"I know, I know… indie cred is now out the window. But what can I say? Mark and I saw this film at Christmas 1994 in a movie theater, and I laughed so hard I sweat out 5 lbs of water weight and got rock hard abs in the process. We took a camping road trip to the mountains and almost froze to death because of it. I’ve seen it probably 20-plus times and it just makes me so happy every time."

"The Producers is one of my favorite movies, and I don’t mean the musical. I mean the original one that Mel Brooks directed, with Zero Mostel. I saw it when it first came out. I saw it in the movie theaters, back in the ’60s. I just think as a comedy, and also being in the business as I am, and coming from theater, it just had that much more impact for me. That’s a movie I like very much."

"I’m trying not to pick movies I’m in. The one I really love, and it’s got every great comic in it, is this one. I could watch that movie anytime, it’s so crazy and wonderful. I saw it in the theater when I was a kid. It was a blockbuster for that era, and certainly the advertising made it seem that way. It was a beautiful movie — funny, and oh, God… It just went on and on and on. Just like the title."

"First one I’d say is GoodFellas. When I was a teenager I slept underneath a picture of Martin Scorsese. I think GoodFellas is just a perfect film. From an efficiency of storytelling standpoint, from an entertainment standpoint, from a performance standpoint, from a use of music standpoint, from a cinematography and editing standpoint — to me it’s just a perfect movie. That’s a movie I saw when I was 16 years old, when I watched it in a theater 30 times. A perfect movie."

"Hydrangeas are the flowers that tint the shots of this beautiful film. My grandmother was called Hortensia (hydrangeas in Spanish). These are the flowers of my childhood. The film reaches its melancholic note through a floral invasion. It is quite moving and transporting to experience how the room in the theater is filled with their purple. The film explores “fakeism” as an evolution of realism, with color as its main artery. Purple runs through the veins that keep our hearts pumping."

"My first Fellini film, at the old Normandy theater, and though I got to love all the rest of his work, this one, like all first loves, has a special place in my heart. Watching Zampanò on the beach, howling like a lost wolf at the black star-filled night, has never left me. What a way to begin a Fellini career. And it was one of the films I remember that had a great beginning, which got almost forgotten by the end."

"This book was given to me as a sort of joke gift by a friend, but it ended up serving two purposes: Firs, it’s a great read from one of the true female pioneers in the movie and theater world. Witty, smart, giving the reader a glimpse into an era that’s long gone. Second, the cover has enormous camp value, and always draws attention. So it works both intellectually and decoratively—not unlike some of the characters Loos wrote about!"