"This film is as much about the landscape as it is about the people. It achieves such a delicate and alluring balance; watching Days of Heaven feels less like watching a screen in a theater and more like looking out a window in this farmer’s home. It’s an experience, not a tale. I remember watching this film for a class in college. When that train crosses the bridge against the bright blue sky, I gasped."

"After spotting a then-unknown Delphine Seyrig in a New York theater production, director Alain Resnais cast her as the female lead of his superb and enigmatic meditation on time and memory, then enlisted Chanel to transform his ingenue into a star. The exquisite gowns she designed are integral to the film’s highly influential visual design, and Chanel and Seyrig began a long-lasting friendship, united by mutual respect and their devotion to the cause of women."

"I remember it as a strong anticolonialist film, with parallels with the American civil rights movement. In fact, a scene you won’t see in Medium Cool, of black militants going into a theater where The Battle of Algiers was playing, was deleted as a concession to Paramount’s concerns that it would provoke violence against Paramount executives. Paramount argued that if audience members came out of Medium Cool and committed a violent act, Paramount would be liable."