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TheDefunctDiva (304 KP) rated Unearthly in Books
Sep 27, 2017
Ethereal and Intelligent
Contains spoilers, click to show
Clara Gardener has a vision, and a purpose. Her realizing that purpose is the main focus of the tale Unearthly. Clara has been blessed: she is genetically one quarter angel. And being part angel is more common than one might think. Clara has a brother, also an angel-blood. She also has a life in California before fate and the story take us to Wyoming.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
Phillip McSween (751 KP) rated See You Yesterday (2019) in Movies
Oct 23, 2019
Highly Entertaining and Thought-Provoking
After successfully creating a time machine, high school scientist CJ Walker (Eden Duncan-Smith) decides to go back in time and save her brother from being gunned down by police. She soon learns that it’s harder to change the past than she once thought.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Kaz (232 KP) rated White Teeth in Books
May 15, 2019
A Disappointing Read
What the 'blurb' says:
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
Kristy H (1252 KP) rated A Spark Of Light in Books
Mar 12, 2019
Serious subject but great characters & story
It starts off as a typical day at the Center, a women's reproductive health care clinic in Mississippi. For Hugh McElroy, it's his 40th birthday, and a day that he hopes will pass by quietly and quickly. But everything changes in a moment when an armed shooter enters the Center--shooting employees and patients on sight. Hugh, a negotiator for the police, is immediately called to the scene. Once there, he comes to the horrifying realization that his sister, Bex, and his only daughter, fifteen-year-old, Wren, are inside. Hugh tries to keep this information to himself, determined to save the people he loves the most. Meanwhile, many inside the clinic are struggling to stay alive, while the shooter is trying to come to terms with the reasons that brought him to the clinic in the first place.
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
Midge (525 KP) rated The Shadow Between Us in Books
Mar 23, 2019
A Moving & Poignant Novel
Carol Mason, the best-selling author of ’After You Left’ has written an incredibly moving and poignant novel in this slow-burn, very beautiful work of fiction.
Olivia moves to the pretty coastal town of Port Townsend, with her marriage on-the-rocks, and her life in pieces. She doesn’t know if things with her husband Mark are truly over, or quite why the phone call she longs for on her daughter’s birthday will never come.
After joining a letter-writing club held at her local cafe she meets Ned, an ex-soldier badly wounded in Afghanistan. This chance friendship revives unexpected emotions and memories she’d rather forget.
Can Olivia find the courage to confront what she’s hiding from and finally begin to heal the wounds that have torn her life apart?
Liv, as she is known to her husband, is an extremely intriguing character. Regularly displaying a cocktail of emotions, I could still really empathise with her. She could be caring and thoughtful one minute, but then be frank, blunt and very much to-the-point, the next moment. At times she was positively distant and unkind. She was not alone in her attitude and behaviour as some of the other characters in the story shared similar traits such as cafe owner Beth. For me, this added to and complemented this wonderful character-driven story.
THE SHADOW BETWEEN US was a very insightful and thought-provoking read about reflecting on the mistakes we sometimes make and finding hope in second chances. I
very much liked the emphasis on letter-writing, reading and quotes from favourite books, running throughout the story.
The dialogue between Olivia and Ned was lovely and liked how they had an almost immediate connection. I was very keen to see how their relationship might develop. I found THE SHADOW BETWEEN US a very enjoyable read, helped by Carol Mason’s beautiful writing which has depth and substance. The ending was very fulfilling although with an unexpected twist. I will definitely be reading more of her books in the future.
[Thanks to #NetGalley, Lake Union Publishing and Carol Mason for my ARC of #TheShadowBetweenUs in exchange for an honest review.]
Olivia moves to the pretty coastal town of Port Townsend, with her marriage on-the-rocks, and her life in pieces. She doesn’t know if things with her husband Mark are truly over, or quite why the phone call she longs for on her daughter’s birthday will never come.
After joining a letter-writing club held at her local cafe she meets Ned, an ex-soldier badly wounded in Afghanistan. This chance friendship revives unexpected emotions and memories she’d rather forget.
Can Olivia find the courage to confront what she’s hiding from and finally begin to heal the wounds that have torn her life apart?
Liv, as she is known to her husband, is an extremely intriguing character. Regularly displaying a cocktail of emotions, I could still really empathise with her. She could be caring and thoughtful one minute, but then be frank, blunt and very much to-the-point, the next moment. At times she was positively distant and unkind. She was not alone in her attitude and behaviour as some of the other characters in the story shared similar traits such as cafe owner Beth. For me, this added to and complemented this wonderful character-driven story.
THE SHADOW BETWEEN US was a very insightful and thought-provoking read about reflecting on the mistakes we sometimes make and finding hope in second chances. I
very much liked the emphasis on letter-writing, reading and quotes from favourite books, running throughout the story.
The dialogue between Olivia and Ned was lovely and liked how they had an almost immediate connection. I was very keen to see how their relationship might develop. I found THE SHADOW BETWEEN US a very enjoyable read, helped by Carol Mason’s beautiful writing which has depth and substance. The ending was very fulfilling although with an unexpected twist. I will definitely be reading more of her books in the future.
[Thanks to #NetGalley, Lake Union Publishing and Carol Mason for my ARC of #TheShadowBetweenUs in exchange for an honest review.]
Lilyn G - Sci-Fi & Scary (91 KP) rated The Devil's Well (2017) in Movies
Jan 31, 2018
It made me think, which is more than I expected.
A ‘documentary’ film consisting mostly of found footage, capped with interviews on either end, The Devil’s Well attempts to convince viewers that there is still something interesting in the subgenre to be had. Sometimes, it nearly succeeds, but most of the time it just falls a bit flat.
I will say this for The Devil’s Well, it made me think about it. Some of the things that I initially found as flaws in the movie I wondered about later. Like was the lack of ‘forboding’ sound effects that you generally hear right before something happens. I also did like the interaction between the team members in regards to the reality of their situation. It is very clear that while some people have a definite motivation for coming to The Devil’s Well, the others are not exactly on board.
I liked the bluntness with which the cameras overseer of the Signs group (Kurtis Spieler) speaks to Bryan Marks (played by Bryan Manley Davis). The conversation felt exactly like one that would really have happened. I found myself rooting for him to survive. I also found myself hoping for the reveal that everything had been a huge hoax. (Though, speaking of the cameras, why were some in black and white and some weren’t?)
I think the weakest point is with the actress that played Karla Marks, but I’m unsure if I think it was the dialogue or the acting that failed. All I know is that while I was semi-engaged with most of the film, her scenes had me rolling my eyes a bit.
The Devil’s Well was well-shot and the acting was decent, but other than a few thought provoking moments, it really brings nothing new to the table. I wish there had been a bit more explanation about what had happened to Karla during the year that she was missing. The fact that it’s almost completely open ended drives me a bit bonkers.
Disclaimer: I received a screener link of this movie for review consideration from October Coast Media.
I will say this for The Devil’s Well, it made me think about it. Some of the things that I initially found as flaws in the movie I wondered about later. Like was the lack of ‘forboding’ sound effects that you generally hear right before something happens. I also did like the interaction between the team members in regards to the reality of their situation. It is very clear that while some people have a definite motivation for coming to The Devil’s Well, the others are not exactly on board.
I liked the bluntness with which the cameras overseer of the Signs group (Kurtis Spieler) speaks to Bryan Marks (played by Bryan Manley Davis). The conversation felt exactly like one that would really have happened. I found myself rooting for him to survive. I also found myself hoping for the reveal that everything had been a huge hoax. (Though, speaking of the cameras, why were some in black and white and some weren’t?)
I think the weakest point is with the actress that played Karla Marks, but I’m unsure if I think it was the dialogue or the acting that failed. All I know is that while I was semi-engaged with most of the film, her scenes had me rolling my eyes a bit.
The Devil’s Well was well-shot and the acting was decent, but other than a few thought provoking moments, it really brings nothing new to the table. I wish there had been a bit more explanation about what had happened to Karla during the year that she was missing. The fact that it’s almost completely open ended drives me a bit bonkers.
Disclaimer: I received a screener link of this movie for review consideration from October Coast Media.
Jessica - Where the Book Ends (15 KP) rated The Apocalypse of Elena Mendoza in Books
Jan 30, 2019
Lately I’ve been doing a lot of reading, but the books haven’t been grabbing and holding my attention, and always left me wanting more. Then I saw a BookTuber that was raving about how excited she was to read The Apocalypse of Elena Mendoza. She showed her ARC and talked all about the premise of the book and I know immediately that I had to read it. I had never read anything by Shaun David Hutchinson before, but now I definitely know I need to read more of his work.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Marylegs (44 KP) rated Jurassic Park (Jurassic Park, #1) in Books
Aug 14, 2019
Jurassic Park is the first book in a two part saga written by Michael Crichton, it become one of the most iconic films of the 90’s. Those who have seen the film know that the story revolves around a biotechnology company experimenting with genetics and DNA reconstruction to create dinosaurs in the modern world. On an island off of Costa Rica, these Dinosaurs are being contained in what is being heralded as the zoo of the future. The scientists have managed through DNA extraction and reconstruction to produce 15 different species of extinct Dinosaurs. To test out the park some renowned academics including Dr Grant, palaeontology, Dr Sattler, palaeobotany and Ian Malcom a chaos theory mathematician, are invited to the park. This obviously ambitious leap in technology and questionable ethics runs into some trouble and obviously this has catastrophic consequences.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
Gareth von Kallenbach (980 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.