"Another one of my favorite movies in the whole world is A Soldier’s Story. It was originally a play but this one stars Denzel Washington and David Allen Grier and Howard E. Rollins. [It’s set] in World War II, it’s about the racial divide in the army, but it’s also about a murder mystery, but then it also dealt with the social class differences, and so that was another one that — [Norman] Jewison directed that; he really hit the nail on the head. Very well written, very well acted, another movie I could quote from top to bottom."

"Would be in the top five. Because I’m from New Zealand, and the movie was very impactful when I saw it. It was so incredible to see a story about the beginnings of my country of New Zealand. Well, not the beginnings, because there were indigenous people there, but when the settlers came, it’s just such an interesting story to see. And also, it was all filmed around where I grew up, and I’ve never seen a movie that was filmed in the part of the world that I grew up in. And Jane Campion is one of my favorite filmmakers."

"To me, Monty Python and the Holy Grail is the funniest movie ever made. There are influences in this film that caused me to write Black Dynamite. I’m such a Monty Python Fan. I think that the layers of humor go from absurdly silly to very intellectual and then you have the physical humor on top of that. I don’t think I’ve seen a movie as physically and mentally funny with the brilliance of satire and political humor underneath it. This movie is just so layered, and again it is what influenced me in writing Black Dynamite."

"This clever-enough confection about warring cheerleaders proves that films don’t have to be classics or award-worthy to work their magic. I wish I could say it was James Taylor’s music or Robert Frost’s poetry that soothed my post-9/11 anxiety. But no, it was star Kirsten Dunst’s perky, bouncing breasts that lifted my spirits. Whether ever-so-lovingly hoisted in a bikini top or shaking to-and-fro as she dances on her bed, with ta-tas like hers in our midst, I wondered, could the world still be that hopeless of a place?"

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."

"My top four films are the ones I will be (or already have been) revisiting and pulling ideas, inspiration, and innovation from. “Under the Silver Lake” is undoubtably the movie of the year; it is the most (only?) unique attempt at reconsidering the rules of storytelling, both written and visual. Of course, it was “dumped” into only two theaters, given the tiniest sliver of support, and will have to work to find the audience it deserves. Nothing says “2019” to me more than an out-and-out gonzo masterpiece that most people probably don’t even know was released."