Search
Search results
Jesters_folly (230 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
Contains spoilers, click to show
This will contain spoilers
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
Phil Leader (619 KP) rated The Midas Code (Tyler Locke #2) in Books
Nov 20, 2019
The story of King Midas is a Greek Legend warning on the folly of greed where everything the king touches turns to gold - including his daughter. But at the heart of every story is a grain of truth. What if King Midas was real and there really was a Midas Touch that could turn other things into gold? How much would it be worth? And more importantly how far would some people go in order to secure it?
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Eleanor (1463 KP) rated The Turn of The Key in Books
Dec 16, 2019
An Interesting Twist to a Familiar Tale
This suspense thriller was a close one for me but ultimately it just didn’t totally click. I listened to the audio version narrated by Inogen Church, who seemed to be a talented narrator just unfortunate that the person she was narrating was so irritating to me. The writing was of a high standard and I’ll certainly be looking at more of Ruth Ware’s work.
When Rowan takes a live-in nanny position in a remote Scottish she is soon faced with more than just the usual new nanny woes. The house has been converted into a modern all bells and whistles smart home, but it’s not exactly making life easier for Rowan. The book is told via the correspondence between Rowan and a solicitor from her prison cell following her arrest for the death of one of her charges. The result is a slow build of difficult circumstances from her perspective and a strong denial of any responsibility…. but what did happen?
This is a solid suspense thriller with plenty of creepy atmosphere in it and I can imagine some people will really love this book. For me, though I just kept getting a bit irritated. I’m not a big fan of kids (I know - burn the witch!!) and there are some prime examples of why that is in this book from the brats. Why someone would want to be a nanny is beyond me so Rowan is very hard to relate to. I really couldn’t care less about the routines of children. I’m also not a fan of having a narrator who constantly hints towards things not being as they seem but not clarifying until the “big reveal” troupe. So maybe just not the best book for me, in particular, to pick up.
Smart home things like speakers, voice-activated lights, fridges curtains, etc don’t do anything for me and the fact they added to the creepiness of Rowan’s situation was an interesting approach. Ultimately a book that many will love but just not my kinda story, so can’t get too pumped for it.
When Rowan takes a live-in nanny position in a remote Scottish she is soon faced with more than just the usual new nanny woes. The house has been converted into a modern all bells and whistles smart home, but it’s not exactly making life easier for Rowan. The book is told via the correspondence between Rowan and a solicitor from her prison cell following her arrest for the death of one of her charges. The result is a slow build of difficult circumstances from her perspective and a strong denial of any responsibility…. but what did happen?
This is a solid suspense thriller with plenty of creepy atmosphere in it and I can imagine some people will really love this book. For me, though I just kept getting a bit irritated. I’m not a big fan of kids (I know - burn the witch!!) and there are some prime examples of why that is in this book from the brats. Why someone would want to be a nanny is beyond me so Rowan is very hard to relate to. I really couldn’t care less about the routines of children. I’m also not a fan of having a narrator who constantly hints towards things not being as they seem but not clarifying until the “big reveal” troupe. So maybe just not the best book for me, in particular, to pick up.
Smart home things like speakers, voice-activated lights, fridges curtains, etc don’t do anything for me and the fact they added to the creepiness of Rowan’s situation was an interesting approach. Ultimately a book that many will love but just not my kinda story, so can’t get too pumped for it.
JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
The Spider Network: The Wild Story of a Maths Genius, a Gang of Backstabbing Bankers, and One of the Greatest Scams in Financial History
Book
Listed as an FT book of the month. "Anyone with an interest in financial services and in what has...
The Reluctant Fundamentalist
Book
The Reluctant Fundamentalist is Mohsin Hamid's thrillingly provocative international bestseller...
Emma @ The Movies (1786 KP) rated Inside Man: Most Wanted (2019) in Movies
Mar 20, 2021
I was drawn to this one after an ultimatum from Now TV that it was only going to be available for one more day. This after having it in my watchlist for a rather long time. I had some slight dread for this lengthy weight for a sequel.
NYPD and the FBI handle a hostage negotiation at the US Federal Reserve. With civilians and one of their own inside they must draw on all their knowledge to try and resolve the situation without letting their egos and knowledge of the past cloud their judgement.
There's nothing like having to follow a popular film, and I'm not sure there would be many sequels that I would praise over its predecessor. Thankfully that isn't a point I need to ponder on for too long here.
At some point while watching I just stopped taking notes, for me that's either a very good sign or a very bad one... I think from the score you can probably tell which.
Inside Man: Most Wanted seems fully aware that it isn't Inside Man, and that there wasn't really a genuinely original storyline insight. There are a lot of callbacks to the first film that seem rather hammy and shoehorned in, but I'll elaborate on that later.
There weren't any actors that I recognised, though the top three have been in several things I'm aware of. I'm not going to dwell on the acting because I really found it just to be fine. I didn't see anything that made me want to call it out as good, and similarly there was nothing terrible. It was all... fine.
And in fact, that's my feeling for the whole film... and I apologise, because I've just realised that I do not have anything at all that I want to speak about around this film. Already knowing Inside Man, this felt like a rather hollow attempt at a crime thriller. Had they taken out the connection to the first film and made it it's own film then I think it may have got a higher rating, not higher than three, but there was potential there for an average thriller.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/inside-man-most-wanted-movie-review.html
NYPD and the FBI handle a hostage negotiation at the US Federal Reserve. With civilians and one of their own inside they must draw on all their knowledge to try and resolve the situation without letting their egos and knowledge of the past cloud their judgement.
There's nothing like having to follow a popular film, and I'm not sure there would be many sequels that I would praise over its predecessor. Thankfully that isn't a point I need to ponder on for too long here.
At some point while watching I just stopped taking notes, for me that's either a very good sign or a very bad one... I think from the score you can probably tell which.
Inside Man: Most Wanted seems fully aware that it isn't Inside Man, and that there wasn't really a genuinely original storyline insight. There are a lot of callbacks to the first film that seem rather hammy and shoehorned in, but I'll elaborate on that later.
There weren't any actors that I recognised, though the top three have been in several things I'm aware of. I'm not going to dwell on the acting because I really found it just to be fine. I didn't see anything that made me want to call it out as good, and similarly there was nothing terrible. It was all... fine.
And in fact, that's my feeling for the whole film... and I apologise, because I've just realised that I do not have anything at all that I want to speak about around this film. Already knowing Inside Man, this felt like a rather hollow attempt at a crime thriller. Had they taken out the connection to the first film and made it it's own film then I think it may have got a higher rating, not higher than three, but there was potential there for an average thriller.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/inside-man-most-wanted-movie-review.html
Heather Cranmer (2721 KP) created a post
Jan 12, 2021
Darren (1599 KP) rated Into The Forest (2016) in Movies
Sep 13, 2019
Characters/Performance – Nell is the elder sister that doesn’t want to stay waiting for everything to blow over but must take responsibility once her father dies, she fills the big sister role needing to keep everything together even when she has a chance to leave. Eva is the younger sister and once promising dancer, she wants to continue her dancing even without the power but must learn to be more responsible. The male characters all offer different visions on the good and bad in life when a power outage would happen.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.