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Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Kristin (149 KP) rated A Silent Prayer (A Prayer Series #1) in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
What an incredible story! This was my first book by BJ Harvey and I can surely say I'll be back for more. I LOVED these characters! Callum is not the typical male rich slut found in most erotic novels, having come from a good home and family but this book is entirely from his POV, which was a much-welcomed change. He comes from a pure place that makes his secret sexual desires seem dirty and forbidden to him. Lucia, on the other hand, is a force of nature and I LOVED her beyond words! Again, unlike your typical female lead. She is strong, witty, independent and confident... all the things Callum truly needs in his life. When they push limits together their bond is tested.. yet I never thought for a second these two wouldn't make it.. their connection so palpable, I hoped it would only make them stronger. Incredible love story - Highly recommended!
Whatchareadin (174 KP) rated T.Y.P.O. in Books
Oct 31, 2019 (Updated Oct 31, 2019)
Jac and Aylee have never met. But when they do, it's like an electric spark. After meeting Jac, Aylee can't wait to tell her friend, Jacqueline about him, but she is surprised when she arrives to dinner and Jac is there instead of Jacqueline. A typo brought them together, but will they stay that way. They both have anxieties that are hard for them to overcome. Will being together be good for them both, or bad?
Thank you to Frankie Love and C.M. Seabrook for the opportunity to read and review this book.
Have you ever had a date with a gorgeous guy by accident? I wish my life was like that. When Aylee steps into the bar, she is pleasantly surprised to see Jac there. Even though it was a typo that got him there, he doesn't ever want to be without this woman. How does he have this hold on her so fast?
Another quickie from the queens sure to make you hot and bothered.
Thank you to Frankie Love and C.M. Seabrook for the opportunity to read and review this book.
Have you ever had a date with a gorgeous guy by accident? I wish my life was like that. When Aylee steps into the bar, she is pleasantly surprised to see Jac there. Even though it was a typo that got him there, he doesn't ever want to be without this woman. How does he have this hold on her so fast?
Another quickie from the queens sure to make you hot and bothered.
Veronica Pena (690 KP) rated Under the Tuscan Sun (2003) in Movies
Apr 22, 2020
I don't know why people don't like this film - I LOVED it. I'm a sucker for romance stories and I love Italy so much. I love the idea of Frances just being on this quest to put herself back together and finding ways to do that and still believing in all the good things in life. I love Sandra Oh and that Kate Walsh even had a roll. I love even more than they played lovers and then went on to do Grey's where they obviously were nemeses because of Christina's loyalty to Meredith.
I loved this film. I want to be Frances. I wanted to be Pawel, I wanted to be Chiara, and somehow I wanted to be Katherine too. You find something to love about every character and you end up finishing the film with a little piece of your heart with each of them.
I think this film just moved up on my favorites list and I'm not mad about it. Not one bit.
I loved this film. I want to be Frances. I wanted to be Pawel, I wanted to be Chiara, and somehow I wanted to be Katherine too. You find something to love about every character and you end up finishing the film with a little piece of your heart with each of them.
I think this film just moved up on my favorites list and I'm not mad about it. Not one bit.
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