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5 Minute Movie Guy (379 KP) rated The Kitchen (2019) in Movies
Aug 24, 2019
Married into a life with the mob, three women living in Hell’s Kitchen, New York City in the late ‘70s find themselves trapped in their husband’s shadows in Andrea Berloff’s debut film, The Kitchen. Based on a 2014 DC Comics graphic novel by the same name, the film focuses on these three female friends facing the aftermath of their husband’s botched crime and subsequent imprisonment. Their Italian crime family promised to take care of them while their spouses are locked away, but their measly support simply isn’t enough when they’ve got mouths to feed and bills to pay. Tired of being weak and dependent, the ladies band together to take control of their situation by trying to take over the mob.
The Kitchen stars actresses Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as the female trio who work to rise to the top of their crime family by carrying the dead weight of the lazy men who lead it. McCarthy plays Kathy Brennan, a housewife and mother of two, whose seemingly good-natured husband is clearly involved in the wrong crowd. In spite of that, she appears to have a pleasant life at home, but her heavy reliance on her husband puts her in peril once he’s locked away. On the other hand, Haddish and Moss play Ruby and Claire, who are both victimized and disrespected by their husbands, with Claire even being regularly abused. These characteristics help to define the women and their actions as they attempt to upend the male-dominated establishment.
However, despite The Kitchen’s strong set-up, the characters themselves don’t show much depth beyond this, and the film’s performances leave a lot to be desired. McCarthy felt like she was acting in an entirely different movie. I’ve never seen a more passive and unconvincing crime boss. She’s struggling with a balancing act that sees her going between being tough, funny, ruthless, submissive, and sweet. By comparison to the rest of the movie, her whole character feels off-key. Then there’s Haddish who gives the worst acting performance I’ve seen in quite some time. I’m not really a fan of her brand of humor, but I didn’t like her dramatic turn here either. She just delivers snarky lines with attitude and death glares before walking off-camera in practically every shot she’s in. It’s almost funny how cheesy and over-the-top it is. You can’t just go mean-mugging your way through a whole major motion picture and expect to be taken seriously.
On a more positive note, Moss was much more impressive as Claire, who is fed up with being beaten down and bullied, and is determined to learn how to defend herself. She partners up with Domhnall Gleeson’s hitman character Gabriel who teaches her how to kill. Their relationship ends up being perhaps the most interesting aspect of the whole movie, and it has something of a Bonnie and Clyde quality to it. I only wish we could have seen it fleshed out a bit more.
For all of its potential, especially in terms of portraying female empowerment, The Kitchen regrettably winds up being a generic, inconsistent, and lethargic affair. I personally love the premise of the film. It’s a bad ass statement to any man who has ever said that a woman’s place is in the kitchen. It sticks up a middle finger to sexism by taking the action to the criminal streets of Hell’s Kitchen where the women rise to power. Unfortunately, despite the kick-ass feminist concept, I found that the film’s attempt at empowerment never really manifests into anything meaningful.
Instead, The Kitchen feels messy and uninspired. There isn’t a single scene in the entire film that I would consider to be good. The story is thin, the suspense is absent, the setting is bland, the tone is confusing, and the characters are mostly uninspired. I hate to even say it, but while watching it, I couldn’t help but be reminded of last year’s train-wreck of a film, Gotti, starring John Travolta. I think both of these films had a lot of promise, but seriously failed to deliver. As someone who loves a good gangster movie, I feel really disappointed.
There’s ultimately very little I liked about The Kitchen. The movie lacks a pulse, and the stakes never feel significant, not even as the body count piles up. The set design shows no strong sense of place or time period. Most of the settings outside seemed to be looking at nondescript sidewalks that could have been filmed anywhere. With the setting of Hell’s Kitchen, I can’t help but immediately think of The Godfather. Similarly, the use of The Rolling Stones in the trailer evokes thoughts of Scorsese and Goodfellas. Unfortunately, this movie clearly doesn’t even come close to comparing to either of those classics. This movie’s plot is weak, the betrayals are obvious, and the ending is uncomfortably idiotic. Despite it all, however, I find myself still interested in The Kitchen’s graphic novel at least, because I can’t imagine it being this bad.
The Kitchen stars actresses Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as the female trio who work to rise to the top of their crime family by carrying the dead weight of the lazy men who lead it. McCarthy plays Kathy Brennan, a housewife and mother of two, whose seemingly good-natured husband is clearly involved in the wrong crowd. In spite of that, she appears to have a pleasant life at home, but her heavy reliance on her husband puts her in peril once he’s locked away. On the other hand, Haddish and Moss play Ruby and Claire, who are both victimized and disrespected by their husbands, with Claire even being regularly abused. These characteristics help to define the women and their actions as they attempt to upend the male-dominated establishment.
However, despite The Kitchen’s strong set-up, the characters themselves don’t show much depth beyond this, and the film’s performances leave a lot to be desired. McCarthy felt like she was acting in an entirely different movie. I’ve never seen a more passive and unconvincing crime boss. She’s struggling with a balancing act that sees her going between being tough, funny, ruthless, submissive, and sweet. By comparison to the rest of the movie, her whole character feels off-key. Then there’s Haddish who gives the worst acting performance I’ve seen in quite some time. I’m not really a fan of her brand of humor, but I didn’t like her dramatic turn here either. She just delivers snarky lines with attitude and death glares before walking off-camera in practically every shot she’s in. It’s almost funny how cheesy and over-the-top it is. You can’t just go mean-mugging your way through a whole major motion picture and expect to be taken seriously.
On a more positive note, Moss was much more impressive as Claire, who is fed up with being beaten down and bullied, and is determined to learn how to defend herself. She partners up with Domhnall Gleeson’s hitman character Gabriel who teaches her how to kill. Their relationship ends up being perhaps the most interesting aspect of the whole movie, and it has something of a Bonnie and Clyde quality to it. I only wish we could have seen it fleshed out a bit more.
For all of its potential, especially in terms of portraying female empowerment, The Kitchen regrettably winds up being a generic, inconsistent, and lethargic affair. I personally love the premise of the film. It’s a bad ass statement to any man who has ever said that a woman’s place is in the kitchen. It sticks up a middle finger to sexism by taking the action to the criminal streets of Hell’s Kitchen where the women rise to power. Unfortunately, despite the kick-ass feminist concept, I found that the film’s attempt at empowerment never really manifests into anything meaningful.
Instead, The Kitchen feels messy and uninspired. There isn’t a single scene in the entire film that I would consider to be good. The story is thin, the suspense is absent, the setting is bland, the tone is confusing, and the characters are mostly uninspired. I hate to even say it, but while watching it, I couldn’t help but be reminded of last year’s train-wreck of a film, Gotti, starring John Travolta. I think both of these films had a lot of promise, but seriously failed to deliver. As someone who loves a good gangster movie, I feel really disappointed.
There’s ultimately very little I liked about The Kitchen. The movie lacks a pulse, and the stakes never feel significant, not even as the body count piles up. The set design shows no strong sense of place or time period. Most of the settings outside seemed to be looking at nondescript sidewalks that could have been filmed anywhere. With the setting of Hell’s Kitchen, I can’t help but immediately think of The Godfather. Similarly, the use of The Rolling Stones in the trailer evokes thoughts of Scorsese and Goodfellas. Unfortunately, this movie clearly doesn’t even come close to comparing to either of those classics. This movie’s plot is weak, the betrayals are obvious, and the ending is uncomfortably idiotic. Despite it all, however, I find myself still interested in The Kitchen’s graphic novel at least, because I can’t imagine it being this bad.
Bedtime Stories For Children
Education and Book
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**** 180+ New Stories Added **** Story time is learning time with 'Stories For Children: Bedtime...
Napkin Notes: Make Lunch Meaningful, Life Will Follow
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Garth Callaghan doesn't know how long he has to live. But he can be certain of one simple thing: No...
Louise (64 KP) rated The Square Root of Summer in Books
Jul 2, 2018
One word really describes this book…. confusing! for the majority of the book I didn’t really know what was going on. I think the state of confusion was on my behalf as I am not a massive fan of physics and unable to get my head around it.
The Square Root of Summer is Harriet Reuter Hapgood’s debut novel, the story is told from the perspective of Gottie. A year ago her life was pretty good, she had an amazing family, a boyfriend and decent friends and then it shattered all around her. It’s been a year since Gottie’s grandfather died, the family are devastated and have slowly drifted apart as they come to terms with their loss. To make things worse her so-called ‘boyfriend’ left for University/College and the great friends she had are continuing on with their lives without Gottie.
When she receives news that her next door neighbour/best friend Thomas is coming back to England to live after moving to Canada things start happening to Gottie that she just can’t explain.
Gottie is a science geek and loves physics, so when she starts having flashbacks of everything that happened the previous year before Grey’s(Grandfather) death, she tries to understand what is happening to her. Gottie believes that she is traveling back in time through wormholes and vortexes (all that physicy stuff) and soon the summer becomes a mission to find out if you can really time travel.
This book is a coming of age story that includes grief, families,friends, and love. The book shows how much heartbreak a death in the family can cause and that something stressful (major life event) will tip you over the edge. Wormholes and Vortexes were Gottie’s coping mechanism, she enjoyed physics and that’s what helped her. With these flashback’s/time travelling (you decide) it enabled her to start talking to her family and friends again, also finding herself and become the person she wanted to be.
This is a great debut novel set in Norfolk, England. Hapgood managed to include aspects of her German heritage into the book, the family dynamics and characters are complex and three-dimensional, there is bookstores and baking and also to top it off there is a cute romance.What more could you ask for?
I rated this 3 of 5 stars
*I received a copyofthis book from Netgalley and the publisher in exchange for an honest review*
The Square Root of Summer is Harriet Reuter Hapgood’s debut novel, the story is told from the perspective of Gottie. A year ago her life was pretty good, she had an amazing family, a boyfriend and decent friends and then it shattered all around her. It’s been a year since Gottie’s grandfather died, the family are devastated and have slowly drifted apart as they come to terms with their loss. To make things worse her so-called ‘boyfriend’ left for University/College and the great friends she had are continuing on with their lives without Gottie.
When she receives news that her next door neighbour/best friend Thomas is coming back to England to live after moving to Canada things start happening to Gottie that she just can’t explain.
Gottie is a science geek and loves physics, so when she starts having flashbacks of everything that happened the previous year before Grey’s(Grandfather) death, she tries to understand what is happening to her. Gottie believes that she is traveling back in time through wormholes and vortexes (all that physicy stuff) and soon the summer becomes a mission to find out if you can really time travel.
This book is a coming of age story that includes grief, families,friends, and love. The book shows how much heartbreak a death in the family can cause and that something stressful (major life event) will tip you over the edge. Wormholes and Vortexes were Gottie’s coping mechanism, she enjoyed physics and that’s what helped her. With these flashback’s/time travelling (you decide) it enabled her to start talking to her family and friends again, also finding herself and become the person she wanted to be.
This is a great debut novel set in Norfolk, England. Hapgood managed to include aspects of her German heritage into the book, the family dynamics and characters are complex and three-dimensional, there is bookstores and baking and also to top it off there is a cute romance.What more could you ask for?
I rated this 3 of 5 stars
*I received a copyofthis book from Netgalley and the publisher in exchange for an honest review*
Road To Ruin
10.0
Rate It
Book
Malicious Destruction of Property. Two counts of breaking and entering. Two counts of possession...
dark romance romance contemporary
ClareR (5879 KP) rated The Hunting Moon in Books
Dec 12, 2023
When will I learn to check that books are a one off or the second in a series? I mean, it was a couple of chapters in before I realised something was off, but I have to admit that I quickly filled in the gaps, and it didn’t spoil my listening pleasure. I really enjoyed this.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
Merissa (12894 KP) rated Made to Submit (La Trattoria Di Amore #3) in Books
Apr 30, 2021 (Updated Jul 27, 2023)
MADE TO SUBMIT is the third book in the La Trattoria Di Amore series. Although characters from previous books are mentioned, you don't need to have read them, to get this the fullest enjoyment out of this one.
We start off with Paolo at fifteen. He has a crush on one of the chefs working with his dad, which is one of the things that gives him a clue he's gay. Overhearing a conversation between his crush and someone else talking about BDSM makes him curious enough to look into it. Fast forward a few years, and he's working with his crush... who has no idea who he is. Not only that but he's now married. Paolo is heartbroken, sure that he is in love with Carl. Enter Kaden. He is physically attracted to Paolo but is very wary considering he knows about the crush. And then the story really takes off!
I can't tell you just how much I loved this story (although I'll obviously try!). Paolo and Kaden are so perfect for each other. What one needs, the other provides, without even really thinking about it but just doing it. Due to his past, Kaden needs control. Paolo is desperate to have control taken away from him, in every aspect of his life. These two really made my heart happy.
I'm going to be honest here and say that Carl, who is in book two which I haven't read, doesn't really come across that well. Bless him, I know he's busy with his own life, but is he that wrapped up that he didn't even take a double glance when Paolo started working there? How many Italians with the first name of Paolo does he know? I'm with Kaden all the way.
This was a brilliant story, with a fantastic supporting cast. The only question I have is what is the title of Lenny and Nathan's book? I need to read that one too!!! The pacing was perfect, the characters were wonderful, and the overall story kept my attention from the very beginning.
Absolutely recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 30, 2021
We start off with Paolo at fifteen. He has a crush on one of the chefs working with his dad, which is one of the things that gives him a clue he's gay. Overhearing a conversation between his crush and someone else talking about BDSM makes him curious enough to look into it. Fast forward a few years, and he's working with his crush... who has no idea who he is. Not only that but he's now married. Paolo is heartbroken, sure that he is in love with Carl. Enter Kaden. He is physically attracted to Paolo but is very wary considering he knows about the crush. And then the story really takes off!
I can't tell you just how much I loved this story (although I'll obviously try!). Paolo and Kaden are so perfect for each other. What one needs, the other provides, without even really thinking about it but just doing it. Due to his past, Kaden needs control. Paolo is desperate to have control taken away from him, in every aspect of his life. These two really made my heart happy.
I'm going to be honest here and say that Carl, who is in book two which I haven't read, doesn't really come across that well. Bless him, I know he's busy with his own life, but is he that wrapped up that he didn't even take a double glance when Paolo started working there? How many Italians with the first name of Paolo does he know? I'm with Kaden all the way.
This was a brilliant story, with a fantastic supporting cast. The only question I have is what is the title of Lenny and Nathan's book? I need to read that one too!!! The pacing was perfect, the characters were wonderful, and the overall story kept my attention from the very beginning.
Absolutely recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 30, 2021
Kaz (232 KP) rated White Teeth in Books
May 15, 2019
A Disappointing Read
What the 'blurb' says:
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
Lilyn G - Sci-Fi & Scary (91 KP) rated The Mummy (2017) in Movies
Jun 19, 2018
Blech
The Mummy was a completely awesome movie! Filled with perfectly timed comedy, a strong female heroine, a somewhat sinister Mummy, and great lines! I’m talking, of course, about the 1999 version of The Mummy. The one starring Brendan Fraser and the wonderful Rachel Weisz.
The remake tried to be a great movie and slid in somewhere around “mediocre at best”. As one might expect, this was Tom Cruise playing Tom Cruise. (Does the man ever actually try to play someone other than himself? Serious question.) Sofia Boutella is blandly proficient as the scantily clad mummy who couldn’t ooze menace or evil if her life depended on it. Given that we’re supposed to accept that this chick killed her baby half-brother and her father, you’d think there’d be something in the way of evil there. Instead she just comes across as your typical vengeful, wanton female. Annabelle Wallis was about as good as Boutella was. And I did not buy Crowe’s Jekyll/Hyde at all.
Why was there a wet white t-shirt scene in The Mummy? Did not a single person making it go “You know, maybe we should have her put on a different color shirt?” Because it’s not like the wet white t-shirt is a blatant aim to give guys something to beat off to or anything. Between Boutella’s outfit and the “Lookit! Boobies!” of that particular scene, it was obvious that the film crew wasn’t exactly confident of their success in the movie being popular on it’s premise or the actors’ abilities alone.
Now, I do give them credit for the hiring of Sofia Boutella. She looked right for the role. However, why did we have to do the contrast of the evil foreign female against the stereotypical white female again. (Blonde hair, blue eyes, etc. etc. You really can’t get more white.) This is, admittedly, more predominant in my mind since seeing the criticism that Wonder Woman got for the very minor role African Americans played in the film. I couldn’t help but think “Really, how hard would it have been to hire an African American female for Jenny’s role?” And then it would have avoided the white girls vs the other girls thing. But, yeah, no, that’s too difficult a concept for the people making the casting decisions to understand.
(On a lighter note: A blonde-haired, blue-eyed Jenny meant every time she was on screen, I kept expecting Forest Gump to yell for her from off screen.)
The action was fine, with nothing new thrown in. Some of the scenes are recognizable from the better The Mummy. The dialogue was acceptable, but nothing to write home about.
Do yourself a favor and just watch The Mummy movie from 1999. It’s by far the better film experience. This one wasn’t bad, but it certainly wasn’t very good.
The remake tried to be a great movie and slid in somewhere around “mediocre at best”. As one might expect, this was Tom Cruise playing Tom Cruise. (Does the man ever actually try to play someone other than himself? Serious question.) Sofia Boutella is blandly proficient as the scantily clad mummy who couldn’t ooze menace or evil if her life depended on it. Given that we’re supposed to accept that this chick killed her baby half-brother and her father, you’d think there’d be something in the way of evil there. Instead she just comes across as your typical vengeful, wanton female. Annabelle Wallis was about as good as Boutella was. And I did not buy Crowe’s Jekyll/Hyde at all.
Why was there a wet white t-shirt scene in The Mummy? Did not a single person making it go “You know, maybe we should have her put on a different color shirt?” Because it’s not like the wet white t-shirt is a blatant aim to give guys something to beat off to or anything. Between Boutella’s outfit and the “Lookit! Boobies!” of that particular scene, it was obvious that the film crew wasn’t exactly confident of their success in the movie being popular on it’s premise or the actors’ abilities alone.
Now, I do give them credit for the hiring of Sofia Boutella. She looked right for the role. However, why did we have to do the contrast of the evil foreign female against the stereotypical white female again. (Blonde hair, blue eyes, etc. etc. You really can’t get more white.) This is, admittedly, more predominant in my mind since seeing the criticism that Wonder Woman got for the very minor role African Americans played in the film. I couldn’t help but think “Really, how hard would it have been to hire an African American female for Jenny’s role?” And then it would have avoided the white girls vs the other girls thing. But, yeah, no, that’s too difficult a concept for the people making the casting decisions to understand.
(On a lighter note: A blonde-haired, blue-eyed Jenny meant every time she was on screen, I kept expecting Forest Gump to yell for her from off screen.)
The action was fine, with nothing new thrown in. Some of the scenes are recognizable from the better The Mummy. The dialogue was acceptable, but nothing to write home about.
Do yourself a favor and just watch The Mummy movie from 1999. It’s by far the better film experience. This one wasn’t bad, but it certainly wasn’t very good.