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Neon's Nerd Nexus (360 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 23, 2019 (Updated Oct 23, 2019)
Dull Fate
Terminator Dark Fate only isnt the worst film in the Terminator franschise but only because Genisys exists. Dark Fate is basically a reskin of Terminator 2 but minus everything that made that movie one of the greatest films of all time. Dark Fates main problem is its just dull and after the opening nothing intresting, unique, creative or thrilling happenes leaving the movie with almost no redeeming features and nothing that sets it apart from the other terrible sequels. Dark Fate seems to think pure nostalgia alone will make an entertaining movie and while it certainly can do Dark Fate doesnt understand how nostalgia works even coming across like its mocking the very film it ows its existance too. Plot wise its increadibly generic/unintresting, characters are one dimentional/unlikable, acting is stale and lacks drama, dialog is painful and every interaction only serves as exposition explaining every single part of the very basic plot repeatedly just so even the most brain dead of viewer understands whats happened or what is about to happen. Worst of all it doesnt feel like a Terminator film, wheres the grit, the dark atmosphere, the horror, the tension, the realistic humour, the high stakes, the menacing and relentlessly intimidating bad guy, the memorable action set pieces, the complicated story, character depth, quotable dialog and most importantly the soul because this movie has none. Linda Hamilton is back but shes wasted and doesnt even feel like the same person with the film thinking what made her such an iconic character was just her gratuitios swearing. Arnie is great but feels pushed to the side serving to be nothing more than a joke/nostalgia piece. Cgi is bad/texturless and animation is cheap looking, infact there are some cgi moments so bad its almost like they didnt have time to finish them off. Action has a few ok sequences but they lack tension, weight and a high stake plot to fully find them exciting. If you are a Terminator fan to save dissapointment I would just forget everything after T2 exists because this just like the others is souless hollow mess. An utter shambles of a film, I wish I could send myself back to stop the past me from seeing it.
Phil Leader (619 KP) rated Hiding in Books
Nov 14, 2019
Keller Baye is the son of a murderer, a man he is about to watch die for his crime. A man who only wants one thing from his son: revenge.
Rebecca Brown is an orphan who has been brought up by relatives in a remote Scottish house and who's thirst for knowledge about her parents and the car crash in which they died only grows keener the less those around her are prepared to talk about it.
Despite the miles between these two people they are connected by a single thread, and that thread is set to bring them together and reveal the truth.
Roughly the first part of the book tells the backgrounds of the two main characters, gradually revealing one event at a time exactly who Baye and Brown are, what drives them and how the loss of their parents has had an indelible effect on both their lives. The second half relates the events that unfold once fate has driven them together.
Both characters feel very real, especially because of the care that has clearly gone into each of their back stories. Baye in particular could have just been a mere cipher of a child who went off the rails after his father went to prison. But that one event alone conspires with many others to shape Baye into the urgent tool of his father's revenge that he decides to be.
The stories of the character's very different childhoods is engrossing, effectively told a series of anecdotes. Baye delivering justice for his cat. Brown burning the playing cards. All these seem very real because they could really happen.
When the tension starts to build in the second half of the book it's not like a spring winding up; it is more like a boiler that is getting hotter and hotter and the pressure is rising all the time. It's not clear when something is going to break but it's clear that something will go very wrong at some point.
This is a superb thriller with an excellent plot, some very good twists and written at a perfect pace, fast enough to keep the momentum up but slow enough to ratchet the tension up at the end of each chapter. An easy 5 stars and a new J Morton Potts fan.
Rating: Scenes of sadistic violence and some others of a sexual nature
Rebecca Brown is an orphan who has been brought up by relatives in a remote Scottish house and who's thirst for knowledge about her parents and the car crash in which they died only grows keener the less those around her are prepared to talk about it.
Despite the miles between these two people they are connected by a single thread, and that thread is set to bring them together and reveal the truth.
Roughly the first part of the book tells the backgrounds of the two main characters, gradually revealing one event at a time exactly who Baye and Brown are, what drives them and how the loss of their parents has had an indelible effect on both their lives. The second half relates the events that unfold once fate has driven them together.
Both characters feel very real, especially because of the care that has clearly gone into each of their back stories. Baye in particular could have just been a mere cipher of a child who went off the rails after his father went to prison. But that one event alone conspires with many others to shape Baye into the urgent tool of his father's revenge that he decides to be.
The stories of the character's very different childhoods is engrossing, effectively told a series of anecdotes. Baye delivering justice for his cat. Brown burning the playing cards. All these seem very real because they could really happen.
When the tension starts to build in the second half of the book it's not like a spring winding up; it is more like a boiler that is getting hotter and hotter and the pressure is rising all the time. It's not clear when something is going to break but it's clear that something will go very wrong at some point.
This is a superb thriller with an excellent plot, some very good twists and written at a perfect pace, fast enough to keep the momentum up but slow enough to ratchet the tension up at the end of each chapter. An easy 5 stars and a new J Morton Potts fan.
Rating: Scenes of sadistic violence and some others of a sexual nature
JT (287 KP) rated Chernobyl Diaries (2012) in Movies
Mar 10, 2020
The problem with the horror genre these days is its becoming far too predictable, you almost spend the majority of the film second guessing the writers as to what is going to happen next. This is exactly what happened to me when I watched Chernobyl Diaries.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
Phillip McSween (751 KP) rated Parasite (2019) in Movies
Apr 10, 2020
Kills You With Intrigue
This is the portion of the review where I usually give a quick synopsis, but I’m not going to do that for Parasite. I want you to go in like I did: Completely and totally blind. It’s so much better that way, trust me on this.
Acting: 10
Beginning: 9
Nice set up for what is to come, especially when you don’t really know what’s coming. You’re introduced to the primary family and get a better understanding of their story. I appreciated how director/writer Bong Joon Ho sets up the intrigue but doesn’t give you too much.
Characters: 10
Cinematography/Visuals: 10
Parasite is cinematically gorgeous from beginning to end. It gives you a feeling that you are witnessing something you’ve never seen before. I won’t dive too deep into this, but I especially love the cinematic contrast shown between the lower and upper class. Brilliantly done.
Conflict: 10
One minute, you think you’re watching a light comedy. The next, you’re saying, “Holy shit!” The perceived conflict is big enough, but when more gets added to the mix things get extremely out of control. I loved every minute of it.
Entertainment Value: 8
Memorability: 10
As soon as I finished watching Parasite, I immediately looked up who directed Oldboy as the shooting style and varying levels of constant tension felt very similar. Though not the same director, I will say this: If you’ve seen the latter, expect to be just as shocked by the former. Parasite gives you an experience you will never forget.
Pace: 10
Not a dull moment throughout. I spent so much time trying to figure out what the hell was happening that things never got boring, especially during the second half of the movie. There were so many moments of tension, you would be hardpressed to lose interest in the movie.
Plot: 10
Resolution: 1
As phenomenal as the movie is, the ending definitely left a sour taste in my mouth. Wasn’t a fan in the least. In fact, it was the one thing in my mind keeping this from being a classic.
Overall: 88
If you’re planning to see Parasite anytime soon, make sure you go in completely blind. It is memorable beyond belief. Expect it to stay in your mind for a long time after watching it.
Acting: 10
Beginning: 9
Nice set up for what is to come, especially when you don’t really know what’s coming. You’re introduced to the primary family and get a better understanding of their story. I appreciated how director/writer Bong Joon Ho sets up the intrigue but doesn’t give you too much.
Characters: 10
Cinematography/Visuals: 10
Parasite is cinematically gorgeous from beginning to end. It gives you a feeling that you are witnessing something you’ve never seen before. I won’t dive too deep into this, but I especially love the cinematic contrast shown between the lower and upper class. Brilliantly done.
Conflict: 10
One minute, you think you’re watching a light comedy. The next, you’re saying, “Holy shit!” The perceived conflict is big enough, but when more gets added to the mix things get extremely out of control. I loved every minute of it.
Entertainment Value: 8
Memorability: 10
As soon as I finished watching Parasite, I immediately looked up who directed Oldboy as the shooting style and varying levels of constant tension felt very similar. Though not the same director, I will say this: If you’ve seen the latter, expect to be just as shocked by the former. Parasite gives you an experience you will never forget.
Pace: 10
Not a dull moment throughout. I spent so much time trying to figure out what the hell was happening that things never got boring, especially during the second half of the movie. There were so many moments of tension, you would be hardpressed to lose interest in the movie.
Plot: 10
Resolution: 1
As phenomenal as the movie is, the ending definitely left a sour taste in my mouth. Wasn’t a fan in the least. In fact, it was the one thing in my mind keeping this from being a classic.
Overall: 88
If you’re planning to see Parasite anytime soon, make sure you go in completely blind. It is memorable beyond belief. Expect it to stay in your mind for a long time after watching it.
Kristy H (1252 KP) rated Under Currents in Books
Apr 1, 2021
A tense yet romantic read
This is the twenty-first book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
To an outsider, the Bigelows look like a perfect family: loving parents, two kids, beautiful home. But elder son Zane knows better, as he suffers verbal and physical abuse at the hands of his father, a surgeon. The family keeps their secrets close until one evening when everything comes out in the open and all changes. Years later, Zane returns to his hometown, determined to put the past behind him. He meets a landscape artist, Darby McCray, who has her own dark past. Together, the two must figure out if they are able to leave their secrets and horrible memories behind and forge a life together.
I'm honestly not sure if I've read a Nora Roberts book before, but picked this off my shelves for my A to Z challenge. It was one of those slightly over-the-top yet engaging books that sucks you in quickly with its story. It begins when Zane and his sister, Britt, are kids and moves on from there. It's a bit long--as it moved from section to section I was surprised there was more to keep going. A lot of that is due to descriptions of the North Carolina town, pontificating about landscaping, etc.
But it's still a book that held my interest. There's a crackling tension in the early piece, when Zane is merciless at the hands of his horrible, abusive father. As he ages, the tension recedes somewhat, but the book is still full of violent episodes. In fact, I would wonder if the town was cursed, based on how much brutality occurs in such a short period of time, but perhaps that's just me. Still, you can't help but be swept up in the various dramas, as well as Zane and Darby's relationship. The supporting cast is excellent as well, especially Zane's aunt, Emily; the local police chief; and some of Zane's friends.
Overall, a heartbreaking yet powerful read. It ended a bit abruptly for my taste, but I liked the characters and intensity of the story. (Please note: trigger warnings for sexual assault, spousal abuse/familial abuse, gay slurs.)
To an outsider, the Bigelows look like a perfect family: loving parents, two kids, beautiful home. But elder son Zane knows better, as he suffers verbal and physical abuse at the hands of his father, a surgeon. The family keeps their secrets close until one evening when everything comes out in the open and all changes. Years later, Zane returns to his hometown, determined to put the past behind him. He meets a landscape artist, Darby McCray, who has her own dark past. Together, the two must figure out if they are able to leave their secrets and horrible memories behind and forge a life together.
I'm honestly not sure if I've read a Nora Roberts book before, but picked this off my shelves for my A to Z challenge. It was one of those slightly over-the-top yet engaging books that sucks you in quickly with its story. It begins when Zane and his sister, Britt, are kids and moves on from there. It's a bit long--as it moved from section to section I was surprised there was more to keep going. A lot of that is due to descriptions of the North Carolina town, pontificating about landscaping, etc.
But it's still a book that held my interest. There's a crackling tension in the early piece, when Zane is merciless at the hands of his horrible, abusive father. As he ages, the tension recedes somewhat, but the book is still full of violent episodes. In fact, I would wonder if the town was cursed, based on how much brutality occurs in such a short period of time, but perhaps that's just me. Still, you can't help but be swept up in the various dramas, as well as Zane and Darby's relationship. The supporting cast is excellent as well, especially Zane's aunt, Emily; the local police chief; and some of Zane's friends.
Overall, a heartbreaking yet powerful read. It ended a bit abruptly for my taste, but I liked the characters and intensity of the story. (Please note: trigger warnings for sexual assault, spousal abuse/familial abuse, gay slurs.)
Laetitia Sadier recommended Club de Esquina by Milton Nascimento in Music (curated)
Ticket to Ride
8.7
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With elegantly simple gameplay, Ticket to Ride can be learned in under 15 minutes, while providing...
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Suswatibasu (1703 KP) rated The Dry in Books
Oct 31, 2017 (Updated Oct 31, 2017)
Vividly realistic, a real page-turner
This is unlike most thrillers, which seems to become hyperbolic by the end of the book. Set in the outback of Australia, the novel focuses on a small rural community where a family have been murdered.
A detective is forced to go back to his roots in this town, and confront his own demons which appears to have a connection to the murder in some shape or form. Here we see farmers reeling from drought and bush fires, making them distraught and antsy by his presence. We see increasing tension and violence as he continues to wade through all of the mysteries, overturning all of their stories, culminating in possible ex-communication.
It is an intriguing tale with the denouement well hidden until the end. The harsh surroundings and the unforgiving characters in the township are well explored and the descriptions are vivid. I read this in two days, as it is an easy page-turner, gradually revealing dark secrets, uncovering the truth through past conversations and events which leave you fairly surprised. Looking forward to watching the film.
A detective is forced to go back to his roots in this town, and confront his own demons which appears to have a connection to the murder in some shape or form. Here we see farmers reeling from drought and bush fires, making them distraught and antsy by his presence. We see increasing tension and violence as he continues to wade through all of the mysteries, overturning all of their stories, culminating in possible ex-communication.
It is an intriguing tale with the denouement well hidden until the end. The harsh surroundings and the unforgiving characters in the township are well explored and the descriptions are vivid. I read this in two days, as it is an easy page-turner, gradually revealing dark secrets, uncovering the truth through past conversations and events which leave you fairly surprised. Looking forward to watching the film.
Gloria (27 KP) rated Prison Break - Season 2 in TV
Jul 18, 2017
A Continuation of Greatness
Ditches the prison setting and places our characters on the run. The scope of the plot has been wildly increased. New characters round out the cast each with their own motivations. We get a very grand game of cat and mouse.
The show continues to keep you on the edge of your seat. Shocking character deaths and big moments that change the pace for the rest of the season pop up regularly. The big risks it takes, make for a more tense and enjoyable season.
While the tense, tight, and dangerous corridors of the prison are missed, the writers show that they can keep viewers interested and fearing for their favorite characters even with a bigger playground. This immediately creates more interest and intrigue.
It's an expansion and improvement on what was an already excellent show.
The concepts and characterizations are greater than ever, and the complex nature of a prison escape comes flowing with liquid tension, and at all times it grips you with a curious state of empathy.
The show continues to keep you on the edge of your seat. Shocking character deaths and big moments that change the pace for the rest of the season pop up regularly. The big risks it takes, make for a more tense and enjoyable season.
While the tense, tight, and dangerous corridors of the prison are missed, the writers show that they can keep viewers interested and fearing for their favorite characters even with a bigger playground. This immediately creates more interest and intrigue.
It's an expansion and improvement on what was an already excellent show.
The concepts and characterizations are greater than ever, and the complex nature of a prison escape comes flowing with liquid tension, and at all times it grips you with a curious state of empathy.
Haley Mathiot (9 KP) rated Last to Die (Sheridan, #2) in Books
Apr 27, 2018
I enjoyed Last to Die. I remember enjoying One Scream Away more I think, but then it was last year. The plot was very well thought out and complex, and because of that and the somewhat unclear writing style, at times I just followed along and hoped it would clear up in the end. It did, and everything was explained. I wouldn't have understood what was going on if it hadn't been for alternating the viewpoints between the protagonists and the antagonists, though.
The ending with Dani and Mitch could have been a little more, I think. It almost felt a little empty, like it was lacking some physical or mental release of tension. In fact there could have been more between Dani and Mitch the whole way through… her falling for him for the second time seemed just too easy.
All in all though, the plot was great, the writing was readable though a little confusing at times, and the characters were likeable. Dani and Mitch (ok…especially Mitch) definitely hold a place on my list as top hero's.
Content/Recommendation: language, some sex. Ages 18+
The ending with Dani and Mitch could have been a little more, I think. It almost felt a little empty, like it was lacking some physical or mental release of tension. In fact there could have been more between Dani and Mitch the whole way through… her falling for him for the second time seemed just too easy.
All in all though, the plot was great, the writing was readable though a little confusing at times, and the characters were likeable. Dani and Mitch (ok…especially Mitch) definitely hold a place on my list as top hero's.
Content/Recommendation: language, some sex. Ages 18+