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Movie Metropolis (309 KP) rated American Sniper (2015) in Movies
Jun 10, 2019
Incredibly Harrowing
There’s something about Clint Eastwood’s varied directing career that puts him among the greats of the craft. Along with Spielberg, Scott and Fincher, Eastwood has created some of cinema’s greatest films – yet he goes about it in a completely different fashion to his peers, he doesn’t shout about it.
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Lou Grande (148 KP) rated The Grip of It in Books
Jul 9, 2018
I knew going into The Grip of It that it wasn't going to be "flashy" horror. It was marketed as a literary horror book and was compared to Turn of the Screw and House of Leaves. Now, I don't think it wasn't as good as those books, but I didn't think it was as bad as everyone says, either. The ending is fairly ambiguous, but that doesn't mean it's bad; in fact, I thought the horror grew out of the tension between the husband and wife, James and Julie. The premise is rooted in a possibly haunted house, but the couple moves to get a fresh start from James's gambling addiction. So already the couple is on unsteady ground. The tension builds as the weirdness starts to become more intense. There comes a twist towards the end of the book that might have been disappointing to some.
The Grip of It is excellently written. The changes of perspective between the husband and wife (which usually coincide with the end of a chapter, but stop following a pattern as the book goes on), give the reader a sense that James and Julie, while at odds with each other, are really more similar than different--but they don't know it. The terror here comes from the fact that no matter how well you think you know someone or how much you love them, their mind is ultimately a mystery. As the couple comes to realize this, they have no choice but to accept this or separate. And maybe it's better to follow your spouse into insanity than to live alone.
The Grip of It is excellently written. The changes of perspective between the husband and wife (which usually coincide with the end of a chapter, but stop following a pattern as the book goes on), give the reader a sense that James and Julie, while at odds with each other, are really more similar than different--but they don't know it. The terror here comes from the fact that no matter how well you think you know someone or how much you love them, their mind is ultimately a mystery. As the couple comes to realize this, they have no choice but to accept this or separate. And maybe it's better to follow your spouse into insanity than to live alone.
LeftSideCut (3776 KP) rated It (2017) in Movies
Aug 9, 2019
The best way to describe the most recent adaption of Stephen King's It, is that it feels like a ghost train.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
JT (287 KP) rated Greta (2019) in Movies
Mar 10, 2020
Psychological thrillers come without much surprise these days. After the initial character introductions and back stories have bee laid out, the tension is ramped up until a climactic ending, which often falls flat – unless there is a clever twist.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
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