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Heather Cranmer (2721 KP) rated The Gingerbread House in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I didn't know what to expect with The Gingerbread House by Nell Carson. I'm not really a big romance reader because I'm not really one for all that mushy stuff. In fact, I try to stay away from strictly romance books (unless they are YA). However, after reading this book, I've been swayed. I loved this book, and I think it may be my favorite adult romance that I've read. Okay, I haven't read many, but this one is definitely one of the best I've read.
Greta runs a bridal shop out of her historic home. It's just not the history that Greta loves about it, but it's also her mother's home since her childhood and the source of many great memories. So when Stephanie Harwood of Harwood Development wants to tear it down to make way for a mall, Greta is devastated. Enter Gray Daniels. Greta finds him extremely attractive. Too bad he's engaged to Stephanie. Will Greta be able to save her workplace and her mother's home? What will happen with Gray?
I think the title of this book is incredibly cute (just like the story)! I love the uniqueness of the title, yet it describes a major plot point in the story. I'm super thrilled the author decided to call her book The Gingerbread House. I must admit that the title is what definitely caught my attention.
I'm not really a fan of the cover. For me, it's just too plain. I felt like the cover is very underwhelming which is a shame because the story is so good. When I first saw the cover, I was a little put off thinking it'd be a really boring story. How wrong was I!?! I felt that maybe an actual photo/picture of the house itself on the cover would've caught my eye. All I can say is please don't judge this book by its cover. Otherwise, you'll be missing out on a little gem of a book.
The world building was fantastic as was the setting. This story is set in a small town just outside of Aspen, Colorado. Being from a small town, I tend to be critical when authors use small towns as their setting. However, Carson definitely hit the nail on the head with her descriptions of life in a small town. I liked how there was no insta-love. The characters took their time falling in love with each other. In other words, the relationship between the main character and her love interest just felt natural instead of forced.
The pacing was brilliant in this book! In fact, I breezed through this in less than 3 hours. (It would've been less than that, but I had a few things to do in the mean time). Yes, it is a short read, but it's definitely a book that holds your attention right up until the very end. Not once did I become bored while reading The Gingerbread House.
I felt that the characters were very well written to the point that they could actually be someone you know. I was feeling what Greta was feeling all throughout the book. I loved how determined she was when it came to saving her home. I loved how she seemed very real and how her emotions related well to what was going on. Gray was definitely an interesting character. I loved the moral battle he was fighting. I could actually feel how torn up inside he was about what was going on. I thought the author did an excellent job portraying Stephanie. We want to hate Stephanie, and there were times I did, but the author reminds us that Stephanie is fighting her own battle as well and has her reasons for being the way she is. I just wish we would've heard a bit more about Stephanie. I'd go into more detail, but I don't want to spoil anything. I absolutely adored Adele. I loved this sweet woman and just wanted to hug her every time she was mentioned in the book.
The dialogue was perfect and fit each scene perfect. The dialogue between the characters was interesting to read and never felt forced or dull. Even though this is an adult book, there are no swear words and no sexual situations which I was extremely happy about, so if you're after a clean romance adult book, this is perfect.
Overall, I definitely enjoyed reading The Gingerbread House by Nell Carson. I would've liked to hear more about Stephanie and the mall (again, not going into detail as not to ruin anything), but those are just little minor annoyances. I enjoyed what a sweet, fun and cute read this was. Almost everything about this book was written perfectly. One thing I also loved a lot was how tastefully this book was written.
I'd recommend this book to everyone aged 18+ (or any age really as it's a really clean read) who is after a light and sweet romantic read.
The Gingerbread House by Nell Carson gets a 4.75 out of 5 from me.
~~~
I'd like to thank the author for providing me with a copy of this book in exchange for a fair and honest review.
I didn't know what to expect with The Gingerbread House by Nell Carson. I'm not really a big romance reader because I'm not really one for all that mushy stuff. In fact, I try to stay away from strictly romance books (unless they are YA). However, after reading this book, I've been swayed. I loved this book, and I think it may be my favorite adult romance that I've read. Okay, I haven't read many, but this one is definitely one of the best I've read.
Greta runs a bridal shop out of her historic home. It's just not the history that Greta loves about it, but it's also her mother's home since her childhood and the source of many great memories. So when Stephanie Harwood of Harwood Development wants to tear it down to make way for a mall, Greta is devastated. Enter Gray Daniels. Greta finds him extremely attractive. Too bad he's engaged to Stephanie. Will Greta be able to save her workplace and her mother's home? What will happen with Gray?
I think the title of this book is incredibly cute (just like the story)! I love the uniqueness of the title, yet it describes a major plot point in the story. I'm super thrilled the author decided to call her book The Gingerbread House. I must admit that the title is what definitely caught my attention.
I'm not really a fan of the cover. For me, it's just too plain. I felt like the cover is very underwhelming which is a shame because the story is so good. When I first saw the cover, I was a little put off thinking it'd be a really boring story. How wrong was I!?! I felt that maybe an actual photo/picture of the house itself on the cover would've caught my eye. All I can say is please don't judge this book by its cover. Otherwise, you'll be missing out on a little gem of a book.
The world building was fantastic as was the setting. This story is set in a small town just outside of Aspen, Colorado. Being from a small town, I tend to be critical when authors use small towns as their setting. However, Carson definitely hit the nail on the head with her descriptions of life in a small town. I liked how there was no insta-love. The characters took their time falling in love with each other. In other words, the relationship between the main character and her love interest just felt natural instead of forced.
The pacing was brilliant in this book! In fact, I breezed through this in less than 3 hours. (It would've been less than that, but I had a few things to do in the mean time). Yes, it is a short read, but it's definitely a book that holds your attention right up until the very end. Not once did I become bored while reading The Gingerbread House.
I felt that the characters were very well written to the point that they could actually be someone you know. I was feeling what Greta was feeling all throughout the book. I loved how determined she was when it came to saving her home. I loved how she seemed very real and how her emotions related well to what was going on. Gray was definitely an interesting character. I loved the moral battle he was fighting. I could actually feel how torn up inside he was about what was going on. I thought the author did an excellent job portraying Stephanie. We want to hate Stephanie, and there were times I did, but the author reminds us that Stephanie is fighting her own battle as well and has her reasons for being the way she is. I just wish we would've heard a bit more about Stephanie. I'd go into more detail, but I don't want to spoil anything. I absolutely adored Adele. I loved this sweet woman and just wanted to hug her every time she was mentioned in the book.
The dialogue was perfect and fit each scene perfect. The dialogue between the characters was interesting to read and never felt forced or dull. Even though this is an adult book, there are no swear words and no sexual situations which I was extremely happy about, so if you're after a clean romance adult book, this is perfect.
Overall, I definitely enjoyed reading The Gingerbread House by Nell Carson. I would've liked to hear more about Stephanie and the mall (again, not going into detail as not to ruin anything), but those are just little minor annoyances. I enjoyed what a sweet, fun and cute read this was. Almost everything about this book was written perfectly. One thing I also loved a lot was how tastefully this book was written.
I'd recommend this book to everyone aged 18+ (or any age really as it's a really clean read) who is after a light and sweet romantic read.
The Gingerbread House by Nell Carson gets a 4.75 out of 5 from me.
~~~
I'd like to thank the author for providing me with a copy of this book in exchange for a fair and honest review.
Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Charlie Cobra Reviews (1840 KP) rated Alone (2020) in Movies
Nov 7, 2020
Fails To Live Up To It's Clone #Alive, Even Though It Was Made First (5/10)
Contains spoilers, click to show
Alone is a 2020 Survival/Horror movie directed by Johnny Martin and written by Matt Naylor. It was produced by Grindstone Entertainment Group and HIG Productions and distributed by Lionsgate. Producers who worked on the film include Rabih Aridi, Anne Jordan, and Johnny Martin. The movie stars Tyler Posey, Summer Spiro and Donald Sutherland.
Aiden (Tyler Posey) who lives alone in an apartment complex, learns of a mysterious rapidly-spreading disease that's causing its victims to attack and eat uninfected people. From his balcony, he can see his neighbors fleeing and others attacking one another. The news reports for people to hide and stay inside so he barricades himself inside his apartment and starts rationing food. His complex is overrun by those that are infected, and with the world falling apart into chaos, he is left completely alone fighting for his life and dealing with complete isolation.
This movie got me so confused in the beginning and not because it was confusing but because it was so similar to #Alive. I mean everything was happening the same in the movie, so much so that I was starting to believe they were made by the same company or something. I looked it up and what I found was that Alone was actually made before it's Korean counterpart #Alive and that #Alive was based off of the same script for Alone. That being said, I would have to say that #Alive is the better film. Alone is not a bad zombie film but having seen #Alive first, Alone fails to live up to it's Korean rival. There were some pretty cool scenes and the movie didn't lack action although it is a little slow paced here and there but just seemed lacking on a couple of fronts. I want to say more but I'm going to save it for the spoiler section. As is I give this movie a 5/10. It's a decent movie and good zombie movie but didn't do anything to go above and beyond. Felt like your average zombie film.
Spoiler Section Review:
So this movie really freaked me out because of how everything plot wise was happening exactly like the movie #Alive. Like how first thing in the movie he starts seeing neighbors going berserk and attacking people, then how he hears the report on the news and how a neighbor barges into his apartment to escape the infected on his floor. It even unfolds the same way from there that the guy is bitten and infected already and how Aiden (Tyler Posey) goes to the kitchen for a knife and kicks the guy out of his apartment as he is transforming into a zombie. So many things happen the exact same from the movie #Alive like how he runs out of food and water, how he tries to kill himself and how he finds out that there is another survivor in the complex which is a girl (Summer Spiro) who he starts communicating with and helps him mentally from going stir crazy. The similarities made this movie way more predictable then normal but I was still going along for the ride because it was interesting enough for a first time watch but I don't feel there is really anything to watch this movie a second time for. Aiden's personality and character were pretty dull and didn't make you empathize with him much. Summer Spiro as Eva was more charming but also didn't have alot to get you invested in her character. The zombies or infected were pretty horrible too with most looking like they were just people who twitched and ran around and less like actual zombies. Also I have a hang up on zombies that don't eat people but look like they just want to spread a disease/virus and I felt like for some of them in this movie it looked liked they weren't really eating their victims. This movie wasn't as scary or cool as #Alive but like I said it's not terrible but suffers from a lot of things that could have been done different. I gave this movie a 5/10.
Aiden (Tyler Posey) who lives alone in an apartment complex, learns of a mysterious rapidly-spreading disease that's causing its victims to attack and eat uninfected people. From his balcony, he can see his neighbors fleeing and others attacking one another. The news reports for people to hide and stay inside so he barricades himself inside his apartment and starts rationing food. His complex is overrun by those that are infected, and with the world falling apart into chaos, he is left completely alone fighting for his life and dealing with complete isolation.
This movie got me so confused in the beginning and not because it was confusing but because it was so similar to #Alive. I mean everything was happening the same in the movie, so much so that I was starting to believe they were made by the same company or something. I looked it up and what I found was that Alone was actually made before it's Korean counterpart #Alive and that #Alive was based off of the same script for Alone. That being said, I would have to say that #Alive is the better film. Alone is not a bad zombie film but having seen #Alive first, Alone fails to live up to it's Korean rival. There were some pretty cool scenes and the movie didn't lack action although it is a little slow paced here and there but just seemed lacking on a couple of fronts. I want to say more but I'm going to save it for the spoiler section. As is I give this movie a 5/10. It's a decent movie and good zombie movie but didn't do anything to go above and beyond. Felt like your average zombie film.
Spoiler Section Review:
So this movie really freaked me out because of how everything plot wise was happening exactly like the movie #Alive. Like how first thing in the movie he starts seeing neighbors going berserk and attacking people, then how he hears the report on the news and how a neighbor barges into his apartment to escape the infected on his floor. It even unfolds the same way from there that the guy is bitten and infected already and how Aiden (Tyler Posey) goes to the kitchen for a knife and kicks the guy out of his apartment as he is transforming into a zombie. So many things happen the exact same from the movie #Alive like how he runs out of food and water, how he tries to kill himself and how he finds out that there is another survivor in the complex which is a girl (Summer Spiro) who he starts communicating with and helps him mentally from going stir crazy. The similarities made this movie way more predictable then normal but I was still going along for the ride because it was interesting enough for a first time watch but I don't feel there is really anything to watch this movie a second time for. Aiden's personality and character were pretty dull and didn't make you empathize with him much. Summer Spiro as Eva was more charming but also didn't have alot to get you invested in her character. The zombies or infected were pretty horrible too with most looking like they were just people who twitched and ran around and less like actual zombies. Also I have a hang up on zombies that don't eat people but look like they just want to spread a disease/virus and I felt like for some of them in this movie it looked liked they weren't really eating their victims. This movie wasn't as scary or cool as #Alive but like I said it's not terrible but suffers from a lot of things that could have been done different. I gave this movie a 5/10.
Tamsin Clark (15 KP) rated Facebook in Apps
Jan 20, 2018
Ability to keep in touch (2 more)
Pages for groups and local business
Ability to add photos and movies
Messenger and Facebook separate apps (6 more)
Facebook pushes their agenda
Adverts and content montoring
Report system only acknowledges what it wants
Enables cyber bullying
Site changes harmed small business
'Fake news' is a thing.
How much fear would you like today?
I used to really enjoy using Facebook, but over the years I've watched the site and the app(s) sink further and further into the doldrums of commercialism and sly financial gain. It's now easier to be reported and banned for making a nonsensical sentence than it is for threatening to kill someone. Pictures of female nipples are immediately banned but pictures of people torturing animals aren't.
Business pages have to pay to be seen and if they make posts and don't pay for them, they find their reach grossly reduced. Certain news outlets are encouraged and bolstered while others are all but hidden, and the 'trending' news always shows the very worst of the worst stories. There is also a lot of this 'fake news' around, where articles will show up with stories that are entirely untrue but made to look real, which takes even more time to research than it does to read in the first place. I'd say another 50% of posts are clickbait too. Feeds have been altered over and over again to the point that they're now almost impossible to customise to see what YOU want to see and not what Facebook wants you to see. And all the while, each click you make, each comment you write is read by the site and used to customise adverts and content to you, whether you like it or not. Even in messenger.
When it comes to content, Facebook does provide a good amount. On a personal level, if you restricted your feed to ONLY people you know in person and they didn't join any groups or flood your feed with game updates, then it would be a fine site to use for actual social interaction. It's possible to upload multiple images and videos, use links to display pages, media or otherwise that are of interest. You can set up alerts too but beware of being inundated by a million alerts every moment. There is a messaging service too; if you use a browser then it's all on the same site but if you use the apps, you have to have a separate app for Facebook and messenger and they don't work together, even though the Facebook app has a messenger icon as part of its design. It takes up a LOT of room on a phone, especially if you don't have much to start with. Also, if you block someone on messenger (even for a laugh) it automatically unfriends you on Facebook, yet supposedly the two are not connected so go figure.
I recently stopped using the site. I have a profile still as I have a lot of images and life events that I want to keep but I now barely browse once a week. Every thread descended into an argument, too many people use it as a troll hub to release the tensions of their unhappy lives on others while avoiding all responsibility for it. It ended up a bad way to waste time and made my anxiety issues a lot worse too.
Business pages have to pay to be seen and if they make posts and don't pay for them, they find their reach grossly reduced. Certain news outlets are encouraged and bolstered while others are all but hidden, and the 'trending' news always shows the very worst of the worst stories. There is also a lot of this 'fake news' around, where articles will show up with stories that are entirely untrue but made to look real, which takes even more time to research than it does to read in the first place. I'd say another 50% of posts are clickbait too. Feeds have been altered over and over again to the point that they're now almost impossible to customise to see what YOU want to see and not what Facebook wants you to see. And all the while, each click you make, each comment you write is read by the site and used to customise adverts and content to you, whether you like it or not. Even in messenger.
When it comes to content, Facebook does provide a good amount. On a personal level, if you restricted your feed to ONLY people you know in person and they didn't join any groups or flood your feed with game updates, then it would be a fine site to use for actual social interaction. It's possible to upload multiple images and videos, use links to display pages, media or otherwise that are of interest. You can set up alerts too but beware of being inundated by a million alerts every moment. There is a messaging service too; if you use a browser then it's all on the same site but if you use the apps, you have to have a separate app for Facebook and messenger and they don't work together, even though the Facebook app has a messenger icon as part of its design. It takes up a LOT of room on a phone, especially if you don't have much to start with. Also, if you block someone on messenger (even for a laugh) it automatically unfriends you on Facebook, yet supposedly the two are not connected so go figure.
I recently stopped using the site. I have a profile still as I have a lot of images and life events that I want to keep but I now barely browse once a week. Every thread descended into an argument, too many people use it as a troll hub to release the tensions of their unhappy lives on others while avoiding all responsibility for it. It ended up a bad way to waste time and made my anxiety issues a lot worse too.
Kara Skinner (332 KP) rated Beauty and The Beast in Books
Sep 10, 2019
Princess Callindra of Tempath is in for some trouble when she runs aways from her mother’s castle and gets kidnapped by a vampire demon who will sell her into slavery. Her only hope out of there is with the help of a mysterious and hairy demon named Brigg, who is not in the least happy to be helping a human. He has hated humans ever since his father was cursed by a human woman, who turned all of them into hairy beasts for life. But he was drawn to this woman, as vexing as she could be. Every part of him was drawn to her and yearned to protect her and make her his. His inner demon was sure that she was his mate. But that was impossible, wasn’t it? How could he have a human for a mate?
I’m a huge sucker for Beauty and Beast stories, as you probably know if you’ve read some of my other reviews. Seriously. You can win some girls over with chocolate and others over with hugs and kisses, but nothing does it for me like an insecure love interest and a woman who’s his salvation because of her unconditional love. (Okay, maybe I’m a little high maintenance). So of course I loved this story! Brigg was wonderfully sweet and conflicted, even though he needs to stop listening to his idiot brother. Cally is a fantastic damsel in distress even though sometimes she just needs to think of the obvious and frickin’ tell someone she doesn’t want to go back home because her mother’s a bitch and she’s part demon. But you know, aside from that, the characters are great.
It’s totally understandable why Brigg dislikes humans. I mean, the only real exposure he had of them was from Cally’s mom, who cursed him and his brother to be hairy beasts instead of the handsome, practically human-looking demons they really were. Frankly, I’d be pissed too. I also understand his confusion when he falls himself falling for Cally when he thinks she’s completely human, and the daughter of a crazy witch/queen to boot. Nevertheless, he still protects her. He saves her from slavery, risking the wrath of her kidnapper to do it, and he keeps her safe. He does this even though he doesn’t think she could ever love him in return.
She was a vision, an image plucked right from his dreams. Maybe a time– before the curse– he had imagined such a beauty being his…. But he was no longer that young Rain demon, that young demon with smooth skin and a face as human as hers. He was a beast, an ugly monster who didn’t deserve the look of interest Cally was flashing right now.
What can I say? I love the insecurities. They are as sexy as hell when done right.
But even though his intentions are good, Brigg is not the smartest demon in the hellhole. As soon as his brother Torc enters the scene, it takes Brigg all of two minutes to decide that Cally has placed a spell on him to use him to get home. This would make sense, except by this point both Brigg and Cally were safe. In a palace. As the guests of a prince. Who was giving her a lift home. She would need to continue on with the spell and the act because…. ?
Like I said, not that fast of a thinker. But Cally isn’t much better. More than anything she wants to avoid her old home, with her abusive mother who was going to put her into an arranged marriage which would only end badly for Cally. Now she’s in an impenetrable palace that’s owned by Sam, who has been nothing but kind to her. He thinks he’s still being kind when he arranges for her ride home. And Cally doesn’t bother to tell him she doesn’t want to go home! Clearly, she’s just being melodramatic. She’s not that desperate.
She had thought about telling Sam, considered asking for his help, but she had been such a burden since Brigg rescued her, Call was frightened of rejection.
You think Sam’s rejection is going to be worse than having your horns filed off again before getting married to a prince that will likely torture you for the rest of your life when he finds out you’re a demon. Clearly, you don’t have your priorities straight.
But seriously, I loved the characters! I’m telling you, it’s Beauty and the Beast! My standards might be a tad low with this story arc.
There was a lot of confusing things in the plot as well. Like what era does this take place in? Cally rides home in a carriage and Brigg and Torc use swords. But Cally also wears t-shirts and jeans and she uses an electric torch, aka flashlight. It’s difficult enough to learn all of the nooks and crannies of the world the author built. There shouldn’t be confusion like flashlights with swords as well. Also, I felt like there was a lot of potential for a longer, more developed story. The whole thing felt very short to me. We never find out why Brigg’s father got cursed to begin with, and I’d love to know more about Brigg’s past, like how did he go crazy and get everyone to be afraid of him? That was never explained. Also, I know it’s unlikely, but I really wished there was some confirmation that Brigg and Cally are not brother and sister. After all, we know Cally’s mom has a past with Brigg’s father, Cally’s own father is MIA, and her horns are the same color as Brigg’s. Probably not anything, but just enough to make me wonder.
I don’t know. I liked this story enough to read it twice– that’s a huge compliment from me– but after reading it a second time and writing this review I’m wondering how good it really was. Maybe I just read it at the right time but didn’t like it as much. I don’t know. So three out of five stars on this one?
I’m a huge sucker for Beauty and Beast stories, as you probably know if you’ve read some of my other reviews. Seriously. You can win some girls over with chocolate and others over with hugs and kisses, but nothing does it for me like an insecure love interest and a woman who’s his salvation because of her unconditional love. (Okay, maybe I’m a little high maintenance). So of course I loved this story! Brigg was wonderfully sweet and conflicted, even though he needs to stop listening to his idiot brother. Cally is a fantastic damsel in distress even though sometimes she just needs to think of the obvious and frickin’ tell someone she doesn’t want to go back home because her mother’s a bitch and she’s part demon. But you know, aside from that, the characters are great.
It’s totally understandable why Brigg dislikes humans. I mean, the only real exposure he had of them was from Cally’s mom, who cursed him and his brother to be hairy beasts instead of the handsome, practically human-looking demons they really were. Frankly, I’d be pissed too. I also understand his confusion when he falls himself falling for Cally when he thinks she’s completely human, and the daughter of a crazy witch/queen to boot. Nevertheless, he still protects her. He saves her from slavery, risking the wrath of her kidnapper to do it, and he keeps her safe. He does this even though he doesn’t think she could ever love him in return.
She was a vision, an image plucked right from his dreams. Maybe a time– before the curse– he had imagined such a beauty being his…. But he was no longer that young Rain demon, that young demon with smooth skin and a face as human as hers. He was a beast, an ugly monster who didn’t deserve the look of interest Cally was flashing right now.
What can I say? I love the insecurities. They are as sexy as hell when done right.
But even though his intentions are good, Brigg is not the smartest demon in the hellhole. As soon as his brother Torc enters the scene, it takes Brigg all of two minutes to decide that Cally has placed a spell on him to use him to get home. This would make sense, except by this point both Brigg and Cally were safe. In a palace. As the guests of a prince. Who was giving her a lift home. She would need to continue on with the spell and the act because…. ?
Like I said, not that fast of a thinker. But Cally isn’t much better. More than anything she wants to avoid her old home, with her abusive mother who was going to put her into an arranged marriage which would only end badly for Cally. Now she’s in an impenetrable palace that’s owned by Sam, who has been nothing but kind to her. He thinks he’s still being kind when he arranges for her ride home. And Cally doesn’t bother to tell him she doesn’t want to go home! Clearly, she’s just being melodramatic. She’s not that desperate.
She had thought about telling Sam, considered asking for his help, but she had been such a burden since Brigg rescued her, Call was frightened of rejection.
You think Sam’s rejection is going to be worse than having your horns filed off again before getting married to a prince that will likely torture you for the rest of your life when he finds out you’re a demon. Clearly, you don’t have your priorities straight.
But seriously, I loved the characters! I’m telling you, it’s Beauty and the Beast! My standards might be a tad low with this story arc.
There was a lot of confusing things in the plot as well. Like what era does this take place in? Cally rides home in a carriage and Brigg and Torc use swords. But Cally also wears t-shirts and jeans and she uses an electric torch, aka flashlight. It’s difficult enough to learn all of the nooks and crannies of the world the author built. There shouldn’t be confusion like flashlights with swords as well. Also, I felt like there was a lot of potential for a longer, more developed story. The whole thing felt very short to me. We never find out why Brigg’s father got cursed to begin with, and I’d love to know more about Brigg’s past, like how did he go crazy and get everyone to be afraid of him? That was never explained. Also, I know it’s unlikely, but I really wished there was some confirmation that Brigg and Cally are not brother and sister. After all, we know Cally’s mom has a past with Brigg’s father, Cally’s own father is MIA, and her horns are the same color as Brigg’s. Probably not anything, but just enough to make me wonder.
I don’t know. I liked this story enough to read it twice– that’s a huge compliment from me– but after reading it a second time and writing this review I’m wondering how good it really was. Maybe I just read it at the right time but didn’t like it as much. I don’t know. So three out of five stars on this one?
The first half of The Serpent and the Moon mainly deals with Francois I's reign as king and has little to do with the love triangle. Frankly, the whole book itself hasn't much to do with the love triangle or "one of the great love stories of all time," but more to do with the political intrigue of Henri I and his father's reigns. Oh, and lest I forget, Henri, Diane, and both of their symbols, monograms, etc. I honestly don't know what the whole fascination of that was all about, but it showed up everywhere.
On page 187 the princess tells us that it is a man's way of thinking that Diane wouldn't have become Henri's mistress if he hadn't become dauphin. I disagree, it is a realist's view, and frankly, I think it's fully possible that was how it started. Yes, maybe she was flattered by his attention too, but to consider having him as a lover in light of how much she was in his life growing up, it's a bit creepy. Oedipus comes to mind. I believe he was infatuated with her from a young age and it most likely progressed into love, for both of them. I envision her grabbing the chance at being the mistress of a king and being older, she knew how to mould and persuade him. Whether or not it was a true love story, I really don't know; I'm not sure anyone does and I don't care all that much.
As many other reviewers have stated, there is an obvious bias. The readers are warned in the introduction, but even if you know that, there's still the possibility that the work as a whole might be neutral. Unfortunately, that's not the case. Maybe if it had only been a slight bias, I wouldn't have cared so much, but when an author heaps praise on one person and how they accomplish everything, and then turn around and bash someone else for the exact same thing. Well, that's just hypocrisy.
From the book, the author would have you believe that Diane de Poitiers got to where she was merely by being a good, honest, gracious, and pious woman and Catherine de' Medici did it by being a cold, heartless, evil, spiteful person. I'm sorry but you cannot have climbed to the heights Diane did, especially in those times, without being conniving in one way or the other. I'm sure she did the same things Catherine did, so quit holding Diane up on a pedestal; she's really not a goddess, just a woman. Diane is a white light, Catherine is black as death and there isn't any grey between them for most of the book. By the end of the book I really took the "history" lightly, mainly that of these two women, more than anything else; it was just an unfair assessment. And with the author's snarky and catty remarks directed towards Catherine, saying she has a "fat little heart," well, that was just uncalled for. Then at the end, her words were so disgusting about Catherine's behavior towards Diane, saying how petty she was and she did things purely due to "feminine spite". Catherine could have done much worse to her but she didn't! Of course, Ms. Perfect D. was always so respectful and exemplary of Catherine. Give me a break. Maybe some of the things said in the book were true about both women, but then again, maybe not. Most is lost to history.
If Princess Michael of Kent's plan was for me to sympathize and idolize Diane de Poitiers, as she does, it backfired. Now I don't ever care to ever hear about her again, and I love history of all kinds. On the other hand, I have already ordered two books about Catherine de' Medici from the library. Most likely the opposite of what she wanted. I honestly don't blame Catherine if she was bitter, who wouldn't be in that situation? Even if it was a different time, circumstance, and an arranged marriage? I refuse to believe Diane was this perfect being, a goddess, virtuous as can be, a victim - nobody is all these things and I don't know why the author cannot see any imperfections and insists on romanticizing her.
Even though I hated how biased this book was, I still appreciate the amount of research this must have taken, it was fairly well-written in form, and there was loads of information. I'd only recommend this to Catherine haters, loathers, or serious dislikers. With the princess's flair for the dramatic and speculation on feelings and actions, she might want to focus on writing works of fiction instead. I have no desire to read anything by this author again.
On page 187 the princess tells us that it is a man's way of thinking that Diane wouldn't have become Henri's mistress if he hadn't become dauphin. I disagree, it is a realist's view, and frankly, I think it's fully possible that was how it started. Yes, maybe she was flattered by his attention too, but to consider having him as a lover in light of how much she was in his life growing up, it's a bit creepy. Oedipus comes to mind. I believe he was infatuated with her from a young age and it most likely progressed into love, for both of them. I envision her grabbing the chance at being the mistress of a king and being older, she knew how to mould and persuade him. Whether or not it was a true love story, I really don't know; I'm not sure anyone does and I don't care all that much.
As many other reviewers have stated, there is an obvious bias. The readers are warned in the introduction, but even if you know that, there's still the possibility that the work as a whole might be neutral. Unfortunately, that's not the case. Maybe if it had only been a slight bias, I wouldn't have cared so much, but when an author heaps praise on one person and how they accomplish everything, and then turn around and bash someone else for the exact same thing. Well, that's just hypocrisy.
From the book, the author would have you believe that Diane de Poitiers got to where she was merely by being a good, honest, gracious, and pious woman and Catherine de' Medici did it by being a cold, heartless, evil, spiteful person. I'm sorry but you cannot have climbed to the heights Diane did, especially in those times, without being conniving in one way or the other. I'm sure she did the same things Catherine did, so quit holding Diane up on a pedestal; she's really not a goddess, just a woman. Diane is a white light, Catherine is black as death and there isn't any grey between them for most of the book. By the end of the book I really took the "history" lightly, mainly that of these two women, more than anything else; it was just an unfair assessment. And with the author's snarky and catty remarks directed towards Catherine, saying she has a "fat little heart," well, that was just uncalled for. Then at the end, her words were so disgusting about Catherine's behavior towards Diane, saying how petty she was and she did things purely due to "feminine spite". Catherine could have done much worse to her but she didn't! Of course, Ms. Perfect D. was always so respectful and exemplary of Catherine. Give me a break. Maybe some of the things said in the book were true about both women, but then again, maybe not. Most is lost to history.
If Princess Michael of Kent's plan was for me to sympathize and idolize Diane de Poitiers, as she does, it backfired. Now I don't ever care to ever hear about her again, and I love history of all kinds. On the other hand, I have already ordered two books about Catherine de' Medici from the library. Most likely the opposite of what she wanted. I honestly don't blame Catherine if she was bitter, who wouldn't be in that situation? Even if it was a different time, circumstance, and an arranged marriage? I refuse to believe Diane was this perfect being, a goddess, virtuous as can be, a victim - nobody is all these things and I don't know why the author cannot see any imperfections and insists on romanticizing her.
Even though I hated how biased this book was, I still appreciate the amount of research this must have taken, it was fairly well-written in form, and there was loads of information. I'd only recommend this to Catherine haters, loathers, or serious dislikers. With the princess's flair for the dramatic and speculation on feelings and actions, she might want to focus on writing works of fiction instead. I have no desire to read anything by this author again.
Heather Cranmer (2721 KP) rated The Inheritance Games in Books
May 21, 2021
I love love love these type of mystery books where riddles are involved. When I heard about The Inheritance Games by Jennifer Lynn Barnes, I was instantly intrigued. I was not disappointed. In fact, The Inheritance Games reminded me a lot of The Westing Game by Ellen Raskin although it wasn't a clone of it, thankfully.
I felt like the plot was solid. Although it is highly improbable that a teenager would be heir to a will of a random stranger and have to solve riddles to find out why, it could still be possible. My interest was piqued, and I found The Inheritance Games to be quite the page turner. The chapters would usually end in a small cliffhanger causing me to want to learn more and begin reading from the next chapter. Before I knew it, I had finished the book quite quickly. It was interesting to see Avery, the main character, go from being very poor to the richest person in the world. I enjoyed finding out why Tobias Hawthorne left her everything. I kept guessing as to why, but my theories were quickly shot down when it became apparent I was wrong. Becoming a billionaire placed Avery's life in danger and even more so when Tobias' family discovered they weren't getting much from Tobias at the reading of the will. Not only did Avery have to try to find out why Tobias chose her for his sole heir, but she also had to try to stay alive! While there weren't any major plot twists in this book, there are quite a few small ones that will leave the reader guessing. I was a little disappointed that there wasn't a major reveal as to why Avery was chosen as Tobias' heir. It was a little underwhelming and anti-climatic to discover why he had chose Avery. This book does end with a cliffhanger since it is going to be a series. However, the main questions I had within the first book in The Inheritance Games series were all answered.
I loved each and every character in The Inheritance Games with the exception of Avery's best friend Max. Don't get me wrong, each character felt realistic and fleshed out enough, but Max was just annoying. Max has very strict parents, and Avery's only interactions with Max are through phone calls and texts. However, the way Max spoke was what was annoying. She didn't swear, so she'd use non-swear words for swear words. However, every other word was a would be swear word. I am not exaggerating. I don't think I've ever met a teen where they would swear that much or use other words in place of swear words that often. It just got annoying quickly, and I found myself dreading whenever Max was featured. I did love all the other characters though. I loved Avery and her thirst for knowledge. Avery was a very smart girl with a good head on her shoulders. I admired the way she could quickly work out any puzzle or riddle. I liked reading about her thought process towards figuring something out. I felt like Avery was also very selfless. Jameson, one of the Hawthorne brothers, was another character I really loved. His smarts for figuring out riddles and puzzles were also admirable. Grayson, another Hawthorne brother, was a bit of a wild horse. I never knew if I could trust him or not. (Although I didn't really know if I could trust anyone while reading The Inheritance Games. I kept trying to figure out if there were any ulterior motives at play.) Grayson's wanting to help out people whether it was Avery or his community through the Hawthorne Foundation was commendable. Nash, the oldest Hawthorne brother, was so stereotypically Texan that it made me laugh (as I am from Texas), but I loved it! Nash's laid back attitude was refreshing. Alexander, the youngest Hawthorne brother, wasn't featured as much for me to fully form an opinion, but I liked what I read about him. Avery's sister Libby had awesome dress sense, and I did love how she looked out for her sister for the most part. Figuring out Emily's role in all this was interesting. I would have liked to see more backstory about Emily and Rebecca (the hired helps daughters) though. They both had the potential to really flesh the story out more.
Trigger warnings for The Inheritance Games include some violence, some gun violence, attempted murder, and death.
Overall, The Inheritance Games is a quick paced read full of mystery and intrigue that will leave its readers not wanting to put it down. I would definitely recommend The Inheritance Games by Jennifer Lynn Barnes to those aged 14+ who love a fast paced mystery that will leave them guessing throughout the book. I can not wait for the next book in the series!
I felt like the plot was solid. Although it is highly improbable that a teenager would be heir to a will of a random stranger and have to solve riddles to find out why, it could still be possible. My interest was piqued, and I found The Inheritance Games to be quite the page turner. The chapters would usually end in a small cliffhanger causing me to want to learn more and begin reading from the next chapter. Before I knew it, I had finished the book quite quickly. It was interesting to see Avery, the main character, go from being very poor to the richest person in the world. I enjoyed finding out why Tobias Hawthorne left her everything. I kept guessing as to why, but my theories were quickly shot down when it became apparent I was wrong. Becoming a billionaire placed Avery's life in danger and even more so when Tobias' family discovered they weren't getting much from Tobias at the reading of the will. Not only did Avery have to try to find out why Tobias chose her for his sole heir, but she also had to try to stay alive! While there weren't any major plot twists in this book, there are quite a few small ones that will leave the reader guessing. I was a little disappointed that there wasn't a major reveal as to why Avery was chosen as Tobias' heir. It was a little underwhelming and anti-climatic to discover why he had chose Avery. This book does end with a cliffhanger since it is going to be a series. However, the main questions I had within the first book in The Inheritance Games series were all answered.
I loved each and every character in The Inheritance Games with the exception of Avery's best friend Max. Don't get me wrong, each character felt realistic and fleshed out enough, but Max was just annoying. Max has very strict parents, and Avery's only interactions with Max are through phone calls and texts. However, the way Max spoke was what was annoying. She didn't swear, so she'd use non-swear words for swear words. However, every other word was a would be swear word. I am not exaggerating. I don't think I've ever met a teen where they would swear that much or use other words in place of swear words that often. It just got annoying quickly, and I found myself dreading whenever Max was featured. I did love all the other characters though. I loved Avery and her thirst for knowledge. Avery was a very smart girl with a good head on her shoulders. I admired the way she could quickly work out any puzzle or riddle. I liked reading about her thought process towards figuring something out. I felt like Avery was also very selfless. Jameson, one of the Hawthorne brothers, was another character I really loved. His smarts for figuring out riddles and puzzles were also admirable. Grayson, another Hawthorne brother, was a bit of a wild horse. I never knew if I could trust him or not. (Although I didn't really know if I could trust anyone while reading The Inheritance Games. I kept trying to figure out if there were any ulterior motives at play.) Grayson's wanting to help out people whether it was Avery or his community through the Hawthorne Foundation was commendable. Nash, the oldest Hawthorne brother, was so stereotypically Texan that it made me laugh (as I am from Texas), but I loved it! Nash's laid back attitude was refreshing. Alexander, the youngest Hawthorne brother, wasn't featured as much for me to fully form an opinion, but I liked what I read about him. Avery's sister Libby had awesome dress sense, and I did love how she looked out for her sister for the most part. Figuring out Emily's role in all this was interesting. I would have liked to see more backstory about Emily and Rebecca (the hired helps daughters) though. They both had the potential to really flesh the story out more.
Trigger warnings for The Inheritance Games include some violence, some gun violence, attempted murder, and death.
Overall, The Inheritance Games is a quick paced read full of mystery and intrigue that will leave its readers not wanting to put it down. I would definitely recommend The Inheritance Games by Jennifer Lynn Barnes to those aged 14+ who love a fast paced mystery that will leave them guessing throughout the book. I can not wait for the next book in the series!
Purple Phoenix Games (2266 KP) rated Canvas in Tabletop Games
Feb 3, 2021
I do not have any natural talent for art. That doesn’t stop me from enjoying it, though! Whether it’s coloring, painting, or crafting, I like to let my artistic side run free. So imagine my surprise as I was perusing Kickstarter one day and happened upon Canvas. A game about ‘painting’ and creating unique, brilliant, and one-of-a-kind pieces of artwork, all without having to worry about my lack of actual artistic talent?? I was immediately sold! Now that I have the game in hand and have gotten the opportunity to play it, will it withstand the test of time, like a classic masterpiece?
Canvas is a game of card drafting and set collection in which players are trying to layer their cards to create unique pieces of artwork that will earn them Ribbons (VP) at the local art festival. To begin, set up the canvas mat, 4 random Scoring Cards, Ribbon tokens, and Art cards in their corresponding locations in the play area. Each player receives 3 sleeved Background cards and 4 Inspiration tokens. Select a starting player, and the game is ready to begin!
Playing over a series of rounds, players will take turns either Taking an Art Card or Completing a Painting. If you choose to Take an Art Card, you select an Art Card from the canvas mat and take it into your hand. The card furthest from the draw deck is free, but subsequent cards must be ‘purchased’ by spending Inspiration. Place 1 Inspiration token on every card preceding the one you take into hand. If you select an Art Card that has an Inspiration token on it, you collect that token for future use!
If you have at least 3 Art Cards, or a maximum of 5 Art Cards in hand, you must Complete a Painting. You will select 3 of your Art Cards to be sleeved with one of your starting Background cards. You may layer the Art Cards in any order you choose – but remember, only visible icons are used for scoring! Once you have Completed a Painting, you immediately score that piece. Compare the visible icons on your final painting to the Scoring Cards, taking any corresponding Ribbon tokens for successfully meeting their requirements. Play continues in this manner until all players have completed their 3 paintings. Players count up their cumulative scores from all paintings, and the player with the most points is the winner!
The gameplay seems simple enough, right? Yes! It is very straightforward since you only have 2 options for each turn. Either draft a card, or complete a painting. Teaching time is minimal and the gameplay can move quickly. But THAT is where the simplicity ends, my friends. The heart of Canvas is in its strategy. Each game has 4 random Scoring Cards, which define how you will earn points. And each transparent Art Card has a number of icons at the bottom that will affect how you resolve each Scoring Card. By layering your Art Cards, you will cover some icons, while letting others remain visible. The possibilities are truly endless when it comes to how to layer your cards, but are you clever enough to layer them for maximum points? Admittedly, the various layering possibilities coupled with 4 different Scoring Cards can lead to some analysis paralysis, as players try to figure out every combination they have to see what could earn the most points. But all in all, I have found the that the gameplay is never really at a standstill, because as one player is taking their turn, all others can be strategizing with their own cards.
Let’s talk about components. First off, I love the canvas mat – it really brings the theme to life and is good quality! The Art Cards are colorful and sturdy, and they really are clear enough to see even when layered upon each other. (I should say that I did remove the plastic film from the manufacturing process.) The Scoring and Background cards are nice, big, and easy to read and understand. My deluxe copy of Canvas has Wooden Ribbons and Inspiration tokens instead of the standard cardboard, and they are nice, chunky, and fun to play with. There are even 5 small wooden easels on which players can display their masterpieces! All in all, the deluxe components are great quality and really elevate the gameplay. AND the game box literally has a hole in the back so it can be hung on the wall, like a real piece of art! Such a creative and immersive approach to the game, that just puts a smile on my face.
If you’ve read this far in my review, I think you can tell that I really love Canvas. The theme is creative, the gameplay is simple, but extremely strategic, and the high quality components really make it feel deluxe. Is there anything I don’t like about it? Maybe that it makes my brain hurt sometimes when trying to figure out the best layering combo of my Art Cards. But seriously, this game is a new and unique twist on some of my favorite mechanics. Canvas is quickly making its way towards my Top 10 list, and this is one I will definitely be pulling out at game nights pretty often. Purple Phoenix Games gives this one an eccentric 11 / 12. Give it a shot, I don’t think you’ll be disappointed.
Canvas is a game of card drafting and set collection in which players are trying to layer their cards to create unique pieces of artwork that will earn them Ribbons (VP) at the local art festival. To begin, set up the canvas mat, 4 random Scoring Cards, Ribbon tokens, and Art cards in their corresponding locations in the play area. Each player receives 3 sleeved Background cards and 4 Inspiration tokens. Select a starting player, and the game is ready to begin!
Playing over a series of rounds, players will take turns either Taking an Art Card or Completing a Painting. If you choose to Take an Art Card, you select an Art Card from the canvas mat and take it into your hand. The card furthest from the draw deck is free, but subsequent cards must be ‘purchased’ by spending Inspiration. Place 1 Inspiration token on every card preceding the one you take into hand. If you select an Art Card that has an Inspiration token on it, you collect that token for future use!
If you have at least 3 Art Cards, or a maximum of 5 Art Cards in hand, you must Complete a Painting. You will select 3 of your Art Cards to be sleeved with one of your starting Background cards. You may layer the Art Cards in any order you choose – but remember, only visible icons are used for scoring! Once you have Completed a Painting, you immediately score that piece. Compare the visible icons on your final painting to the Scoring Cards, taking any corresponding Ribbon tokens for successfully meeting their requirements. Play continues in this manner until all players have completed their 3 paintings. Players count up their cumulative scores from all paintings, and the player with the most points is the winner!
The gameplay seems simple enough, right? Yes! It is very straightforward since you only have 2 options for each turn. Either draft a card, or complete a painting. Teaching time is minimal and the gameplay can move quickly. But THAT is where the simplicity ends, my friends. The heart of Canvas is in its strategy. Each game has 4 random Scoring Cards, which define how you will earn points. And each transparent Art Card has a number of icons at the bottom that will affect how you resolve each Scoring Card. By layering your Art Cards, you will cover some icons, while letting others remain visible. The possibilities are truly endless when it comes to how to layer your cards, but are you clever enough to layer them for maximum points? Admittedly, the various layering possibilities coupled with 4 different Scoring Cards can lead to some analysis paralysis, as players try to figure out every combination they have to see what could earn the most points. But all in all, I have found the that the gameplay is never really at a standstill, because as one player is taking their turn, all others can be strategizing with their own cards.
Let’s talk about components. First off, I love the canvas mat – it really brings the theme to life and is good quality! The Art Cards are colorful and sturdy, and they really are clear enough to see even when layered upon each other. (I should say that I did remove the plastic film from the manufacturing process.) The Scoring and Background cards are nice, big, and easy to read and understand. My deluxe copy of Canvas has Wooden Ribbons and Inspiration tokens instead of the standard cardboard, and they are nice, chunky, and fun to play with. There are even 5 small wooden easels on which players can display their masterpieces! All in all, the deluxe components are great quality and really elevate the gameplay. AND the game box literally has a hole in the back so it can be hung on the wall, like a real piece of art! Such a creative and immersive approach to the game, that just puts a smile on my face.
If you’ve read this far in my review, I think you can tell that I really love Canvas. The theme is creative, the gameplay is simple, but extremely strategic, and the high quality components really make it feel deluxe. Is there anything I don’t like about it? Maybe that it makes my brain hurt sometimes when trying to figure out the best layering combo of my Art Cards. But seriously, this game is a new and unique twist on some of my favorite mechanics. Canvas is quickly making its way towards my Top 10 list, and this is one I will definitely be pulling out at game nights pretty often. Purple Phoenix Games gives this one an eccentric 11 / 12. Give it a shot, I don’t think you’ll be disappointed.
Bob Mann (459 KP) rated Logan (2017) in Movies
Sep 29, 2021
“When the man comes around”
At last – a superhero movie with real heart… (and not just the chunks over the knuckle blades!). Logan is a bit of a revelation. I was reluctant to go and see it, since a) I’m a lukewarm X-Men fan at best and b) I hadn’t seen either of the previous two Wolverine spin-off films. (Seeing the other Wolverine films, by the way, is not a pre-requisite for enjoying this one). After a long day at work, my choice was “Logan” or “Kong: Skull Island”. I voted for this one, and I’m so glad I did.
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
Bob Mann (459 KP) rated The Irishman (2019) in Movies
Jan 20, 2020
An endurance test but a great endurance test
Martin Scorsese made a lot of enemies recently with his rant against the superficiality of the Marvel movies. But you can hardly argue that his latest film is superficial. We see the mobster Frank Sheeran (Robert De Niro) in his old people's home wistfully recalling his past life. Through flashback we go back to times as early as his service in World War II, where he learned to kill other men without a second thought.
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
Later, back in Philadelphia, Sheeran has a chance meeting with mob-leader Russell Buffalino (Joe Pesci) and Buffalino hires him as a hit man. It's a working relationship and friendship that is going to last a lifetime.... however long that may be in this business! But it also brings Sheeran into a relationship with union leader Jimmy Hoffa (Al Pacino). And those of you with any knowledge of the history of Jimmy Hoffa (or remember that scene in "Bruce Almighty"!) will recall what happened to him!
One of the issues with these sort of films is that it is impossible (unless you are reading this as a borderline psycho) to form any sort of empathetic relationship with any of the characters. It's horrifying that this is based on a true story: you'd really like to assume that all of this sort of stuff was solely on the pages of tacky crime novels, and not reality.
The horror of Sheeran's actions are neatly reflected by screenwriter Steven Zaillian ("Schindler's List", "Clear and Present Danger") in the impact on his family, particularly on his impressionable young daughter Peggy (Lucy Gallina). Only when he is old and grey can Peggy (now Anna Paquin) vent at her father for the damage done.
The "youngification" work on De Niro and Pesci is really essential for the film to work. Finding a younger actor to play either of these iconic actors would have been a stretch. Here it's very well done. But I will again suggest that we are probably another ten years of technology advancement away from removing the "uncanny valley" effect from scenes like this. It just doesn't quite work for me for a reason I can't put my finger on.
After the career nadir of "Dirty Grandpa" it looked like Robert De Niro might have nothing but bread commercials and dog-food ads to look forward to. However, within three months we've had a resurgence of form: his great performance in "Joker" and now this. Of course, this is a role that he can play in his sleep. And I suspect that might count against him in the Oscar/Bafta season. But its undeniably a great performance.
Joe Pesci (famously mocked as "Baby Yoda" by Ricky Gervais in his hilarious Golden Globe roasting) and Al Pacino are also great, with Pacino being particular impressive as the fanatically focused union boss unable to see the danger he is in. "It is what it is" repeats Sheeran over and over again to deaf ears. A memorable scene.
Again Zaillian's script is brilliant in creating an impossibly tense triangular friendship between the three men. His family love Hoffa and dislike/distrust Buffalino. When the triangle gets stretched to breaking point, and a link needs to be broken, which way will Sheeran jump?
For me, good movies should be seen in the cinema. But I missed its short (to make it Oscar-worthy) release so had to catch it up on the small(-er) screen. Cinemas seem reluctant to stick an "interval" in programmes these days: never quite sure why, since most movie-goers if we are talking a 2 hour+ movie might welcome a loo-break, and the cinema could also sell more ice-cream! But at three and a half hours, a cinema trip would be a bladder-testing challenge for sure. So this is one that I wasn't unhappy to use the pause button on!
It's a superbly constructed movie and well deserved its place on the Oscars "Best Movie" shortlist. It's tense, dramatic and has enough variety of people being shot in the head to make it ghoulishly watchable.
However, while I can appreciate the technical art of the film, and I'm delighted I got to see it, a top film for me needs to be one I would reach for on my DVD rack (spot the old-fashinoned git) for multiple watches. And for all its worthiness, this doesn't really fit the bill.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/20/one-manns-movies-film-review-the-irishman-2019/ ).
