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The Nun (2018)
The Nun (2018)
2018 | Horror
So often now the theater experience gets ruined with people talking or on their phone, but tonight was a great experience, and nights like tonight, are the reason why I keep going. Whether it was slip of tongue or said on purpose I don't know, but the guy who checked my ticket at the theater said, "Good luck" as he directed me to my screen. And before even touching on the movie, which was amazing, I got super excited seeing the new Halloween trailer on the big screen for the first time; perfect mood setter leading into the movie. Couldn't have asked for a better group of people to watch a movie with tonight. No talking, no bright lights of cell phones, just the sound of chuckles during the few funny lines and the occasional jump and slight screech of a few.

Now, to the movie. There have been some great horror movies in recent years and this one is right up there with the best of them. The Nun was so well done! Set in Romania during the early 50's, it just had that classic horror movie feel to it. I'll finish by decribing and praising it like this, it felt like if The Exorcist was made by Universal back in the 30's/40's era then the result would've been The Nun.
  
The Gleaners & I (2000)
The Gleaners & I (2000)
2000 | Documentary
(0 Ratings)
Movie Favorite

"In Gleaners And I, what’s around you is what you survive on – it’s a kind of contemporary foraging that they’re doing. I thought of that, and Agnes [Varda, the director] was on my mind because, A) she passed away when I was making a film, and B) they brought back a print of Vagabond before I was shooting. I was in New York and I saw Lady Bird and the theater was packed and there was so much hype about Lady Bird at that time. Then I walked up and I saw Vagabond in this not-so-full theater and saw a print of it. I thought, “Oh my God, the inventiveness of that film and the sort of circular motion of it and how she just decides to let people talk to the camera at a point, even though she’s in this narrative!” Anyway, just her confidence to be so inventive with narrative form. She’s so inspiring. How she moved in and out of documentary and narrative and how her docs have such narrative threads in them and her narratives… she just opens the door, and it’s like, “OK, now you’re going to talk to these real people that aren’t actors,” and she is just very fluid between those two. I admire those things about her work so much."

Source
  
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Josh Napper (40 KP) rated Sing (2016) in Movies

Sep 27, 2019  
Sing (2016)
Sing (2016)
2016 | Animation, Comedy, Musical
HEADLINE:
sing
plot
In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
What lessons did you learn from this story (theme/moral)? What do you think others will learn from it?
Sometimes it takes others to bring out the best in you. No matter what you look like on the outside, something talented and awesome is secretly lurking on the inside. Always believe in yourself even if everyone, even the ones closet to you, doesn’t believe in you because the only person that needs to believe in you is yourself. When you hit rock bottom there is only one way to go… and that way is up, up and up.
What group of people would like this movie? Who would you recommend it to? Who would you not recommend it to?
i would recommend it to anyone that has a family with a little kid.
What is your final word on the film: Is it good or bad?
i have decided that sing, the movie, is a ok movie. it is somewhere between a good and a bad movie.
RATING SYSTEM:
crap
poor
decent
even
Good
Great
perfect
I give the movie sing a movie rating of 4.
  
The Tingler (1959)
The Tingler (1959)
1959 | Horror, Mystery, Sci-Fi
9
7.3 (3 Ratings)
Movie Rating
Vincent Price (1 more)
William Castle
When You Scream
The Tingler- is a excellent movie and if you havent watched it than go watch it.

The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.

Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.

In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:

"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."

William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).

"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.

During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue

An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.

Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.

To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.

Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.

Excellent Film.