Search
Search results
Leanne Crabtree (480 KP) rated Hollywood Playboy (Hollywood Royalty, #1) in Books
Jan 11, 2021
Jessica is an entertainment journalist and good at it but one celebrity in particular does not get on with her: Tyler Beckett. She's always ready with a scoop on him only for him to go public with it before she can. When Jessica is asked to be on the press junket for Tyler's latest film they clash a few times before getting into an argument that makes them both realise how wrong they've been about each other and they begin to grow closer. It's starts as a kind of friendship before becoming more.
I did enjoy this. Mainly for the relationship between Jessica and Tyler but it wasn't always smooth sailing for them. First they don't even like each other, then they come to a truce to try and get along and before long they actually become friends that want to be more. It was an emotional ride towards the end and I had a good old cry, I'll admit.
I don't think I'd like to be a celebrity, having no privacy and everything from your past being brought back to haunt you. Luckily Tyler has a fairly clean life, though people are always willing to sell false stories about him and others. Tyler is good at handling the press and treats the ones on the tour like friends, taking them out for meals at amazing but little known places, sending them for spa days, etc. With Jessica, Tyler just wants her to spend time with him and they have some really cute days out all over the tour cities.
Some of the secondary characters were cool like Kellie and Tyler's parents. One character I wanted to slap silly and Tyler and Jessica, I just wanted to hug.
I'm intrigued by Kellie's story and her romance with her bodyguard who she has a history with so I'll keep my eyes open for her book.
I did enjoy this. Mainly for the relationship between Jessica and Tyler but it wasn't always smooth sailing for them. First they don't even like each other, then they come to a truce to try and get along and before long they actually become friends that want to be more. It was an emotional ride towards the end and I had a good old cry, I'll admit.
I don't think I'd like to be a celebrity, having no privacy and everything from your past being brought back to haunt you. Luckily Tyler has a fairly clean life, though people are always willing to sell false stories about him and others. Tyler is good at handling the press and treats the ones on the tour like friends, taking them out for meals at amazing but little known places, sending them for spa days, etc. With Jessica, Tyler just wants her to spend time with him and they have some really cute days out all over the tour cities.
Some of the secondary characters were cool like Kellie and Tyler's parents. One character I wanted to slap silly and Tyler and Jessica, I just wanted to hug.
I'm intrigued by Kellie's story and her romance with her bodyguard who she has a history with so I'll keep my eyes open for her book.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Lighthouse (2019) in Movies
Jan 25, 2021
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Emma @ The Movies (1786 KP) rated Trolls World Tour (2019) in Movies
Jun 8, 2020
Trolls World Tour, or the film that kicked off the Home Premiere debacle... I decided to pay money for this, a lot of money for just one person to watch, and all because I wanted to see something brand new.
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html
BankofMarquis (1832 KP) rated Father Stu (2022) in Movies
Sep 25, 2022
One Note Performance In The Lead Sinks Film
When one creates a film that is based on the real life exploits of a person, the Writer/Director of the film will be sorely tempted to include that character in every scene. Which is fine if that character is written in an interesting enough way to keep our attention. When it is NOT written well, then the film is poorer because of it.
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5879 KP) rated The House on Half Moon Street in Books
May 3, 2018 (Updated May 3, 2018)
A good period murder mystery.
Leo works as a coroners assistant in a busy Victorian London hospital. Leo lived the first 15 years of his life as Charlotte, and ran away so that he could live as Leo: this is in time where if he were to be discovered, he would be sent to an insane asylum.
Leo falls in love with the prostitute (Maria) that he has been seeing once a week for two years, and arranges to meet her at the theatre for what he hopes will be the first of many dates. He wants to build a life with her. However, she doesn't show up, and he, bitterly disappointed, goes home. When he arrives at work the following day, he discovers the first body on the slab is that of Maria. Of course, he is the primary suspect. So Leo starts his own investigation to try and discover who the murderer is.
Leo is a likeable, yet vulnerable character. He clearly feels very deeply about Maria. The friends and acquaintances he makes in the course of his investigations are personable and try to help him as well as themselves (to be honest, it's hard to see whether they are really his friends at all - they all live hard lives, and just want to get along without causing any trouble to themselves or their families). By the same token, the villains are unlikeable, villainous and uncaring about anything other than what they can get out of people - in this case, they make their money out of women, specifically prostitution.
I really enjoyed this. I didn't think I would. As soon as I read that Leo was transgender, I thought that it would be an attempt at Tipping the Velvet. It's clearly not. I believe this is the first in a new series, and I will be looking out for the next one!
Many thanks to The Pigeonhole and the publisher for a copy of the book!
Leo falls in love with the prostitute (Maria) that he has been seeing once a week for two years, and arranges to meet her at the theatre for what he hopes will be the first of many dates. He wants to build a life with her. However, she doesn't show up, and he, bitterly disappointed, goes home. When he arrives at work the following day, he discovers the first body on the slab is that of Maria. Of course, he is the primary suspect. So Leo starts his own investigation to try and discover who the murderer is.
Leo is a likeable, yet vulnerable character. He clearly feels very deeply about Maria. The friends and acquaintances he makes in the course of his investigations are personable and try to help him as well as themselves (to be honest, it's hard to see whether they are really his friends at all - they all live hard lives, and just want to get along without causing any trouble to themselves or their families). By the same token, the villains are unlikeable, villainous and uncaring about anything other than what they can get out of people - in this case, they make their money out of women, specifically prostitution.
I really enjoyed this. I didn't think I would. As soon as I read that Leo was transgender, I thought that it would be an attempt at Tipping the Velvet. It's clearly not. I believe this is the first in a new series, and I will be looking out for the next one!
Many thanks to The Pigeonhole and the publisher for a copy of the book!
Whatchareadin (174 KP) rated Queen Sugar in Books
May 10, 2018
Charley Bordelon has just inherited 800 acres of a sugar cane farm from her father. So she uproots herself and her daughter from their life in California to Saint Josephine, Louisiana. She moves in with her grandmother, Miss Honey and tries her best to raise a successful cane farm. With other family members stepping in her way, this can prove to be difficult at times. Charley is doing the best she can, but will it be enough to keep the farm or will she be forced to sell it and head back to California.
I watched the series for this book on <a href="http://www.oprah.com/app/queen-sugar.html">OWN</a>; and I loved it. If I would have known about the book, I definitely would have read that first. They always say, the book is better than the movie, but in this case, I will say that the book was not as good as the series. The characterization is a little different and the TV series definitely added a lot more drama to the situation. Overall, though, I enjoyed the book and look forward to other books by <a href="http://nataliebaszile.com/">Natalie Baszile</a>.
Charley Bordelon has a lot on her plate. She has an adolescent daughter who hates the idea of leaving her home in California to live in a remote area of Louisiana. She has a sugar cane farm she has just inherited and she knows nothing about sugar cane. Her older brother Ralph Angel feels as though he is entitled to something, but he feels that way about everything in his life. Dealing with hurricanes, quitting farm hands, no money, and flooding back lots, there is a lot to learn and most people in the area, don't think she can do it.
The book takes you on a journey through Charley's first season of Cane Farming and all the trials and tribulations she endures during this time. I enjoyed the book and I look forward to the new season of the show coming this summer!
I watched the series for this book on <a href="http://www.oprah.com/app/queen-sugar.html">OWN</a>; and I loved it. If I would have known about the book, I definitely would have read that first. They always say, the book is better than the movie, but in this case, I will say that the book was not as good as the series. The characterization is a little different and the TV series definitely added a lot more drama to the situation. Overall, though, I enjoyed the book and look forward to other books by <a href="http://nataliebaszile.com/">Natalie Baszile</a>.
Charley Bordelon has a lot on her plate. She has an adolescent daughter who hates the idea of leaving her home in California to live in a remote area of Louisiana. She has a sugar cane farm she has just inherited and she knows nothing about sugar cane. Her older brother Ralph Angel feels as though he is entitled to something, but he feels that way about everything in his life. Dealing with hurricanes, quitting farm hands, no money, and flooding back lots, there is a lot to learn and most people in the area, don't think she can do it.
The book takes you on a journey through Charley's first season of Cane Farming and all the trials and tribulations she endures during this time. I enjoyed the book and I look forward to the new season of the show coming this summer!
TheBookMother (105 KP) rated The Memory Keeper's Daughter in Books
Jun 6, 2019
Hauntingly Beautiful
This came into the charity shop I work in and as soon as I read the blurb on the back of the book I knew I had to read it.
A Doctor in a snow storm delivers his twins but one is born with Down Syndrome and he decides there and then to tell his wife that she died. He hands over his daughter to the nurse and asks her to take her to a home. She decides upon seeing the home she cannot possibly leave her here and raises her herself.
The book follows through time the lives of everyone the Doctor and his wife raising there son Paul, and the Nurse Caroline fighting for Phoebe to be accepted and have access to an education and equal opportunities.
It starts of in the 60s and we really get a glimpse into the attitudes of the time towards those with Down Syndrome and at times it is awkward to read at times as you cannot believe that it was like this.
With such a explosive secret being kept and the grief that Norah feels after thinking she has lost a child the family is poisoned and relationships turn toxic and the family dynamic is ripped apart.
We see Phoebe thrive throughout her life with Caroline and also the limitations she faces in her day to day life.
The emotive language the author uses means you do feel Norah's loss, you resent David for his betrayal, you can understand Paul's rebellion and Caroline's guilt.
It is an achingly beautiful book which is dealing with an explosively emotive storyline. I really enjoyed it and it is really hauntingly staying with me even after I've finished as I began to imagine how I would feel and what I would do if I was put in that situation. A really good read, possibly to emotionally charged for a sleep deprived and hormonal mother of two boys, one of which does have medical issues do I could relate somewhat too.
A Doctor in a snow storm delivers his twins but one is born with Down Syndrome and he decides there and then to tell his wife that she died. He hands over his daughter to the nurse and asks her to take her to a home. She decides upon seeing the home she cannot possibly leave her here and raises her herself.
The book follows through time the lives of everyone the Doctor and his wife raising there son Paul, and the Nurse Caroline fighting for Phoebe to be accepted and have access to an education and equal opportunities.
It starts of in the 60s and we really get a glimpse into the attitudes of the time towards those with Down Syndrome and at times it is awkward to read at times as you cannot believe that it was like this.
With such a explosive secret being kept and the grief that Norah feels after thinking she has lost a child the family is poisoned and relationships turn toxic and the family dynamic is ripped apart.
We see Phoebe thrive throughout her life with Caroline and also the limitations she faces in her day to day life.
The emotive language the author uses means you do feel Norah's loss, you resent David for his betrayal, you can understand Paul's rebellion and Caroline's guilt.
It is an achingly beautiful book which is dealing with an explosively emotive storyline. I really enjoyed it and it is really hauntingly staying with me even after I've finished as I began to imagine how I would feel and what I would do if I was put in that situation. A really good read, possibly to emotionally charged for a sleep deprived and hormonal mother of two boys, one of which does have medical issues do I could relate somewhat too.
Johnny Marr recommended Velvet Underground by The Velvet Underground in Music (curated)
Think Big (The Live Big Series #3)
10.0
Rate It
Book
Set in the wilds of the African savanna, Think Big follows moody Baboon as he discovers another...
Animals