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Merissa (13197 KP) rated Running from My Heart (Rock Bottom #3) in Books
Oct 10, 2019
Running From My Heart is the third book in the Rock Bottom series but can be read as a standalone. I haven't read any of the others, and it certainly didn't have an impact on my enjoyment of it.
Ross and Arden are both drowning in grief, but dealing with it in very different ways. Arden has shut himself away from everyone and everything, whereas Ross is King of the One-Night-Stands. They are doing what works best for them. But then they meet in a grocery store and both their lives change for the better, although not painlessly.
This is a very emotional read as the two of them certainly go through the wringer. They have personal revelations that both help and hinder them in their recovery from such soul-destroying grief. I will admit to shedding a tear or two as the baby Osprey, but enough of that!
I have no idea if there were any errors in this book, but I don't think there were as I usually get jolted out of the storyline. With this book, I was completely engrossed from start to finish. The story is smooth, the pacing is perfect. There is a fantastic cast of characters, both main and supporting, that help bring this story to life. I definitely want to read book one, Foster and Justin's story, even though I know from this book they have their HEA.
Absolutely fantastic and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ross and Arden are both drowning in grief, but dealing with it in very different ways. Arden has shut himself away from everyone and everything, whereas Ross is King of the One-Night-Stands. They are doing what works best for them. But then they meet in a grocery store and both their lives change for the better, although not painlessly.
This is a very emotional read as the two of them certainly go through the wringer. They have personal revelations that both help and hinder them in their recovery from such soul-destroying grief. I will admit to shedding a tear or two as the baby Osprey, but enough of that!
I have no idea if there were any errors in this book, but I don't think there were as I usually get jolted out of the storyline. With this book, I was completely engrossed from start to finish. The story is smooth, the pacing is perfect. There is a fantastic cast of characters, both main and supporting, that help bring this story to life. I definitely want to read book one, Foster and Justin's story, even though I know from this book they have their HEA.
Absolutely fantastic and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (13197 KP) rated Ambushed (Dark Reflections #3) in Books
Apr 7, 2023 (Updated Apr 10, 2023)
The third book in the Dark Reflections series continues with Adri and Alec's stories as they try to survive in their crazy world.
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Merissa (13197 KP) rated Broken Heart Questioned (Bella and the Beast Master #5) in Books
Jul 1, 2025
BROKEN HEART QUESTIONED is the fifth novella in the Bella and the Beast Master series. You will need to read the others in this series to get the full enjoyment, but if it's just the mystery part you're after, then you 'could' read it as a standalone, but seriously - Why?
Markus returns to Bella after being called away for a few months. He has missed her desperately. Bella has also missed him just as much, but she's also had other things on her mind. Such as trying to keep the contents of her stomach from making a reappearance. Not only that, but those d@mned hormones are making life difficult. So maybe it's not the best time to investigate on behalf of someone who has been accused of murdering five women.
Do you know my favourite part of this book? Well, all of it, obviously, but THE favouritest part? Those hormones! Do you have any idea how wonderful it is to read about a pregnancy where everything isn't all sunshine and roses? For some, it is, yes, but not for everyone. So reading about how difficult it can make just day-to-day living was fantastic and something completely relatable.
I can't wait to read whatever comes next from this amazing author, and HIGHLY RECOMMEND both this series and the Gen-Heirs: The Guardians of Sziveria series. Simply superb!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 1, 2025
Markus returns to Bella after being called away for a few months. He has missed her desperately. Bella has also missed him just as much, but she's also had other things on her mind. Such as trying to keep the contents of her stomach from making a reappearance. Not only that, but those d@mned hormones are making life difficult. So maybe it's not the best time to investigate on behalf of someone who has been accused of murdering five women.
Do you know my favourite part of this book? Well, all of it, obviously, but THE favouritest part? Those hormones! Do you have any idea how wonderful it is to read about a pregnancy where everything isn't all sunshine and roses? For some, it is, yes, but not for everyone. So reading about how difficult it can make just day-to-day living was fantastic and something completely relatable.
I can't wait to read whatever comes next from this amazing author, and HIGHLY RECOMMEND both this series and the Gen-Heirs: The Guardians of Sziveria series. Simply superb!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 1, 2025
Merissa (13197 KP) rated Future and Past (Ebb & Flow #2) in Books
Sep 3, 2025
FUTURE AND PAST is the second book in the Ebb & Flow series, and you definitely have to have read at least book one in this series, if not the other two books Quinn features in (as mentioned in my review for book one), as this one follows about three months after the first.
Quinn is sent back to Nova Scotia in the hope that being with his mate, Malachi, will help him deal with the trauma he is losing the battle against. Silas has hired some new guards in the interim, and Malachi is back to his old life, albeit with a phone and laptop so he can keep in touch with Quinn.
I really enjoyed this one, so much better than the first. Maybe it's because I was better connected to the characters, or maybe it just flowed better; I'm not sure. What I am sure about is that I was hooked from the beginning. And Malachi is now all in with Quinn. Phew! He is there for him when Quinn needs him, but won't push or pressure. My heart broke for Quinn as he remembered what his flashbacks were about and just what had been done.
Now I feel more comfortable in this world, and I am thoroughly enjoying their story. I will definitely be continuing with Malachi and Quinn's story. Absolutely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 3, 2025
Quinn is sent back to Nova Scotia in the hope that being with his mate, Malachi, will help him deal with the trauma he is losing the battle against. Silas has hired some new guards in the interim, and Malachi is back to his old life, albeit with a phone and laptop so he can keep in touch with Quinn.
I really enjoyed this one, so much better than the first. Maybe it's because I was better connected to the characters, or maybe it just flowed better; I'm not sure. What I am sure about is that I was hooked from the beginning. And Malachi is now all in with Quinn. Phew! He is there for him when Quinn needs him, but won't push or pressure. My heart broke for Quinn as he remembered what his flashbacks were about and just what had been done.
Now I feel more comfortable in this world, and I am thoroughly enjoying their story. I will definitely be continuing with Malachi and Quinn's story. Absolutely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 3, 2025
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
Connor Sheffield (293 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Apr 18, 2017
The Good, The Bad and The Editing
So...here's a movie that split so many fans and has caused COUNTLESS arguments online. My review may also cause arguments, but I'm willing to risk that as I have a fair bit to say about this movie, most importantly and foremost;
I enjoyed the movie!
The Good:
Let me start with what's good because I feel there's never enough positivity around this movie so here goes.
Ben Affleck and Gal Gadot were the two focuses of this movie because they had a lot of pressure on them to bring Batman and Wonder Woman to life and do the characters justice (terrible I know but I couldn't resist). All over the internet I saw hate for Ben Affleck and people saying Gal Gadot was too skinny. At first, I'll be honest, I did think Gal Gadot was really skinny and couldn't imagine her as Wonder Woman, BUT, unlike most people, I knew that before they would film her scenes, she would be 'buffing up' because I have faith in Zack Snyder because he is a fan and has made brilliant films. Man Of Steel made me like Superman, because of the way he was written as conflicted and the whole film made him more human and I loved it.
Here's where some people will disagree highly with me....I am not a big fan of the Nolan trilogy Batman. Now, before you throw a fit and verbally kick my ass, let me try and tell you why. The Voice! (it's not the only reason, but this is the reason I'm trying to make a point of) Batman a.k.a Bruce Wayne is a BILLIONAIRE, so who thought that the best way for him to disguise his voice would be to make him sound like he's fucked up his throat somehow? A billionaire with all those gadgets would surely think that what he needs is a voice modulator. Snyder brought in the voice modulator and I fell in love in that first trailer from hearing Batman talk through a voice modulator because I was sat there like "Hallelujah they finally worked out what a billionaire vigilante would do!" and I think it could be just me, but I honestly would prefer to think of Batman using one of those rather than grumbling his voice, because it just makes more sense.
So...Batfleck was incredible. My favourite portrayal so far and here's why:
- Arkham game fighting style
- Aged personality that says it all about why he's that violent
- He's definitely a great portrayal of the Dark Knight Returns version of Batman
- Ben Affleck is a great actor (in my opinion)
People's biggest complaint was 'Batman Kills' and I've had this discussion with my friends many times. Yes people died, IT'S HAPPENED BEFORE! It's rare but it's happened. You like the realism of Nolan's trilogy but there's a realism to Batfleck that you might not be seeing. He's been through all the same shit year in, year out for decades. Villains cause chaos, Batman fights villain, lets them live, puts them away, they break out, rinse repeat. Doing that for decades, losing people you love because of your choice not to kill, would surely cause a spark in your mind and Bruce Wayne says this in the movie through less words. "How many good guys are left? How many stay that way?"
If you think about it, he's essentially saying "I was a good guy but even I have had my boundaries pushed to the line and over". He's finally at the age where he has a state of mind that from his perspective...bad guys don't deserve to be shown mercy, but at the same time, he doesn't necessarily kill the bad guys directly.
Think of the warehouse scene. Bad Guy throws grenade, Batman kicks it back at him. Grenade goes BOOM. Bad guys die. BUT! If the guy hadn't have tried to throw the grenade, Batman wouldn't have kicked it back, and it wouldn't have ended in their death. Simple as that.
Let's move on though.
Superman is conflicted and the movie gets very political with a message of "Here's a God-Like figure. Should he be allowed to do what he wants or should we take away Choice by having under the Governments thumb?" and Superman personally is having internal issues of "I want this to be my home because it's the only home I've known, but these people don't want me and this stress is affecting both Clark Kent and Superman". He should have been able to see or hear the bomb in the wheelchair, but his mind was preoccupied with "Why does this government and these people hate me when I saved not only my city but the whole world?". Think about your stress with work, with college, school etc. and how it really does effect everything else around you. You might not want to go out with friends because you feel drained from the stress, now try to imagine that on the level of Superman! The poor guy just wanted to help.
My biggest enjoyment from this film was ALL OF THE DC REFERENCES! There were so many cool easter eggs, references etc. that I adored from Riddler Question Marks, to seeing Superman in a skeletal form after the Nuke explosion and then regaining his life force from the flowers through their Photosynthesis just like in the graphic novel! It was an incredible experience and I loved the film mainly for that.
The Bad:
Doomsday....I want to hope it's not the actual Doomsday and maybe just a failed experiment that Lex tried out but at the same time I know it probably is meant to be THE Doomsday.
The Editing:
The editing was jumpy and some cuts didn't make sense UNTIL the Ultimate Cut. The Ultimate Cut gives us some scenes with Clark Kent in Gotham BEFORE the big introduction to Batman in person, and hearing stories and investigating why people fear him, but also respect him. This would have worked so much better in the Theatrical Cut but sadly studios like to cut the film and people blame the Director for it which annoys me slightly.
Guaranteed this post might not change your mind, but I must say that you should try watching the film again if you've avoided it, watch the Ultimate Cut and really pay attention to how its being shown to the audience. Overall this is one of my favourite superhero movies and I will always stand up for it, BUT I'm not blind to it's faults.
I enjoyed the movie!
The Good:
Let me start with what's good because I feel there's never enough positivity around this movie so here goes.
Ben Affleck and Gal Gadot were the two focuses of this movie because they had a lot of pressure on them to bring Batman and Wonder Woman to life and do the characters justice (terrible I know but I couldn't resist). All over the internet I saw hate for Ben Affleck and people saying Gal Gadot was too skinny. At first, I'll be honest, I did think Gal Gadot was really skinny and couldn't imagine her as Wonder Woman, BUT, unlike most people, I knew that before they would film her scenes, she would be 'buffing up' because I have faith in Zack Snyder because he is a fan and has made brilliant films. Man Of Steel made me like Superman, because of the way he was written as conflicted and the whole film made him more human and I loved it.
Here's where some people will disagree highly with me....I am not a big fan of the Nolan trilogy Batman. Now, before you throw a fit and verbally kick my ass, let me try and tell you why. The Voice! (it's not the only reason, but this is the reason I'm trying to make a point of) Batman a.k.a Bruce Wayne is a BILLIONAIRE, so who thought that the best way for him to disguise his voice would be to make him sound like he's fucked up his throat somehow? A billionaire with all those gadgets would surely think that what he needs is a voice modulator. Snyder brought in the voice modulator and I fell in love in that first trailer from hearing Batman talk through a voice modulator because I was sat there like "Hallelujah they finally worked out what a billionaire vigilante would do!" and I think it could be just me, but I honestly would prefer to think of Batman using one of those rather than grumbling his voice, because it just makes more sense.
So...Batfleck was incredible. My favourite portrayal so far and here's why:
- Arkham game fighting style
- Aged personality that says it all about why he's that violent
- He's definitely a great portrayal of the Dark Knight Returns version of Batman
- Ben Affleck is a great actor (in my opinion)
People's biggest complaint was 'Batman Kills' and I've had this discussion with my friends many times. Yes people died, IT'S HAPPENED BEFORE! It's rare but it's happened. You like the realism of Nolan's trilogy but there's a realism to Batfleck that you might not be seeing. He's been through all the same shit year in, year out for decades. Villains cause chaos, Batman fights villain, lets them live, puts them away, they break out, rinse repeat. Doing that for decades, losing people you love because of your choice not to kill, would surely cause a spark in your mind and Bruce Wayne says this in the movie through less words. "How many good guys are left? How many stay that way?"
If you think about it, he's essentially saying "I was a good guy but even I have had my boundaries pushed to the line and over". He's finally at the age where he has a state of mind that from his perspective...bad guys don't deserve to be shown mercy, but at the same time, he doesn't necessarily kill the bad guys directly.
Think of the warehouse scene. Bad Guy throws grenade, Batman kicks it back at him. Grenade goes BOOM. Bad guys die. BUT! If the guy hadn't have tried to throw the grenade, Batman wouldn't have kicked it back, and it wouldn't have ended in their death. Simple as that.
Let's move on though.
Superman is conflicted and the movie gets very political with a message of "Here's a God-Like figure. Should he be allowed to do what he wants or should we take away Choice by having under the Governments thumb?" and Superman personally is having internal issues of "I want this to be my home because it's the only home I've known, but these people don't want me and this stress is affecting both Clark Kent and Superman". He should have been able to see or hear the bomb in the wheelchair, but his mind was preoccupied with "Why does this government and these people hate me when I saved not only my city but the whole world?". Think about your stress with work, with college, school etc. and how it really does effect everything else around you. You might not want to go out with friends because you feel drained from the stress, now try to imagine that on the level of Superman! The poor guy just wanted to help.
My biggest enjoyment from this film was ALL OF THE DC REFERENCES! There were so many cool easter eggs, references etc. that I adored from Riddler Question Marks, to seeing Superman in a skeletal form after the Nuke explosion and then regaining his life force from the flowers through their Photosynthesis just like in the graphic novel! It was an incredible experience and I loved the film mainly for that.
The Bad:
Doomsday....I want to hope it's not the actual Doomsday and maybe just a failed experiment that Lex tried out but at the same time I know it probably is meant to be THE Doomsday.
The Editing:
The editing was jumpy and some cuts didn't make sense UNTIL the Ultimate Cut. The Ultimate Cut gives us some scenes with Clark Kent in Gotham BEFORE the big introduction to Batman in person, and hearing stories and investigating why people fear him, but also respect him. This would have worked so much better in the Theatrical Cut but sadly studios like to cut the film and people blame the Director for it which annoys me slightly.
Guaranteed this post might not change your mind, but I must say that you should try watching the film again if you've avoided it, watch the Ultimate Cut and really pay attention to how its being shown to the audience. Overall this is one of my favourite superhero movies and I will always stand up for it, BUT I'm not blind to it's faults.
Bob Mann (459 KP) rated Breaking In (2018) (2018) in Movies
Sep 29, 2021
Get In.
Into every life a little rain must fall. Some fairly pervasive advertising drove me into the cinema to see this one… often a sign that the distributors think it has legs. And from its quirky opening titles (with a COMPLETELY expected shock denouement!) I started to think it did have something. The beginning is in fact VERY similar to the introductory scene of “Get Out” in its randomness, and for one brief moment I wondered if the film was trying to parody that indie classic from last year… with only some studio lawyers getting in the way of them really calling it “Get In”. (“No, no, no… ‘Get’ is copyrighted… you’ll have to use some other word!”).
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!
Kristy H (1252 KP) rated The Last Time I Saw You in Books
Aug 23, 2019
Dr. Kate English's glamorous life comes to a screeching halt when her mother, Lily, dies--brutally murdered in her own home. At the funeral, Kate reunites with her close college friend, Blaire Barrington, whom she hasn't seen in fifteen years, since the two had a falling out. But Kate's grief and shock get even worse when she receives a text, "You think you're sad now, just wait. By the time I'm finished with you, you'll wish you had been buried today." Soon she finds herself threatened, wondering if she's being watched and targeted in her own home. She asks Blaire to help look into her mother's death. But Blaire's aggressive questions alienate Kate's friends, and all the while, Kate feels increasingly afraid for her own life. Who killed Lily, and are they coming for Kate next?
"Only days ago, Kate had been mulling over what to get her mother for Christmas. She couldn't have known that instead of choosing a gift, she'd be picking out a casket."
This was a creepy enough thriller, but boy, it was chock full of a cast of unlikable characters. It was impossible to find much sympathy for Kate, despite her grief over her mother. She was an irrational, annoying, wealthy woman and a terrible mother to her young daughter, whom she foisted on the nanny every chance she got. Blaire had few redeeming qualities; same with Kate's philandering husband, Simon. It seemed like poor Lily was probably the best in the bunch, but she was dead.
The writing in this one was tough for me. A lot of simplistic words and style, which was filled with much telling, but little showing. Stop telling me how everyone feels and let it all unfold naturally. This was coupled with a ton of very short, fake red herrings that kept getting thrown in every few chapters. I'm all for a red herring, but let it fully play out. Instead, it would be tossed in and then almost immediately ruled out, leaving you with the equivalent of literary whiplash.
There were also a lot of pretty major "coincidences" that left me feeling a bit dubious. Seriously, this is really happening? Many of the plot points were rather predictable, though there were a couple of good twists. It was a creepy read, though seemed oddly simple (I can't think of another way to describe it), and it did keep me reading.
Overall, not my favorite read, and doesn't motivate me to read the previous Liv Constantine book that much. My notes say "good enough," which is probably the best description I can come up with. I kept reading, but I didn't love it. 2.5 stars.
"Only days ago, Kate had been mulling over what to get her mother for Christmas. She couldn't have known that instead of choosing a gift, she'd be picking out a casket."
This was a creepy enough thriller, but boy, it was chock full of a cast of unlikable characters. It was impossible to find much sympathy for Kate, despite her grief over her mother. She was an irrational, annoying, wealthy woman and a terrible mother to her young daughter, whom she foisted on the nanny every chance she got. Blaire had few redeeming qualities; same with Kate's philandering husband, Simon. It seemed like poor Lily was probably the best in the bunch, but she was dead.
The writing in this one was tough for me. A lot of simplistic words and style, which was filled with much telling, but little showing. Stop telling me how everyone feels and let it all unfold naturally. This was coupled with a ton of very short, fake red herrings that kept getting thrown in every few chapters. I'm all for a red herring, but let it fully play out. Instead, it would be tossed in and then almost immediately ruled out, leaving you with the equivalent of literary whiplash.
There were also a lot of pretty major "coincidences" that left me feeling a bit dubious. Seriously, this is really happening? Many of the plot points were rather predictable, though there were a couple of good twists. It was a creepy read, though seemed oddly simple (I can't think of another way to describe it), and it did keep me reading.
Overall, not my favorite read, and doesn't motivate me to read the previous Liv Constantine book that much. My notes say "good enough," which is probably the best description I can come up with. I kept reading, but I didn't love it. 2.5 stars.
The World According to Trump: Humble Words from the Man Who Would be King, President, Ruler of the World
Book
"I don't put on any airs," Donald J Trump once told a journalist, from behind his "100% mahogany"...
Kristy H (1252 KP) rated Defending Taylor in Books
Feb 13, 2018
Taylor has always grown up expecting the most of herself. After all, her father is a State Senator, and he and her mother have high expectations for their youngest daughter. At her private school, Taylor excels at school and is now captain of her soccer team. She has a close group of friends and a boyfriend, Ben. But all of that changes when Taylor makes a mistake--and gets kicked out of school. Now she's forced to start over at the local public school, which puts her dreams of Ivy League college in jeopardy. She joins the school's soccer team and tries to make things right with her family, but she can't deal with the secrets she's keeping, or the crushing disappointment of her entire family.
I can't help it: Kenneally's books are just enjoyable. This one leaves you in the dark in the beginning as to exactly what happened to Taylor--while frustrating, it builds suspense effectively and keeps you turning pages. Taylor's under so much pressure, but Kenneally easily captures the teen experience and the dramatic "life and death" sensation of being a teenager. Sometimes you roll your eyes at Taylor's actions, but you have to remember what it's like to be a teenager: you really do feel bad for the kid. Her parents put a crazy amount of pressure on Taylor, as do her perfect older twin siblings, and the book offers a good commentary about the burden and anxiety teens face these days regarding school and the college process. Plus, Taylor has the extra stress of her behavior being under the microscope of her father's senate campaign.
I was a little frustrated about how Taylor couldn't handle talking to her parents about her life, but could fall quickly and easily into a mature romantic relationship, but that seems to be par for the course for many YA novels these days. Besides, you can't help rooting for her relationship (and the cute guy). I enjoyed the message in this novel about taking a step back, finding yourself, and doing things your own way. I think it's a message that could benefit many teens. I also couldn't help but fall for Taylor, even if she was frustrating at times, and overall, I enjoyed this one. Kenneally has a way with words and writing teens--her books are worth the read.
I received a copy of this book from the publisher and Netgalley (thank you!); it is available everywhere as of 7/5.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
I can't help it: Kenneally's books are just enjoyable. This one leaves you in the dark in the beginning as to exactly what happened to Taylor--while frustrating, it builds suspense effectively and keeps you turning pages. Taylor's under so much pressure, but Kenneally easily captures the teen experience and the dramatic "life and death" sensation of being a teenager. Sometimes you roll your eyes at Taylor's actions, but you have to remember what it's like to be a teenager: you really do feel bad for the kid. Her parents put a crazy amount of pressure on Taylor, as do her perfect older twin siblings, and the book offers a good commentary about the burden and anxiety teens face these days regarding school and the college process. Plus, Taylor has the extra stress of her behavior being under the microscope of her father's senate campaign.
I was a little frustrated about how Taylor couldn't handle talking to her parents about her life, but could fall quickly and easily into a mature romantic relationship, but that seems to be par for the course for many YA novels these days. Besides, you can't help rooting for her relationship (and the cute guy). I enjoyed the message in this novel about taking a step back, finding yourself, and doing things your own way. I think it's a message that could benefit many teens. I also couldn't help but fall for Taylor, even if she was frustrating at times, and overall, I enjoyed this one. Kenneally has a way with words and writing teens--her books are worth the read.
I received a copy of this book from the publisher and Netgalley (thank you!); it is available everywhere as of 7/5.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;