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Lyndsey Gollogly (2893 KP) rated The Monster of Farewell (Blacklighters #1) in Books
Aug 28, 2019
Kickass females!
Contains spoilers, click to show
Mercury Havenworth
My mother always told me I had nothing. No place in civilized society. No moral compass. No soul...
But despite all my shortcomings, there is one thing I do have: Farewell. It's my home. My sanctuary and birthright. It's everything to me, and one day soon, I will oversee this feral matriarchy which gave me life.
The men who step through our gates see a crumbling mansion, they see a handful of women willing to bleed for a cause, but Farewell is so much more than that.
It's an empire.
MY empire.
Kessler Lawson
After eight years of incarceration, I'm a free man...for approximately two hours.
That's how long it takes to ruin my life.
Wedged between freedom and the officer who put me behind bars in the first place, I'm given a choice: Help the New Liberty Police Department infiltrate a band of criminals ruling over Farewell, Missouri...or score a one-way ticket back to prison.
With enemies on both sides, falling into bed with the boss's murderous daughter probably isn't the best idea, but there's no going back now...not after undressing the monster of Farewell.
(Warning: This book includes dark themes, offensive language, and explicit scenes that may make some readers uncomfortable. Read with caution.)
<strong>Very good</strong>
I don't know what one as expecting but I really really enjoyed it. The whole women kicking ass and the men do the "woman's work" was brilliant . The book was so well written it had a touch of violence but not to the point of being over the top, it had seriously hot sex scenes , strong female roles as well as some strong male characters it was well balanced read!
Watching Mercury develop through the book was empowering in a way. If I had one thing I thought could have bee better maybe the end not so rushed.
Highly recommend

My mother always told me I had nothing. No place in civilized society. No moral compass. No soul...
But despite all my shortcomings, there is one thing I do have: Farewell. It's my home. My sanctuary and birthright. It's everything to me, and one day soon, I will oversee this feral matriarchy which gave me life.
The men who step through our gates see a crumbling mansion, they see a handful of women willing to bleed for a cause, but Farewell is so much more than that.
It's an empire.
MY empire.
Kessler Lawson
After eight years of incarceration, I'm a free man...for approximately two hours.
That's how long it takes to ruin my life.
Wedged between freedom and the officer who put me behind bars in the first place, I'm given a choice: Help the New Liberty Police Department infiltrate a band of criminals ruling over Farewell, Missouri...or score a one-way ticket back to prison.
With enemies on both sides, falling into bed with the boss's murderous daughter probably isn't the best idea, but there's no going back now...not after undressing the monster of Farewell.
(Warning: This book includes dark themes, offensive language, and explicit scenes that may make some readers uncomfortable. Read with caution.)
<strong>Very good</strong>
I don't know what one as expecting but I really really enjoyed it. The whole women kicking ass and the men do the "woman's work" was brilliant . The book was so well written it had a touch of violence but not to the point of being over the top, it had seriously hot sex scenes , strong female roles as well as some strong male characters it was well balanced read!
Watching Mercury develop through the book was empowering in a way. If I had one thing I thought could have bee better maybe the end not so rushed.
Highly recommend

Lee (2222 KP) rated Annabelle Comes Home (2019) in Movies
Jul 12, 2019
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
Kristy H (1252 KP) rated Who’s That Girl? in Books
Feb 1, 2018
Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in Nottingham, her hometown. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again?
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
Darren (1599 KP) rated Needful Things (1993) in Movies
Aug 29, 2019
Verdict: One of King’s Most Interesting Stories
Story: Needful Things starts when Leland Gaunt (von Sydow) opens up an antique shop in the small town of Castle Rock, the shop known as Needful Things, see the locals visit, with them getting an unusually attachment to certain items in the shop, items that are clearly meant for each individual person, one that strikes a memory.
As the town starts flocking to the shop, it becomes clear that Leland has alternate plans for the town, with Sheriff Alan Pangborn (Harris) needing to investigate a new increase amount of small crimes, which slowly start to build in seriousness before the town turns to chaos.
Thoughts on Needful Things
Characters – Leland Gaunt is the mysterious shopkeeper that arrives to Castle Rock, his shop has everything the people of the town want and he knows everything about everyone in the town. He trades their desires for favours, which mostly involve going against people in the town, he knows how to remain calm through the conversations, knowing just what they want to hear. Sheriff Alan Pangborn left the big city for a quiet life, he is enjoying his life in the town, with his new fiancée, until the crime levels start to rise, which sees him going from dealing with cats in trees, to murders, can he stop the power Leland has over the town before it is too late. Polly is Alan’s fiancée, she runs the local diner opposite the new shop, she doesn’t run in like some of the other residents, which sees her witnessing the changes from the locals. Nettie is a shy former abuse victim that becomes one of the first customers of the shop, showing how easily people can like what he is willing to offer. We do get a string of people that start to get caught in his ideas.
Performances – Max von Sydow is wonderful to watch in this film, he gives the character the mystery and charisma he needs to seem like a friendly person. Ed Harris is always good to watch, here he does the small town cop routine with ease, playing a good man who must help his people. Bennie Bedelia is strong without getting enough important early scenes to make us understand how disturbed her character’s life is.
Story – The story here follows a small town that gets a new visitor in a shopkeeper that soon starts giving the locals everything they ever wanted, for a price, which sees the town turn to chaos and the sheriff needing to solve the problem before it is too late. This is one of the most interesting of the Stephen King stories, it looks at human desires taking control over our own sanity, how one town can be turned upside down by the ideas of what could be ours, rather than giving us what we need. The story is shown to unfold at a delightful pace because it shows how the deals are put in place with each deal, slowly starting to growing from disruptive behaviour right up to murder. The story does rely on the idea of town working together to prove themselves.
Fantasy/Horror – The fantasy side of the film shows just how Leland can bring about whatever the person in the town wants, he can make the impossible, possible, which only plays into the horrors of just what he can do to this world, when people get everything they ever wanted.
Settings – The film is set in the small town of Castle Rock, this is one location where everybody knows each other, which is one of the trademarks for any Stephen King novel.
Special Effects – The effects in the film are very simple, they do play into the idea of fantasy elements, when we see just what will happen with the power given to the people.
Scene of the Movie – He is a monster.
That Moment That Annoyed Me – It does feel like it could have gone a lot darker.
Final Thoughts – This is easily one of the more underrated of Stephen King’s adaptions, it gives us a perfect moral dilemma and keeps everything feel a lot more grounded for a horror one.
Overall: Entertaining throughout.
Story: Needful Things starts when Leland Gaunt (von Sydow) opens up an antique shop in the small town of Castle Rock, the shop known as Needful Things, see the locals visit, with them getting an unusually attachment to certain items in the shop, items that are clearly meant for each individual person, one that strikes a memory.
As the town starts flocking to the shop, it becomes clear that Leland has alternate plans for the town, with Sheriff Alan Pangborn (Harris) needing to investigate a new increase amount of small crimes, which slowly start to build in seriousness before the town turns to chaos.
Thoughts on Needful Things
Characters – Leland Gaunt is the mysterious shopkeeper that arrives to Castle Rock, his shop has everything the people of the town want and he knows everything about everyone in the town. He trades their desires for favours, which mostly involve going against people in the town, he knows how to remain calm through the conversations, knowing just what they want to hear. Sheriff Alan Pangborn left the big city for a quiet life, he is enjoying his life in the town, with his new fiancée, until the crime levels start to rise, which sees him going from dealing with cats in trees, to murders, can he stop the power Leland has over the town before it is too late. Polly is Alan’s fiancée, she runs the local diner opposite the new shop, she doesn’t run in like some of the other residents, which sees her witnessing the changes from the locals. Nettie is a shy former abuse victim that becomes one of the first customers of the shop, showing how easily people can like what he is willing to offer. We do get a string of people that start to get caught in his ideas.
Performances – Max von Sydow is wonderful to watch in this film, he gives the character the mystery and charisma he needs to seem like a friendly person. Ed Harris is always good to watch, here he does the small town cop routine with ease, playing a good man who must help his people. Bennie Bedelia is strong without getting enough important early scenes to make us understand how disturbed her character’s life is.
Story – The story here follows a small town that gets a new visitor in a shopkeeper that soon starts giving the locals everything they ever wanted, for a price, which sees the town turn to chaos and the sheriff needing to solve the problem before it is too late. This is one of the most interesting of the Stephen King stories, it looks at human desires taking control over our own sanity, how one town can be turned upside down by the ideas of what could be ours, rather than giving us what we need. The story is shown to unfold at a delightful pace because it shows how the deals are put in place with each deal, slowly starting to growing from disruptive behaviour right up to murder. The story does rely on the idea of town working together to prove themselves.
Fantasy/Horror – The fantasy side of the film shows just how Leland can bring about whatever the person in the town wants, he can make the impossible, possible, which only plays into the horrors of just what he can do to this world, when people get everything they ever wanted.
Settings – The film is set in the small town of Castle Rock, this is one location where everybody knows each other, which is one of the trademarks for any Stephen King novel.
Special Effects – The effects in the film are very simple, they do play into the idea of fantasy elements, when we see just what will happen with the power given to the people.
Scene of the Movie – He is a monster.
That Moment That Annoyed Me – It does feel like it could have gone a lot darker.
Final Thoughts – This is easily one of the more underrated of Stephen King’s adaptions, it gives us a perfect moral dilemma and keeps everything feel a lot more grounded for a horror one.
Overall: Entertaining throughout.
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Haley Mathiot (9 KP) rated A Certain Wolfish Charm (Westfield Wolves, #1) in Books
Apr 27, 2018
Rating:
3.75
Lily is worried about her nephew, Oliver, whom she has raised since he was six. He’s nearly doubled in size, he’s always angry, and she’s never raised a boy before so she has no idea what to think. So she turns to his legal guardian, Simon Westfield the duke of Blackmoor, who has never been involved in the 12-year old’s life except to send money when Lily writes to him. When she finally finds him, he won’t talk to her, won’t listen to her, and won’t help her.
But then Simon seems to realize what the problem is—because he experienced it himself: Oliver is turning into a werewolf—and demands to take Oliver under his control, to help and raise him himself. Lilly refuses to leave her nephew, and finds herself falling for Simon, then engaged to him in order to protect her reputation.
But Simon doesn’t want Lily in his life—though he can’t deny the attraction he has for her—because of the horrible stories of werewolf love going wrong. But how can he keep her away when she’s all he wants?
A Certain Wolfish Charm is book 1 in the series. The other two books center around the other two brothers Westfield, but all three books cover the same period of time.
My favorite thing about the book was the characters. I love the characters, especially the interaction between the three brothers. They love each other quite obviously, but they bicker and argue all the time. one will randomly throw something at another with lethal intents, and the other will duck and go on with life as if it was normal. which, it is. They are always threatening to kill each other, though I doubt they ever would. But let’s just say it’s a good thing werewolves heal fast.
Another thing I liked was the plot. It was simple, no crazy thriller or mystery, It was just a simple romance. But it was compelling, and had enough story to it to keep you reading.
Simon… goodness he’s a passionate one (I’m pretty sure it’s illegal to be that handsome). Lily, at times, seemed dense and silly, especially for not talking out her problems with her husband. And they were both a bit melodramatic at times, but that was rare and it only felt that way because of the sentence structure. With that in mind, the sentences may have changed as I got the ARC for review, not the finished version.
It was a bit difficult to tell if they had accents or not due to the writing. Sometimes it felt like they did, and sometimes it felt like they didn’t and it was a bit annoying. However their voices were all very clear in my head.
The writing was fine, it wasn’t fantastic but it was readable and enjoyable. I don’t particularly like the cover, I think they could have done more werewolfish stuff and less typical romance novel stuff.
A Certain Wolfish Charm was really cute, highly addictive, and fast paced. I can’t wait to read the other two!
Content: Some sex, a little swearing, mention of nudity. no violence.
Recommendation: Ages 18+ for anyone who loves a good werewolf story.
3.75
Lily is worried about her nephew, Oliver, whom she has raised since he was six. He’s nearly doubled in size, he’s always angry, and she’s never raised a boy before so she has no idea what to think. So she turns to his legal guardian, Simon Westfield the duke of Blackmoor, who has never been involved in the 12-year old’s life except to send money when Lily writes to him. When she finally finds him, he won’t talk to her, won’t listen to her, and won’t help her.
But then Simon seems to realize what the problem is—because he experienced it himself: Oliver is turning into a werewolf—and demands to take Oliver under his control, to help and raise him himself. Lilly refuses to leave her nephew, and finds herself falling for Simon, then engaged to him in order to protect her reputation.
But Simon doesn’t want Lily in his life—though he can’t deny the attraction he has for her—because of the horrible stories of werewolf love going wrong. But how can he keep her away when she’s all he wants?
A Certain Wolfish Charm is book 1 in the series. The other two books center around the other two brothers Westfield, but all three books cover the same period of time.
My favorite thing about the book was the characters. I love the characters, especially the interaction between the three brothers. They love each other quite obviously, but they bicker and argue all the time. one will randomly throw something at another with lethal intents, and the other will duck and go on with life as if it was normal. which, it is. They are always threatening to kill each other, though I doubt they ever would. But let’s just say it’s a good thing werewolves heal fast.
Another thing I liked was the plot. It was simple, no crazy thriller or mystery, It was just a simple romance. But it was compelling, and had enough story to it to keep you reading.
Simon… goodness he’s a passionate one (I’m pretty sure it’s illegal to be that handsome). Lily, at times, seemed dense and silly, especially for not talking out her problems with her husband. And they were both a bit melodramatic at times, but that was rare and it only felt that way because of the sentence structure. With that in mind, the sentences may have changed as I got the ARC for review, not the finished version.
It was a bit difficult to tell if they had accents or not due to the writing. Sometimes it felt like they did, and sometimes it felt like they didn’t and it was a bit annoying. However their voices were all very clear in my head.
The writing was fine, it wasn’t fantastic but it was readable and enjoyable. I don’t particularly like the cover, I think they could have done more werewolfish stuff and less typical romance novel stuff.
A Certain Wolfish Charm was really cute, highly addictive, and fast paced. I can’t wait to read the other two!
Content: Some sex, a little swearing, mention of nudity. no violence.
Recommendation: Ages 18+ for anyone who loves a good werewolf story.
Josh Napper (40 KP) rated Spare Parts (2015) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
Plot
With the help of their high school's newest teacher (George Lopez), four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, and community. It's not about where you are that truly matters; it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
To summarize it, I liked the whole thing. The fact that the students and even the teacher faced those odds and still went after what they wanted and felt they could do it.
What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
I would gladly recommend it to anyone. However, to break it down into smaller groups, I would recommend it to three groups. 1st of all, I would recommend it to students who are told they can’t do something they really wanna do due to one thing or another because the real-life characters of the movie had to go thru the same exact thing. 2nd of all, I would recommend it to teachers and other staff at school, mainly the high school level, so they could take a lesson from this inspiring movie and turn it into their own way of inspiring their students and to get their classmates to work together to turn their little old ideas and dreams into not just reality but also successes. 3rd of all, I would recommend it to people in general who are down on their knees wanting to watch something that would motivate them to not ever give up on their dreams.
What is your final word on the film: Is it good or bad?
The movie Spare Parts is a fantastic film that deals with real-life events. It is kinda incredible that it is simply another movie that was inspired by a true story. Once you look into what the real-life characters had to go thru– their struggle and their success– I was shocked simply due to the unbelievable amount of pain and struggle leading all up to an ending that saw them not only surprise everyone but also themselves. The actors and the actresses completely make it believable that they are not there themselves because it makes you believe they are really going through the events of the movie.
RATING SYSTEM:
1- crap
2- poor
3- decent
4- even
5- Good
6- Great
7- perfect
I give the movie spare parts a movie rating of 6
With the help of their high school's newest teacher (George Lopez), four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
One man can open eyes, and not just one or two eyes but a whole family, team, school, and community. It's not about where you are that truly matters; it’s about the people you are with here that truly matters. Even if you do not get the results you wanted to have when the final second ticks off the clock, you are, and you will always be a winner. No matter how much success you have on your own you are alone, so do it as a team, that way you are and never will be alone.
To summarize it, I liked the whole thing. The fact that the students and even the teacher faced those odds and still went after what they wanted and felt they could do it.
What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
I would gladly recommend it to anyone. However, to break it down into smaller groups, I would recommend it to three groups. 1st of all, I would recommend it to students who are told they can’t do something they really wanna do due to one thing or another because the real-life characters of the movie had to go thru the same exact thing. 2nd of all, I would recommend it to teachers and other staff at school, mainly the high school level, so they could take a lesson from this inspiring movie and turn it into their own way of inspiring their students and to get their classmates to work together to turn their little old ideas and dreams into not just reality but also successes. 3rd of all, I would recommend it to people in general who are down on their knees wanting to watch something that would motivate them to not ever give up on their dreams.
What is your final word on the film: Is it good or bad?
The movie Spare Parts is a fantastic film that deals with real-life events. It is kinda incredible that it is simply another movie that was inspired by a true story. Once you look into what the real-life characters had to go thru– their struggle and their success– I was shocked simply due to the unbelievable amount of pain and struggle leading all up to an ending that saw them not only surprise everyone but also themselves. The actors and the actresses completely make it believable that they are not there themselves because it makes you believe they are really going through the events of the movie.
RATING SYSTEM:
1- crap
2- poor
3- decent
4- even
5- Good
6- Great
7- perfect
I give the movie spare parts a movie rating of 6
Tim McGuire (301 KP) rated Some Freaks (2017) in Movies
Dec 24, 2019
178. Some Freaks. A pretty decent little drama about young life, and young love and the way it just kicks you in the fucking balls at times. Meet Matt (played by a guy named Thomas Mann, that I'm pretty sure has been in teen dramas as a teen for the past 20 to 40 years) he has got one eyeball, even wears an eyepatch, pretty badass, but he's in high school, and high schoolers are dicks, and do anything possible to make his life shittier, daily. One day, he gets a new lab partner named Jill, and she goes through her own high school torture because shes overweight. I wouldnt say they hit it off right away, but things click, and they fall in love. Then high school ends. Jill goes off to college and Matt goes to work. 6 months pass and the two plan too meet... All the while the two have secrets to share... He no longer has only one eye, sorta. And Jill worked out like a fiend and shed 50 or so pounds, and of course they both are like wow, and both dig what they're seeing. But Matt also notices other dudes checking out his special lady friend, that wouldnt be so bad, but maybe shes digging the attention too much, or is Matt just a dumbell... Could go either way. It was a really cool flick, does not have the fairy tail ending thats too be expected most of the times... And uh-oh, its filmed in Rhode Island, don't really see to much of it, except they do go to the AS220, and some gorgeous shots of TF Green Airport... I'm just kidding there cant possibly be any gorgeous shots of TF Green lol. Check it out, it was a good drama... Filmbufftim on FB
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