Search
Search results
Andy K (10823 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 3, 2019
Monsters good. Humans bad.
I just read a lot of reviews on Smashbomb for this and would have to agree with most that I enjoyed the monsters in all their various shapes and sizes, especially if you have been a fan seeing the familiar ones you have known and loved.
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
Gareth von Kallenbach (980 KP) rated Max Payne (2008) in Movies
Aug 14, 2019
Against the gritty, snow covered, and crime ridden streets of New York, one man is waging a battle for redemption and revenge. The man in Detective Max Payne (Mark Wahlberg), and following the murder of his wife and infant son, Payne has seen his life and career spin down an ever deepening black hole to the point where he is relegated to a basement office working on cold cases.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
3000+ Dessert Recipes
Food & Drink and Education
App
The fondant is the thing which brings a lot of beauty in dessert cooking – it is the thing used...
Graphic Organisers for Writing: Photocopiable Resources to Enhance Critical Thinking
Marjorie Frank, Kathleen Bullock, Cherrie Farnette and Jill Norris
Book
Research in many subject areas shows that using graphic organisers, or writing frames as they are...
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Gareth von Kallenbach (980 KP) rated Letters to Juliet (2010) in Movies
Aug 8, 2019
Sophie’s life is heading in a good direction. She is the best fact checker at the New Yorker, engaged to an up-and-coming chef and is headed on a romantic trip to Verona, the setting of Shakespeare’s most famous play, Romeo and Juliet. But when Sophie discovers a multi-decade old letter written to Juliet she finds herself on a new and exciting adventure in the spirit of true love.
The film hitches its wagon on rising star Amanda Seyfried as the leading lady, playing romantically-inclined heroine Sophie. Amanda plays opposite Christopher Egan as Charlie, a pessimistic and overly protective grandson of Claire, a romantic adventurer and ideal parental-figure, played by the ever-enchanting Vanessa Redgrave.
It was easy to expect that this would be the same old American twenty-something in love tale, but I was unexpectedly surprised by the depth and honesty in “Letters to Juliet”. While it is much more a love story than a comedy, the film tackles a number of the usual subjects –love, loss, and destiny– in new ways. Throughout the film are touching scenes that blend laughter and keen, realistic emotion, without the all too familiar awkward result.
And it is hard not to smile while watching “Letters to Juliet”. The infusion of a love story mixes well with the films other themes: the importance of family and the value of cross-cultural perspectives. These complex themes support the romantic story so well that the experience is less like a fantasy and more akin to a well-layered tale told by a close friend. Mix in the stunning landscape of Italy and “Letters to Juliet” becomes a magically honest story about the quest for true love.
Filled with quality acting, romance, and many kinds of love while speaking across generations and cultural viewpoints, “Letters to Juliet” manages to pull at the heartstrings and share an inspiring and uplifting tale.
The film hitches its wagon on rising star Amanda Seyfried as the leading lady, playing romantically-inclined heroine Sophie. Amanda plays opposite Christopher Egan as Charlie, a pessimistic and overly protective grandson of Claire, a romantic adventurer and ideal parental-figure, played by the ever-enchanting Vanessa Redgrave.
It was easy to expect that this would be the same old American twenty-something in love tale, but I was unexpectedly surprised by the depth and honesty in “Letters to Juliet”. While it is much more a love story than a comedy, the film tackles a number of the usual subjects –love, loss, and destiny– in new ways. Throughout the film are touching scenes that blend laughter and keen, realistic emotion, without the all too familiar awkward result.
And it is hard not to smile while watching “Letters to Juliet”. The infusion of a love story mixes well with the films other themes: the importance of family and the value of cross-cultural perspectives. These complex themes support the romantic story so well that the experience is less like a fantasy and more akin to a well-layered tale told by a close friend. Mix in the stunning landscape of Italy and “Letters to Juliet” becomes a magically honest story about the quest for true love.
Filled with quality acting, romance, and many kinds of love while speaking across generations and cultural viewpoints, “Letters to Juliet” manages to pull at the heartstrings and share an inspiring and uplifting tale.
Sparring with Life Jimmy Tibbs My Autobiography
Book
The Kray Twins approached him to be his manager at the age of 18, but his dad had the unenviable...
TO
The Oxford Handbook of Nietzsche
Book
The diversity of Nietzsche's books, and the sheer range of his philosophical interests, have posed...
LOAC Essentials: Vol. 4: Alley OOP 1939
Book
"a darned good read" - The Comics Journal In 1939, Vincent Trout Hamlin had been writing and drawing...
Little Red Hood
Sarah Ardizzone and Marjolaine Leray
Book
She started life as a little red scribble and then, there she was: a little red hood. The wolf is...