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Phil Leader (619 KP) rated Bells On Her Toes in Books
Nov 8, 2019
When a body is discovered in a burnt-out barn, DCI Peter Hatherall and DI Fiona Williams are assigned to investigate. The barn is owned by a racehorse trainer and the two detectives struggle to penetrate the closed and secretive world of horse racing to uncover who the body is and why they were murdered. As the body count rises Hatharall's personal life starts to impact on his professional judgement putting not only the investigation but lives at risk.
The police procedural has a long and distinguished history and Febry does an excellent job in following the formula and adding enough twists and turns to keep the reader guessing. Everything is told from a personal point of view (mostly Williams') and the author does a great job in conveying personality through how events are described. One of the key suspects also provides some of their thoughts between chapters and this very effectively cranks the tension up.
The cast of characters is very convincing. The detective with personal problems has very much become a cliche but Hatherall is drawn in a very realistic and human light and is clearly struggling. Williams has her own relationship issues and their interaction has a ring of authenticity. The cast of suspects is wide and a number of them could easily be guily. What is certain is that it will take time for all the secrets to be uncovered.
The plot has many twists and plenty of red herrings for both the reader and the detectives to fall foul of. The stakes are constantly raised until the final confrontation.
When reading this book I was reminded of one of my favourite detective thriller novelists, Reginald Hill. The characterisation, the plot twists and some of the way Febry plays with the reader's expectations reminded so much of a Dalziel and Pascoe novel. I think that's a very fair comparison and although Peter Hathersall is not at all like Andy Dalziel he is still a detective who works with both facts and instinct
This books is part of a series (and indeed one of the other books in the series is mentioned in passing) and if this novel is anything to go by the series is one to read as soon as possible. Anyone who likes a good detective novel with interesting characters and plenty of twists will like this. A lot.
The police procedural has a long and distinguished history and Febry does an excellent job in following the formula and adding enough twists and turns to keep the reader guessing. Everything is told from a personal point of view (mostly Williams') and the author does a great job in conveying personality through how events are described. One of the key suspects also provides some of their thoughts between chapters and this very effectively cranks the tension up.
The cast of characters is very convincing. The detective with personal problems has very much become a cliche but Hatherall is drawn in a very realistic and human light and is clearly struggling. Williams has her own relationship issues and their interaction has a ring of authenticity. The cast of suspects is wide and a number of them could easily be guily. What is certain is that it will take time for all the secrets to be uncovered.
The plot has many twists and plenty of red herrings for both the reader and the detectives to fall foul of. The stakes are constantly raised until the final confrontation.
When reading this book I was reminded of one of my favourite detective thriller novelists, Reginald Hill. The characterisation, the plot twists and some of the way Febry plays with the reader's expectations reminded so much of a Dalziel and Pascoe novel. I think that's a very fair comparison and although Peter Hathersall is not at all like Andy Dalziel he is still a detective who works with both facts and instinct
This books is part of a series (and indeed one of the other books in the series is mentioned in passing) and if this novel is anything to go by the series is one to read as soon as possible. Anyone who likes a good detective novel with interesting characters and plenty of twists will like this. A lot.
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
JT (287 KP) rated Escape Room (2019) in Movies
Mar 10, 2020
Escape rooms are all the rage at the moment. The premise is simple, a group of people are trapped inside a confined space full of clues and puzzles in order to find a way out – so it was only a matter of time before the horror genre got hold of it.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
JT (287 KP) rated Out of the Furnace (2013) in Movies
Mar 10, 2020
Cast for so long in the trademark cowl of Batman and posing around Gotham City as the slightly disturbed and flamboyant billionaire Bruce Wayne, Christian Bale is back deep in his gritty acting roots.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
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Damien Echols recommended Halloween (1978) in Movies (curated)
BookInspector (124 KP) rated Unchosen in Books
Jul 1, 2021
The protagonist of this book is Charlotte, she is a middle child out of three sisters and the least gifted one of them all. Her older sister Harlow is a popular guitar player and very strong personality in general, her younger sister Vanessa is a talented gymnast. All her life Charlotte is left living in Harlow’s shadow, loving the boy who is in love with her sister and taking care of Vanessa. She sounds pretty miserable until she is taken from the camp as the Chosen One, who will save everyone from Crimson. Only then I could see, that Charlotte is not as useless as she portrayed it. I have to admit, in the beginning, I thought that Harlow should be the main character, she was more suitable, but by the time I finished the book, I was glad that Charlotte was the protagonist. 🙂 This book has such a great selection of characters to choose from! I loved them all, they were very well presented and delivered.
The narrative of this book is very fast-paced, and there is always something happening in this book. Most of the book is spent on the ship sailing through the ocean, and I really enjoyed the sailor’s life portrayed in this book. There is plenty of action, turns and twists, and this book really had me hooked and entertained. I loved the romance in this book as well, it is exciting, full of sexual tension and very adorable. The topics discussed in this book are forbidden love, family relations, bravery, adventures, self-pity, friendships, overcoming your fears and phobias and many more.
I really enjoyed the world that the author created for the reader. I felt like I was alongside the characters during their journeys. It has very strong Bird Box vibes, but also there is so much more going on than that. The chapters are pretty short, and the pages just flew by. I loved the ending of this book, it left me very satisfied with the outcome.
So, to conclude, I loved this book, and could not put it down. I really liked the characters and the roles they played as well as the fast-paced and full of adventures plot. It has all the things I need for an enjoyable dystopian/fantasy YA book, and I would strongly recommend it to anyone who likes pirates, ships and adventures.
The narrative of this book is very fast-paced, and there is always something happening in this book. Most of the book is spent on the ship sailing through the ocean, and I really enjoyed the sailor’s life portrayed in this book. There is plenty of action, turns and twists, and this book really had me hooked and entertained. I loved the romance in this book as well, it is exciting, full of sexual tension and very adorable. The topics discussed in this book are forbidden love, family relations, bravery, adventures, self-pity, friendships, overcoming your fears and phobias and many more.
I really enjoyed the world that the author created for the reader. I felt like I was alongside the characters during their journeys. It has very strong Bird Box vibes, but also there is so much more going on than that. The chapters are pretty short, and the pages just flew by. I loved the ending of this book, it left me very satisfied with the outcome.
So, to conclude, I loved this book, and could not put it down. I really liked the characters and the roles they played as well as the fast-paced and full of adventures plot. It has all the things I need for an enjoyable dystopian/fantasy YA book, and I would strongly recommend it to anyone who likes pirates, ships and adventures.
Erika (17789 KP) rated Kindred (2020) in Movies
Jul 10, 2021
Kindred is a psychological thriller/horror about the reluctantly pregnant Charlotte (Tamara Lawrance) after her boyfriend, Ben (Edward Holcroft), dies in a workplace accident. After this accident, Charlotte is taken in by Ben’s mother (Fiona Shaw), and creepy stepbrother, Thomas (Jack Lowden). They proceed to basically torture her and question her sanity.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.