie Belle. I also found it odd that Nola mostly referred to her mother by her first name instead of simply calling her Mother or Mom. Nola's pointer dog, Skootch, often stole the show with his antics, but the plot seems to depend on Skootch's behavior for its progression.
Other parts of the book that I enjoyed for their own sake was the details that Russell used to bring the setting of San Francisco to life, such as the California cuisine. The polarization of Nola's choice of foods in comparison to her mother's southern cooking made for some interesting situations, and one scene at a crab festival had me salivating in jealousy. Russell is very good with details and descriptions across the board.
As for the plot, there was very little to disappoint. There was not much I could predict, no matter how many times I thought I knew what would happen next. The action was intense at times, but it was interspersed with bits of humor and romance to lighten the tension. Most of the subplots wrapped up nicely, with only a bit left over for a second book in the series to pick up. The only real question that I had that was never answered was what Nola's dot-com company actually did before it crashed. This likely was not relevant enough to the plot to be worth including.
On the whole, I was delighted that this book was a much better read than I expected it to be.
Many of the characters are unique, if a bit cliche - such as Nola's southern belle mother, Janie Belle. I also found it odd that Nola mostly referred to her mother by her first name instead of simply calling her Mother or Mom. Nola's pointer dog, Skootch, often stole the show with his antics, but the plot seems to depend on Skootch's behavior for its progression.
Other parts of the book that I enjoyed for their own sake was the details that Russell used to bring the setting of San Francisco to life, such as the California cuisine. The polarization of Nola's choice of foods in comparison to her mother's southern cooking made for some interesting situations, and one scene at a crab festival had me salivating in jealousy. Russell is very good with details and descriptions across the board.
As for the plot, there was very little to disappoint. There was not much I could predict, no matter how many times I thought I knew what would happen next. The action was intense at times, but it was interspersed with bits of humor and romance to lighten the tension. Most of the subplots wrapped up nicely, with only a bit left over for a second book in the series to pick up. The only real question that I had that was never answered was what Nola's dot-com company actually did before it crashed. This likely was not relevant enough to the plot to be worth including.
On the whole, I was delighted that this book was a much better read than I expected it to be.
RəX Regent (349 KP) rated Judgment at Nuremberg (1961) in Movies
Feb 19, 2019
“He that is without sin among you, let him cast the first stone at her.”
It has been over 20 years since I first saw this as teenager, but watching it again with little memory of the specifics, I was both a little disappointed but also very impressed.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
Lee Richmond (19 KP) rated Eaten Alive (1977) in Movies
Mar 2, 2019 (Updated Mar 2, 2019)
He's out there and he's got murder on his mind!
When a films opening line, said with a southern drawl, is "My name is Buck and I'm rarin to fuck", you know you're in for a treat. The actor responsible for it's delivery is a pre Freddy Krueger, Robert Englund who's main aim is to screw women in a very uncomfortable place, and I don't mean in the back of a VW. This opening line obviously made an impression on Quentin Tarantino as he later stole it for the equally unpleasant coma rapist, Buck in Kill Bill Vol 1. Either that or he had overheard Harvey Weinstien whisper it to a pot plant.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Another smash hit by Jordan Peele
I am an avid horror fanatic. This being said, I have seen loads of horror/thriller movies and Us actually made me leave the theater feeling more creeped out than I have ever felt watching a movie in this genre.
The sound editing was on point. The song "I got 5 on it" by Luniz was used several times in the movie as the original song and sampled in various ways depending on the portion of the movie and it worked in all aspects. The slowed down version worked well during the heightened moments when it was needed to be sufficiently creepy.
Surprisingly there were a few funny moments in the movie. I wasn't expecting to be tickled in a horror movie but Mr Peele knows how to keep that balance between funny and scary. It had just enough to cut the tension in some moments but not so much that you felt like you were watching some garbage like Scary Movie or Paranormal Whacktivity.
Plotwise, it didn't feel like it was hard to get lost but, in the mark of a true horror director, just when you think you have things figured out. BAM!! Plot twist came out of left field and slapped me in the face making me realize that I had no idea what was even right in the first place.
The acting was well done for the main cast but I feel the secondary cast could have been portrayed better or even with better people. It wasn't bad but the minor characters were so one dimensional and lacked any kind of personality that made me care about them for the short time they were on screen multiple times.
Overall, really great movie. I give it a 9 inky because nothing is perfect, but that was very well done and I look forward to Jordan Peele helming the reboot of The Twilight Zone series later this year. If it's anything like his last 2 movies, we're in for a treat.
The sound editing was on point. The song "I got 5 on it" by Luniz was used several times in the movie as the original song and sampled in various ways depending on the portion of the movie and it worked in all aspects. The slowed down version worked well during the heightened moments when it was needed to be sufficiently creepy.
Surprisingly there were a few funny moments in the movie. I wasn't expecting to be tickled in a horror movie but Mr Peele knows how to keep that balance between funny and scary. It had just enough to cut the tension in some moments but not so much that you felt like you were watching some garbage like Scary Movie or Paranormal Whacktivity.
Plotwise, it didn't feel like it was hard to get lost but, in the mark of a true horror director, just when you think you have things figured out. BAM!! Plot twist came out of left field and slapped me in the face making me realize that I had no idea what was even right in the first place.
The acting was well done for the main cast but I feel the secondary cast could have been portrayed better or even with better people. It wasn't bad but the minor characters were so one dimensional and lacked any kind of personality that made me care about them for the short time they were on screen multiple times.
Overall, really great movie. I give it a 9 inky because nothing is perfect, but that was very well done and I look forward to Jordan Peele helming the reboot of The Twilight Zone series later this year. If it's anything like his last 2 movies, we're in for a treat.
Neon's Nerd Nexus (360 KP) rated Climax (2018) in Movies
May 13, 2019
Does it satisfy?
#climax is a highly #depressing character study/a stomach churning look into darker human traits. As a huge #gasparnoe #fan I know his work is often dissmissed for being vulgar, #discusting, explicit, grotesque & pretentious but I actually find him to be a master of portraying human #emotion, relationships, #sex & #violence truthfully, realisticly & passionatly on screen. Climax is no diffrent & a fantastic mash up of #horror & #musical with such raw style/talent its hard not to get lost in its harsh madness. We are introduced to a diverse range or characters all with intricatly woven personalities & surrounded by books/movies that give us as an insite into Noes inspirations as a film maker & a taste of whats to come later. We learn from this that every one has thier own fears/problems, is searching for happines or has pent up anger, #fetishes, predatory traits, innocence, #passion, #lust or desires. They all also seem to use #dance as an escape, a display of emotion/personality, to make a statement or to evolve, #empower or rebell too. What follows is a simple story of what happens when #drugs are added in to this mix. Kind of like a messed up social experiment the #drugs highten personslity traits, magnify social problems & intensify eratic behaviours/emotions sending people spiriling out of cotroll. Just watching this group self distruct is nausiating & gaspar manages to filp from #happy into an atmospheric, unnerving real life horror movie with terrifying situations many of us have actually experienced before. Filmed in long takes & acompanied by such an impressive soundtrack & #beautiful cinimatohraphy the work gone into this film is simply stunning & much like a flawless dance routine itself. Sex plays a big part here too & as the dancers frequently use #sex/#sexually to express themselves we start to see the likening of dance to the act of vilolence as the #sexual tension ramps up with things like #trust, temptation, jelousy, infatuation, #passion, aression, manipulation, betrayal & animalistic urges present in both acts. A stunningly intricate piece of work that left my #heart pounding/my emotions attacked proving again that Gaspar really is an #artist.
Neon's Nerd Nexus (360 KP) rated Glass (2019) in Movies
May 13, 2019
See the cracks
#glass may open like its #unbreakable but soon after starts to #split at the seems becoming a #disappointing & unnecessary conclusion to a trilogy we didnt really need. I confess I didnt really care that much for Split but as with Glass i found the most impressive aspect of both of these films is simply watching #jamesmacavoy put in some seriously impressive character work & ultimatly carry both films alone. His ability to flip seamlessly between these inner characters is not only impressive stuff to watch but adds great tension & unpredictability to what is other wise a very dull movie. At first i was slightly #impressed with Glass (as it seem as if #mnightshyamalan had progressed as a film maker & not only learnt from his mistakes but also adapted completely new styles of film making too) but as the film played out i realised what he has actually done is instead stolen ideas from much better films (ie #getout) then re used them again here. Dont get me wrong at times Glass is filmed great, the score is good & there are some well done #tense moments but theses are more often on not ruined by Shyamalans dorky & damn right #silly sense of #humour, bad writing & forced exposition heavy visual cues & dialog. Its so patronising & predictable at times its almost like hes not only taking the piss out of the #superhero genre but us the viewer too. For a #film thats been so heavily promoted & built up now for such a long time i feel weve all been eagerly anticipating its release to see this big conclusion & i can tell you now its so not been worth the wait. Not only is the final act so #boring & increadibly anticlimactic the end its self feels flat, tact on & empty like M Night just straight up ran out of ideas. This film series started out so #fresh & interesting but Glass takes a strange turn to the generic & mundane side of the superhero genre that most #Marvel films these days have managed to grow out of by now. This is one #trilogy that should of stayed Unbreakable. Very disappointing. #odeonlimitless #odeon #saturday #weekendvibes #filmcritic #comicbook #hero #filmbuff #samuelljackson #brucewillis #comic #villain #sundayfunday
Neon's Nerd Nexus (360 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
May 13, 2019
See it soar
#howtotrainyourdragon3 is a delightful, #passionate & #epic end to one of the best #animated trilogies of all time. This 3rd film sets itself apart from the others with its realistic portrayals of #love & by the sheer #heart & #dedication that's clearly gone into its making. Ill start with the themes explored here for a #kids animated #film are so well done that at times i felt not only #goosebumps & shivers going up my #body but my eyes were almost on the verge of tears too. Neglect, progression, sacrafice acceptance, belonging, #family bonds, learning & loyalty are explored here vastly but the biggest surprise comes from how the film depicts love & loss. Courtship is displayed here with such power/realism that my connection to the characters became stronger & #memories of my own #relationships came flooding back instantly bringing a #smile to my face. This film captures the thrill, the excitement, the #magic, the #nerves, the #butterflies of falling in love & meeting someone new so well that you simply can not help feel giddy, #happy & intoxicated by it all which is rare & something big blockbusters even fail to achieve these days. But with love always comes loss/betrayal too & as romantic love, family love & #friendship are handled extremely well so is the loss of love which hits like a punch to the gut & produces a huge dramatic effect ensuring you really do feel the lows as well as the highs each of these characters experience. Animation is glorious here with #dreamworks raising the bar to a #pixar quality flawless animation. Textures are photo realistic, lighting is blinding, action is beautifully staged & facial detail (especially for the main villain) is so good it gives the characters extra dimension & believability. Talking of the main #villain he is worth the price alone, never have i seen such a cold, calculating, methodical & merciless yet #charming & #smart bad guy in a #kids film before & #fmurrayabraham voice work goes beyond for him too. Score wise it shines providing both epic & sombre music adding great tension, atmosphere & heart. Such a well made, touching/moving tale full of heart, #soul & love. EPIC. #Odeon #howtotrainyourdragon #dragon
Neon's Nerd Nexus (360 KP) rated Searching (2018) in Movies
May 14, 2019
Look deeper
#searching #searchingmovie is an extremely intense, clever & emotionally draining film that for a directorial debut is actually quite a remarkable achievement. I like #Johncho I feel he's one of those actors that really doesnt get enough time to truly shine, so with him being the star of searching its great to see him finally get to seriously act. He's just so extremely likable & within the first 10 minutes we are introduced to him & his #family so well that an instant #emotional connection to them is formed. Told entirely through a screen searching does a great job of creating suspense & tension by using the flaws/interface of things we have all become a custom to as neat little visual cues (eg just missing a call by a few seconds, waiting for a video to buffer, seeing someone go offline while talking to them or even typing what you want to say only to delete it & type something different). This works perfectly & is never boring keeping you on edge & invested throughout while also being eerily #beautiful at times. Themes of neglect, distrust, loss & #depression are present throughout & theres also a sad look at how although we are all so connected to one another nowadays the sad fact is we have never also been more alone & afraid to show who we really are or what we are really thinking. Different sides of #Socialmedia are also explored well here too & we are shown how it can not only be used to help but also to hinder & manipulate even in a serious case like this (as well as people using the case to gain thier own fame too). Story wise its good with all the plot twists constantly shocking & unexpected with great build up too. Characters all have great back story & are all played well by the cast. My only gripe was the pacing after the final twist as it not only felt rushed but a little exposition heavy too. If your looking for a #film thats going to give your #emotions a run you'll #love Searching, while its no #nocturnalanimals its still smart, well constructed, gripping & an extremely entertaining little #drama. #instagram #apple #catfish #weekend #odeon #odeonlimitless #filmbuff #filmreview #filmcritic #internet #trending #youtube #facebook #followers #like
Neon's Nerd Nexus (360 KP) rated Ant-Man and the Wasp (2018) in Movies
May 14, 2019
insignificant
#antmanandthewasp feels like a step backwards for our tiny #hero, this time instead of feeling bigger & better what we are left with is a film which is simply just ok. I loved #antman it was a refreshing & unique entry to the already overcrowded & overdone #superhero gene. Now we have the inevitable #sequel & im sad to say that i really didnt care for it i at all. Not only does it lack genuine excitement but the entire #film feels draw out & underwhelming too. Ant man 2 really bored me & for a superhero film thats not good. Action is sparse with everything noticeably feeling strangely lower budget this time. The cgi is bad, locations are drab & visually dull, set pieces are incredibly forgettable & fights lack excitement/thrill. This would all be fine if the film held my attention elsewhere but the plot & story are just as bad here. There's no sense of urgency at all & the stakes just dont seem very high, this isnt helped by some really out of place/silly characters & a conatant lack of seriousness throughout. I get that the film needs to be fun but when the #humour is this cringe & its getting in the way/effecting the scenes that need to have an #emotional punch then im sorry but it just makes me just lose empathy for all the characters. This also means theres no tension at all & the films so wrapped up in constantly explaining to us whats going on/happening that it ends up making you realise your watching a movie instead of being immersed in its law. Acting is a mixed bag #michaeldouglas & #michellefifer are clearly trying here but almost everyone else looks like they are going through the motions to get paid. Over all Ant man 2 is one big piece of exposition & filler that i cant recommend going to see. Its dull, forgettable, over simplistic & so stuffed full of unnecesary padding that its lost what made the first one so fun. A film that we just really didnt need where even the #stanlee #cameo feels overlong. #odeonlimitless #odeon #ant #silly #funny #mcu #marvel #disney #friyay #filmbuff #filmcritic #paulrudd #wasp #insect #comic #comicon #filmreview #hope #film