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Andrew Rich (36 KP) rated Nintendo Wii in Tech
Jun 20, 2019
Homebrew options including emulation (4 more)
Back compatibility
Good 3rd party hardware support
Intuitive user interface
Huge enthusiast base for support
No true HD output (1 more)
Fully deprecated by Nintendo as of January 2019
Better with age
Almost 13 years ago, Nintendo gave us the Wii, and if the enthusiast community is any measure, the Wii is still going strong. Even at its release, it wasn't the most powerful console - it wouldn't even do HD - and never had the game selection of the PS3 or XBox360, but it managed to chug along.
The motion controls are either fantastic - as in Wii Sports, Mario Kart and Skyward Sword, or just felt gimmicky, and even terrible - as in Mario Party 9, Ninjabread Man, and Chicken Shoot, and some didn't even use them, like my personal favorite @Muramasa: The Demon Blade. But the fact remains that it was, and is, still a good system.
These days, the original release games either look incredibly dated, or were designed around the system's limitations, and still manage to look good, but we're not seeing anymore new releases (except, of course, for Just Dance 2020. Thanks UbiSoft! ) so why is the Wii still good?
Well, between being back compatible to the GameCube, the Wii is also an absolute beast when it comes to emulating classic systems, from the Atari 2600 up to the original PlayStation. Add the Wii Classic Controller or Classic Controller Pro, and you've got a one-stop shop for every Nintendo Console - including handhelds - from the NES up to the Wii, as well as systems from Atari, Coleco, NEC, Sega, and Sony. It turns out the Wii is a great option for those of us who want to play the old classics, but aren't collectors; and might want games not on the NES, SNES, or PS classic mini consoles.
All this time later, that little box of tricks is still proving its use!
The motion controls are either fantastic - as in Wii Sports, Mario Kart and Skyward Sword, or just felt gimmicky, and even terrible - as in Mario Party 9, Ninjabread Man, and Chicken Shoot, and some didn't even use them, like my personal favorite @Muramasa: The Demon Blade. But the fact remains that it was, and is, still a good system.
These days, the original release games either look incredibly dated, or were designed around the system's limitations, and still manage to look good, but we're not seeing anymore new releases (except, of course, for Just Dance 2020. Thanks UbiSoft! ) so why is the Wii still good?
Well, between being back compatible to the GameCube, the Wii is also an absolute beast when it comes to emulating classic systems, from the Atari 2600 up to the original PlayStation. Add the Wii Classic Controller or Classic Controller Pro, and you've got a one-stop shop for every Nintendo Console - including handhelds - from the NES up to the Wii, as well as systems from Atari, Coleco, NEC, Sega, and Sony. It turns out the Wii is a great option for those of us who want to play the old classics, but aren't collectors; and might want games not on the NES, SNES, or PS classic mini consoles.
All this time later, that little box of tricks is still proving its use!
Jessica - Where the Book Ends (15 KP) rated Reign of the Fallen in Books
Jan 30, 2019
Reign of the Fallen was a book that I desperately wanted to love. The cover is stunning, the synopsis sounds amazing! I’d never read a book like this before, and I was super excited about the whole necromancer aspect of the story. I decided to use one of my free audible credits for this book.
I started reading and the characters were amazing and the story was pretty fast paced, there was so romance elements to it, but then it all kind of started to go sound. There is a pivotal scene about 1/4th of the way into the book, and after that the whole tone of the book changes.
The characters in this book were going to be badass or so I thought. Odessa was my highest hope of all the characters, but she ended up being the one I hated the most. Odessa is the name of a badass, and I expected nothing less from her. However, she suffers a terrible loss and just spirals out of control after that. She becomes addicted to this potion and instead of leaning on the plethora of supporting characters (and there are a lot) she continues to drink more and more of this potion, and quickly the main plot of this book becomes about dealing with her addiction… <head desk>
I decided to persevere and trudge onward in my audiobook journey noticing that I keep speeding up the narrator’s voice. Because if she reads fast the book would be over faster… Right….
Each chapter seemed to get more and more convoluted and I couldn’t wait to be done with this book. This book had so much promise and was so interesting with a unique plot but I just couldn’t. I couldn’t get past ALL of the characters and I couldn’t keep them straight. So, to you potential reader I say this… If you have patience and you think it sounds good, give it a go. Otherwise, save yourself the trouble.
I started reading and the characters were amazing and the story was pretty fast paced, there was so romance elements to it, but then it all kind of started to go sound. There is a pivotal scene about 1/4th of the way into the book, and after that the whole tone of the book changes.
The characters in this book were going to be badass or so I thought. Odessa was my highest hope of all the characters, but she ended up being the one I hated the most. Odessa is the name of a badass, and I expected nothing less from her. However, she suffers a terrible loss and just spirals out of control after that. She becomes addicted to this potion and instead of leaning on the plethora of supporting characters (and there are a lot) she continues to drink more and more of this potion, and quickly the main plot of this book becomes about dealing with her addiction… <head desk>
I decided to persevere and trudge onward in my audiobook journey noticing that I keep speeding up the narrator’s voice. Because if she reads fast the book would be over faster… Right….
Each chapter seemed to get more and more convoluted and I couldn’t wait to be done with this book. This book had so much promise and was so interesting with a unique plot but I just couldn’t. I couldn’t get past ALL of the characters and I couldn’t keep them straight. So, to you potential reader I say this… If you have patience and you think it sounds good, give it a go. Otherwise, save yourself the trouble.
LeftSideCut (3776 KP) rated Tomb Raider (2018) in Movies
Oct 25, 2019 (Updated Nov 5, 2019)
Amazingly average, wholly unessecary
Here we have a reboot of a mildly popular film franchise, based on a video game that is a reboot of a hugely beloved game series.
To sum up Tomb Raider in brief - if you are a fan of the original games, and don't really like the direction the recent games have taken, there is probably nothing here that will interest you.
If you are a fan of the recent game series, then you are probably better off just playing those instead of watching the movie adaption.
The film itself isn't terrible by any means, it's just completely bland and forgettable.
The plot is a run of the mill treasure hunting escapade, which we have seen countless times before, and done much better, with irrelevant side plots that bog down an already boring plot.
The action is so so, with some nice stunt work scattered here and there.
Alicia Vikander seems bored herself - I think as a movie, Tomb Raider is (very slightly) more credible than than the early 2000 efforts, but I do think the character of Lara Croft benefits from Angelina Jolie's charm.
It's like the writers couldn't decide whether to adapt the inexperienced and fighting-to-survive Lara Croft from the reboot series, or the more confident, one-liner Lara Croft from the original series, resulting in a flat adaption of either one.
All of the other characters involved are just as flat, so much so that I genuinely can't remember any of their names, or even who played them, with the exception of Dominic West - that dude is just in everything.
The script doesn't help matters one bit, threatening to put you to sleep at any given moment, and riddled with unintentionally funny Hollywood rubbish.
In summary, Tomb Raider can join the ever growing festering pile of dissapointment that are video game movies. (Except you Detective Pikachu, we love you <3)
To sum up Tomb Raider in brief - if you are a fan of the original games, and don't really like the direction the recent games have taken, there is probably nothing here that will interest you.
If you are a fan of the recent game series, then you are probably better off just playing those instead of watching the movie adaption.
The film itself isn't terrible by any means, it's just completely bland and forgettable.
The plot is a run of the mill treasure hunting escapade, which we have seen countless times before, and done much better, with irrelevant side plots that bog down an already boring plot.
The action is so so, with some nice stunt work scattered here and there.
Alicia Vikander seems bored herself - I think as a movie, Tomb Raider is (very slightly) more credible than than the early 2000 efforts, but I do think the character of Lara Croft benefits from Angelina Jolie's charm.
It's like the writers couldn't decide whether to adapt the inexperienced and fighting-to-survive Lara Croft from the reboot series, or the more confident, one-liner Lara Croft from the original series, resulting in a flat adaption of either one.
All of the other characters involved are just as flat, so much so that I genuinely can't remember any of their names, or even who played them, with the exception of Dominic West - that dude is just in everything.
The script doesn't help matters one bit, threatening to put you to sleep at any given moment, and riddled with unintentionally funny Hollywood rubbish.
In summary, Tomb Raider can join the ever growing festering pile of dissapointment that are video game movies. (Except you Detective Pikachu, we love you <3)
Dianne Robbins (1738 KP) rated 9-1-1 in TV
Jul 8, 2019 (Updated Apr 4, 2021)
Stiff acting (4 more)
Fake fake fake fake fake
Scenarios no professional first responder would ever get into.
Terrible writing
Are there no medical director/firefighter/police officer technical advisers to tell them the correct way to do ALL OF THIS?
I like Connie Britton, who was a cast member during the first season of this show. However, she is no longer there and there is nothing to hold my interest and many, many things to make me lose interest. 911 has stiff acting and outrageously fake scenarios. She was replaced by Jennifer Love Hewitt, whom I'm neutral on for the most part, but I don't like her character, the scenarios she gets into, or her lines. Her acting isn't that great in this show, either, come to think of it. The manufactured drama is too forced. I've seen her do a better job with drama so I don't know if it's the director's choice or if she's taking dramatic license, but either way, her character isn't great. The characters, for the most part, are not believable or likable. It's just not a good cast. I like the diversity of the cast. There are several black cast members, an Asian cast member, and at least one Latinx cast member, which is so much better than most other shows, and let's face it than most of society. Come on, people, Let's mingle and mix things up.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
Darren (1599 KP) rated Possum (2018) in Movies
Nov 7, 2019
Philip is a puppeteer with one of the creepiest puppets you have ever seen, he is returning home to escape after his latest show went terribly wrong and it isn’t long before the strange events continue to plague him. He becomes a suspect in a missing persons case and the puppet he is trying to get rid of, keeps returning for him. Maurice is his stepfather that always pushes him too far, he always seems to be judging Philip. We only truly get to meet two characters with the puppet having a life of its own.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Phil Leader (619 KP) rated Explorations: First Contact (Explorations #2) in Books
Nov 13, 2019
Science Fiction has always been at home with the short story. The science fiction magazines from the mid 20th Century onwards was frequently the only way of writers to get their work published. As a bonus the concept of science fiction - taking an idea and seeing where it goes - is a really nice fit for short stories.
This collection is more than just a selection of tales from up and coming science fiction writers; all the stories are set in the same universe and are in some way on the theme of first contact. The introduction sets this up, with a damaged alien ship discovered on the moon. It is able to transmit details of nearby inhabited star systems - and a terrible warning about a dangerous foe - before it shuts down. Mankind learns all it can from the message and the wreckage before setting out for the stars.
Each story then follows the fate of the mission to one of the star systems. This is the point where any similarity in stories ends as each writer brings their own style and ideas for their contribution (although there are some neat nods to the other stories now and again). The result is a satisfying mix of different ideas but all within a consistant whole.
That's not to say that every story hit the spot for me, but that's inevitable given the range of authors here, but every story was interesting to read. There are also the occasional one that felt a little rushed, the idea either too big for a short story, or too many ideas vying for the limited word count. But these are minor niggles and the standard of all the stories is very high.
Overall a really good collection showcasing the talents of current science fiction writers. If you like interesting ideas and gripping stories about aliens and space exploration you won't be disappointed.
This collection is more than just a selection of tales from up and coming science fiction writers; all the stories are set in the same universe and are in some way on the theme of first contact. The introduction sets this up, with a damaged alien ship discovered on the moon. It is able to transmit details of nearby inhabited star systems - and a terrible warning about a dangerous foe - before it shuts down. Mankind learns all it can from the message and the wreckage before setting out for the stars.
Each story then follows the fate of the mission to one of the star systems. This is the point where any similarity in stories ends as each writer brings their own style and ideas for their contribution (although there are some neat nods to the other stories now and again). The result is a satisfying mix of different ideas but all within a consistant whole.
That's not to say that every story hit the spot for me, but that's inevitable given the range of authors here, but every story was interesting to read. There are also the occasional one that felt a little rushed, the idea either too big for a short story, or too many ideas vying for the limited word count. But these are minor niggles and the standard of all the stories is very high.
Overall a really good collection showcasing the talents of current science fiction writers. If you like interesting ideas and gripping stories about aliens and space exploration you won't be disappointed.
Phil Leader (619 KP) rated The Jigsaw and the Fan in Books
Nov 15, 2019
When Albert Carter, staunch shop steward at Jebson's glue factory and upholder of worker's rights, dies and sees the light at the end of a tunnel it seems there's a problem. The next world is on strike and before Albert can even find out if he is heading up or down he is banished back to Earth as a ghost to wait until the strike is resolved.
Finding himself stuck in Marlston Manor a stately home owned by a Lord, he soon rails at what he sees as the injustice of the common working man having to pay to have a look around and decides that as a ghost, perhaps he can teach a lesson the to aristocratic owner by scaring everyone away. A battle of wits ensues, with the other resident ghosts and the mortal staff pitted against Albert's scheme. But Albert has a terrible secret. He knows he is right and so won't be denied his opportunity to settle the social injustice he perceives. But little does he realise he is just a pawn in a the latest match of a long game being played by adversarial guardian angels.
The whole of this book is a blast from beginning to end. Bint makes good use of all the characters and situations, pushing everything to the maximum for farcical effect. And it works, there are so many good chuckles throughout the book and a smile will not be far from the reader's face. He also manages to weave in a neat thread of social satire, always perceptible but never unsubtle, taking in allusions to the miner's strikes of the 1980s as well as every class war that has ever been fought, seemingly at the whims of the guardian angels. But as they say, who watches the watchers?
This is a whole load of fun and if you want something a bit lighter to make you smile, this book is perfect.
Finding himself stuck in Marlston Manor a stately home owned by a Lord, he soon rails at what he sees as the injustice of the common working man having to pay to have a look around and decides that as a ghost, perhaps he can teach a lesson the to aristocratic owner by scaring everyone away. A battle of wits ensues, with the other resident ghosts and the mortal staff pitted against Albert's scheme. But Albert has a terrible secret. He knows he is right and so won't be denied his opportunity to settle the social injustice he perceives. But little does he realise he is just a pawn in a the latest match of a long game being played by adversarial guardian angels.
The whole of this book is a blast from beginning to end. Bint makes good use of all the characters and situations, pushing everything to the maximum for farcical effect. And it works, there are so many good chuckles throughout the book and a smile will not be far from the reader's face. He also manages to weave in a neat thread of social satire, always perceptible but never unsubtle, taking in allusions to the miner's strikes of the 1980s as well as every class war that has ever been fought, seemingly at the whims of the guardian angels. But as they say, who watches the watchers?
This is a whole load of fun and if you want something a bit lighter to make you smile, this book is perfect.
Phil Leader (619 KP) rated Witch's Legacy (Supernatural Evolvement #0.5) in Books
Nov 28, 2019
The first book in a new series by outstanding young adult author Katrina Cope is something of a big deal. Both her previous series are particular favourites of both mine and my teenage children. Set in the same universe as her Afterlife series, this tells the story of an ancient feud between witches and shapeshifters.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
KalJ95 (25 KP) rated the PlayStation 4 version of Vampyr in Video Games
Jan 6, 2020 (Updated Jan 6, 2020)
Narrative is often surprising and gripping. (1 more)
I would play a sequel.
Graphics are terrible. (2 more)
Atrocious controls.
An absolute bore most of the time.
No bite, no good.
I saw Vampyr advertised a long time ago at several game conferences, with the promise of a complete Vampire experience, never seen before in video games. Already, I was salivating. Vampyr looked fantastic in its early stages. Combat looked fluid and balanced, the protagonist looked interesting enough to keep the story flowing, and Gothic London looked bloody beautiful. Where did it all go wrong?
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
JT (287 KP) rated Hereafter (2010) in Movies
Mar 10, 2020
It’s an interesting film that will leave you asking yourself one question, “did Clint Eastwood really direct it?” And the answer, yes, he did. It’s not that the film is particularly bad but then it’s not really that good either, and you wonder if while his latest film J. Edgar was in pre-production he got bored and decided to fill the void.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.