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Sassy Brit (97 KP) rated The Light We Lost in Books
Jun 6, 2019
^ This is totally not what I was expecting. Maybe I thought it would a love story based around how a couple met at the time 9/11 happened. Yes. It is. But staying together and having a happy ever after? Hmm. Nope. You don’t get that, and this becomes very clear from the onset. In fact, the very way this has been written in a past tense, makes that awfully clear the protagonist is telling us something that has already happened. This in itself made for a tantalising read. The story could have gone anywhere. Not knowing what would happen between them, when at times their lives were so different and far apart, is probably why I enjoyed this more than I thought I would.
^^ This story revolves around two lost souls, Lucy and Gabriel (Gabe) Samson who first meet during the Twin Towers terror attacks, and watch the horror unfold right in front of their eyes. Did fate bring these two together for a reason?
^^ Throughout the book we follow their relationship and learn how that first meeting on that fateful day effected them for the rest of their lives. Imagine being witness to something so horrifying. Surely it would affect you. Perhaps you’d want to live your life as if every day is your last, or you’ll go the other way and blame yourself for not being able to do anything to help. Even when you couldn’t have at the time. Survivors guilt, I think they call it.
^ These are the sort of issues, this couple face. You know they should be together, but they both need different things, so their lives are never as simple as you think they’re going to be.
^ I enjoyed how the author allowed this couple to search for what they wanted out of life, but they never truly forgot, or even stopped loving each other. Whenever they did meet, well, it was never the right time. Yet something in the universe, a powerful source, kept drawing them back into each other’s paths. Even when they’d both long gone their separate ways. Is it destiny? Or chance?
Overall: Well, who’d of thought the first book of the year would reduce me to tears? I kind of saw the ending coming, but when I reached those last few pages I found it much more emotional than expected. Jill Santopolo poses an elegant narrative around two people looking in very different places for that one elusive answer: What if?
^^ This story revolves around two lost souls, Lucy and Gabriel (Gabe) Samson who first meet during the Twin Towers terror attacks, and watch the horror unfold right in front of their eyes. Did fate bring these two together for a reason?
^^ Throughout the book we follow their relationship and learn how that first meeting on that fateful day effected them for the rest of their lives. Imagine being witness to something so horrifying. Surely it would affect you. Perhaps you’d want to live your life as if every day is your last, or you’ll go the other way and blame yourself for not being able to do anything to help. Even when you couldn’t have at the time. Survivors guilt, I think they call it.
^ These are the sort of issues, this couple face. You know they should be together, but they both need different things, so their lives are never as simple as you think they’re going to be.
^ I enjoyed how the author allowed this couple to search for what they wanted out of life, but they never truly forgot, or even stopped loving each other. Whenever they did meet, well, it was never the right time. Yet something in the universe, a powerful source, kept drawing them back into each other’s paths. Even when they’d both long gone their separate ways. Is it destiny? Or chance?
Overall: Well, who’d of thought the first book of the year would reduce me to tears? I kind of saw the ending coming, but when I reached those last few pages I found it much more emotional than expected. Jill Santopolo poses an elegant narrative around two people looking in very different places for that one elusive answer: What if?
Sensitivemuse (246 KP) rated Cut Me Free in Books
Feb 15, 2018
Must read with serious subject matter
You simply just can’t imagine the terror Piper had to go through all throughout her life, and then to get out of that vicious cycle shows how strong she is. It’s sad that it had to come to severe extreme measure for her to escape but nevertheless she was able to do so is a feat in itself.
The way the characters; both Piper and Sanda are extremely well done in this book. They’re both mistrustful of others (can’t blame them) and although they try hard to learn how to integrate with society, they do tend to stand out. (Examples such as Sanda being fearful of not seeing Piper again or Piper learning how to register Sanda to school) This is so well done by Johansson. It’s very realistic of their characters and it shows how they struggle to blend in because of their fear of standing out due to their trauma. They shy away from physical contact to the point where it causes them physical discomfort. This is well written and felt by the characters accurately.
The plot itself was good as well. It just seems like wherever Piper goes horrible awful things just seem to follow. It’s serious and dark, and Piper being stalked does increase the chill factor several notches up. The idea of someone breaking into your apartment and leaving lovely goodies to freak you out is unsettling and terrifying. These moments are well written and does set the mood for the plot. There’s a moment or two where you feel so angry because of particular actions and the suffering some of the characters go through. (Yes Lily, I’m looking at you...you horrible girl you…)
I’m not sure what to think of the relationship between Cam and Piper. Sure Piper has a great deal of mistrust and puts Cam at an arm length’s distance but seriously? Romance? I know he’s trying to be friendly and has a bleeding heart for those in need but I’m not sure Piper would jump in at the chance to have a romance with him. Yes, she puts him as far away from her as possible and he tries hard to approach her through different ways but I really don’t see a romance as a thing in this story. Should there even be one? Why was there one in the first place? I found it rather unnecessary considering the serious subject matter.
This novel is nerve wracking, and props to Piper and Sanda for their inner strength. It was a good read. Not a light hearted one, but one worth the read nevertheless.
The way the characters; both Piper and Sanda are extremely well done in this book. They’re both mistrustful of others (can’t blame them) and although they try hard to learn how to integrate with society, they do tend to stand out. (Examples such as Sanda being fearful of not seeing Piper again or Piper learning how to register Sanda to school) This is so well done by Johansson. It’s very realistic of their characters and it shows how they struggle to blend in because of their fear of standing out due to their trauma. They shy away from physical contact to the point where it causes them physical discomfort. This is well written and felt by the characters accurately.
The plot itself was good as well. It just seems like wherever Piper goes horrible awful things just seem to follow. It’s serious and dark, and Piper being stalked does increase the chill factor several notches up. The idea of someone breaking into your apartment and leaving lovely goodies to freak you out is unsettling and terrifying. These moments are well written and does set the mood for the plot. There’s a moment or two where you feel so angry because of particular actions and the suffering some of the characters go through. (Yes Lily, I’m looking at you...you horrible girl you…)
I’m not sure what to think of the relationship between Cam and Piper. Sure Piper has a great deal of mistrust and puts Cam at an arm length’s distance but seriously? Romance? I know he’s trying to be friendly and has a bleeding heart for those in need but I’m not sure Piper would jump in at the chance to have a romance with him. Yes, she puts him as far away from her as possible and he tries hard to approach her through different ways but I really don’t see a romance as a thing in this story. Should there even be one? Why was there one in the first place? I found it rather unnecessary considering the serious subject matter.
This novel is nerve wracking, and props to Piper and Sanda for their inner strength. It was a good read. Not a light hearted one, but one worth the read nevertheless.
I received a complimentary copy of this book in return for an honest review and although it has taken me a while to read it, I have really enjoyed the content and style of the information provided.
This book gives a very in-depth and detailed re-telling of the Battle of Gettysburg, and more specifically the charge of Barksdale himself. A battle and time that will live forever in history, Phillip Thomas Tucker weaves the death and grim reality of war with insightful quotes, maps and ideas about how this battle really occurred.
There are several outstanding aspects of this book, however first I feel it is necessary to warn any potential readers that this book is not that easy to read. I am a frequent reader of non-fiction books, and more specifically historical non-fiction, and this is amongst one of the hardest I have read, but the effort is well worth it. At times, it is just a little over loaded with details such as names, positions in the armies etc, and with the same names appearing in both sides of the battle as well as within the same units, it can get a little hard to keep track of everyone!
On a much more positive note though, the detailed research the author must have done truly does shine through on every page. The quotes from letters, the pictures and the maps, to name but a few things, really do add a whole new dimension to the book. Personally, it made it all seem a lot more real, helping me to engage more with the trials of those poor men (and horses) stuck in the mud and terror of that day. Although knowing all the names did get slightly confusing at times, it was a great touch in helping 'bring home' the reality and enormity of the loss at that battle.
In addition, the pace with which the events were told was pitched just right. Although packed with detail, the book still had a great pace and a pull to it. The action of the battle really does pour through the pages and come alive. It's written with great skill and is one of the best 'battle recounts' that I have read in a long time.
In conclusion, I can only praise this book for summarising one of the pivotal battles of the American Civil War. Detailed, at times a little too much so, and a compelling, engaging and at times emotional read that I would recommend to anyone who has an interest in this period of history, or who is studying this.
This book gives a very in-depth and detailed re-telling of the Battle of Gettysburg, and more specifically the charge of Barksdale himself. A battle and time that will live forever in history, Phillip Thomas Tucker weaves the death and grim reality of war with insightful quotes, maps and ideas about how this battle really occurred.
There are several outstanding aspects of this book, however first I feel it is necessary to warn any potential readers that this book is not that easy to read. I am a frequent reader of non-fiction books, and more specifically historical non-fiction, and this is amongst one of the hardest I have read, but the effort is well worth it. At times, it is just a little over loaded with details such as names, positions in the armies etc, and with the same names appearing in both sides of the battle as well as within the same units, it can get a little hard to keep track of everyone!
On a much more positive note though, the detailed research the author must have done truly does shine through on every page. The quotes from letters, the pictures and the maps, to name but a few things, really do add a whole new dimension to the book. Personally, it made it all seem a lot more real, helping me to engage more with the trials of those poor men (and horses) stuck in the mud and terror of that day. Although knowing all the names did get slightly confusing at times, it was a great touch in helping 'bring home' the reality and enormity of the loss at that battle.
In addition, the pace with which the events were told was pitched just right. Although packed with detail, the book still had a great pace and a pull to it. The action of the battle really does pour through the pages and come alive. It's written with great skill and is one of the best 'battle recounts' that I have read in a long time.
In conclusion, I can only praise this book for summarising one of the pivotal battles of the American Civil War. Detailed, at times a little too much so, and a compelling, engaging and at times emotional read that I would recommend to anyone who has an interest in this period of history, or who is studying this.
Gareth von Kallenbach (980 KP) rated A Nightmare on Elm Street (2010) in Movies
Aug 8, 2019
Back in the 80’s, razor-fingered Freddy Krueger (Robert Englund) became an iconic figure of horror and mainstream pop culture with the film “A Nightmare on Elm Street”. Thanks to great special effects, macabre humor, and the charismatic Freddy, audience flocked to theaters and launched a highly successful series that spanned several films. Eventually the series ran its course, but the title character remained a mainstay of horror fans everywhere. Last seen in “Freddy Vs. Jason”, the terror of teenagers’ dreams has returned in a new take on the film from the Platinum Dunes production team, the same team behind the successful relaunch of the “Friday the 13th Series”.
The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.
Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.
What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.
This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.
The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.
Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.
What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.
This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.
JT (287 KP) rated The Reef (2010) in Movies
Mar 10, 2020
“You’re gonna need a bigger boat!” those few words struck terror into the hearts of cinema goers who got a first glimpse of Steven Spielberg’s monster rising out of the water in Jaws. Others have attempted to recreate that fear.
Open Water saw two divers float around for ages before finally becoming lunch for a pack of hunting tiger sharks. Deep Blue Sea used CGI technology to create massive predators with a smart enough brain to devour the hapless crew of a scientific research station. And Shark Night 3D gave us blood curdling horror with half naked women thrown in for good measure. The Reef, encompasses most of the above minus the CGI. Here it’s replaced with clever and careful editing of one of the most beautiful but sinister creatures of the ocean….the Great White Shark.
A small group of friends, some with a past, get together on a yacht and hit the clear blue waters to deliver it to a waiting recipient. When it capsizes they are faced with the choice, swim for it to the nearest land miles away or wait it out on a potentially sinking vessel. Four members venture out leaving one behind, who after confessing he fishes the waters has no desire to get his feet wet, but excelling in scaring the shit out of his friends by telling them they all look like seals ready for the slaughter.
For any low budget indie film such as this creating tension when you have a location that looks exactly the same for miles in each direction is always going to be hard. But to his credit Andrew Traucki does extremely well in building up the entrance of our finned friend. Capturing the underwater viewpoint from Luke (the only one with a face mask) he dives down now and again to check the murky undertow for signs of life at the request of some very distressed friends. You’re always half expecting to see something but it never comes, until you finally catch a glimpse of the tail, and then your heart will race.
Of course this tension has to be sustained for the next forty-five minutes which is pretty hard. The acting is OK, made all the more effective by the fact that the cast is a bunch of relative unknowns. It’s hardly a surprise ending however, but given what Traucki has to work with he’s a produced good effort. There’s enough here to keep anyone happy, more so if you’re afraid of being left to die in miles of open water….oh, and you hate sharks!
Open Water saw two divers float around for ages before finally becoming lunch for a pack of hunting tiger sharks. Deep Blue Sea used CGI technology to create massive predators with a smart enough brain to devour the hapless crew of a scientific research station. And Shark Night 3D gave us blood curdling horror with half naked women thrown in for good measure. The Reef, encompasses most of the above minus the CGI. Here it’s replaced with clever and careful editing of one of the most beautiful but sinister creatures of the ocean….the Great White Shark.
A small group of friends, some with a past, get together on a yacht and hit the clear blue waters to deliver it to a waiting recipient. When it capsizes they are faced with the choice, swim for it to the nearest land miles away or wait it out on a potentially sinking vessel. Four members venture out leaving one behind, who after confessing he fishes the waters has no desire to get his feet wet, but excelling in scaring the shit out of his friends by telling them they all look like seals ready for the slaughter.
For any low budget indie film such as this creating tension when you have a location that looks exactly the same for miles in each direction is always going to be hard. But to his credit Andrew Traucki does extremely well in building up the entrance of our finned friend. Capturing the underwater viewpoint from Luke (the only one with a face mask) he dives down now and again to check the murky undertow for signs of life at the request of some very distressed friends. You’re always half expecting to see something but it never comes, until you finally catch a glimpse of the tail, and then your heart will race.
Of course this tension has to be sustained for the next forty-five minutes which is pretty hard. The acting is OK, made all the more effective by the fact that the cast is a bunch of relative unknowns. It’s hardly a surprise ending however, but given what Traucki has to work with he’s a produced good effort. There’s enough here to keep anyone happy, more so if you’re afraid of being left to die in miles of open water….oh, and you hate sharks!
Debbiereadsbook (1197 KP) rated The Alpha's Warlock (Mismatched Mates #1) in Books
Mar 27, 2020
great read, but I NEEDED Ian!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Nate is a warlock, and getting kidnapped and cursed by the Shimball werewolf pack wasn't in his plans for the day. When he manages to drag himself to tell the Armitage pack of the Shimball pack plans, mating the Alpha's brother wasn't in his plans either. But the only way to break the curse is to build a mate bond with an Alpha, so mate with Ian he does. There is just the minor detail that Ian hates Nate, and Nate has been attracted to Ian for such a long time. When the Shimball pack come for the Armitage pack, Ian has to keep Nate safe, even if it just gives him a chance to kill Nate himself!
I really REALLY enjoyed this!
Nate is quirky, and witty, and so bloody funny! Because the book is only told from his point of view, and in the first person, we get all of his wit and humour, but also, all of his terror at what his father did to him. His pain at realizing he might not be good enough for anyone. His reaction to the bond to Ian surprised him, and we get all of that. We get his dawning knowledge of what Ian has become to him.
The story moves along at pace in places, a little slower in others. The bigger picture, I think, isn't clear yet, and I have no idea what that picture might be, but I look forward to reading more.
The only thing, for ME, why I didn't give it 5 stars when I enjoyed it so much?
Single person person of view. Only Nate has a voice. I really REALLY needed Ian, at key points along the way, and I don't get him. I needed to know what he felt about having to mate Nate, although there were clues to that early on. I needed to know if the mate bond affected him as much as it did Nate. I needed to know just what his brother's betrayal means to him, and how much it hurts him. And I don't get him!
BUT!
A great read, and the first I've read of this author. I like the way they spin the tales. I look forward to reading more, especially after the epilogue here!
4 solid stars
**same worded review will appear elsewhere**
Nate is a warlock, and getting kidnapped and cursed by the Shimball werewolf pack wasn't in his plans for the day. When he manages to drag himself to tell the Armitage pack of the Shimball pack plans, mating the Alpha's brother wasn't in his plans either. But the only way to break the curse is to build a mate bond with an Alpha, so mate with Ian he does. There is just the minor detail that Ian hates Nate, and Nate has been attracted to Ian for such a long time. When the Shimball pack come for the Armitage pack, Ian has to keep Nate safe, even if it just gives him a chance to kill Nate himself!
I really REALLY enjoyed this!
Nate is quirky, and witty, and so bloody funny! Because the book is only told from his point of view, and in the first person, we get all of his wit and humour, but also, all of his terror at what his father did to him. His pain at realizing he might not be good enough for anyone. His reaction to the bond to Ian surprised him, and we get all of that. We get his dawning knowledge of what Ian has become to him.
The story moves along at pace in places, a little slower in others. The bigger picture, I think, isn't clear yet, and I have no idea what that picture might be, but I look forward to reading more.
The only thing, for ME, why I didn't give it 5 stars when I enjoyed it so much?
Single person person of view. Only Nate has a voice. I really REALLY needed Ian, at key points along the way, and I don't get him. I needed to know what he felt about having to mate Nate, although there were clues to that early on. I needed to know if the mate bond affected him as much as it did Nate. I needed to know just what his brother's betrayal means to him, and how much it hurts him. And I don't get him!
BUT!
A great read, and the first I've read of this author. I like the way they spin the tales. I look forward to reading more, especially after the epilogue here!
4 solid stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Carrie (2013) in Movies
Aug 6, 2019
If you’ve got a taste for terror…take Carrie to the Prom.”
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Close to Shore: The Terrifying Shark Attacks of 1916
9.0
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Combining rich historical detail and a harrowing, pulse-pounding narrative, Close to Shore...
The Future of Foreign Intelligence: Privacy and Surveillance in a Digital Age
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Since the Revolutionary War, America's military and political leaders have recognized that U.S....