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Merissa (13705 KP) rated Her Druid Fantasy (The Amber Druid Series #2) in Books
Mar 31, 2023 (Updated Apr 10, 2023)
If you haven't read any of the Amber Druid series yet then you are sure as heck missing out. These books take you on a sensual and romantic journey, peppered with arguments, 'real' life and passion.
This particular book tells the story of Ramsey and Vivienne. You know that they are just perfect for each other but with their own stubbornness and outside circumstances get in the way? I won't say for sure but I will say that I was gripped by their story, in turn, I was sad, happy, and concerned - you name it, I think the emotion will be in this book.
I love how the druids can tell if another one of them is nearby, even without seeing them. And I also loved how they knew that something was going to happen even before Vivi's symptoms became known. It almost reminded me of the Jedi Knights - "there's a disturbance in the Force!"
This series just keeps getting better and better. We greet old friends and get to know new ones. Personally, I love the time spent on drawing away each layer of the characters so that you get a deeper, more intimate knowledge of them. I know Brenan's book is out next which should be good but I really can't wait for Kale's story! He intrigues me ;)
Highly recommended for all Paranormal fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 25, 2016
This particular book tells the story of Ramsey and Vivienne. You know that they are just perfect for each other but with their own stubbornness and outside circumstances get in the way? I won't say for sure but I will say that I was gripped by their story, in turn, I was sad, happy, and concerned - you name it, I think the emotion will be in this book.
I love how the druids can tell if another one of them is nearby, even without seeing them. And I also loved how they knew that something was going to happen even before Vivi's symptoms became known. It almost reminded me of the Jedi Knights - "there's a disturbance in the Force!"
This series just keeps getting better and better. We greet old friends and get to know new ones. Personally, I love the time spent on drawing away each layer of the characters so that you get a deeper, more intimate knowledge of them. I know Brenan's book is out next which should be good but I really can't wait for Kale's story! He intrigues me ;)
Highly recommended for all Paranormal fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 25, 2016
Merissa (13705 KP) rated His Boy to Cherish (Naughty or Nice Season Two) in Books
Dec 28, 2021 (Updated Jul 9, 2023)
HIS BOY TO CHERISH is part of the Naughty or Nice Season Two series, and I am over the moon to announce Jayden gets his HEA!!!!
Oh, man! I fell for Jayden in Greeking Out and my heart hurt for him because the Daddy he got was definitely NOT one on the caring scale. And it was obvious from the very beginning that THAT is what Jayden not only wants but needs.
Bless him, you find out about Jayden's life and he's had it rough but he keeps up appearances and leaves his mask firmly in place as no one wants a grumpy boy. It is up to Ben to prove to him that he wants him no matter what, through joy and sadness, through pain and sorrow, as well as good times. And boy, does Ben step up to the mark!
This has a light Christmas theme, as in they first meet on Boxing Day and their courtship takes place over the Christmas period. Ben and Jayden instantly click but both have questions -- which is completely understandable!
I loved how Troy and Apollo were here but didn't take over the story. I really want Jude to have his own too. Yes, I'm greedy!
A warm and fuzzy story that is absolutely recommended by me. It is heartwarming and sincere and left me with a huge smile on my face. Loved it!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 28, 2021
Oh, man! I fell for Jayden in Greeking Out and my heart hurt for him because the Daddy he got was definitely NOT one on the caring scale. And it was obvious from the very beginning that THAT is what Jayden not only wants but needs.
Bless him, you find out about Jayden's life and he's had it rough but he keeps up appearances and leaves his mask firmly in place as no one wants a grumpy boy. It is up to Ben to prove to him that he wants him no matter what, through joy and sadness, through pain and sorrow, as well as good times. And boy, does Ben step up to the mark!
This has a light Christmas theme, as in they first meet on Boxing Day and their courtship takes place over the Christmas period. Ben and Jayden instantly click but both have questions -- which is completely understandable!
I loved how Troy and Apollo were here but didn't take over the story. I really want Jude to have his own too. Yes, I'm greedy!
A warm and fuzzy story that is absolutely recommended by me. It is heartwarming and sincere and left me with a huge smile on my face. Loved it!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 28, 2021
Merissa (13705 KP) rated DNA Demons N Angels in Books
Nov 23, 2021 (Updated Jul 10, 2023)
DNA Demons N Angels is definitely What To Expect When You're Expecting Something Different!
The basic premise of this book is a woman (Evie) gets unexpectedly pregnant. Unexpectedly, because her husband has a vasectomy years ago! Think Virgin Mary. Obviously, he doesn't believe her when she says she hasn't slept with anyone but him, and they separate. This starts the journey of a lifetime with possessions, kidnappings, and hints galore about who the father of the baby is and what 'it' will be.
The cravings in this book made me laugh, and also wonder if this was real life in a book. If not the author, then maybe someone she knows? They are just as funky as some cravings can be, and I loved it.
I didn't think too much as I was reading this. I didn't try to figure anything out. I just let the book sweep me along, giving me bits of information when deemed necessary. Maybe because of that but the ending didn't come as a surprise. It was a good ending, just not surprising to me.
I'm really hoping there is more to come in this world. I would like to know more about Lucas, Annabel, Bell, and co, plus I'm sure that baby has stories to tell. A very different read that I thoroughly enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2021
The basic premise of this book is a woman (Evie) gets unexpectedly pregnant. Unexpectedly, because her husband has a vasectomy years ago! Think Virgin Mary. Obviously, he doesn't believe her when she says she hasn't slept with anyone but him, and they separate. This starts the journey of a lifetime with possessions, kidnappings, and hints galore about who the father of the baby is and what 'it' will be.
The cravings in this book made me laugh, and also wonder if this was real life in a book. If not the author, then maybe someone she knows? They are just as funky as some cravings can be, and I loved it.
I didn't think too much as I was reading this. I didn't try to figure anything out. I just let the book sweep me along, giving me bits of information when deemed necessary. Maybe because of that but the ending didn't come as a surprise. It was a good ending, just not surprising to me.
I'm really hoping there is more to come in this world. I would like to know more about Lucas, Annabel, Bell, and co, plus I'm sure that baby has stories to tell. A very different read that I thoroughly enjoyed and have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2021
High on Rust: Selected Poems
Ray Webber and Steve Bush
Book
Ray Webber's remarkable poems speak in a unique voice. It's one that challenges, amuses, inspires...
Jesters_folly (230 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 29, 2019
Contains spoilers, click to show
Dora and the lost city of gold brings the characters from the ‘Dora the Explore ' together for a live action adventure. The film starts when Dora is six and her cousin Diego goes to live in the city. Ten years later Dora's parents get ready to find a lost city so, for safety they send her to the join Diego. Finding that Diego has changed over the years and that city life is nothing like living in the jungle leaving her upset and friendless. During a school field trip, Dora, Diego and two of their classmates are kidnapped by treasure hunters in an attempt to find Dora's parents and the lost city.
Dora and the lost city of gold is a classic children’s jungle adventure; you have kidnapped adults, jungle traps, quick sand (I can’t remember the last time I saw quicksand in a movie, may be Jumaji 2), Ruined cities, giant, possibly man eating plants and a bit of cartoon physics.
The cartoony side of the film is a bit odd, the film is trying to include all the main characters from the series and this includes Boots the Monkey and Swipe the fox. Boots kind of makes sense, he was Dora’s companion throughout the cartoon and the character in the film did have an actual role that served a purpose, however Swipe seemed a pointless, his roll could have been performed by any of the other villains.
Over all ‘Dora and the lost city of gold’ is good, silly fun.
Dora and the lost city of gold is a classic children’s jungle adventure; you have kidnapped adults, jungle traps, quick sand (I can’t remember the last time I saw quicksand in a movie, may be Jumaji 2), Ruined cities, giant, possibly man eating plants and a bit of cartoon physics.
The cartoony side of the film is a bit odd, the film is trying to include all the main characters from the series and this includes Boots the Monkey and Swipe the fox. Boots kind of makes sense, he was Dora’s companion throughout the cartoon and the character in the film did have an actual role that served a purpose, however Swipe seemed a pointless, his roll could have been performed by any of the other villains.
Over all ‘Dora and the lost city of gold’ is good, silly fun.
Lyndsey Gollogly (2893 KP) rated Gypsy Freak (All the Pretty Monsters #2) in Books
Nov 4, 2021
183 of 250
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Bob Mann (459 KP) rated A Quiet Place: Part II (2021) in Movies
May 29, 2021
Continuation of the original story, with thrills and suspense throughout (1 more)
Great cast - Millicent Simmonds and Noah Jupe are particularly good
Plot Summary:
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
BankofMarquis (1832 KP) rated The Laundromat (2019) in Movies
Aug 1, 2021
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Debbiereadsbook (1639 KP) rated A Matcha Made in Hell (Boyfriend Café #1) in Books
Sep 15, 2023
really rather good!
Independent reviewer for GRR, I was gifted my copy of this book.
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere