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An interesting story but lacked in parts
Contains spoilers, click to show
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: Talk of death, violence
Review:
I want to thank The Parliament House for sending me an eBook ARC to read and review for my honest opinion. I originally rated this a 4 out of 5 stars but after much thought and consideration, I am dropping it to a 3.5 out of 5 stars.
Summoned follows Alton, a bored and seventeen year old who wishes to have a new tutor that allows a more challenging experience in Alton’s magic studies. This is where Professor Victor Orvius comes into play. He recruits Alton and another, named Reagan. The only rule these two must follow is that they follow all of Orvius’ rules. If the two do that, they will be taught magic without any limits.
What Alton wasn’t expecting was to be met with such a sarcastic and brash young witch. He becomes star struck with Reagan and the two clash, becoming rivals. That is until the two must join forces because a greater threat has been summoned, a demon.
When I first picked up Summoned by McKayla Eaton, I wasn’t fully invested into the story. I didn’t get into the story until the half way point, and that was when the plot actually started getting good. Don’t get me wrong, this was an extremely easy read and I ended up blowing through it with the little spurts of time I was able to read. But something was lacking a bit.
Alton and Reagan were both relatable and not at the same time. They seemed almost “two perfect for relatability” yet they did things that I could see a teenager doing now-a-days. The whole story gave an almost Harry Potter like feel with the rebellious and angsty teenager (Reagan basically was Draco), the studious and rule follower (Alton was basically Harry Potter mixed with Hermione Granger), and the adult who maintained a large distance from his students and seemed wise beyond his years (Orvius was basically Dumbledore). I loved the vibes I was getting and I wanted to continue reading to find out what happened.
But I was met with a bit of disappointment and a cringe fest. The humor and banter was a bit much at times. The action was interesting and progressed the plot but there were also times where it seemed to slow the plot of the story. There was a ton of character development that helped even some of the plot holes but those missing plot holes really put a damper on reading.
The ending on the other hand was good and left on a major cliffhanger, but it also really felt like it was moving extremely fast. This is where some of those plot holes come into play. This is the first book in the series, so it could have been just groundwork being laid but some may find the plot holes to be a determent from picking up this book.
Is it worth the read? Yes.
Would I reread? Probably not. Don’t get me wrong, it was good and entertaining, but the plot holes really were a determent for me.
Will I continue the series? I’m honestly not 100% sure. I would like to know more about the story and see how the rest of the story unfolds, but I’m also not rushing to read them.
“Life wouldn’t be any fun if you didn’t break the rules sometimes, Alton.“
TRIGGER WARNINGS: Talk of death, violence
Review:
I want to thank The Parliament House for sending me an eBook ARC to read and review for my honest opinion. I originally rated this a 4 out of 5 stars but after much thought and consideration, I am dropping it to a 3.5 out of 5 stars.
Summoned follows Alton, a bored and seventeen year old who wishes to have a new tutor that allows a more challenging experience in Alton’s magic studies. This is where Professor Victor Orvius comes into play. He recruits Alton and another, named Reagan. The only rule these two must follow is that they follow all of Orvius’ rules. If the two do that, they will be taught magic without any limits.
What Alton wasn’t expecting was to be met with such a sarcastic and brash young witch. He becomes star struck with Reagan and the two clash, becoming rivals. That is until the two must join forces because a greater threat has been summoned, a demon.
When I first picked up Summoned by McKayla Eaton, I wasn’t fully invested into the story. I didn’t get into the story until the half way point, and that was when the plot actually started getting good. Don’t get me wrong, this was an extremely easy read and I ended up blowing through it with the little spurts of time I was able to read. But something was lacking a bit.
Alton and Reagan were both relatable and not at the same time. They seemed almost “two perfect for relatability” yet they did things that I could see a teenager doing now-a-days. The whole story gave an almost Harry Potter like feel with the rebellious and angsty teenager (Reagan basically was Draco), the studious and rule follower (Alton was basically Harry Potter mixed with Hermione Granger), and the adult who maintained a large distance from his students and seemed wise beyond his years (Orvius was basically Dumbledore). I loved the vibes I was getting and I wanted to continue reading to find out what happened.
But I was met with a bit of disappointment and a cringe fest. The humor and banter was a bit much at times. The action was interesting and progressed the plot but there were also times where it seemed to slow the plot of the story. There was a ton of character development that helped even some of the plot holes but those missing plot holes really put a damper on reading.
The ending on the other hand was good and left on a major cliffhanger, but it also really felt like it was moving extremely fast. This is where some of those plot holes come into play. This is the first book in the series, so it could have been just groundwork being laid but some may find the plot holes to be a determent from picking up this book.
Is it worth the read? Yes.
Would I reread? Probably not. Don’t get me wrong, it was good and entertaining, but the plot holes really were a determent for me.
Will I continue the series? I’m honestly not 100% sure. I would like to know more about the story and see how the rest of the story unfolds, but I’m also not rushing to read them.
“Life wouldn’t be any fun if you didn’t break the rules sometimes, Alton.“
Sassy Brit (97 KP) rated Real Strength: Build Your Resilience and Bounce Back from Anything in Books
Jun 5, 2019
“Real Strength: Build Your Resilience and Bounce Back from Anything” is another book from the psychologies magazine range by Capstone (A Wiley Brand) and I really enjoy these types of books which have questionnaires to help work out what type of assistance you need, and real techniques and actual therapies to help you through and beyond difficult situations.
“Real Strength” is about bouncing back from anything and teaches you how to deal with change, problems and opportunities in a healthy way, whilst building resilience and physiological strength in order to thrive , despite adversity.
I am sure I cannot be the only one to say that life has certainly chucked more than a handful of obstacles my way. I’m pretty good at handling that and often get told how positive I am – sometimes to a fault (so I’m told – as if I’m ignorant! Hell no!) But from what I understand from this book, being positive is nothing to do with ignorance and has everything to do with seeing the world / issue for what it is, and dealing with it the best way possible. Obstacles are challenges to overcome. I don’t bury my head in the sand, I’ve just learnt how to be resilient and accept things I cannot change.
What I love about this book, is that it takes my way of thinking even further and offers some great techniques to help you bounce back from anything.
“Real Strength” is about taking control of your life, tackling uncertainty and learning to not only see things differently, but to manage your emotions, cope with change and being more aware of the here and now. To relieve ourselves from those stress-inducing worrying thoughts that can consume us.
Each chapter encourages you to take action via exercises and real life stories. It’s a comprehensive, encouraging book and another one of which I have spent time reading and highlighting the pages. Yes I do write and draw in these self-help books, I fully believe it’s the best way to learn! Very happy to add this to my Capstone Collection.
“Real Strength” is about bouncing back from anything and teaches you how to deal with change, problems and opportunities in a healthy way, whilst building resilience and physiological strength in order to thrive , despite adversity.
I am sure I cannot be the only one to say that life has certainly chucked more than a handful of obstacles my way. I’m pretty good at handling that and often get told how positive I am – sometimes to a fault (so I’m told – as if I’m ignorant! Hell no!) But from what I understand from this book, being positive is nothing to do with ignorance and has everything to do with seeing the world / issue for what it is, and dealing with it the best way possible. Obstacles are challenges to overcome. I don’t bury my head in the sand, I’ve just learnt how to be resilient and accept things I cannot change.
What I love about this book, is that it takes my way of thinking even further and offers some great techniques to help you bounce back from anything.
“Real Strength” is about taking control of your life, tackling uncertainty and learning to not only see things differently, but to manage your emotions, cope with change and being more aware of the here and now. To relieve ourselves from those stress-inducing worrying thoughts that can consume us.
Each chapter encourages you to take action via exercises and real life stories. It’s a comprehensive, encouraging book and another one of which I have spent time reading and highlighting the pages. Yes I do write and draw in these self-help books, I fully believe it’s the best way to learn! Very happy to add this to my Capstone Collection.
Kristy H (1252 KP) rated I'd Give Anything in Books
Jun 11, 2020
At eighteen, Ginny "Zinny" Beale is a lighthearted, fun, brave girl with a close group of friends and brother with whom she can unite against their uptight mother. But one night changes all of that. Someone sets the town's high school on fire and in the aftermath, the father of Ginny's best friend, Gray, is dead. The townspeople look for someone to blame--leaving most of it on a troubled teen--but Ginny learns some news that changes her entire world. She tells no one, but the secret alters her life and leaves her an outcast among her friends and family. Over the next twenty years, Ginny transitions, settling down, returning to her hometown and marrying Harris, a professor. They have a daughter, Avery, and Ginny cares for her mother, who is dying. But when scandal rocks the town again--this time focused on Harris--Ginny has to make some choices. It's time to confront the past and the secret she's kept buried all this time.
"In one night, one night, I lost all of them."
I adore Marisa de los Santos and her writing, though this wasn't my favorite of her books. Still, she's just so good at capturing the little moments in life: nailing down the feelings and emotions of her characters. Ginny, Avery, and others spring to life in this one. The story swings between past and present, with older excerpts often told from Ginny's diary entries. It takes a while to learn Ginny's big secret, which is a bit of a pet peeve of mine: I'm not always a fan of dragging out a secret.
This is a poignant and sad read, delving into marriage, love, and parenthood. My favorite character was fifteen-year-old Avery, who is hit hard by the incident involving her father, Harris. In many ways, I was far more invested in Avery's growth than Ginny's--I liked Ginny, but I couldn't quite find myself fully wanting to root for her. Although the juxtaposition between young Zinny and present-day Ginny was quite well-done.
Did you stop being your old selves? Did they fall away? Were you always only the self you were in the present?
The book explores how one secret can so change a person and the ripple effect it has on many lives. Ms. de los Santos examines her characters very closely via her writing, and I will always love picking up her books and getting an intimate look at her cast of players. In the end, this is a touching and well-written novel, even if I couldn't always find myself fully engaged in Ginny's world. 3.75 stars, rounded to 4 here.
"In one night, one night, I lost all of them."
I adore Marisa de los Santos and her writing, though this wasn't my favorite of her books. Still, she's just so good at capturing the little moments in life: nailing down the feelings and emotions of her characters. Ginny, Avery, and others spring to life in this one. The story swings between past and present, with older excerpts often told from Ginny's diary entries. It takes a while to learn Ginny's big secret, which is a bit of a pet peeve of mine: I'm not always a fan of dragging out a secret.
This is a poignant and sad read, delving into marriage, love, and parenthood. My favorite character was fifteen-year-old Avery, who is hit hard by the incident involving her father, Harris. In many ways, I was far more invested in Avery's growth than Ginny's--I liked Ginny, but I couldn't quite find myself fully wanting to root for her. Although the juxtaposition between young Zinny and present-day Ginny was quite well-done.
Did you stop being your old selves? Did they fall away? Were you always only the self you were in the present?
The book explores how one secret can so change a person and the ripple effect it has on many lives. Ms. de los Santos examines her characters very closely via her writing, and I will always love picking up her books and getting an intimate look at her cast of players. In the end, this is a touching and well-written novel, even if I couldn't always find myself fully engaged in Ginny's world. 3.75 stars, rounded to 4 here.
Emma @ The Movies (1786 KP) rated Color Out of Space (2019) in Movies
Feb 8, 2020
You had me at Nicolas Cage.
The Gardners are settling into the secluded family home nicely, no city hustle and bustle to bother them. That peaceful life is shattered when a curious meteorite crashes into their garden. Far from a normal bit of space debris, the rock seems to be changing everything around it. It's taking over, the plants, pace and time, even the family themselves.
Briefly hearing Richard Stanley before this screening made me feel this adaptation of Lovecraft's work of the same name was in good hands, he clearly has an appreciation for what he's was working on and the imagery he creates makes for incredible viewing.
So, straight to Nic Cage... he doesn't quite go full Cage, but he's pretty close. It's the usual insanity we've all come to love.
This film is a little crazy on many levels, the family as a whole are very off before we even get to the magical meteorite. Each member seemingly has their own little corner of crazy town mapped out, and yet when you look at them as a whole you'd wouldn't put them in the same family.
As the film progresses and things get even more bizarre the family feel even less connected than at the beginning. The alien influence is pushing them further apart, but on top of that the script falls away in the middle and chaotic devolving of sanity replaces it. Each member of the family has their own experience with the meteorite, apart from chaos and the underlying cause none of it feels connected.
To say it plainly, there's some really messed up stuff. I would love to see how some of it was achieved because if Richardson is doing half the things it appears she is then she deserves some kind of award. I've got the short story to read so I can compare the two because honestly I can't visualise the written version of this story.
The creatures that evolve are made to be terrifying, and they do scare, but the comedy moments that come through from the performances (mostly unintentionally I guess) detract from it being all that shocking.
Our meteorite has a great influence over the sets for most of the movie, the colours and the growth are used to good effect. The progression is clear and well balanced, it might not always look realistic but the fact that that's the point helps.
When you look at Color Out Of Space as a whole it's all over the place, interesting but ambling, understandable and confusing. Despite that, it's an experience that I enjoyed having.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/color-out-of-space-movie-review.html
The Gardners are settling into the secluded family home nicely, no city hustle and bustle to bother them. That peaceful life is shattered when a curious meteorite crashes into their garden. Far from a normal bit of space debris, the rock seems to be changing everything around it. It's taking over, the plants, pace and time, even the family themselves.
Briefly hearing Richard Stanley before this screening made me feel this adaptation of Lovecraft's work of the same name was in good hands, he clearly has an appreciation for what he's was working on and the imagery he creates makes for incredible viewing.
So, straight to Nic Cage... he doesn't quite go full Cage, but he's pretty close. It's the usual insanity we've all come to love.
This film is a little crazy on many levels, the family as a whole are very off before we even get to the magical meteorite. Each member seemingly has their own little corner of crazy town mapped out, and yet when you look at them as a whole you'd wouldn't put them in the same family.
As the film progresses and things get even more bizarre the family feel even less connected than at the beginning. The alien influence is pushing them further apart, but on top of that the script falls away in the middle and chaotic devolving of sanity replaces it. Each member of the family has their own experience with the meteorite, apart from chaos and the underlying cause none of it feels connected.
To say it plainly, there's some really messed up stuff. I would love to see how some of it was achieved because if Richardson is doing half the things it appears she is then she deserves some kind of award. I've got the short story to read so I can compare the two because honestly I can't visualise the written version of this story.
The creatures that evolve are made to be terrifying, and they do scare, but the comedy moments that come through from the performances (mostly unintentionally I guess) detract from it being all that shocking.
Our meteorite has a great influence over the sets for most of the movie, the colours and the growth are used to good effect. The progression is clear and well balanced, it might not always look realistic but the fact that that's the point helps.
When you look at Color Out Of Space as a whole it's all over the place, interesting but ambling, understandable and confusing. Despite that, it's an experience that I enjoyed having.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/color-out-of-space-movie-review.html
Kristina (502 KP) rated Lux (The Nocte Trilogy, #3) in Books
Dec 7, 2020
Contains spoilers, click to show
Mind. Blown.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
Emma @ The Movies (1786 KP) rated Last Night in Soho (2021) in Movies
Oct 15, 2021
I was on the fence about this one. On the one hand, Edgar Wright, on the other, a cast that didn’t inspire confidence. But, if nothing else, it was going to be a spectacle.
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html
Bookapotamus (289 KP) rated The Waiting Room in Books
Jun 11, 2018
Super Twister Turny!
Somebody get my Chiropractor on the line! I think I have whiplash from all the twists and turns! What a ride!
Emily Bleeker can consistently weave a story like nobody's business and The Waiting Room is no exception!
Just when you think you have it all figured out - WHAM! Whiplash. I cannot even explain my love for her writing, and the way she crafts these incredibly suspenseful stories. Knocked this one out of the park. Totally out of the park and past the parking lot, and across the highway... It's so hard to give any synopsis of the story without spoiling too much. It's just that good. There were about 4-5 scenarios I had going on i my head as to the direction this was going, and I was wrong about them all!
Just after children's book illustrator Veronica Shelton's daughter is born, tragedy strikes. Her loving, smart, funny, doting-father husband is killed and her entire life falls apart So, so badly. It's so bad that grieving Veronica can't even TOUCH her own baby daughter. She thinks she's a terrible mother, is now having her own mother taking over most of her child's duties, and is clinging onto hope she can somehow get over this through a new therapist, and very carefully, slow, tiny baby steps. But then strange things start to happen - a break-in, weird figures in her book illustrations, and then - the unthinkable. Her daughter goes missing.
Incompetent police seem to turn the tables on her and she begins to feel like a suspect. Targeted because of her fragile mental state since losing her beloved husband. Veronica decides she's going to finally be the mother that Sophie deserves, and go out and find her daughter on her own. With some strange new friends and the shreds of motherly instinct that remain inside her - she sets off to do just that.
....and cue the whiplash. Just when you think you've got it figured out. Nope, try again. That person's a good guy? Sorry - not the case! Everything going to be OK? Um... hahaaaaa! Nice try. And that ending.. PHEW! Shocker after insanely clever shocker!
Now, I like to think I'm not totally dim, and can be fairly clever at figuring things out. But Emily Bleeker is SO good at making you feel so silly for even thinking you had ANY idea what was going on. She's definitely one of my favorite authors and I was totally thinking about sending her my chiropractor bill, but it just didn't seem fair seeing as how fun the ride was :)
Emily Bleeker can consistently weave a story like nobody's business and The Waiting Room is no exception!
Just when you think you have it all figured out - WHAM! Whiplash. I cannot even explain my love for her writing, and the way she crafts these incredibly suspenseful stories. Knocked this one out of the park. Totally out of the park and past the parking lot, and across the highway... It's so hard to give any synopsis of the story without spoiling too much. It's just that good. There were about 4-5 scenarios I had going on i my head as to the direction this was going, and I was wrong about them all!
Just after children's book illustrator Veronica Shelton's daughter is born, tragedy strikes. Her loving, smart, funny, doting-father husband is killed and her entire life falls apart So, so badly. It's so bad that grieving Veronica can't even TOUCH her own baby daughter. She thinks she's a terrible mother, is now having her own mother taking over most of her child's duties, and is clinging onto hope she can somehow get over this through a new therapist, and very carefully, slow, tiny baby steps. But then strange things start to happen - a break-in, weird figures in her book illustrations, and then - the unthinkable. Her daughter goes missing.
Incompetent police seem to turn the tables on her and she begins to feel like a suspect. Targeted because of her fragile mental state since losing her beloved husband. Veronica decides she's going to finally be the mother that Sophie deserves, and go out and find her daughter on her own. With some strange new friends and the shreds of motherly instinct that remain inside her - she sets off to do just that.
....and cue the whiplash. Just when you think you've got it figured out. Nope, try again. That person's a good guy? Sorry - not the case! Everything going to be OK? Um... hahaaaaa! Nice try. And that ending.. PHEW! Shocker after insanely clever shocker!
Now, I like to think I'm not totally dim, and can be fairly clever at figuring things out. But Emily Bleeker is SO good at making you feel so silly for even thinking you had ANY idea what was going on. She's definitely one of my favorite authors and I was totally thinking about sending her my chiropractor bill, but it just didn't seem fair seeing as how fun the ride was :)
Cynthia Armistead (17 KP) rated Fire Study (Study, #3) in Books
Mar 1, 2018
I strongly recommend reading <i>Poison Study</i>, <i>Assassin Study</i>, <i>Magic Study</i>, and <i>Power Study</i> all at a go. The two novellas are optional, but canonical and fun.
Snyder's world seems to be made up of just two countries: Ixia and Sitia. Ixia has been ruled by Commander Ambrose and his generals for about a decade when <i>Poison Study</i> starts, after a military coup overthrew the old monarchy. There are no beggars, every child is entitled to an education, nobody has to go hungry or homeless, and promotions are based solely on skill, with no gender or racial discrimination—but every citizen also has to wear a uniform declaring his or her proper location and job function, government approval is required for marrying, moving to a new home, or changing jobs, and anybody identified as having magic talent is killed immediately. Everyone is subject to the Code of Behavior, and there are no exceptions for any kind of extenuating circumstances. If you kill someone, you are sentenced to death, even if you were defending yourself or another.
Yelena has been in the Commander's dungeon for most of a year after killing the son of General Brazell. Valek, Ambrose's spymaster, gives her a choice: go to the gallows, or become the Commander's food taster. The job doesn't have a long life expectancy, as poisoning attempts are fairly common, but Yelena sees a chance at life better than immediate death, and takes the job.
Yelena manages to survive several attempts to murder her. The fact that Brazell wants her dead is understandable, but the other attempts are mysterious. Why would a Sitian master magician try to kill her? Who would slip poison into her wine?
<i>Magic Study</i> finds Yelena in Sitia, learning to cope with a very different way of life. Magic is almost taken for granted, and a strong family/clan structure forms the backbone of the government. But why are there beggars in the streets, and why is it that only those who can afford it are educated? Everyone in Sitia believes that life in Ixia must be horrific, but looking around her, Yelena sees that Ambrose's rule does have its benefits.
<i>Fire Study</i> moves between Sitia and Ixia, involving the leaders of both nations and intriguers who want to bring both of them down by pitching them against each other. Yelena and her friends are trying to prevent a war and reveal the traitors, but they've been declared outlaw and have to sneak around trying to figure out what's going on.
Another reviewer found Yelena too talented for belief, but I found her fairly realistic. She certainly isn't good at everything—she could use a lot of help in terms of social skills!—and the skills that she begins with and gains over the course of the trilogy do make sense. She trained as an acrobat when she was a child, so it does make sense that she is able to learn some types of self-defense without too much trouble. Some of her aptitudes make more sense after she learns more about her family background. She does find that she has magical abilities, but she isn't good at everything, and indeed, cannot seem to master some tasks that other magicians consider rudimentary.
I did find some of the betrayals to be difficult to comprehend, as some of the traitors would have no defense against mental scans. There's a Sitian Ethical Code of Conduct that prohibits non-consensual scans, but it doesn't apply to criminals, and in a war situation, I found it hard to believe that nobody ever did a little telepathic peeking at the people around them.
These were fun books, and they could be useful in looking at the pros and cons of different types of governments with teens. There's some sex in the books, but nothing terribly explicit. The violence is more troublesome, but the author never dwells on it.
Snyder's world seems to be made up of just two countries: Ixia and Sitia. Ixia has been ruled by Commander Ambrose and his generals for about a decade when <i>Poison Study</i> starts, after a military coup overthrew the old monarchy. There are no beggars, every child is entitled to an education, nobody has to go hungry or homeless, and promotions are based solely on skill, with no gender or racial discrimination—but every citizen also has to wear a uniform declaring his or her proper location and job function, government approval is required for marrying, moving to a new home, or changing jobs, and anybody identified as having magic talent is killed immediately. Everyone is subject to the Code of Behavior, and there are no exceptions for any kind of extenuating circumstances. If you kill someone, you are sentenced to death, even if you were defending yourself or another.
Yelena has been in the Commander's dungeon for most of a year after killing the son of General Brazell. Valek, Ambrose's spymaster, gives her a choice: go to the gallows, or become the Commander's food taster. The job doesn't have a long life expectancy, as poisoning attempts are fairly common, but Yelena sees a chance at life better than immediate death, and takes the job.
Yelena manages to survive several attempts to murder her. The fact that Brazell wants her dead is understandable, but the other attempts are mysterious. Why would a Sitian master magician try to kill her? Who would slip poison into her wine?
<i>Magic Study</i> finds Yelena in Sitia, learning to cope with a very different way of life. Magic is almost taken for granted, and a strong family/clan structure forms the backbone of the government. But why are there beggars in the streets, and why is it that only those who can afford it are educated? Everyone in Sitia believes that life in Ixia must be horrific, but looking around her, Yelena sees that Ambrose's rule does have its benefits.
<i>Fire Study</i> moves between Sitia and Ixia, involving the leaders of both nations and intriguers who want to bring both of them down by pitching them against each other. Yelena and her friends are trying to prevent a war and reveal the traitors, but they've been declared outlaw and have to sneak around trying to figure out what's going on.
Another reviewer found Yelena too talented for belief, but I found her fairly realistic. She certainly isn't good at everything—she could use a lot of help in terms of social skills!—and the skills that she begins with and gains over the course of the trilogy do make sense. She trained as an acrobat when she was a child, so it does make sense that she is able to learn some types of self-defense without too much trouble. Some of her aptitudes make more sense after she learns more about her family background. She does find that she has magical abilities, but she isn't good at everything, and indeed, cannot seem to master some tasks that other magicians consider rudimentary.
I did find some of the betrayals to be difficult to comprehend, as some of the traitors would have no defense against mental scans. There's a Sitian Ethical Code of Conduct that prohibits non-consensual scans, but it doesn't apply to criminals, and in a war situation, I found it hard to believe that nobody ever did a little telepathic peeking at the people around them.
These were fun books, and they could be useful in looking at the pros and cons of different types of governments with teens. There's some sex in the books, but nothing terribly explicit. The violence is more troublesome, but the author never dwells on it.
Kristy H (1252 KP) rated The Arrangement in Books
Feb 13, 2018
Lucy and Owen fled Brooklyn for the suburbs not long after their son, Wyatt, came along. In the perfect little town of Beekman, they have a beautiful old house, a yard full of chickens, and interact with a cast full of eclectic characters. Lucy also has her hands full with Wyatt, a challenging kid with autism. One evening, when some friends come over and the drinks flow freely, they mention their open marriage. At first, Lucy and Own are a bit shocked. But as the exhausted duo look around at their life, they begin to consider "the arrangement." Owen grabs a pad and a pen and they eke out some rules. It still seems like a joke, until Lucy says she wants to give the arrangement--a six-month experience where they each have an ongoing, no questions asked free pass in their marriage--a go. Surely nothing will go wrong, right?
This novel is a different, oddly intriguing read, offering an extremely realistic portrayal of marriage and raising children. Warm and fuzzy it is not, yet it's still engaging and features relatable characters. Lucy and Owen's exhaustion is palatable, as is Lucy's frustration and love for Wyatt, who is an intelligent, fun, and extremely challenging special needs kid. (You will grow to love him, even as you completely empathize with why poor Lucy might need a break--one of the definite strengths of the book.) For a good early portion of the novel, I found myself thinking I would be reading a quite grim look at parenthood and marriage. And it is, in many ways. After all, why are Lucy and Owen so willing to embark on the arrangement, you wonder? Are they bored with their life, with each other? Are they simply tired parents? What causes them to choose this? As the arrangement begins, their reactions to its ongoing presence in their lives is surprising, and Dunn does a good job at capturing some nuance in their character that you might not expect. These are real married people, with real issues.
Still, there are definitely some odd bits and pieces stuck into the story. It seems disjointed at times, and some of the characters and their stories seem to pop up at weird times, forcing you to remind yourself how they fit into Lucy and Owen's life and the town of Beekman (for we don't hear just from our main couple, but several others who live in town). The novel meanders at times, and I wouldn't call the ending closure, per se, though it falls in line with the realism of the novel.
Where Dunn shines is her humor, which slips through even some of the darker moments. Moments with Wyatt are perfectly captured. Lucy's friend, Sunny Bang, is one of the best things about this book, and you'll love every second featuring her. There's a scene at the town church with many of the local kids (and their pets) that is solely worth purchasing the entire book. Seriously, Dunn writes with a sharp wit, and it's one of the main reasons my rating upped to 3.5 stars. The book is often smartly funny and feminist, even if it has its depressing, wandering moments. It's a fascinating look at marriage, for sure, and I was certainly intrigued to see how the arrangement would play out. It was also a welcome break from all the thrillers I'd been reading lately, so thanks! If you like sharp and witty characters coupled with a psychological inside look at modern-day marriage, you'll find this one quite compelling. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel is a different, oddly intriguing read, offering an extremely realistic portrayal of marriage and raising children. Warm and fuzzy it is not, yet it's still engaging and features relatable characters. Lucy and Owen's exhaustion is palatable, as is Lucy's frustration and love for Wyatt, who is an intelligent, fun, and extremely challenging special needs kid. (You will grow to love him, even as you completely empathize with why poor Lucy might need a break--one of the definite strengths of the book.) For a good early portion of the novel, I found myself thinking I would be reading a quite grim look at parenthood and marriage. And it is, in many ways. After all, why are Lucy and Owen so willing to embark on the arrangement, you wonder? Are they bored with their life, with each other? Are they simply tired parents? What causes them to choose this? As the arrangement begins, their reactions to its ongoing presence in their lives is surprising, and Dunn does a good job at capturing some nuance in their character that you might not expect. These are real married people, with real issues.
Still, there are definitely some odd bits and pieces stuck into the story. It seems disjointed at times, and some of the characters and their stories seem to pop up at weird times, forcing you to remind yourself how they fit into Lucy and Owen's life and the town of Beekman (for we don't hear just from our main couple, but several others who live in town). The novel meanders at times, and I wouldn't call the ending closure, per se, though it falls in line with the realism of the novel.
Where Dunn shines is her humor, which slips through even some of the darker moments. Moments with Wyatt are perfectly captured. Lucy's friend, Sunny Bang, is one of the best things about this book, and you'll love every second featuring her. There's a scene at the town church with many of the local kids (and their pets) that is solely worth purchasing the entire book. Seriously, Dunn writes with a sharp wit, and it's one of the main reasons my rating upped to 3.5 stars. The book is often smartly funny and feminist, even if it has its depressing, wandering moments. It's a fascinating look at marriage, for sure, and I was certainly intrigued to see how the arrangement would play out. It was also a welcome break from all the thrillers I'd been reading lately, so thanks! If you like sharp and witty characters coupled with a psychological inside look at modern-day marriage, you'll find this one quite compelling. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;