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Phil Leader (619 KP) rated Emperor of Thorns in Books
Nov 12, 2019
Emperor of Thorns is the third in the Broken Empire Trilogy of books. Having read and enjoyed the first two books immensely (Prince of Thorns and King of Thorns) I was really looking forward to this installment and had high hopes. I was not disappointed.
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
The story takes place a year after the second book, with Jorg on his way to the 4 yearly vote to see if a new emperor can be chosen. This time it is a vote he intends to win, whatever it takes. And with Jorg that doesn't rule out a lot of options. The reader would suspect from the first two books that he is entirely selfish in his ambitions. However we see in the now expected flashback sections that a lot more hangs in the balance than another 4 years of squabbling. Jorg is the only one aware of the peril that threatens the world, and is apparently the only one ruthless enough to avoid it.
There are plenty of set pieces and Jorg is as unpredictable, nasty and single minded as ever. There are a couple of excellent examples of Jorg style diplomacy - which naturally involves anybody disagreeing with him being efficiently killed. Somehow despite having got used to this character through the previous two novels, he still has the capacity to surprise and shock. Yes he has matured and Lawrence has done a sterling job to keep Jorg and the events he instigates fresh and interesting.
The main thread involves travelling across the Hundred Kingdoms, and is essentially one long protracted chase scene, culminating in the vote for emperor. There are some very tense scenes - it should be clear by now that anybody is expendable in Jorg's world and there is a real sense of danger in the encounters.
The 'flashback' thread occurs 5 years before and takes up the story from the flashback thread in King of Thorns. Jorg gets to see more of the world, and crucially to find out more about the mysterious Builders and their artefacts. Once again each thread unwinds and impacts on the other and each is a compelling tale in its own right.
The writing is clean and stylish, plenty of descriptions of both stunning scenery and brutal violence, each given their own space on the page without being overworked. The story moves on in both threads with real pace - there is a lot of ground to cover, both thematically and geographically but Lawrence doesn't put a foot (or word) wrong and there are the usual dashes of black humour throughout.
Overall a stunning (and perfect) end to the trilogy. It's rare to find a story that ties everything up so neatly, with threads from all three of the books coming into play. It's also refreshing to find an author who is not afraid to finish a story and not leave it open for more and more (potentially weaker) stories.
A five star end to a five star trilogy, highly recommended
Gareth von Kallenbach (977 KP) rated Halloween Ends (2022) in Movies
Oct 14, 2022 (Updated Oct 14, 2022)
Halloween Ends Closes The New Trilogy With What Fans Expect
The final film I the new “Halloween” trilogy has arrived with “Halloween
Ends” and it looks to bring closure to the character of Laurie Strode
(Jamie Lee Curtis) and the terror of Michael Myers.
The film takes place about four years after the events of “Halloween
Kills” and Michael has not been seen since leaving some to speculate that
he died while others are convinced he is still out there. The fear brought
on by Myers still hangs over the community and suicides and other horrific
aftermaths of his terror keeps the community from healing and moving on.
Laurie has decided to write a book about her experiences and while raising
her Granddaughter Allyson (And Matichak), she is coming to peace with her
life and has even awkwardly flirted with Officer Hawkins (Will Patton).
When a young man named Corey (Rohan Campbell), is involved in a tragic
event, he is marked as a psycho by the community and is often the subject
of abuse from the locals. Laurie sees a person in need and introduces him
to Allyson which starts a relationship that should help both of them heal
and move on.
When Corey is roughed up by locals, he discovers Michael is indeed alive
and well and Michael sees something in Corey due to his past and lets him
live. This sparks a change in Corey as he starts to manifest a darker side
where killing and revenge are his motivations and Michael is his mentor.
At this point it seemed as if the film would be a tale of revenge and
Michael would be grooming a potential replacement but it actually becomes
a bit convoluted as the film seems to be unsure of which storylines to
advance. After a slow start in the carnage department, the body count
rises quickly but without the pacing and tension normally associated with
the best films in the series.
It all leads up to a final confrontation between Michael and Laurie which
should delight fans as Curtis is truly magnificent and there brutal and
deadly dance had the audience cheering during my press screening.
While one device I saw coming a mile away as it was clear someone would be
dealing with it, the film does deliver even if the plot is more muddled
than fans would like. While it does not reach the greatness of the new
reboot, “Halloween Ends” is a fitting finale and is better than several of
the films in the series that followed it, the biggest issue is that the
first film in the trilogy set such a high standard, it was nearly
impossible of the next two films to measure up.
3 stars out of 5
Ends” and it looks to bring closure to the character of Laurie Strode
(Jamie Lee Curtis) and the terror of Michael Myers.
The film takes place about four years after the events of “Halloween
Kills” and Michael has not been seen since leaving some to speculate that
he died while others are convinced he is still out there. The fear brought
on by Myers still hangs over the community and suicides and other horrific
aftermaths of his terror keeps the community from healing and moving on.
Laurie has decided to write a book about her experiences and while raising
her Granddaughter Allyson (And Matichak), she is coming to peace with her
life and has even awkwardly flirted with Officer Hawkins (Will Patton).
When a young man named Corey (Rohan Campbell), is involved in a tragic
event, he is marked as a psycho by the community and is often the subject
of abuse from the locals. Laurie sees a person in need and introduces him
to Allyson which starts a relationship that should help both of them heal
and move on.
When Corey is roughed up by locals, he discovers Michael is indeed alive
and well and Michael sees something in Corey due to his past and lets him
live. This sparks a change in Corey as he starts to manifest a darker side
where killing and revenge are his motivations and Michael is his mentor.
At this point it seemed as if the film would be a tale of revenge and
Michael would be grooming a potential replacement but it actually becomes
a bit convoluted as the film seems to be unsure of which storylines to
advance. After a slow start in the carnage department, the body count
rises quickly but without the pacing and tension normally associated with
the best films in the series.
It all leads up to a final confrontation between Michael and Laurie which
should delight fans as Curtis is truly magnificent and there brutal and
deadly dance had the audience cheering during my press screening.
While one device I saw coming a mile away as it was clear someone would be
dealing with it, the film does deliver even if the plot is more muddled
than fans would like. While it does not reach the greatness of the new
reboot, “Halloween Ends” is a fitting finale and is better than several of
the films in the series that followed it, the biggest issue is that the
first film in the trilogy set such a high standard, it was nearly
impossible of the next two films to measure up.
3 stars out of 5
Debbiereadsbook (1166 KP) rated Choose Me (Banger Trilogy #1) in Books
Jan 7, 2018
Awesome 5 star read
This is book ONE in the Banger trilogy, which was previously released as 7 part books. I was going to buy them, all 7 books, once they were all out, but life got in the way and I totally forgot about getting. Until I saw they were being rebranded and rereleased as a trilogy. They were released on Jan 1st 2018 and I purchased all three in one.
And let me ya!! You NEED all three before you start!! Seriosuly, DO NOT attempt these books til you have all three (book one is currently free Jan 6th 2018)
Because this will GRAB you and not let you go! Took me about 90 minutes, to read all 233 pages and I did not move for those 90 minutes!
And you know what?? I did not notice, it did not even occur to me til I was over half way through about something about the way this book is written
First Person
Multi Point of View
AND!
Present Tense!
So there I was, merrily reading away, about Katherine and her hunt, about Greyson and his personal affliction and about them doing naughty unexpected things to each other and it hits me! Like a freaking sledgehammer to the face! It hit me that this book, that grabbed me so well, is written in the PRESENT FLIPPING TENSE! For me to get way past half way, for that penny to drop, just shows you how engaging I found Katherine and Greyson.
It is explicit, it's down and dirty. It makes no apologies for being so either! It is, in places, emotional. Not quite the bawl your eyes out, more the kind I wanna stab Katherine's ex's eye out with a blunt pencil, but I have a feeling the bawling is to come. Oh yes, I know its-a-coming!
I Love Ms Lynne's work, and this is an excellent addition to her library.
Off to read book 2, Covet Me now.
5 full and sexy stars!
**same worded review will appear elsewhere**
And let me ya!! You NEED all three before you start!! Seriosuly, DO NOT attempt these books til you have all three (book one is currently free Jan 6th 2018)
Because this will GRAB you and not let you go! Took me about 90 minutes, to read all 233 pages and I did not move for those 90 minutes!
And you know what?? I did not notice, it did not even occur to me til I was over half way through about something about the way this book is written
First Person
Multi Point of View
AND!
Present Tense!
So there I was, merrily reading away, about Katherine and her hunt, about Greyson and his personal affliction and about them doing naughty unexpected things to each other and it hits me! Like a freaking sledgehammer to the face! It hit me that this book, that grabbed me so well, is written in the PRESENT FLIPPING TENSE! For me to get way past half way, for that penny to drop, just shows you how engaging I found Katherine and Greyson.
It is explicit, it's down and dirty. It makes no apologies for being so either! It is, in places, emotional. Not quite the bawl your eyes out, more the kind I wanna stab Katherine's ex's eye out with a blunt pencil, but I have a feeling the bawling is to come. Oh yes, I know its-a-coming!
I Love Ms Lynne's work, and this is an excellent addition to her library.
Off to read book 2, Covet Me now.
5 full and sexy stars!
**same worded review will appear elsewhere**
Rachel King (13 KP) rated Pretties (Uglies, #2) in Books
Feb 11, 2019
I found the second book in the Uglies trilogy to be an excellent pick-up from the first book. I was very curious about the subculture of the Pretties when I read the first book, and this one opens up right in the middle of it, thick with the new vocabulary of the Pretties, with words such as bubbly, bogus, surge, pretty-making, fashion-missing, spinning, criminal, etc. At first, I liked being immersed in the world of the pretties, a mixture of familiar and foreign aspects, but it quickly became very apparent how much of the Pretties were complete air-heads! Being shallow is the social norm, and if anyone even attempts to have a little depth, the authorities are quick to step in. I admit, being a Pretty is not completely unattractive, what with an improved immune system and perfect skin, teeth, and eyesight. The focus of the book was mainly on escaping the Pretty society with more development of the world of Uglies, Pretties, and Specials. I found the discovery of the reservation that the Pretties maintained to study Pre-Rusty civilization very interesting and a great way to reveal how deeply people are being controlled by the authorities. She made an excellent observation about the Smokies, that even though they lived in the wild and lived similarly to both Pre-Rusty and Rusty civilization, they still had not completely escaped from the influence of the Pretty / Ugly society because of the devices they depended on and how their mindset has changed in regards to violence and caring for the earth.
Even though I had no doubt that Tally would be turned into a Special in the end, I can't help wondering how the people in charge think they can keep a leash on her, since it has become very apparent that she will always try to escape. I look forward to the final book in the Trilogy, Specials.
Even though I had no doubt that Tally would be turned into a Special in the end, I can't help wondering how the people in charge think they can keep a leash on her, since it has become very apparent that she will always try to escape. I look forward to the final book in the Trilogy, Specials.
Debbiereadsbook (1166 KP) rated Waking to Black (Uninhibited #1) in Books
Jun 30, 2018
3 good solid stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
First person, present tense is the reason why I very nearly didn't finish this one. Not my favourite way for a book to be written, and I make no apologies for having dumped books before upon finding out they are written this way.
But I didn't dump this one. I kept at it, and I was pleasantly surprised that I liked this. I did not love it though.
Evelyn has secrets and has been hiding from the world, existing say to day. Getting held up in a bank, and meeting Adam Black made her start living. But those secrets are hard to share, and she doesn't know if Adam will share his secrets too.
Aside from the present tense thing, I wanted Adam to have a voice, I really did and he doesn't. And because he doesn't, Evelyn began to grate on my nerves. I've no particular idea WHY, she just did. That's what I'm left felling and ya'll know I'm all about sharing my feelings!
This is book one in the Uninhibited trilogy. This is, as far as I can see, also book one for this author. Do I want to read more of the trilogy?? I don't know yet. I'm waiting to find out if Adam gets a say. I'm not sure I can face two more long (400 odd pages) full only of Evelyn.
The book comes with a BDSM tag, but I saw no evidence of that. I've tagged it over 18, and darker/grittier, because of what Evelyn went through and is still dealing with. Some readers may find it difficult reading. I'm not saying here, because that is a HUGE spoiler, but feel free to message me if you wish to know.
BUT!!
For a first time author, something must have clicked because I got past the present tense thing and read it all. So well done for that!
3 solid GOOD stars
**same worded review will appear elsewhere**
First person, present tense is the reason why I very nearly didn't finish this one. Not my favourite way for a book to be written, and I make no apologies for having dumped books before upon finding out they are written this way.
But I didn't dump this one. I kept at it, and I was pleasantly surprised that I liked this. I did not love it though.
Evelyn has secrets and has been hiding from the world, existing say to day. Getting held up in a bank, and meeting Adam Black made her start living. But those secrets are hard to share, and she doesn't know if Adam will share his secrets too.
Aside from the present tense thing, I wanted Adam to have a voice, I really did and he doesn't. And because he doesn't, Evelyn began to grate on my nerves. I've no particular idea WHY, she just did. That's what I'm left felling and ya'll know I'm all about sharing my feelings!
This is book one in the Uninhibited trilogy. This is, as far as I can see, also book one for this author. Do I want to read more of the trilogy?? I don't know yet. I'm waiting to find out if Adam gets a say. I'm not sure I can face two more long (400 odd pages) full only of Evelyn.
The book comes with a BDSM tag, but I saw no evidence of that. I've tagged it over 18, and darker/grittier, because of what Evelyn went through and is still dealing with. Some readers may find it difficult reading. I'm not saying here, because that is a HUGE spoiler, but feel free to message me if you wish to know.
BUT!!
For a first time author, something must have clicked because I got past the present tense thing and read it all. So well done for that!
3 solid GOOD stars
**same worded review will appear elsewhere**
Amy Curtis (49 KP) rated Four: A Divergent Collection in Books
Jan 12, 2019
The follow-on we all needed
The novel contains 5 short stories set in Tobias Eaton’s (Four’s) perspective. Some of the stories are events that you have seen from Tris’ point of view during the Divergent series. Throughout the series, he is quite a mysterious character and the only thing you really know is the small bits of information that he decides to reveal to Tris.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
Free Four: Tobias Tells the Divergent Knife-Throwing Scene is the first story of the book and it recaps events that have already been told to those that have already read the trilogy. The second story, The Transfer, begins to give you a bit of a backstory into Four’s past who has always been somewhat of an enigma to readers. It shows you how he became a part of Dauntless and explains more about his character.
The third short story is one of my personal favourites as you are introduced to Eric and you begin to see the vendetta that he held against Four and why. Just like Tris, Four is a Divergent and contains traits of more than one faction. When Four begins his Dauntless training he is able to recognise reality from fictions during the tests and has to be careful that it is not discovered as a Divergent.
The last two stories are titled The Son and The Traitor describing more recent events of how Tobias knew that his mother was alive and recaps how he becomes closer to Tris. It is a heart-warming collection that makes you feel like the Divergent series lives on. I was absolutely heart-broken when I finished the trilogy so once Roth brought out a follow-on for it, I couldn’t read it quick enough.
Roth does well to switch from character’s perspectives particularly when she has already told some of the story in a different person’s point of view. This was the series that I wasn’t ready to put down and I can’t wait to read it again.
David McK (3369 KP) rated Thrawn (Star Wars: Thrawn #1) in Books
Jan 28, 2019
I think therte may have been other Star Wars books prior to [a:Timothy Zahn|12479|Timothy Zahn|https://images.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, but I believe all those were set during (or prior to) the events of the movies, with Zahn holding the position of being the first author to be licensed to extend the story beyond the end of 'Return of the Jedi', and thus to kickstart the whole Extended Universe (or EU) of the Star Wars stories prior to the abolition of the same when Disnay acquired Luasfilm.
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
LeftSideCut (3778 KP) rated Star Wars: Episode III – Revenge of the Sith (2005) in Movies
Nov 29, 2019 (Updated Dec 20, 2019)
The final chapter of the Star Wars prequel trilogy is definitely the high point (which isn't the highest praise...) throwing a large amount of sci-fi action at the audience, whilst bring the Star Wars narrative full circle and finally tying into the first film.
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
Kristy H (1252 KP) rated The Hand on the Wall (Truly Devious #3) in Books
Mar 19, 2020
The finale to the Truly Devious trilogy does not disappoint. Stevie Bell believes she has solved the famous Truly Devious case. But she hasn't really told anyone yet. After all, yet another person is dead, someone else (whom she has kissed) has disappeared, and then another accident strikes Ellingham Academy. All while a giant snowstorm is about to hit the school. Stevie is sure everything is tied together--the deaths in the past, the deaths in the present. But it's finally too much for Ellingham. The school is being evacuated. Stevie is being sent home. It's over. So she makes the only rational choice. Time to stay at the school in the face of an insane storm--and a potential murderer.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
The Chickamauga Campaign-Barren Victory: The Retreat into Chattanooga, the Confederate Pursuit, and the Aftermath of the Battle, September 21 to October 20, 1863
Book
Now in paperback, Barren Victory is the third and concluding volume of the magisterial Chickamauga...