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Colon and Other Gastrointestinal Cancers: Cancer: Principles & Practice of Oncology
Theodore S. Lawrence and Steven A. Rosenberg
Book
Selected from the world's leading comprehensive cancer textbook, this tightly focused resource...
Evolutionary Medicine
Stephen C Stearns and Ruslan Medzhitov
Book
Evolutionary Medicine is a textbook intended for use in undergraduate, graduate, medical school, and...
The Art of Narrative Psychiatry: Stories of Strength and Meaning
Book
Narrative psychiatry empowers patients to shape their lives through story. Rather than focusing only...
Cancer of the Skin: Cancer: Principles & Practice of Oncology
Vincent T. DeVita, Theodore S. Lawrence and Steven A. Rosenberg
Book
Selected from the world's leading comprehensive cancer textbook, this tightly focused resource...
Andy K (10821 KP) rated The Brood (1979) in Movies
Sep 22, 2019
An R rated version of Inside Out?
Frank Carveth is just a father with some problems. His wife is currently enrolled in an intense, secluded, mysterious form of psychotherapy being conducted by an unusual doctor. His eccentric mother-in-law, has just been murdered through unusual circumstances and his young daughter is showing signs of physical abuse at the hands of his institutionalized wife that he must now investigate.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
Dot 2 Dot: Connect the Dots
Games and Entertainment
App
Dot 2 dot for adults is great puzzle game from the creators of very popular app “ColorMe -...
Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The Twelfth Card (Lincoln Rhyme #6)
9.0
Rate It
Book
A high-school girl in Harlem, Geneva Settle, is the target of a ruthless professional...
Debbiereadsbook (1110 KP) rated A Fall of Light in Books
Sep 9, 2023
only ONE thing knocked that star off!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Greg appears as a side character in a series by Greene. I have not read those books, but I don't feel I missed out on anything by not doing. I'm intrigued by this group, though, and may well go back and read them. *if I can find the time*
I gave this 4 stars, and one thing ONLY knocked that star off.
Single person point of view.
Only Greg gets a say here, and I wanted, so desperately wanted to hear from Louis, at many key points along the way and I don't get him.
That said, it's the only fault I can find with this book.
I loved that Greg knew, deep down, that he wasn't a casual person, and he could never be casual with Louis. Yet he jumped right in with everything. I loved that Greg let Louis keep his secret for as long as he wanted to. He knew it would come out in the end, he just had to bide his time. I hated what Greg's brother was doing to him, I really did. Said brother does get his comeuppence though.
Greg's past is dark and shocking, being made homeless at 16, he did what he had to do to survive. Loved that Louis did NOT hold it against him, even if his own flesh and blood did. Loved that the band supported him doing the solo stuff, to appease his brother, and also that they stood by him.
It's not especially explicit for a MM romance, but I liked that here, it's more about the emotions going through Greg (since we don't get Louis!) than anything else.
Some difficult topics dealt with: religious intervention, conversion therapy, street life and doing what you need to do to survive. Triggers for some, be mindful.
This is the first I've read of Greene's work. Like I said, I'd like, *time allowing* to read the series that Greg first appears in, but if not, I will absolutely read any future books by this author.
4 very VERY good stars
*same worded review will appear elsewhere
Greg appears as a side character in a series by Greene. I have not read those books, but I don't feel I missed out on anything by not doing. I'm intrigued by this group, though, and may well go back and read them. *if I can find the time*
I gave this 4 stars, and one thing ONLY knocked that star off.
Single person point of view.
Only Greg gets a say here, and I wanted, so desperately wanted to hear from Louis, at many key points along the way and I don't get him.
That said, it's the only fault I can find with this book.
I loved that Greg knew, deep down, that he wasn't a casual person, and he could never be casual with Louis. Yet he jumped right in with everything. I loved that Greg let Louis keep his secret for as long as he wanted to. He knew it would come out in the end, he just had to bide his time. I hated what Greg's brother was doing to him, I really did. Said brother does get his comeuppence though.
Greg's past is dark and shocking, being made homeless at 16, he did what he had to do to survive. Loved that Louis did NOT hold it against him, even if his own flesh and blood did. Loved that the band supported him doing the solo stuff, to appease his brother, and also that they stood by him.
It's not especially explicit for a MM romance, but I liked that here, it's more about the emotions going through Greg (since we don't get Louis!) than anything else.
Some difficult topics dealt with: religious intervention, conversion therapy, street life and doing what you need to do to survive. Triggers for some, be mindful.
This is the first I've read of Greene's work. Like I said, I'd like, *time allowing* to read the series that Greg first appears in, but if not, I will absolutely read any future books by this author.
4 very VERY good stars
*same worded review will appear elsewhere