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Darren (1599 KP) rated The Dark Within (2019) in Movies
Jun 21, 2019
Story: The Dark Within starts after an experiment goes wrong leading to Marcus (Flannery) growing up facing troubled visions and illnesses, in search for answers his doctor, Dr Norton (Styles) is trying to find answers to his past, which sends him to his parent’s cabin in a remote woodland area.
In the cabin the memories come running back to Marcus through visions and he is joined by his ex-girlfriend Sarah (Carelli) that is willing to help him put his life back together, but the truth itself will be too shocking for Marcus to handle.
Thoughts on The Dark Within
Characters – Marcus is a disturbed man with unknown psychic abilities, he spends times in therapy trying to piece together the pieces of his past to understand just what happened to him as a child, he has made himself distant from his loved ones and in a final attempt to unlock the truth, he heads to his parent’s old cabin, which soon starts to unlock the shocking truth about his childhood, as he starts to lose sense of reality. Sarah is the ex-girlfriend that has a restraining order against Marcus, she decides to put that aside to help Marcus find answers, being the only person that will be there for him. Dr Norton is the lady that is trying to help Marcus understand his past, she suggests the cabin as a location in which could hold the answers he requires. Andrew is the father of Marcus, the man that was performing the experiment which saw him leave Marcus as a young child, he knew the value of his idea and the consequences once things started to go wrong.
Performances – Paul Flannery in the leading role is great to watch, he gives us a performance of a man that is losing sense of his reality, with moments of desperate hope, while others are filled with fear and moments where he tries to remain calm, he pulls us through the film with his performance that is needed to help carry the film. Kendra Carelli does get time to shine, but like most of the supporting cast they are only used when required and make the most of their screen time.
Story – The story here follows a man that has been losing sense of reality because of a childhood trauma, he goes in search for answers that will only leave him feeling shocked and needing to battle evil. One of the easiest ways to describe the story at times would be like watching ‘The Evil Dead’ one man trapped in a cabin trying to remain sane, while a host of different paranormal incidents come in his direction, this story does go deeper than just that though, because we get involved in a scientific experiment which has caused the events to unfold. There could be one side of the story which does get overused, which does frustrate, though it does only add to the unknown about what is going on. For a story that does revolve around the unknown mindset, this is one that does keep you guessing and does make you question everything you are seeing.
Horror – The horror in the film does comes from the unknown hauntings Marcus is experiencing, each one of these become more shocking as the events of the film do unfold, with moments that are meant to disturb along the way.
Settings – The film does use the one location for the setting, which is the remote cabin in the woods, which does create the isolation required for the film.
Special Effects – The effects do show the budget the film is working with, they do work well for the film, when we get to the creature it will leave people feeling scared by the end of the film.
Scene of the Movie – The creature’s first appearance.
That Moment That Annoyed Me – The Evil Dead laugh.
Final Thoughts – This is an entertaining shock filled horror that is very enjoyable, we get a story that will keep you guessing and a creature that could strike the fear into the audience.
Overall: Horror to enjoy.
https://moviesreview101.com/2019/06/17/the-dark-within-2019/
In the cabin the memories come running back to Marcus through visions and he is joined by his ex-girlfriend Sarah (Carelli) that is willing to help him put his life back together, but the truth itself will be too shocking for Marcus to handle.
Thoughts on The Dark Within
Characters – Marcus is a disturbed man with unknown psychic abilities, he spends times in therapy trying to piece together the pieces of his past to understand just what happened to him as a child, he has made himself distant from his loved ones and in a final attempt to unlock the truth, he heads to his parent’s old cabin, which soon starts to unlock the shocking truth about his childhood, as he starts to lose sense of reality. Sarah is the ex-girlfriend that has a restraining order against Marcus, she decides to put that aside to help Marcus find answers, being the only person that will be there for him. Dr Norton is the lady that is trying to help Marcus understand his past, she suggests the cabin as a location in which could hold the answers he requires. Andrew is the father of Marcus, the man that was performing the experiment which saw him leave Marcus as a young child, he knew the value of his idea and the consequences once things started to go wrong.
Performances – Paul Flannery in the leading role is great to watch, he gives us a performance of a man that is losing sense of his reality, with moments of desperate hope, while others are filled with fear and moments where he tries to remain calm, he pulls us through the film with his performance that is needed to help carry the film. Kendra Carelli does get time to shine, but like most of the supporting cast they are only used when required and make the most of their screen time.
Story – The story here follows a man that has been losing sense of reality because of a childhood trauma, he goes in search for answers that will only leave him feeling shocked and needing to battle evil. One of the easiest ways to describe the story at times would be like watching ‘The Evil Dead’ one man trapped in a cabin trying to remain sane, while a host of different paranormal incidents come in his direction, this story does go deeper than just that though, because we get involved in a scientific experiment which has caused the events to unfold. There could be one side of the story which does get overused, which does frustrate, though it does only add to the unknown about what is going on. For a story that does revolve around the unknown mindset, this is one that does keep you guessing and does make you question everything you are seeing.
Horror – The horror in the film does comes from the unknown hauntings Marcus is experiencing, each one of these become more shocking as the events of the film do unfold, with moments that are meant to disturb along the way.
Settings – The film does use the one location for the setting, which is the remote cabin in the woods, which does create the isolation required for the film.
Special Effects – The effects do show the budget the film is working with, they do work well for the film, when we get to the creature it will leave people feeling scared by the end of the film.
Scene of the Movie – The creature’s first appearance.
That Moment That Annoyed Me – The Evil Dead laugh.
Final Thoughts – This is an entertaining shock filled horror that is very enjoyable, we get a story that will keep you guessing and a creature that could strike the fear into the audience.
Overall: Horror to enjoy.
https://moviesreview101.com/2019/06/17/the-dark-within-2019/
Bad writing (1 more)
Mostly romance
Drowning is one of the top fears in the world, and it's also one of the top ways to cover up a murder. In Lie to Me, Ward's fourth YA novel, she uses drowning as the basis of the story. Yet, this book fell very short in the thriller/mystery genre: Ward gives away too many hints at the beginning of the book, that most readers will have the murderer figured out by chapter 7; she also focuses too much on romance, something that should have caused this story to be filed under a different category other than mystery/thriller. But luckily she didn't bring in a wide circle of characters to cause confusion, using only one view point from the main character of Lie to Me: Amelia- - - a teen girl who believes she was pushed down a ravine to be left for dead in the raging water below.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Heather Cranmer (2721 KP) rated Ugly by Kelly Vincent in Books
May 29, 2022
I was so happy when I read the synopsis for Ugly by Kelly Vincent. This sounded exactly like the kind of book I needed to get me out of my reading slump. I was correct in my assumption. I absolutely loved this book!
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Cyn Armistead (14 KP) rated Alpha (Shifters, #6) in Books
Mar 1, 2018
Well, that was disappointing. I'm honestly sorry that I ever read that first book (which I got free somehow?). I remember being annoyed at the spelling of the main character's name, "Faythe." I should have stopped then.
The way the plot wound up, for the most part, had no real surprises. Anybody who has followed the series has to have figured out what was going to happen by now. It's been foreshadowed - heck, shouted from the rooftops.
No, my disappointment is in the way the damned romance thing was handled.
If you've bothered to read this but haven't read the series, I'm surprised. Anyway, we have a classic love triangle between Faythe, Marc, and Jace. The setting is supposed to be current day America with a twist - the characters are werecats, part of a hidden subculture.
We all know that mainstream Americans are supposedly monogamous but more serially monogamous and closet - something - in practice. Anyway, werecat society is fiercely monogamous. Females are rare, and they're supposed to hit puberty, get married, and produce the next generation with their One True Love. Period. No other options.
So Faythe has defied tradition so far. She went to college. Good for her! She had a boyfriend there. Even better! A non-Pride boyfriend. Great! (To my way of thinking, not her subculture's). She left her guy, Marc, standing at the altar to do all that, though. Eww - not classy.
But after she goes back home, she gets back together with Marc. Hmph.
Then she "connects" with Jace. That means "has sex with." Ooo, bad idea, since she was in a committed relationship with Marc at the time. Very bad idea. But Oh, They were Grieving! Together! For her brother and his best friend, who had just been treacherously killed by enemies! So of course the way to do that, instead of talking about their memories of him, is to roll around naked in the middle of a public room, right?
Um, not the way I'd do it, but, apparently that's their way. They do their grieving with a lot more alcohol than I would too, though.
They don't get caught, at least - not then. No, an enemy figures it out due to how the three interact, and tells Marc, and he believes the enemy (because everybody believes enemies over allies in the heat of battle). And they're all too immature to put the crap behind them and just deal with the fact that they're in the middle of a "war," too.
I kept wanting to spank all of them, and it wasn't because I found any of them sexy.
I did hope, at first, that bringing Jace in as a love interest - and Faythe does repeat, over and over and over again, that she loves Jace, that it wasn't "just sex" - might mean that there was hope for some sort of surprise in the end of the book. That would have been nice, right? Something of a twist that didn't lead to an unhappy ending? I would have loved to see that!
She's going to be the first female Alpha, so why not the first Alpha with two husbands? She'll be the first Alpha who has to deal with pregnancy, so why not have one husband to protect her while she's pregnant and another to get deal with what has to be done in person? What a concept?
My hope was buoyed by the fact that Vincent deliberately developed Jase as a decent potential partner, showing him taking care of Faythe well when she's injured, supporting her as she would need to be supporting when she takes over the Pride as Alpha, and working well with Marc and others repeatedly.
Marc, on the other hand, is a jerk, slamming doors, stomping around, and doing everything but pissing on the furniture to mark his territory.
Just once, I want to see a hero or heroine walk away when someone says, "I cant live without you!" I want to see someone say, "Whoa - that's WAY unhealthy, babe! You need THERAPY!"
Instead, Faythe's father tells her to "Choose the one you can't live without." UGH. Thanks, Daddy! Codependent much?
Do I think she chose the wrong Tom? Absolutely. But - she's a spoiled brat, and she chose a jealous ass. They deserve each other. Let the sweet, loving man go find the sweet, loving woman he deserves. Hopefully he'll stop the drunken escapades and keep it in his pants from now on. Maybe Kaci will grow up to be his Tabby?
Anyway, there you have it. Volume Eleventy Billion and thirteen of How To Do Dysfunctional Relationships.
Next, please!
The way the plot wound up, for the most part, had no real surprises. Anybody who has followed the series has to have figured out what was going to happen by now. It's been foreshadowed - heck, shouted from the rooftops.
No, my disappointment is in the way the damned romance thing was handled.
If you've bothered to read this but haven't read the series, I'm surprised. Anyway, we have a classic love triangle between Faythe, Marc, and Jace. The setting is supposed to be current day America with a twist - the characters are werecats, part of a hidden subculture.
We all know that mainstream Americans are supposedly monogamous but more serially monogamous and closet - something - in practice. Anyway, werecat society is fiercely monogamous. Females are rare, and they're supposed to hit puberty, get married, and produce the next generation with their One True Love. Period. No other options.
So Faythe has defied tradition so far. She went to college. Good for her! She had a boyfriend there. Even better! A non-Pride boyfriend. Great! (To my way of thinking, not her subculture's). She left her guy, Marc, standing at the altar to do all that, though. Eww - not classy.
But after she goes back home, she gets back together with Marc. Hmph.
Then she "connects" with Jace. That means "has sex with." Ooo, bad idea, since she was in a committed relationship with Marc at the time. Very bad idea. But Oh, They were Grieving! Together! For her brother and his best friend, who had just been treacherously killed by enemies! So of course the way to do that, instead of talking about their memories of him, is to roll around naked in the middle of a public room, right?
Um, not the way I'd do it, but, apparently that's their way. They do their grieving with a lot more alcohol than I would too, though.
They don't get caught, at least - not then. No, an enemy figures it out due to how the three interact, and tells Marc, and he believes the enemy (because everybody believes enemies over allies in the heat of battle). And they're all too immature to put the crap behind them and just deal with the fact that they're in the middle of a "war," too.
I kept wanting to spank all of them, and it wasn't because I found any of them sexy.
I did hope, at first, that bringing Jace in as a love interest - and Faythe does repeat, over and over and over again, that she loves Jace, that it wasn't "just sex" - might mean that there was hope for some sort of surprise in the end of the book. That would have been nice, right? Something of a twist that didn't lead to an unhappy ending? I would have loved to see that!
She's going to be the first female Alpha, so why not the first Alpha with two husbands? She'll be the first Alpha who has to deal with pregnancy, so why not have one husband to protect her while she's pregnant and another to get deal with what has to be done in person? What a concept?
My hope was buoyed by the fact that Vincent deliberately developed Jase as a decent potential partner, showing him taking care of Faythe well when she's injured, supporting her as she would need to be supporting when she takes over the Pride as Alpha, and working well with Marc and others repeatedly.
Marc, on the other hand, is a jerk, slamming doors, stomping around, and doing everything but pissing on the furniture to mark his territory.
Just once, I want to see a hero or heroine walk away when someone says, "I cant live without you!" I want to see someone say, "Whoa - that's WAY unhealthy, babe! You need THERAPY!"
Instead, Faythe's father tells her to "Choose the one you can't live without." UGH. Thanks, Daddy! Codependent much?
Do I think she chose the wrong Tom? Absolutely. But - she's a spoiled brat, and she chose a jealous ass. They deserve each other. Let the sweet, loving man go find the sweet, loving woman he deserves. Hopefully he'll stop the drunken escapades and keep it in his pants from now on. Maybe Kaci will grow up to be his Tabby?
Anyway, there you have it. Volume Eleventy Billion and thirteen of How To Do Dysfunctional Relationships.
Next, please!
Housewife of Horror (12 KP) rated Bad Dreams (1988) in Movies
Aug 25, 2018
Contains spoilers, click to show
Bad Dreams
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Emma @ The Movies (1786 KP) rated Little Joe (2019) in Movies
Feb 6, 2020
I managed to get a ticket to see this at the London Film Festival, it had made my long shortlist, the premise looked interesting and the graphics were extremely appealing. I was very excited to see what Little Joe had in store.
Alice is developing a new breed of flower, a beautiful crimson flower that has an incredible therapeutic value to its owner. Look after it properly, speak to it nicely, and it will make you happy.
After Alice sneaks one home to her son she soon notices that rather than a happy demeanour he starts acting strangely, and he's not the only one showing odd behaviour after being around Little Joe.
Little Joe has some very strong style choices. The colour palette is beautiful, and I wish I could find the notes I made about it from the Q&A after the film. The vibrant pastels are homely and comforting while at the same time unsettling around the normal tones of life.
That's what a lot of the film is made to do though, the music is something I noted frequently. The oriental music works directly against what's happening in the story, an intentional choice by the composer. I also wrote down the word "whistling" a lot with regards to sound. While I can understand (sort of) why the composer went that way with the music I didn't feel like it worked. I didn't dislike the music itself, but my comments were mainly exclaiming that it stuck out and felt too different from everything around it that it became distracting.
Another piece of the film that didn't sit well with me was camera work. There are some very well shot scenes, when we first encounter Little Joe in Alice's home and a scene later on inside the greenhouse (that I won't go into because of spoilers), that draw the viewer in with intrigue. But then... you know when you're doing something and you get bored and realise you've drifted off looking at a point in the distance? The camera appears to get bored too and it'll zoom to the gaps between characters. Maybe I'm just programmed to expect this sort of shot to reveal something secret to the audience that the characters haven't noticed... I found it more distracting and annoying than having any artistic benefit.
Alice (Emily Beecham) has a dual mother role, firstly with her son Joe and secondly with her plants. Little Joe appears to be more like a son to her than her own flesh and blood, her scientific mind perhaps finding it easier to interact with an inanimate object that begins to defy what she knows to be possible. The film gets across her struggle quite well with her therapy sessions and the interactions with those around her as we get deeper into the story. Beecham's performance is... relaxed? Even when there's urgency nothing ever seems to be very urgent.
That's something that is common throughout, the pace plods. You would expect a somewhat subdued pace in this sort of invasion storyline, but there are no real points of climax and that makes it more of a meander... perhaps those exciting moments happened when the camera zoned out.
There are touches here and there that do make you hopeful for the film, but overall it feels like Little Joe went for subtle and took it slightly too far. Everything felt too calm, the only one that seemed to react as you'd expect was Bella, but the nature of her part of the story meant that this was over the top because it was so far from everything else.
I like the idea behind this and we know from many different films that this sort of thing can work, but the lack of a real punch anywhere made this a struggle to watch. Oddly, I think this would have worked as a limited series without a lot of changes. The slow pace wouldn't have been so evident if it was broken down into episodes, there are small peaks in there that would give just enough intrigue to hold over to the next episode, I even feel like the ending as it is would have worked more in this style. Sadly, as it was I don't feel like there was enough reward for the time invested in watching it as a film, there's a different expectation between and film and a TV series but it's very difficult to explain it here without revealing spoilers.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/little-joe-movie-review.html
Alice is developing a new breed of flower, a beautiful crimson flower that has an incredible therapeutic value to its owner. Look after it properly, speak to it nicely, and it will make you happy.
After Alice sneaks one home to her son she soon notices that rather than a happy demeanour he starts acting strangely, and he's not the only one showing odd behaviour after being around Little Joe.
Little Joe has some very strong style choices. The colour palette is beautiful, and I wish I could find the notes I made about it from the Q&A after the film. The vibrant pastels are homely and comforting while at the same time unsettling around the normal tones of life.
That's what a lot of the film is made to do though, the music is something I noted frequently. The oriental music works directly against what's happening in the story, an intentional choice by the composer. I also wrote down the word "whistling" a lot with regards to sound. While I can understand (sort of) why the composer went that way with the music I didn't feel like it worked. I didn't dislike the music itself, but my comments were mainly exclaiming that it stuck out and felt too different from everything around it that it became distracting.
Another piece of the film that didn't sit well with me was camera work. There are some very well shot scenes, when we first encounter Little Joe in Alice's home and a scene later on inside the greenhouse (that I won't go into because of spoilers), that draw the viewer in with intrigue. But then... you know when you're doing something and you get bored and realise you've drifted off looking at a point in the distance? The camera appears to get bored too and it'll zoom to the gaps between characters. Maybe I'm just programmed to expect this sort of shot to reveal something secret to the audience that the characters haven't noticed... I found it more distracting and annoying than having any artistic benefit.
Alice (Emily Beecham) has a dual mother role, firstly with her son Joe and secondly with her plants. Little Joe appears to be more like a son to her than her own flesh and blood, her scientific mind perhaps finding it easier to interact with an inanimate object that begins to defy what she knows to be possible. The film gets across her struggle quite well with her therapy sessions and the interactions with those around her as we get deeper into the story. Beecham's performance is... relaxed? Even when there's urgency nothing ever seems to be very urgent.
That's something that is common throughout, the pace plods. You would expect a somewhat subdued pace in this sort of invasion storyline, but there are no real points of climax and that makes it more of a meander... perhaps those exciting moments happened when the camera zoned out.
There are touches here and there that do make you hopeful for the film, but overall it feels like Little Joe went for subtle and took it slightly too far. Everything felt too calm, the only one that seemed to react as you'd expect was Bella, but the nature of her part of the story meant that this was over the top because it was so far from everything else.
I like the idea behind this and we know from many different films that this sort of thing can work, but the lack of a real punch anywhere made this a struggle to watch. Oddly, I think this would have worked as a limited series without a lot of changes. The slow pace wouldn't have been so evident if it was broken down into episodes, there are small peaks in there that would give just enough intrigue to hold over to the next episode, I even feel like the ending as it is would have worked more in this style. Sadly, as it was I don't feel like there was enough reward for the time invested in watching it as a film, there's a different expectation between and film and a TV series but it's very difficult to explain it here without revealing spoilers.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/little-joe-movie-review.html
Hadley (567 KP) rated Hannibal (Hannibal Lecter, #3) in Books
Apr 6, 2019
Written well (1 more)
Interesting characters
Contains spoilers, click to show
I was excited to read this book because Hannibal Lecter is one of my favorite fictional horror characters.
We get to follow Special Agent Clarice Starling through her troubles in the FBI,Hannibal Lecter's life while on the lamb (yes,that was intentional),one Italian detective's need for retribution,and a family's empire thirsty for revenge all inside of Harris' well-written 'Hannibal.'
The transition between this cast of characters is easily done with quick chapters,but Harris never loses a stride,keeping the momentum going from page to page.
The book begins with Special Agent Starling having made her place in the FBI. This soon becomes a controversy after a shootout pushes Starling into the headline spotlight,dubbed as the: Death Angel. Her career begins to fall apart,but not unnoticed by the one and only,Hannibal Lecter.
We meet a new and unforgettable character named Mason Verger. Verger is one of Lecter's earlier victims (pre-Silence of the Lambs),who survived and offers a high reward for the capture of his attacker. Verger is a memorable character --- "Mason Verger,noseless and lipless,with no soft tissue on his face,was all teeth,like a creature of the deep,deep ocean. Inured as we are to masks,the shock in seeing him is delayed. Shock comes with the recognition that this is a human face with a mind behind it. It churns you with its movement,the articulation of the jaw,the turning of the eye to see you. To see your normal face." But finding out the things he had done during his lifetime stays with the reader.
"I'm not ashamed anymore.I'll tell you about anything. It's all okay now. I got a walk on those trumped-up molestation counts if I did five hundred hours of community service,worked at the dog pound and got therapy from Dr. Lecter."
Even I couldn't blame Lecter for what he did to Mason.
"He went over to the mirror I looked at myself in,and kicked the bottom of it and took out a shard. I was flying. He came over and gave me the piece of glass and looked me in the eyes and suggested I might like to peel off my face with it."
Although most would have a revelation after such an attack,Mason continues to be the person he had always been,especially towards the children in his family's 'day care.'
"Do you know what will happen to Kitty Cat? The policemen will take Kitty Cat to the pound and a doctor there will give her a shot. Did you get a shot at day care? Did the nurse give you a shot? With a shiny needle? They'll give Kitty Cat a shot. She'll be so scared when she sees the needle. They'll stick it in and Kitty Cat will hurt and die."
Another interesting character we meet is named Rinaldo Pazzi,an Inspector in Florence,Italy. Pazzi is well known for working high profile cases,including the infamous serial killer,Il Mostro. It is Pazzi who identifies Lecter hiding in Florence. He makes a deal with Verger to help capture him for a nice lump sum,but at the chance of being killed by Lecter.
Eventually,we get a small insight into Lecter's psychological makeup by reliving the death of his sister,Mischa. This memory plays on and off throughout the rest of the book,but it's the only glimpse the reader gets into the dark side of Lecter's mind palace.
Harris beautifully transitioned from 'Silence of the Lambs' to 'Hannibal,' keeping readers on their toes from chapter to chapter. Interesting and dark characters intertwine to bring an end to Hannibal Lecter's series ('Hannibal Rising' is a prequel detailing Lecter's life as a young man).
I wouldn't say that you HAVE to read 'Silence of the Lambs' to understand the book 'Hannibal.' Harris did a great job of reminiscing over events that happened in 'Silence . . ." Yet,having read 'Silence. . .,' I will say you would get a better picture of Hannibal and Starling's view of one another,which would make the ending of 'Hannibal' make more sense to the reader.
Overall,I enjoyed 'Hannibal' more than 'Silence of the Lambs.' I find Starling's maturity in 'Hannibal' refreshing compared to her insecurities in 'Silence. . .' The book is very fluid,but a heavy read - this is not a read-in-a-day kind of book (484 pages). I found myself stopping and allowing what I read to settle in because it just seemed the right thing to do. My only annoyance was that during the entire part two that takes place in Florence,there is a lot of Italian being used without an english translation (I am not fluent,not even a little,so all of those sentences went right over my head). I feel like I may have missed out on some dialogue because of this.
We get to follow Special Agent Clarice Starling through her troubles in the FBI,Hannibal Lecter's life while on the lamb (yes,that was intentional),one Italian detective's need for retribution,and a family's empire thirsty for revenge all inside of Harris' well-written 'Hannibal.'
The transition between this cast of characters is easily done with quick chapters,but Harris never loses a stride,keeping the momentum going from page to page.
The book begins with Special Agent Starling having made her place in the FBI. This soon becomes a controversy after a shootout pushes Starling into the headline spotlight,dubbed as the: Death Angel. Her career begins to fall apart,but not unnoticed by the one and only,Hannibal Lecter.
We meet a new and unforgettable character named Mason Verger. Verger is one of Lecter's earlier victims (pre-Silence of the Lambs),who survived and offers a high reward for the capture of his attacker. Verger is a memorable character --- "Mason Verger,noseless and lipless,with no soft tissue on his face,was all teeth,like a creature of the deep,deep ocean. Inured as we are to masks,the shock in seeing him is delayed. Shock comes with the recognition that this is a human face with a mind behind it. It churns you with its movement,the articulation of the jaw,the turning of the eye to see you. To see your normal face." But finding out the things he had done during his lifetime stays with the reader.
"I'm not ashamed anymore.I'll tell you about anything. It's all okay now. I got a walk on those trumped-up molestation counts if I did five hundred hours of community service,worked at the dog pound and got therapy from Dr. Lecter."
Even I couldn't blame Lecter for what he did to Mason.
"He went over to the mirror I looked at myself in,and kicked the bottom of it and took out a shard. I was flying. He came over and gave me the piece of glass and looked me in the eyes and suggested I might like to peel off my face with it."
Although most would have a revelation after such an attack,Mason continues to be the person he had always been,especially towards the children in his family's 'day care.'
"Do you know what will happen to Kitty Cat? The policemen will take Kitty Cat to the pound and a doctor there will give her a shot. Did you get a shot at day care? Did the nurse give you a shot? With a shiny needle? They'll give Kitty Cat a shot. She'll be so scared when she sees the needle. They'll stick it in and Kitty Cat will hurt and die."
Another interesting character we meet is named Rinaldo Pazzi,an Inspector in Florence,Italy. Pazzi is well known for working high profile cases,including the infamous serial killer,Il Mostro. It is Pazzi who identifies Lecter hiding in Florence. He makes a deal with Verger to help capture him for a nice lump sum,but at the chance of being killed by Lecter.
Eventually,we get a small insight into Lecter's psychological makeup by reliving the death of his sister,Mischa. This memory plays on and off throughout the rest of the book,but it's the only glimpse the reader gets into the dark side of Lecter's mind palace.
Harris beautifully transitioned from 'Silence of the Lambs' to 'Hannibal,' keeping readers on their toes from chapter to chapter. Interesting and dark characters intertwine to bring an end to Hannibal Lecter's series ('Hannibal Rising' is a prequel detailing Lecter's life as a young man).
I wouldn't say that you HAVE to read 'Silence of the Lambs' to understand the book 'Hannibal.' Harris did a great job of reminiscing over events that happened in 'Silence . . ." Yet,having read 'Silence. . .,' I will say you would get a better picture of Hannibal and Starling's view of one another,which would make the ending of 'Hannibal' make more sense to the reader.
Overall,I enjoyed 'Hannibal' more than 'Silence of the Lambs.' I find Starling's maturity in 'Hannibal' refreshing compared to her insecurities in 'Silence. . .' The book is very fluid,but a heavy read - this is not a read-in-a-day kind of book (484 pages). I found myself stopping and allowing what I read to settle in because it just seemed the right thing to do. My only annoyance was that during the entire part two that takes place in Florence,there is a lot of Italian being used without an english translation (I am not fluent,not even a little,so all of those sentences went right over my head). I feel like I may have missed out on some dialogue because of this.
Chris Sawin (602 KP) rated Halloween II (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Contains spoilers, click to show
That fateful night in Haddonfield, Laurie Strode shot and killed Michael Myers or so she thought. As the ambulance that pulled what was thought to be the corpse of the world's most notorious serial killer, Michael Myers made sure everyone knew he was still alive the best way he could; by slaughtering whoever got in his way. Now, two years later, Laurie lives with Sheriff Brackett and his daughter Annie. Laurie struggles with hallucinations and panic attacks while believing the therapy she's receiving is only making her worse. As Laurie struggles with her newfound issues, Michael tries to reunite his family. Michael has visions of his mother with a white horse accompanied by his younger self. Michael is returning to Haddonfield to finish the job.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
Gareth von Kallenbach (980 KP) rated The Batman (2022) in Movies
Feb 28, 2022
In 1989 Michael Keaton was seen as a very controversial choice to wear the Cowl of Batman but soon proved his doubters wrong by turning “Batman” and its subsequent sequel “Batman Returns” into massive Box Office success before leaving the cape behind.
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the “Twilight” films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in “The Lighthouse” would be playing him a disservice by saying he was not up to the part.
In “The Batman”, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as “The Riddler” (Paul Dano), the vigilante known as “The Batman” is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the film’s theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, “The Batman” was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.
When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the “Twilight” films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in “The Lighthouse” would be playing him a disservice by saying he was not up to the part.
In “The Batman”, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.
When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as “The Riddler” (Paul Dano), the vigilante known as “The Batman” is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.
Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.
As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing girl who was photographed with the married Mayor and may well be the key to the investigation. Her disappearance leads her friend Selina Kyle (Zoe Kravitz), to take on her Catwoman persona and delve deep into an underworld that features deadly individuals ranging from Carmine Falcone (John Turturro), and The Penguin (Colin Farrell), amongst others as she and the Batman conduct their own investigations that at times overlap and further complicate matters.
As the body count rises and Batman races to find the true method behind the madness of The Riddler, the tone becomes darker and more sinister in a deadly race against time.
The film eschews the usual abundance of action sequences and glossy special effects which are common for Comic Book related films and instead gives audiences a slow-burning murder mystery that holds your attention from start to finish over its three-hour run time.
The dark and foreboding tone of the film is brought home by the haunting and sharp piano keys of the film’s theme that permeates the film and punches home that this is a film clearly aimed at a more adult audience.
Pattinson does a great job showing the deeply broken individual that is behind the mask and that Batman is the only form of escape or therapy that Bruce Wayne has due to his insistence on saving a city that many argue cannot be saved. He has strained his relationship at times with Alfred (Andy Serkis), caused damage to the financial stability and reputation of the family company in his quest for vengeance and justice, and has become a bitter and broken recluse in doing so. In many ways, it could be argued that his only socialization with others is as The Batman and his single-minded obsession is chilling to watch.
Pattinson also handles the action sequences well as the film spaces them out to put the emphasis more on the man than the gadgets as they are kept to a minimum even during a thrilling chase with the new version of The Batmobile.
The strong supporting cast works well with the film and Paul Dano gives a very compelling and disturbing version of his character which makes the film even darker and more engrossing.
Director Matt Reeves has crafted a dark and foreboding tone and visual style as a good portion of the film takes place in the darkness and his screenplay is not afraid to take chances by putting the emphasis on the characters and their flaws versus an abundance of action and effects.
I found this version of the character and interpretation more engrossing than prior versions of the film as the bold move to do a slow-burning and dark murder mystery versus an effect-laden action film reminded me of some of the better Batman stories such as Batman: The Killing Joke or Batman: The Long Halloween.
The film is not going to be for everyone, especially younger viewers and some may take issue with the casting choices, but their performances shine and as such, “The Batman” was a very engaging and unforgettable tale that for me serves as one of the best adaptations of the character ever.
4 stars out of 5
Daniel Boyd (1066 KP) rated Until Dawn in Video Games
Jul 21, 2017
Cast (1 more)
Graphics
A Bloody Good Time
This game by all accounts, should have been a flop. The fact that it was a cliché teen horror story, the fact that it started out as a move game for the ps3 and has had a long, unsteady development cycle and the fact that it was coming out in August, a time of year that is known as the stealth zone, as it is after the summer blockbuster season, but before the big fall line up drops. Yet, Supermassive games have managed to produce an engaging, genuinely scary story that plays on your expectations of this genre and succeeds in keeping the player engaged for a 10-12 hour story that follows the teens trying to survive through a horrific night of terror. I have been a gamer for the vast majority of my time on this earth and while I am very proud of that fact, I do realise that it may cloud my judgement somewhat and I could lose sight somewhat of what really makes a game special, which is why I will always greatly value an outsider’s opinion. I have been with my girlfriend for the past 3 years and before meeting me she was a casual gamer at best, playing Wii games and mobile games, I do believe she owned a PS1 when she was young but she definitely isn’t a gamer like I am. So, when I get a game and she watches me playing it and has a reaction more than just, ‘is this all you do?’ I know that it is something a bit more special than any old game. It happened with season 1 of Telltale’s Walking Dead, it happened with The Last Of Us and it happened a few nights ago with Until Dawn. As soon as I put the disc in and we played the first chapter, we were both hooked and dying to find out what happens next. This game is very well written, with an intriguing, engaging narrative coupled with purposefully written bad cheesy dialogue creating many memorable moments. The cast is very talented also, the facial capture in this game is very good and when playing you can see each tiny expression of fear or anger on the actor’s faces and the VO work is also pretty impeccable. Hayden Pannietre and Rami Malek stand out, as does Peter Stromare and the actor who plays Mike. The first quarter of the game is full of ‘mock’ scares that the group are seen pranking each other with, however not to an annoying extent. The scares that follow are very real with the next part of the game being reminiscent of a 70’s slasher movie. The atmosphere is built very well, with well timed audio cues and the use of a fixed camera working both as a homage to classic ps1 era horror games and as to give the player a feeling they are constantly being watched. Some camera angles are unsettling and the tracking shots can be particularly creepy, especially when you could have sworn that you saw something move in the far corner of the screen. The game then delves more into supernatural horror, which I will talk about more in the spoiler section of the review. Really though, there isn’t anything to spoil in this game in the respect that you can beat the game with everyone alive, or everybody dead. The only thing to spoil is how the characters die, which can be in a few different but increasingly gruesome ways which I won’t spoil here.
That’s not to say that everything that this game has to offer is positive, several of the big twists can be seen coming from a mile away, for example my better half guessed who the killer was going to be within the first hour of our playthrough, but other than that I am struggling to find any real criticisms in this game. It is just a fun experience that I would recommend to anyone, whether you are a horror fan or not.
Okay, spoiler time.
The twists in the game are fairly obvious. From very early on in the game it is clear that the ‘therapy’ sessions with Peter Stromare are a hallucination, probably a hallucination of the psycho in the clown mask and that psycho is probably Josh. All of these things come to pass, which means when they are revealed to be true the shock value is pretty much lost. It is also fairly obvious that there is something after the group besides the psycho, something that is more than likely to be supernatural. The only twist is finding out what that is and when it’s revealed to be the Gollum-like Wendigos, I was somewhat disappointed. The creatures are pretty cool in how they move, as they very twitchy and quick, but they are fairly generic and not all that scary once you know what they look like. The character deaths are quite well done, but half of the characters have fake ‘deaths,’ before their actual death scenes which makes the actual death scenes less impactful and somewhat fall flat.
Overall, Until Dawn is an engaging, entertaining experience that doesn’t really have any major flaws. For the most part the humour and the scares are well executed and while not all of the characters are likeable, they are all well written horror stereotypes that are played very well by their real life counterparts. This game was unexpectedly great by a number of people, and is seen as a surprise hit and likewise for me, it exceeded my expectations and served as a very pleasant and welcome addition to the modern horror genre.
That’s not to say that everything that this game has to offer is positive, several of the big twists can be seen coming from a mile away, for example my better half guessed who the killer was going to be within the first hour of our playthrough, but other than that I am struggling to find any real criticisms in this game. It is just a fun experience that I would recommend to anyone, whether you are a horror fan or not.
Okay, spoiler time.
The twists in the game are fairly obvious. From very early on in the game it is clear that the ‘therapy’ sessions with Peter Stromare are a hallucination, probably a hallucination of the psycho in the clown mask and that psycho is probably Josh. All of these things come to pass, which means when they are revealed to be true the shock value is pretty much lost. It is also fairly obvious that there is something after the group besides the psycho, something that is more than likely to be supernatural. The only twist is finding out what that is and when it’s revealed to be the Gollum-like Wendigos, I was somewhat disappointed. The creatures are pretty cool in how they move, as they very twitchy and quick, but they are fairly generic and not all that scary once you know what they look like. The character deaths are quite well done, but half of the characters have fake ‘deaths,’ before their actual death scenes which makes the actual death scenes less impactful and somewhat fall flat.
Overall, Until Dawn is an engaging, entertaining experience that doesn’t really have any major flaws. For the most part the humour and the scares are well executed and while not all of the characters are likeable, they are all well written horror stereotypes that are played very well by their real life counterparts. This game was unexpectedly great by a number of people, and is seen as a surprise hit and likewise for me, it exceeded my expectations and served as a very pleasant and welcome addition to the modern horror genre.