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Origen: A True Story Of Evil
Peter J. Perry and Kathleen Sumpton
8.0
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Have you ever come face to face with the devil? In a tapestry of sports, business, and dating, there...
True Crime
Kristy H (1252 KP) rated The Lost Girls in Books
Feb 13, 2018
In 1935, on the last evening of summer vacation, six-year-old Emily disappears from her family's vacation lake home. Emily's doting mother is devastated, and she and her two daughters (Emily's older sisters) spend the rest of their lives at the lake house, waiting for Emily to return. Six decades later, only Lucy, the middle sister, is still alive. Afraid of dying without telling her story, she writes the tale down in a notebook and leaves it, along with the house, to her sister's granddaughter, Justine. When Justine receives the news that her great-aunt has left her a house in Minnesota, she's shocked. They've only met once, after all, and Justine's flighty mother is still living. But Justine realizes the house represents a way to flee the suffocating life she's living now, and to give her daughters a better life. So they pack up for Minnesota, only to find the house run down, the Minnesota winter cold and isolating, and their only neighbors two elderly men who live in the nearby lodge. Justine's older daughter, Melanie, becomes interested in Emily's disappearance; her mother, Maurie, returns, bringing her usual craziness; and ghosts from Justine's own past threaten their safety. Justine doesn't know what happened at the lake sixty years ago, nor does she know if it's safe for her family now...
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Sophia (Bookwyrming Thoughts) (530 KP) rated Hexed (The Witch Hunter, #1) in Books
Jan 23, 2020
Happy Friday the 13th! By no means was this review deliberately placed on this day because it's witchy (maybe it was deliberate in my subconsciousness. I don't have a say in there).
Hexed follows Indigo Blackwood, aka Indie, who has a perfect life dating the captain of the football team, popular, and has a mom who works at a voodoo shop. At least until the family "bible" goes missing after a random stranger by the name of Bishop pops into her life and tells her she may be in danger if she doesn't get the bible back. Oh, and add that there's a centuries old rivalry.
Hexed was a pretty delightful read, but it didn't exactly click with me as other witchy books do. I do love Indie's personality though (and her name it's cute), but for a good part of the book she seemed to be the type that let others walk all over her. She seems hesitant sometimes, but then decides to do it anyway, because it makes the person happy. It's not until after some [major] things go down and a chunk of the book (no books broken in process) that she finally realizes her childhood friend Bianca isn't exactly a true friend.
Thus the cheering behind the screens didn't exactly begin until a little over half the book, when Indie basically tells Bianca, "Screw you. I'm outta here." *zips off to new friend recently made that's a lot better than former friend* Oh, and she officially stops being a doormat.
There's also Bishop, in which I actually thought he either a) was shaped like the chess piece, b) has a very diagonal life, also like the chess piece I suppose, and "Bishop" was just a nickname for something super complicated, or c) he just has a weird name. A was an exaggeration, B may or may not be true except for the nickname part and C was the right answer.
Bishop to me was a bit annoying. Immature, and the sexual innuendos weren't exactly appreciated even though he's humorous. Maybe not exactly immature, but Bishop is more of the very carefree type. He also seemed to be the stalker type at first, which I personally really hate (no privacy. Come on!), following Indie around and popping up just everywhere. On the bright side, he had a legitimate reason rather than, say, "Hey, I just met you. And this is crazy. But I have a MAJOR crush on you, so let's go on a date?"
But the bread talk. I thought that was Peeta's job?
Recommended For: Paranormal Romance fans
The "Cellar": Sorcerers vs. Witches aka Magic vs. Magic rather than Mortal/Machine vs. Magic or Humans vs. Witches.
----------------
Advanced review copy provided by publisher for review
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-hexed-by-michelle-krys.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Hexed follows Indigo Blackwood, aka Indie, who has a perfect life dating the captain of the football team, popular, and has a mom who works at a voodoo shop. At least until the family "bible" goes missing after a random stranger by the name of Bishop pops into her life and tells her she may be in danger if she doesn't get the bible back. Oh, and add that there's a centuries old rivalry.
Hexed was a pretty delightful read, but it didn't exactly click with me as other witchy books do. I do love Indie's personality though (and her name it's cute), but for a good part of the book she seemed to be the type that let others walk all over her. She seems hesitant sometimes, but then decides to do it anyway, because it makes the person happy. It's not until after some [major] things go down and a chunk of the book (no books broken in process) that she finally realizes her childhood friend Bianca isn't exactly a true friend.
Thus the cheering behind the screens didn't exactly begin until a little over half the book, when Indie basically tells Bianca, "Screw you. I'm outta here." *zips off to new friend recently made that's a lot better than former friend* Oh, and she officially stops being a doormat.
There's also Bishop, in which I actually thought he either a) was shaped like the chess piece, b) has a very diagonal life, also like the chess piece I suppose, and "Bishop" was just a nickname for something super complicated, or c) he just has a weird name. A was an exaggeration, B may or may not be true except for the nickname part and C was the right answer.
Bishop to me was a bit annoying. Immature, and the sexual innuendos weren't exactly appreciated even though he's humorous. Maybe not exactly immature, but Bishop is more of the very carefree type. He also seemed to be the stalker type at first, which I personally really hate (no privacy. Come on!), following Indie around and popping up just everywhere. On the bright side, he had a legitimate reason rather than, say, "Hey, I just met you. And this is crazy. But I have a MAJOR crush on you, so let's go on a date?"
But the bread talk. I thought that was Peeta's job?
Recommended For: Paranormal Romance fans
The "Cellar": Sorcerers vs. Witches aka Magic vs. Magic rather than Mortal/Machine vs. Magic or Humans vs. Witches.
----------------
Advanced review copy provided by publisher for review
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-hexed-by-michelle-krys.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Joe Goodhart (27 KP) rated Justice League International, Vol. 1 in Books
Nov 30, 2020
I am a 50 year old comic reader. In this life, you should pick one hobby, stick with it, and make it your own. It's hard to do that when you have been reading "the funny pages" for pretty much most of your life. However, I am adapting, learning to leave the current Marvel and DC reboots and events be, as I am not the market they are aimed at. Instead, I have been content to re-read the old TPBs digitally, remembering what kept me interested in the comics.
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
Sassy Brit (97 KP) rated Blood Crescent in Books
Jun 5, 2019
In this magical, and quite ambitious, story Stevie McCoy delves into the mystical world of
Blood Crescent where main character realises her missing mother may still be alive and her own life is not what she thought it was. Big time! What they wanted from her mother, they now want from her. But who are ‘they’?
To begin with Blood Crescent has a surreal, hazy, yet mystical feel to it, as the mysterious Crystal slowly comes to grips with what is happening to her forcing her to embark on a fantastical and multi-layered journey of self-discovery and adventure.
As the story unfolded, I was transported into another realm where I met some amazing characters. Angel Aishlin with her witchy ways, and the (adorable) anti-hero Victor are just two characters who leapt right out of the pages and into my heart! Not only that, but I felt that this is ventured into the vampire world with a unique slant. You’ve heard of people being called ’emotional vampires’ right? There the sort of people who drain your energy by just being in the same room as them, because they’re for some reason, negative or miserable. Well this book takes that idea and runs with it. Like energy draining vampires who can suck out any goodness in your aura, just because they can. But of course, in this world it’s not that simple. And for good reason, too!
Overall I have the feeling this is the start of a vast universe, with complex rules and therefore has the capacity to branch off in so many directions, this could the first of a long-running series, and would make great viewing on the box. In fact, I watched these characters play out their roles in my head as if it were already on the TV! There’s an intense, dark atmosphere to this story where the surreal meets a reality not unlike our own… if we are to believe there’s more to life than what we can see. And why shouldn’t there be?
A rich tapestry of characters in a world where there is so much more to be discovered. I’m looking forward to continuing this adventure!
Blood Crescent where main character realises her missing mother may still be alive and her own life is not what she thought it was. Big time! What they wanted from her mother, they now want from her. But who are ‘they’?
To begin with Blood Crescent has a surreal, hazy, yet mystical feel to it, as the mysterious Crystal slowly comes to grips with what is happening to her forcing her to embark on a fantastical and multi-layered journey of self-discovery and adventure.
As the story unfolded, I was transported into another realm where I met some amazing characters. Angel Aishlin with her witchy ways, and the (adorable) anti-hero Victor are just two characters who leapt right out of the pages and into my heart! Not only that, but I felt that this is ventured into the vampire world with a unique slant. You’ve heard of people being called ’emotional vampires’ right? There the sort of people who drain your energy by just being in the same room as them, because they’re for some reason, negative or miserable. Well this book takes that idea and runs with it. Like energy draining vampires who can suck out any goodness in your aura, just because they can. But of course, in this world it’s not that simple. And for good reason, too!
Overall I have the feeling this is the start of a vast universe, with complex rules and therefore has the capacity to branch off in so many directions, this could the first of a long-running series, and would make great viewing on the box. In fact, I watched these characters play out their roles in my head as if it were already on the TV! There’s an intense, dark atmosphere to this story where the surreal meets a reality not unlike our own… if we are to believe there’s more to life than what we can see. And why shouldn’t there be?
A rich tapestry of characters in a world where there is so much more to be discovered. I’m looking forward to continuing this adventure!
Emma @ The Movies (1786 KP) rated Sorry to Bother You (2018) in Movies
Sep 25, 2019
I... well, that took a turn.
Where to start? This felt like I was watching an episode of Dimension 404/Electric Dreams/Black Mirror... take your pick, and that's kind of my first problem with it. There are a lot of things that don't need to be there for it to work. It could easily have been an episode of something and had more of an impact (for a good reason).
Credit where credit is due though, I have never seen anything quite like this before. I'd like to say I hope I never do again but with my cinema policy of seeing nearly everything that comes out it's bound to happen. I just can't really work out how to sum it up. It starts with a little humour and an intriguing idea and then it takes such a bizarre turn that I lost any enjoyment I'd had for the rest of the film.
Cassius making calls and then being physically put into the life of that person was a triumph for the film. It was funny and worked with the off the wall nature of the entire production. Watching his rise at the company is actually an uplifting sequence of events. From his very first interview through to power caller there's a certain amount of joy watching him succeed. How I wish that feeling hadn't ended.
When we go to the party with Cassius and Mr ___ my enjoyment started to slide. It was an awkward kind of humour that I really don't like. Most of the elements seemed to be unnecessary and by the end we'd just reached gratuitous. Then of course we get the biggest twist of the film. That's when I really lost it.
I just can't think of anything else I want to say about this film.
What you should do
Lots of people seem to like it... but I'm not one of them. Just watch some of the TV shows listed above instead.
Movie thing you wish you could take home
I don't want anything from this film apart from the two hours of my life it took.
Where to start? This felt like I was watching an episode of Dimension 404/Electric Dreams/Black Mirror... take your pick, and that's kind of my first problem with it. There are a lot of things that don't need to be there for it to work. It could easily have been an episode of something and had more of an impact (for a good reason).
Credit where credit is due though, I have never seen anything quite like this before. I'd like to say I hope I never do again but with my cinema policy of seeing nearly everything that comes out it's bound to happen. I just can't really work out how to sum it up. It starts with a little humour and an intriguing idea and then it takes such a bizarre turn that I lost any enjoyment I'd had for the rest of the film.
Cassius making calls and then being physically put into the life of that person was a triumph for the film. It was funny and worked with the off the wall nature of the entire production. Watching his rise at the company is actually an uplifting sequence of events. From his very first interview through to power caller there's a certain amount of joy watching him succeed. How I wish that feeling hadn't ended.
When we go to the party with Cassius and Mr ___ my enjoyment started to slide. It was an awkward kind of humour that I really don't like. Most of the elements seemed to be unnecessary and by the end we'd just reached gratuitous. Then of course we get the biggest twist of the film. That's when I really lost it.
I just can't think of anything else I want to say about this film.
What you should do
Lots of people seem to like it... but I'm not one of them. Just watch some of the TV shows listed above instead.
Movie thing you wish you could take home
I don't want anything from this film apart from the two hours of my life it took.
Merissa (11950 KP) rated Like a Lily Among the Thorns in Books
Jun 20, 2022
LIKE A LILY AMONG THE THORNS is a standalone book (at the moment) with an open ending that mixes fantasy with fact, giving information about climate change with 'normal' events.
This story is told mainly from two perspectives - Gabrielle and a narrator. You also get odd chapters either told from other perspectives, or by the narrator giving you further information on one of the other characters.
In a Cinderella-esque way, Gabrielle's life turns around, due to her faith in the cosmos. She practices mindfulness and is determined not to let life get her down. This is partly due to her childhood. Unfortunately, at times, this made her seem un-grounded and living in a fantasy land, refusing to face reality. After some adventures, she ends up at her B&B in Vermont, with a host of characters to support her. In fact, apart from being the owner, I'm not entirely sure what her role was.
This is a wordy book, with some unfortunate info-dumps throughout. There are also hints and questions asked of the reader that goes nowhere. The pacing is okay but it could definitely be tightened up in places. And there is no need to head-hop into the mind of a minor character who is only there for a page or two. Although the blurb states they are a 'group of saviors', just how they are supposed to do this apart from changing the B&B is unclear, especially given that they are all ignoring the problem towards the end.
On the whole, this was an enjoyable book about a crisis I firmly believe in. I guess my hopes were higher than were realistic. This is my first read by this author. If you have read her work before and liked it, I think you will like this story. As for me, I found it tricky to get along with.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story is told mainly from two perspectives - Gabrielle and a narrator. You also get odd chapters either told from other perspectives, or by the narrator giving you further information on one of the other characters.
In a Cinderella-esque way, Gabrielle's life turns around, due to her faith in the cosmos. She practices mindfulness and is determined not to let life get her down. This is partly due to her childhood. Unfortunately, at times, this made her seem un-grounded and living in a fantasy land, refusing to face reality. After some adventures, she ends up at her B&B in Vermont, with a host of characters to support her. In fact, apart from being the owner, I'm not entirely sure what her role was.
This is a wordy book, with some unfortunate info-dumps throughout. There are also hints and questions asked of the reader that goes nowhere. The pacing is okay but it could definitely be tightened up in places. And there is no need to head-hop into the mind of a minor character who is only there for a page or two. Although the blurb states they are a 'group of saviors', just how they are supposed to do this apart from changing the B&B is unclear, especially given that they are all ignoring the problem towards the end.
On the whole, this was an enjoyable book about a crisis I firmly believe in. I guess my hopes were higher than were realistic. This is my first read by this author. If you have read her work before and liked it, I think you will like this story. As for me, I found it tricky to get along with.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
BankofMarquis (1832 KP) rated Hellboy (2019) in Movies
Apr 14, 2019
Oh...hell, no!
HELLBOY?!? HELL NO!
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Uncle Buck (1989) in Movies
Mar 18, 2018
Hilarious
My Movies 365 journey has taken me deep into 80's territory, with Uncle Buck being my next up to review. Released in 1989, it just squeezes into the decade but is perfect for it. The 80's trend is becoming clearer with every film I watch: It was all about having fun. No strong depth. No taking itself too seriously. If you were going to see a film in the 80's, you were there for the sole purpose of having a good time. Did I have a good time watching Uncle Buck? Absolutely!
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.