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Whatchareadin (174 KP) rated Me Before You in Books
May 10, 2018
<u>Me Before You</u> is an intense story about Will Traynor, a quadriplegic who is not happy about the current status of his life; and Louisa "Lou" Clark, his caregiver, hired by Will's parents for a term of six months.
Louisa Clark had never had any caregiver experience before working with Will Traynor. She had spent the past six years of her life working in a cafe called The Buttered Bun. When the owner decides to retire to a happier place, Lou is without a job and prospects for find one are very low in the town she lives in.
Will Traynor lived his life almost opposite of Louisa. Grabbing life by the horns and trying a new adventure all the time. When Will is involved in a terrible accident that changes his life forever, nothing will stop him from making the one and only decision he is capable of handling on his own.
<u>Me Before You</u> is a story about love and the lengths we will go through to support the ones that we love. Before Will met Louisa, he spent his days inside his home or never venturing far from it for anything more than a doctor's appointment or a trip to the hospital. When Louisa entered his life, she showed him that being in a wheelchair didn't have to be the only thing that defined his life. He could still live the adventurous life he used to, just under different circumstances. Before Louisa met Will, she had never traveled far from their small town. Will showed her all that the world had to offer and that she was worthy enough and deserved to enjoy all that was out there.
This book has been the subject of controversy because of the act of assisted suicide. No one can ever understand another person's turmoil. We all know that is wrong to kill, including killing yourself. In my opinion, Will's life was immensely enriched when Louisa came into it and he had so much to live for. But I could never imagine what he went through mentally and I could never imagine wanting to kill myself.
Overall, I enjoyed the book and I look forward to finding out what happens next for Louisa Clark.
Louisa Clark had never had any caregiver experience before working with Will Traynor. She had spent the past six years of her life working in a cafe called The Buttered Bun. When the owner decides to retire to a happier place, Lou is without a job and prospects for find one are very low in the town she lives in.
Will Traynor lived his life almost opposite of Louisa. Grabbing life by the horns and trying a new adventure all the time. When Will is involved in a terrible accident that changes his life forever, nothing will stop him from making the one and only decision he is capable of handling on his own.
<u>Me Before You</u> is a story about love and the lengths we will go through to support the ones that we love. Before Will met Louisa, he spent his days inside his home or never venturing far from it for anything more than a doctor's appointment or a trip to the hospital. When Louisa entered his life, she showed him that being in a wheelchair didn't have to be the only thing that defined his life. He could still live the adventurous life he used to, just under different circumstances. Before Louisa met Will, she had never traveled far from their small town. Will showed her all that the world had to offer and that she was worthy enough and deserved to enjoy all that was out there.
This book has been the subject of controversy because of the act of assisted suicide. No one can ever understand another person's turmoil. We all know that is wrong to kill, including killing yourself. In my opinion, Will's life was immensely enriched when Louisa came into it and he had so much to live for. But I could never imagine what he went through mentally and I could never imagine wanting to kill myself.
Overall, I enjoyed the book and I look forward to finding out what happens next for Louisa Clark.
Whatchareadin (174 KP) rated A Stranger in the House in Books
May 10, 2018
Karen and Tom Krupp have been married for two years and they are very much in love. When Tom comes home from work one night, he finds his front door unlocked and dinner half way done in the kitchen, but his wife and her car are no where to be found. After calling her best friend and neighbor Brigid and having no luck with where Karen, might be, Tom calls the police to report her missing. Shortly after, the police arrive at his door to let him know that Karen has been in a terrible accident and is in the hospital. Tom is instantly worried because none of these actions sound like his wife. But does Tom now Karen as well as he thinks? Is she keeping secrets from him?
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Kristy H (1252 KP) rated The Line That Held Us in Books
Mar 18, 2019
Brutal read with gorgeous storytelling & complex characters
Darl Moody has been after this infamous giant buck for years. So when he hears his neighbor has gone away for a week, he takes the opportunity to go hunting--off-season and illegally--on his land. But Darl never imagined it would end like this: it isn't the buck he kills, it's Carol Brewer, a member of a local family known for violence and hatred. Scared and panicked, Darl turns to his best friend, Calvin Hooper, for help. But when Carol remains missing and his brother Dwayne comes looking for him, the clues quickly point to Darl and Calvin. And Dwayne is looking for vengeance--and someone's blood.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
Neon's Nerd Nexus (360 KP) rated Skyscraper (2018) in Movies
May 14, 2019
Tower inferno
#skyscraper tries so hard to be the new #diehard but instead comes crashing down in a fiery mess. I wasn't particularly hoping skyscraper would be any good but I was at least expecting a #fun time with some #cool #action set pieces, instead what I got was a totally generic below average action #movie. Before you go & see this ask yourself this question "Do I like cgi fire?" because I can tell you now a good 80% of this film is either cgi fire or explosions (& not the good kind). The problem with all the action being cgi is its not very believable, #dwaynejohnson could be in #danger multiple times but if it doesn't look like he is in danger the #fear & tension is lost instantly in every scene. Most of the action falls flat because of this & leads to all the big set pieces blurring into one big boring repetitive mess of orange #fire & bad motion blur effects. As a building #thepearl looks great & its well designed too its just to bad we dont get to see much of what it really has to offer internaly (e.g we are shown inside the sphere at the top early on knowing full well it will come back into play later, problem is when it does its poorly filmed, not very interesting & a huge missed opportunity to #dazzle or do something visually clever with this scene). Writing & dialog wise its terrible too & characters lack depth & #emotion with some (the police officers mainly) feeling like wooden planks just put in to move the plot forward faster. Characters also constantly spill exposition & frustrate by falling in & out of trust with each other in seconds or guessing the solution to problems instantly without any thought process or reason except assumption. The #villain is also non threatening & disposable with poor motives too. Its just a very flat, #boring & repetitive #film with no real reason to keep you invested & because of this I either found my mind wondering or myself starting to nodd off. I cant recommend Skyscraper at all especially when Die Hard has just been released on #4k so it seems #silly to go see a film like this when one that does it so perfectly already exists. #odeon #odeonlimitless #therock #sundayfunday #silly #funny #ripoff #filmbuff #filmcritic
Billie Wichkan (118 KP) rated The Dare (Detective Natalie Ward #3) in Books
May 22, 2019
When thirteen-year-old Savannah Hopkins doesnt come straight home from school, as she always does, her mother Jane immediately raises the alarm.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.
Leading the investigation is Detective Natalie Ward whose daughter Leigh is the same age as Savannah. Soon Natalies worst fears are confirmed when the teenagers broken body is found in nearby shrubland.
Evidence points towards a local recluse, but just as the net is closing around him, one of Savannahs friends, Harriet, is reported missing.
As Natalie delves into the lives of both girls, she soon discovers a sinister video on their phones, daring the girls to disappear from their families for 48 hours.
But Natalie isnt quick enough for this killer, and she is devastated to find Harriets body on a fly tip a day later.
Caught up in the case, she takes her eye off her own daughter and when Leigh goes missing after school she knows she must be in terrible danger. The clock is ticking for Natalie. Can she catch this killer before her little girl becomes the next victim?
This is the third book in Carol Wyers British 'Detective Natalie Ward' series.
The Dare opens with the disappearance of thirteen year-old Savannah Hopkins. She recently moved to this new town with her mother Jane. Savannah simply doesnt return home after school one day. The next day her body is found, and the thriller is off and running. Other seemingly random teen-aged girls disappear after Savannah. Detective Ward and her team is frustratingly one step behind the killer as the body count increases. But its certainly not for lack of trying on their part.
The plot, as always, was plausible, as we dont always know what our children are doing when not at home. We dont know what they are doing on their mobile devices, or who their friends are. It is a scary time for parents. Carol Wyer incorporated those fears into this book, and she did a great job!
I liked the additional perspective of the killer occasionally being thrown in. Definitely made it interesting to know his thoughts.
I highly recommend this book, I can't wait for book 4..
Thank-You to NetGalley; the publisher, Bookouture; and the author, Carol Wyer; for providing a free e-ARC copy of this book.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Kristy H (1252 KP) rated Live and Love Again in Books
Feb 13, 2018
Three years ago, Sarah lost her partner, Cheryl, in a terrible accident. A former Colonel in the military, Sarah remains shattered by Cheryl's death and closed off to those around her. She focuses on her furniture business and her dog, Benny. But on a flight to Chicago, she meets Jessica Whitney, a beautiful, successful, businesswoman. The two hit it off immediately and feel an instant connection. The sudden sparks force Sarah to re-think everything - is she ready to move one? Can she really imagine herself with a wealthy and strong woman?
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.
Kevin Wilson (179 KP) rated The Lodge (2008) in Movies
Jul 22, 2018
Good acting (2 more)
Creepy moments
The sadistic daughter
Shooting felt amateur (3 more)
85% of it was slow and boring
No shocks or twists
Didn't feel R rated
A cliche "horror" that lacks so much
First off I just want to say you can't spoil this movie. Whatever you think is going to happen, it will happen. There are no shocks or twists to the story.
They waste no time showing how creepy the caretaker is. Because of this you hoped that it was all a misdirection but sadly not. You even hoped it would possibly go into a ghost story instead but it just turned around and went right back into predictability.
The shooting of the movie felt very amateur. Every scene was out of focus and it's sad it's something you get used to.
The first half was extremely slow with drawn out scenes and about halfway through it did start to pick up some pace but sadly this ended up dragging on too long and felt too anticlimatic. It did feel like a homage to Texas chainsaw massacre which was nice but did nothing.
It was clear that this was very low budget with only 4 members of cast so there was no place to hide with the acting and I have to say it was good. They did a decent job with what was written and the characters often showed good logic which is rare in movies. For example they had reasons for alarms clocks going off randomly in the night, weird noises etc they were likable too which is a big thing for me.
The sadistic daughter was a great addition. She felt sinister but it is never explained why she is so dirty or why she is the way she is.
Sadly there is nothing new here. It felts like plenty of other movies you have already seen. For a R rated movie, it felt very tame. Like every movie they get caught but nothing terrible happens to them. You expect more violence or gore but this barely had anything and I found myself bored and excited for it to end.
I did go into this expected the worst movie ever so I was surprised that there were parts I liked but ultimately I wasn't impressed. It could have been so much more but lack too many things.
They waste no time showing how creepy the caretaker is. Because of this you hoped that it was all a misdirection but sadly not. You even hoped it would possibly go into a ghost story instead but it just turned around and went right back into predictability.
The shooting of the movie felt very amateur. Every scene was out of focus and it's sad it's something you get used to.
The first half was extremely slow with drawn out scenes and about halfway through it did start to pick up some pace but sadly this ended up dragging on too long and felt too anticlimatic. It did feel like a homage to Texas chainsaw massacre which was nice but did nothing.
It was clear that this was very low budget with only 4 members of cast so there was no place to hide with the acting and I have to say it was good. They did a decent job with what was written and the characters often showed good logic which is rare in movies. For example they had reasons for alarms clocks going off randomly in the night, weird noises etc they were likable too which is a big thing for me.
The sadistic daughter was a great addition. She felt sinister but it is never explained why she is so dirty or why she is the way she is.
Sadly there is nothing new here. It felts like plenty of other movies you have already seen. For a R rated movie, it felt very tame. Like every movie they get caught but nothing terrible happens to them. You expect more violence or gore but this barely had anything and I found myself bored and excited for it to end.
I did go into this expected the worst movie ever so I was surprised that there were parts I liked but ultimately I wasn't impressed. It could have been so much more but lack too many things.
Goddess in the Stacks (553 KP) rated Cinnamon and Gunpowder: A Novel in Books
Sep 19, 2018
Cinnamon and Gunpowder reminds me a lot of Treasure Island. Or at least of my childhood memories of reading Treasure Island, as it's been decades since I read it. The book is told from the viewpoint of Owen Wedgwood, a chef who finds himself kidnapped by a famous pirate and forced to cook gourmet meals for her in exchange for his life. As a home cook who's had a small amount of actual training, I really enjoyed his descriptions of making do with only the cooking tools the ship has on hand and whatever rations he could lay his hands on. The creativity he displays in making amazing meals out of almost nothing is one of the best parts of the book. (And the descriptions of those meals - YUM.)
The formatting is set up as a kind of personal ship's log, each part dated and written down after the events happen. Wedgwood (or "Spoons," as the crew calls him) even mentions how he hides it and leaves out a decoy log, since he also writes down his dreams (and plans!) of escaping the pirates.
Some of the events in the book are incredibly predictable, but there are still a few surprises. I was a little disappointed when one thing in particular happened; I saw it coming but hoped that wasn't where the author was going with it. I know that's vague, but I don't want to spoil anything!
I enjoyed learning about Mad Hannah's background and why she's a pirate; she's fighting against the opium trade, and she actually gives Wedgwood a pretty accurate summary of the terrible things the opium trade was responsible for.
Any book that can combine sumptuous description of exotic meals with action and cannonballs will have my attention. And Brown does not shy away from proper action scenes. These are pirates, and fights get brutal. Men lose limbs if not their lives to storms and Navy bombardments. Keeping order on a pirate ship involves lashings and brute force. The book doesn't shrink from those, but it also gets philosophical with Wedgwood's description of flavors, and almost comedic with the images of using cannonballs as pestles for grinding herbs. It's that contrast and variety that makes this book so much fun to read.
You can find all my reviews at http://goddessinthestacks.com
The formatting is set up as a kind of personal ship's log, each part dated and written down after the events happen. Wedgwood (or "Spoons," as the crew calls him) even mentions how he hides it and leaves out a decoy log, since he also writes down his dreams (and plans!) of escaping the pirates.
Some of the events in the book are incredibly predictable, but there are still a few surprises. I was a little disappointed when one thing in particular happened; I saw it coming but hoped that wasn't where the author was going with it. I know that's vague, but I don't want to spoil anything!
I enjoyed learning about Mad Hannah's background and why she's a pirate; she's fighting against the opium trade, and she actually gives Wedgwood a pretty accurate summary of the terrible things the opium trade was responsible for.
Any book that can combine sumptuous description of exotic meals with action and cannonballs will have my attention. And Brown does not shy away from proper action scenes. These are pirates, and fights get brutal. Men lose limbs if not their lives to storms and Navy bombardments. Keeping order on a pirate ship involves lashings and brute force. The book doesn't shrink from those, but it also gets philosophical with Wedgwood's description of flavors, and almost comedic with the images of using cannonballs as pestles for grinding herbs. It's that contrast and variety that makes this book so much fun to read.
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