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The Libra: Part 1
Book
When Hassan Gardner was born during a full moon in October, his pro-Black father told his mother he...
thriller suspense
Zuky the BookBum (15 KP) rated Copycat in Books
Mar 15, 2018
Sometimes you come across a really easy to read and exciting thriller novel, that doesn’t take up too much head space, and is alotta fun… Copycat is exactly that! This one really helped me out of a reading slump, hallelujah!
I can’t turn around to you and say this is the most menacing, gripping and terrific thriller I’ve ever read, but I can say that it’s worth picking up if you’re looking for a non-challenging but exciting read.
The characters in this one are nicely developed, but there was a bit of a lack of connection between me and our main character Sarah. I think if I’d been able to get to know her better, I might have had more sympathy for her in parts, but alas. I found a lot of the family related situations to be very realistic, and liked the dynamic between husband and wife.
As for the rest of the story, the plot wasn’t particularly realistic, but that didn’t ruin the book in any way. Sometimes you just need a story to take you away from real life and give you a fun fictional tale to follow. Now, just because I didn’t feel like this one was extremely realistic, doesn’t mean I didn’t find parts of it creepy! Some of the “stalkers” ploys at getting Sarah nervous and afraid were really creative and menacing!
In the end, I had guessed how the story was going to play out, but I didn’t have a reason as to why it was going to play out that way. Even though I had my theory on the “stalker”, which turned out to be correct, I didn’t find this took away from the excitement of the end of the novel. I still got to enjoy the now knowing of how the book was going to conclude.
Overall, I really enjoyed this thriller and would definitely say it’s one to look out for if you’re looking for something a little less challenging, but still just as exciting to read as some other darker, more meaningful thrillers on the market (like Watching Edie or My Sister’s Bones, for example).
Thanks to HarperCollins for sending me an ARC in exchange for an honest review.
I can’t turn around to you and say this is the most menacing, gripping and terrific thriller I’ve ever read, but I can say that it’s worth picking up if you’re looking for a non-challenging but exciting read.
The characters in this one are nicely developed, but there was a bit of a lack of connection between me and our main character Sarah. I think if I’d been able to get to know her better, I might have had more sympathy for her in parts, but alas. I found a lot of the family related situations to be very realistic, and liked the dynamic between husband and wife.
As for the rest of the story, the plot wasn’t particularly realistic, but that didn’t ruin the book in any way. Sometimes you just need a story to take you away from real life and give you a fun fictional tale to follow. Now, just because I didn’t feel like this one was extremely realistic, doesn’t mean I didn’t find parts of it creepy! Some of the “stalkers” ploys at getting Sarah nervous and afraid were really creative and menacing!
In the end, I had guessed how the story was going to play out, but I didn’t have a reason as to why it was going to play out that way. Even though I had my theory on the “stalker”, which turned out to be correct, I didn’t find this took away from the excitement of the end of the novel. I still got to enjoy the now knowing of how the book was going to conclude.
Overall, I really enjoyed this thriller and would definitely say it’s one to look out for if you’re looking for something a little less challenging, but still just as exciting to read as some other darker, more meaningful thrillers on the market (like Watching Edie or My Sister’s Bones, for example).
Thanks to HarperCollins for sending me an ARC in exchange for an honest review.
Kristy H (1252 KP) rated Pretty Little Wife in Books
Jan 7, 2021
Slow to start, but ultimately an intriguing and unique thriller
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Vanished in the Sun (Carlos & Mia #2)
4.0
Rate It
Book
VANISHED in the SUN, second edition of this exhilarating romance thriller series by powerfully...
Beneath the Mountain: A Novel
Book
In Luca D’Andrea’s atmospheric and brilliant thriller, set in a small mountain community in the...
suspense thriller
Bob Mann (459 KP) rated Oxygen (2021) in Movies
Sep 28, 2021
A taut mystery horror/thriller that goes off in surprising directions!
You can recognize a ‘lockdown-produced movie’ a mile off. Typically it focuses on a handful of players, who are mostly socially isolated. Here is a classic example. Yet by doing that, the director is forced to focus in on character and dialogue. As such, some of these ‘small’ movies that reign in the director’s excesses are far better as a result.
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
Kristy H (1252 KP) rated Hairpin Bridge in Books
Jun 17, 2021
A harrowing, page-turner of a thriller
Lena Nguyen arrives in Montana to figure out what happened to her twin sister, Cambry. Three months ago, Cambry supposedly committed suicide on Hairpin Bridge, but Lena simply cannot believe it's true. Now she's at the bridge, driving her sister's abandoned car, to find out what really happened. She's meeting Corporal Raymond Raycevic, the highway patrolman who found the body, at the scene itself. He seems apologetic and straightforward. Still, Lena remains suspicious. Records show Raycevic pulled Cambry over for speeding just a hour before her death. And what about the sixteen attempted 911 calls she made in the dead zone? Or the fact that Raycevic's name appears in the final text Lena ever received from Cambry? Despite the fact the sisters were basically estranged, Lena needs to know what happened to Cambry. But the more she digs, the more Lena's own survival may be in jeopardy out there on Hairpin Bridge.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.
Sarah (7800 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Tomas Cudzis and the Struggle for Justice and Truth: Quadrilogy
Book
Tomas’s sense of inferiority since his childhood has forced him to transform himself physically,...
thriller psychological thriller dark thriller
Haley Mathiot (9 KP) rated Fellside in Books
Apr 27, 2018
Fellside was a unique combination of psychological, thriller, supernatural, crime, and romance. When I say psychological, it was because it makes you think; thriller because I couldn't put it down, and found my heart racing; romance not in the typical sense of the term, but a deep and surprising love that brought all the characters to a new level, and puts the reader in a different frame of mind. It was the kind of book you know is completely unrealistic, but since the author believes in it, you believe in it. It begins with a mysterious tug, and right as you fall in love with the main character she starts to break your heart. M. R. Carey doesn’t write cute books, or sweet books, or books that are easy to read. They make you think and confront how you feel about certain things; but it’s beautiful in it’s own way. I am totally in love with this story, this world, the concept, and the way it all comes together in the end. I definitely recommend it for ages 16+, but not as a light beach-read or hour-at-a-time read. Sit down and chew on this one, and let your mind go where it wants to. Content/Recommendation: Ages 16+ for some violent scenes. This is a women's prison. - See more at: http://www.thelifeandlies.com/2016/07/book-review-fellside-by-m-r-carey.html#sthash.DM728BD3.dpuf