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BankofMarquis (1832 KP) rated The Laundromat (2019) in Movies
Aug 1, 2021
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Debbiereadsbook (1798 KP) rated A Matcha Made in Hell (Boyfriend Café #1) in Books
Sep 15, 2023
really rather good!
Independent reviewer for GRR, I was gifted my copy of this book.
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere
graveyardgremlin (7194 KP) rated Happy Hour of the Damned (Amanda Feral, #1) in Books
Feb 15, 2019
Snarky, crude, smart, bitchy, strange, dirty (in more ways than one), superficial, gory and more-y, HAPPY HOUR OF THE DAMNED is a hard book to describe in few words. Besides calling it zombie chick-lit urban fantasy, which is such a disservice. Amanda isn't the type of main character I usually enjoy reading about, I admit I'd rather read about someone more sympathetic than a label-conscious, cocktail swigging, loose, uppity, self-absorbed diva. But guess what, I actually liked her. Go figure. Now I wouldn't want to hang out with someone like her in real life, but in a book, it's all in good fun and I definitely will pick up the next two Amanda Feral books and hope there's more to come.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
Phillip McSween (751 KP) rated The Avengers (2012) in Movies
Mar 9, 2019 (Updated Jun 20, 2019)
A Blast
I remember the trepidation of going to see Marvel’s The Avengers. Could they really pull a team-up like this off? Could the whole really be a sum of some awesome parts? I wasn’t sure. That trepidation turned into utter lack of interest. X-Men: The Last Stand left a bad taste in my mouth, but the Avengers crew was regaining my interest in the superhero world movie by movie. Good thing I gave the movie a chance because I ended up having the time of my life.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
Molly J (Cover To Cover Cafe) (106 KP) rated Back in the Saddle (Double S Ranch, #1) in Books
Feb 27, 2019
I'm a big cowboy romance fan, so I was excited to grab this one to review. Ruth Logan Herne was a new to me author and the synopsis of the story sounded intriguing. So, I settled in for the day/night and read through nearly to the end (then I got tired so HAD to go to sleep so my CNA job wouldn't fall to pieces the next day!), but quickly picked it back up and finished it the next morning. It was that good. I loved every part of this story wholly and it will be with me forever! This is a book that I will be sharing with all who want a wonderful, inspiring read!
Colt, Angelina, Nick and Sam, along with the other characters in the story, really gripped my heart. I loved watching Colt and his changes in life after leaving his city life to come home to his country family ranch. Angelina, bless her, I loved her character! Seeing her interact with Colt was a refreshing part of the story! These two were perfectly chiseled to be just the right amount of flawed.
I can't give this book less than 5 stars! It's worthy of so much more. It had me twisted up inside and had me falling in love at every turn. From start to finish, this book is epically created and has the perfect amount of inspirational faith and hope woven among the pages. I can't wait to read more about these beautiful characters in book 2! Well done, Ms. Herne! You've gained a new fan in me! <a href="http://cafinatedreads.com/?p=12890"; target="_blank">This review was originally posted on Cafinated Reads</a>
Colt, Angelina, Nick and Sam, along with the other characters in the story, really gripped my heart. I loved watching Colt and his changes in life after leaving his city life to come home to his country family ranch. Angelina, bless her, I loved her character! Seeing her interact with Colt was a refreshing part of the story! These two were perfectly chiseled to be just the right amount of flawed.
I can't give this book less than 5 stars! It's worthy of so much more. It had me twisted up inside and had me falling in love at every turn. From start to finish, this book is epically created and has the perfect amount of inspirational faith and hope woven among the pages. I can't wait to read more about these beautiful characters in book 2! Well done, Ms. Herne! You've gained a new fan in me! <a href="http://cafinatedreads.com/?p=12890"; target="_blank">This review was originally posted on Cafinated Reads</a>
More Fool Me
5.0
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Stephen Fry invites readers to take a glimpse at his life story in the unputdownable More Fool Me....
Lyndsey Gollogly (2893 KP) rated The Lost and the Chosen (The Lost Sentinel, #1) in Books
Jan 19, 2020 (Updated Feb 2, 2024)
21 of 220
Kindle
The Lost & the chosen ( Book 1)
By Ivy Asher
⭐⭐⭐⭐
My name is Vinna, and I’ve been keeping a lot of secrets.
You would too if you'd experienced some of the weird shit I have: red-eyed monsters chasing me, markings on my body appearing out of nowhere, a strange power that crackles colorfully over my skin from time to time, and don't get me started on the weapons I can conjure up almost out of nowhere.
Lucky for me, I have yet to meet someone whose ass I couldn't kick, inside the ring or out. I put that to the test when I run headfirst into a fight that brings all my secrets, and reality as I know it, crashing down around me.
Now, I'm looking for answers and trying to piece together what the hell is going on. Paranormal is my new way of life. It's not going to be easy, and I'm not exactly welcome.
That is, until I meet the boys, and trust me, they are anything but boyish.
I'm up against elders who think I’m too powerful, a family who views me as a threat, and something lurking in the shadows that's been coming for me my whole life.
There’s not a chance in hell I’m going down without a fight. I’m not lost anymore, and I'm about to show this world exactly what I can do.
For some reason I didn’t finish this the first time round and I don’t know why! This was really good I enjoyed every minute of it! There were a few rocky patches but I really liked it. The story , the characters and setting is just different. Definitely looking forward to more.
Kindle
The Lost & the chosen ( Book 1)
By Ivy Asher
⭐⭐⭐⭐
My name is Vinna, and I’ve been keeping a lot of secrets.
You would too if you'd experienced some of the weird shit I have: red-eyed monsters chasing me, markings on my body appearing out of nowhere, a strange power that crackles colorfully over my skin from time to time, and don't get me started on the weapons I can conjure up almost out of nowhere.
Lucky for me, I have yet to meet someone whose ass I couldn't kick, inside the ring or out. I put that to the test when I run headfirst into a fight that brings all my secrets, and reality as I know it, crashing down around me.
Now, I'm looking for answers and trying to piece together what the hell is going on. Paranormal is my new way of life. It's not going to be easy, and I'm not exactly welcome.
That is, until I meet the boys, and trust me, they are anything but boyish.
I'm up against elders who think I’m too powerful, a family who views me as a threat, and something lurking in the shadows that's been coming for me my whole life.
There’s not a chance in hell I’m going down without a fight. I’m not lost anymore, and I'm about to show this world exactly what I can do.
For some reason I didn’t finish this the first time round and I don’t know why! This was really good I enjoyed every minute of it! There were a few rocky patches but I really liked it. The story , the characters and setting is just different. Definitely looking forward to more.
Welcome Home to Murder
8.0
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From author Rosalie Spielman comes a heartfelt cozy mystery that proves sometimes coming home again...
Bethr1986 (305 KP) rated Ascent (House of Normandy #1) in Books
May 11, 2023 (Updated May 11, 2023)
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Poppa is in church for service when her village is attacked by the Vikings, she refuses to take things lying down. She stands up for her people and tries to save the men that are being taken as slaves. One thing she is absolutely sure of is she will have nothing to do with these Norse heathens no matter what her father the Count of Bayeux insists, she would rather die! Who would or could ever find themselves loving a savage like them?
This is the story of Poppa and although it is fictional it seems to have a lot of depth to what has been written. There are little bits of history weaved within Poppa's tale and it makes it all the more interesting to read. I have enjoyed reading about the life of a count's daughter and how she deals with raids and her friends being taken as well as the life she knew and how she is able to deal with the hardships and tasks that are sent her way. When I first started reading I thought Poppa was a brat and could see us clashing, as I read further into the book I had more compassion for her and she ended up being my favourite. I could see myself reading other books like this by the same author as she has a flare for pulling you into the story and involving you.
Completely recommended
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Poppa is in church for service when her village is attacked by the Vikings, she refuses to take things lying down. She stands up for her people and tries to save the men that are being taken as slaves. One thing she is absolutely sure of is she will have nothing to do with these Norse heathens no matter what her father the Count of Bayeux insists, she would rather die! Who would or could ever find themselves loving a savage like them?
This is the story of Poppa and although it is fictional it seems to have a lot of depth to what has been written. There are little bits of history weaved within Poppa's tale and it makes it all the more interesting to read. I have enjoyed reading about the life of a count's daughter and how she deals with raids and her friends being taken as well as the life she knew and how she is able to deal with the hardships and tasks that are sent her way. When I first started reading I thought Poppa was a brat and could see us clashing, as I read further into the book I had more compassion for her and she ended up being my favourite. I could see myself reading other books like this by the same author as she has a flare for pulling you into the story and involving you.
Completely recommended
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *