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Maureen Fry and the Angel of the North
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Ten years ago, Harold Fry set off on his epic journey on foot to save a friend. But the story...
Kim Pook (101 KP) rated Pitch Perfect 3 (2017) in Movies
Sep 2, 2023
Not as good as first 2
Contains spoilers, click to show
We're back for the third and final installment of Pitch Perfect! The Bellas are singing "toxic" as the movie opens on a boat off the coast of France; however, as Amy enters carrying a fire extinguisher, the boat explodes, and the girls jump off.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
Lyndsey Gollogly (2893 KP) rated Heartless ( Scarlet Suffragette 3) in Books
Jun 17, 2023
78 of 235
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
David McK (3372 KP) rated The Dark Knight Rises (2012) in Movies
Jun 30, 2019 (Updated Aug 2, 2024)
The final part of Christopher Nolan's Christian Bale starring Batman trilogy (after both Batman Begins and The Dark Knight) that takes a large part of its inspiration from the 1990s Knightfall series of graphic novels in introducing the character of Bane: the man who (quote unquote) 'Breaks the Bat'.
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
RəX Regent (349 KP) rated Solo: A Star Wars Story (2018) in Movies
Feb 18, 2019
The Star Wars Story that nobody asked for, but was is a story worth telling?
In short, NO.
Where to start? Indeed, where to start with a background prequel focusing on one of the most iconic Star Wars characters ever, taking the ageing Harrison Ford’s characters to, well not so far beyond the age that we first met him back in 1977.
Recast with actor who brings very little Ford with him, apart from a few well practice smiles and other expressions here and there, this is a reinterpretation of the character, in this case as a naive and wimpy version, maybe even soft, is not the part for Alden Ehrenreich.
The Character arch of Han Solo in the original trilogy was his redemption from a selfish, self-assured space pirate to a man who could recognise and fight for a cause bigger than himself. But according this haphazard prequel, he was already a big softy before her learns the harsh realities of life, only he doesn’t, not really.
He just learns to be a little more cynical and to smirk his way through every situation with his lucky die and everything turns out okay for him. Ehrenrieich done not bring an ounce of the gravitas or charisma of Harrison Ford, as this film, which had to be almost entirely re-shot with Ron Howard taking the helm after The Lego Movie directing due Chris Miller and Phil Lord where unceremoniously fired after “not getting it”, apparently, shoe horns as much of the token events of Solo’s pre-rebellion life into its two and bit hour run time.
Ron Howard; A few hits and plenty of misses. Willow (1988) springs to mind. Not only was Willow Lucas’ attempt to begin and new fantasy trilogy after the Star Wars Saga was completed, it was micro directed by George Lucas as Ron Howard took the credit. And this has a lot of the hallmarks of Willow.
In short; A poor mans Star Wars. Hammy scripting and at times acting, the story is all over the place, with shallow characterisations, poor exposition, haphazard pacing and the action is actually quite hard to follow. Just please, give us ONE decent shot of the Millennium Falcon that we can keep up with and actually see, especially as it has been altered so much from the icon version that we all love. Maybe we’re getting bored of the same ship after 40 years? Maybe we all need to go out and by a new version?
Toyetic… anyone?
Instead everything of interest is speeding across the screen and the boring stuff is left to linger. And there was a level of boredom here. Incredibly predictable plotting, simply going through the motions of a no stakes story. But it does feel as if they shoehorned a larger narrative in there, with introduction in the final act of the rebellion and an old villain returns with a new legs, but by the time what should have been an earth shattering twist appeared, it wasn’t really interested, especially if you know the The Clone Wars or Rebels.
One major plus note though, Donald Glover aced Lando Calrissian, to such an extant that I wish this movie was actually called Lando: A Star War Story rather than Solo, because there’s no doubt that Glover brought so much more Billy Dee Williams and built on it, than Ehrenreich did for Ford’s.
As well as the subtle and well conceived plotting around Lando’s female droid, L3-37 (Phoebe Waller-Bridge) who may well be the ‘Old girl’ referred to by both Han and Lando during in the original trilogy when they speak to the Falcon, whilst shining a light on the deliberately ambiguous nature of droids in the Star Wars universe. In short; are they sentient or not? But this is not Star Trek so we do not really need an answer to that… do we?
Overall, I want to say that this was missed opportunity but in truth, it was not. It was waste of time. A story that did not need to be told with script that did not know what say. Clearly, they were aiming for a Guardians Of The Galaxy (2015), unaware that the secret of that surprise success was that it tapped in to the retro Star Wars vibe by NOT being Star Wars. And with little expectations.
Here they were playing with one of the biggest guns in modern film history and in my opinion, it blew up in there faces.
Where to start? Indeed, where to start with a background prequel focusing on one of the most iconic Star Wars characters ever, taking the ageing Harrison Ford’s characters to, well not so far beyond the age that we first met him back in 1977.
Recast with actor who brings very little Ford with him, apart from a few well practice smiles and other expressions here and there, this is a reinterpretation of the character, in this case as a naive and wimpy version, maybe even soft, is not the part for Alden Ehrenreich.
The Character arch of Han Solo in the original trilogy was his redemption from a selfish, self-assured space pirate to a man who could recognise and fight for a cause bigger than himself. But according this haphazard prequel, he was already a big softy before her learns the harsh realities of life, only he doesn’t, not really.
He just learns to be a little more cynical and to smirk his way through every situation with his lucky die and everything turns out okay for him. Ehrenrieich done not bring an ounce of the gravitas or charisma of Harrison Ford, as this film, which had to be almost entirely re-shot with Ron Howard taking the helm after The Lego Movie directing due Chris Miller and Phil Lord where unceremoniously fired after “not getting it”, apparently, shoe horns as much of the token events of Solo’s pre-rebellion life into its two and bit hour run time.
Ron Howard; A few hits and plenty of misses. Willow (1988) springs to mind. Not only was Willow Lucas’ attempt to begin and new fantasy trilogy after the Star Wars Saga was completed, it was micro directed by George Lucas as Ron Howard took the credit. And this has a lot of the hallmarks of Willow.
In short; A poor mans Star Wars. Hammy scripting and at times acting, the story is all over the place, with shallow characterisations, poor exposition, haphazard pacing and the action is actually quite hard to follow. Just please, give us ONE decent shot of the Millennium Falcon that we can keep up with and actually see, especially as it has been altered so much from the icon version that we all love. Maybe we’re getting bored of the same ship after 40 years? Maybe we all need to go out and by a new version?
Toyetic… anyone?
Instead everything of interest is speeding across the screen and the boring stuff is left to linger. And there was a level of boredom here. Incredibly predictable plotting, simply going through the motions of a no stakes story. But it does feel as if they shoehorned a larger narrative in there, with introduction in the final act of the rebellion and an old villain returns with a new legs, but by the time what should have been an earth shattering twist appeared, it wasn’t really interested, especially if you know the The Clone Wars or Rebels.
One major plus note though, Donald Glover aced Lando Calrissian, to such an extant that I wish this movie was actually called Lando: A Star War Story rather than Solo, because there’s no doubt that Glover brought so much more Billy Dee Williams and built on it, than Ehrenreich did for Ford’s.
As well as the subtle and well conceived plotting around Lando’s female droid, L3-37 (Phoebe Waller-Bridge) who may well be the ‘Old girl’ referred to by both Han and Lando during in the original trilogy when they speak to the Falcon, whilst shining a light on the deliberately ambiguous nature of droids in the Star Wars universe. In short; are they sentient or not? But this is not Star Trek so we do not really need an answer to that… do we?
Overall, I want to say that this was missed opportunity but in truth, it was not. It was waste of time. A story that did not need to be told with script that did not know what say. Clearly, they were aiming for a Guardians Of The Galaxy (2015), unaware that the secret of that surprise success was that it tapped in to the retro Star Wars vibe by NOT being Star Wars. And with little expectations.
Here they were playing with one of the biggest guns in modern film history and in my opinion, it blew up in there faces.
Sophia (Bookwyrming Thoughts) (530 KP) rated Six of Crows in Books
Jan 23, 2020
I know. I KNOW. I SLACK A LOT LATELY. 😳
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="https://1.bp.blogspot.com/-hcqoJiAtqoU/WP49XaJ2bwI/AAAAAAAAHOA/OnF5g0zvczILdnf3D8tiOTTTG2Uhr1_7gCLcB/s1600/hiding-gif.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2017/05/hiding-gif.gif"; width="320" height="168" border="0" /></a></div>
I’ve finally read <em>Six of Crows,</em> the book that everyone keeps talking about and won’t stop talking about (now everyone keeps talking about <i>Crooked Kingdom</i>, among other books), and <i>hellooo </i>this is better than the <i>Grisha </i>trilogy. I didn’t even like Alina or Mal from the first series - if anything, I liked the Darkling (bless his dark heart) and Stormhound (I keep wondering if he’ll appear and he doesn’t seem to have despite the fact there might be mentions of him 🤔).
Yet with <i>Six of Crows</i>… I like maybe 85% of the main characters. I say maybe because my math might actually be off and I’m too lazy to actually pull out a calculator and punch in some numbers to get what might be 0.84999. And it’s 85% because I might hate them later. That’s more than who I liked from the <i>Grisha </i>trilogy. 😱
<i>Six of Crows</i> technically has six main characters: Kaz, Inej, Nina, Matthias, Jesper, and Wylan (the odd little bean with no spotlight and therefore no prowling in his mind). All of whom are outcasts sent on a suicidal mission to rescue the creator of a drug that increases a Grisha’s power exponentially yet kills them in the end.
Five of which all have POVs switching around every chapter. I’m not a <i>huge </i>fan of multiple POVs because it can easily get confusing, but Bardugo wrote all five in a way that I’m not confused and running around like a little hamster who lost hold of how to stop its wheel.
The group of six are <i>fantastic </i>as a group - despite their differences, they get along pretty well and have a great dynamic together. They’re even better as pairs: Kaz and Inej, Nina and Matthias, Jesper and Wylan. I am all for witty and snark and just great dialogue. 😍
<blockquote class="tr_bq">Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
“My ghost won’t associate with your ghost,” Matthias said primly.</blockquote>
In case anyone wonders…. I ship Kaz and Inej. They are, simply out, badass and go well together perfectly (apparently my ship doesn’t sail in the sequel, which I’m extremely disappointed about). Kaz is a brilliant leader leading the Dregs with all kinds of tricks and plans up his cane and never backs down from a mission no matter how impossible it may be. Inej is a highly skilled assassin who has a knack for sneaking up on people without them ever knowing. Have I mentioned under their tough exteriors, they’re occasionally softies and it’s cute?
Onto ze world… <i>Six of Crows</i> brings us back to the world of Grisha, onto a small little island off the coast of Ravka and Shu Han, and into a little area called Ketterdam where criminals and misfits of society lurk together. I really loved the drastic change from palaces to a complete polar opposite where one has to constantly watch their back. Throughout the duration of the book, I really liked Bardugo’s descriptions of each place the six travel on their way, especially with how Fjerda has this ice court with a palace virtually impossible to break into with all the top notch security that they have.
<i>Six of Crows</i> can be read regardless of whether or not the <i>Grisha </i>trilogy has been read - there’s excellent character dynamics, great dialogue that might cause a laugh or two, and a cast that come from all kinds of backgrounds.
<a href="https://bookwyrmingthoughts.com/six-of-crows-by-leigh-bardugo-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="https://1.bp.blogspot.com/-hcqoJiAtqoU/WP49XaJ2bwI/AAAAAAAAHOA/OnF5g0zvczILdnf3D8tiOTTTG2Uhr1_7gCLcB/s1600/hiding-gif.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2017/05/hiding-gif.gif"; width="320" height="168" border="0" /></a></div>
I’ve finally read <em>Six of Crows,</em> the book that everyone keeps talking about and won’t stop talking about (now everyone keeps talking about <i>Crooked Kingdom</i>, among other books), and <i>hellooo </i>this is better than the <i>Grisha </i>trilogy. I didn’t even like Alina or Mal from the first series - if anything, I liked the Darkling (bless his dark heart) and Stormhound (I keep wondering if he’ll appear and he doesn’t seem to have despite the fact there might be mentions of him 🤔).
Yet with <i>Six of Crows</i>… I like maybe 85% of the main characters. I say maybe because my math might actually be off and I’m too lazy to actually pull out a calculator and punch in some numbers to get what might be 0.84999. And it’s 85% because I might hate them later. That’s more than who I liked from the <i>Grisha </i>trilogy. 😱
<i>Six of Crows</i> technically has six main characters: Kaz, Inej, Nina, Matthias, Jesper, and Wylan (the odd little bean with no spotlight and therefore no prowling in his mind). All of whom are outcasts sent on a suicidal mission to rescue the creator of a drug that increases a Grisha’s power exponentially yet kills them in the end.
Five of which all have POVs switching around every chapter. I’m not a <i>huge </i>fan of multiple POVs because it can easily get confusing, but Bardugo wrote all five in a way that I’m not confused and running around like a little hamster who lost hold of how to stop its wheel.
The group of six are <i>fantastic </i>as a group - despite their differences, they get along pretty well and have a great dynamic together. They’re even better as pairs: Kaz and Inej, Nina and Matthias, Jesper and Wylan. I am all for witty and snark and just great dialogue. 😍
<blockquote class="tr_bq">Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
“My ghost won’t associate with your ghost,” Matthias said primly.</blockquote>
In case anyone wonders…. I ship Kaz and Inej. They are, simply out, badass and go well together perfectly (apparently my ship doesn’t sail in the sequel, which I’m extremely disappointed about). Kaz is a brilliant leader leading the Dregs with all kinds of tricks and plans up his cane and never backs down from a mission no matter how impossible it may be. Inej is a highly skilled assassin who has a knack for sneaking up on people without them ever knowing. Have I mentioned under their tough exteriors, they’re occasionally softies and it’s cute?
Onto ze world… <i>Six of Crows</i> brings us back to the world of Grisha, onto a small little island off the coast of Ravka and Shu Han, and into a little area called Ketterdam where criminals and misfits of society lurk together. I really loved the drastic change from palaces to a complete polar opposite where one has to constantly watch their back. Throughout the duration of the book, I really liked Bardugo’s descriptions of each place the six travel on their way, especially with how Fjerda has this ice court with a palace virtually impossible to break into with all the top notch security that they have.
<i>Six of Crows</i> can be read regardless of whether or not the <i>Grisha </i>trilogy has been read - there’s excellent character dynamics, great dialogue that might cause a laugh or two, and a cast that come from all kinds of backgrounds.
<a href="https://bookwyrmingthoughts.com/six-of-crows-by-leigh-bardugo-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lee (2222 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 4, 2019
Wonderful ending to the trilogy
The Hidden World picks up a year on from the events of the last movie. After gaining a parent, then losing another, Hiccup now finds himself Chief to the residents of the Isle of Berk. But it's starting to become a little bit overcrowded - as Hiccup and friends continue to carry out raids on dragon hunters, rescuing dragons and bringing them back to the safety of the island, there's not so much room for the human residents anymore. This safe haven for dragons, along with the antics of Hiccup and his dragon rescuers, draws the attentions of an infamous, and very dangerous hunter by the name of Grimmel. He comes armed with a deadly crossbow and a set of dragons the likes of which Hiccup hasn't seen before - spewing acid like liquid which burns and destroys everything it comes into contact with, and he's out to rid the world of night fury dragons. Attempts by Hiccup to outwit and capture Grimmel backfire and it quickly becomes clear that Berk, and all of it's inhabitants, are in imminent and deadly danger.
Hiccup remembers his father telling him stories when he was a young boy, recalling tales that sailors returning home from sea had told. Stories of a hidden world, beyond the horizon at the edge of the world. Legend has it that this world is the birth place of all dragons, a wonderous place where they all live in harmony, hidden away from the world of humans. Hiccup decides that before Grimmel returns to the island with an army, they must all pack up and leave in search of the hidden world, where they can rebuild their homes and all live together in safety. But Grimmel has a very special dragon in his possession, one that he plans to use in order to capture Toothless - a female night fury, white in colour and dubbed a 'Light Fury'. This Light Fury succeeds in drawing the attentions of Toothless, who up until now was thought to be the last of his kind. And while plans are also afoot for Hiccup to marry Astrid, are our heroes finally about to grow up and go their separate ways in the name of love?
One of the biggest strong points of this series of movies is just how beautiful they are to look at, and The Hidden World is no exception. As the mating ritual between the two dragons unfolds, we spend long periods of time with little or no dialogue. From an amusing but clumsy courting dance on the beach to a beautiful flight as they become more comfortable with each other, the whole thing is just wonderfully captivating. The movie benefits from some very good action scenes too and Hiccups friends continue to bring humour to it all. It's a good mix, and never manages to feel boring at all. But this is definitely a movie about old friends, growing up and growing apart. And as the closing part of the movie trilogy, it manages to tie everything together and end it all perfectly.
Hiccup remembers his father telling him stories when he was a young boy, recalling tales that sailors returning home from sea had told. Stories of a hidden world, beyond the horizon at the edge of the world. Legend has it that this world is the birth place of all dragons, a wonderous place where they all live in harmony, hidden away from the world of humans. Hiccup decides that before Grimmel returns to the island with an army, they must all pack up and leave in search of the hidden world, where they can rebuild their homes and all live together in safety. But Grimmel has a very special dragon in his possession, one that he plans to use in order to capture Toothless - a female night fury, white in colour and dubbed a 'Light Fury'. This Light Fury succeeds in drawing the attentions of Toothless, who up until now was thought to be the last of his kind. And while plans are also afoot for Hiccup to marry Astrid, are our heroes finally about to grow up and go their separate ways in the name of love?
One of the biggest strong points of this series of movies is just how beautiful they are to look at, and The Hidden World is no exception. As the mating ritual between the two dragons unfolds, we spend long periods of time with little or no dialogue. From an amusing but clumsy courting dance on the beach to a beautiful flight as they become more comfortable with each other, the whole thing is just wonderfully captivating. The movie benefits from some very good action scenes too and Hiccups friends continue to bring humour to it all. It's a good mix, and never manages to feel boring at all. But this is definitely a movie about old friends, growing up and growing apart. And as the closing part of the movie trilogy, it manages to tie everything together and end it all perfectly.
Hazel (1853 KP) rated The Screaming Staircase: Lockwood & Co. #1 in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Alice (12 KP) rated The Ninth Rain in Books
Jul 3, 2018
<i>I was given a copy of this book by the publisher in exchange for an honest review</i>
The Ninth Rain is the first book of a new trilogy from my new go-to author Jen Williams. As in her previous books, Jen Williams creates a world like no other, a world where witches, vampires (of a sort) and giant bats coexist to an extent; a world where gods existed and massive war-beasts once lived and fought, where parasitic beetles are the enemy.
I invite you all to most heartily buy this book, read this book, pause and read it again and again.
Once again Jen Williams has created a trio of characters to love in similar veins to her Copper Cat trilogy, though different in their individual way:
-Noon – a fell-witch from the plains imprisoned in the Winnowry for her crime of being born with power.
-Lady Vincenza ‘Vintage’ de Grazon – A human scholar with a love of all things Jure’lia, a constant hunt for knowledge and cash to splash.
-Tormalin the Oathless – an Eboran mercenary trained in the ways of The House of the Long Night.
Three brilliant characters that each bring their own special flair to this book. Tor is witty and sarcastic, Vintage is much the same but show her eccentricities and has a heart of gold, Noon originally so frightened comes into her own on the journey she shares with Vintage and Tor. Another perfect trio of characters.
The plot for this book resolves around the Jure’lia- or worm-people- who came to Sarn and waged war; the Eighth Rain came from the Eboran God Ygseril, a silvery birth of war-beasts who fought off the Jure’lia and their Behemoths and then passed on themselves. Since the end of the Eighth Rain the war-beasts have been extinct and Ebora started to die.
The book follows Vintage and Tor on their journey through Mushenka and the rest of Sarn in pursuit of knowledge of the Jure’lia- eccentric explorer Vintage’s Poison of choice. They enter the Wild and come across Noon, an escaped fell-witch masquerading as an agent of the Winnowry and from then on their journey becomes a lot less regular and and lot more interesting!
Lots of fire! Lots of action and the sweetest romantic creation I’ve read in a long time – a minor bit of romance that does not detract from the overwhelming fantasy that is this book.
Jen’s world building skills are akin to no other, her cities are ancient but with a modern flair, her enemies disgustingly brilliant and savagely evil, her heroes full of charm and heart. The writing style sucks you in and doesn’t let you go until long after you’ve hit the end of the book and leaves you wanting more.
There are no words strong enough for me to describe how utterly brilliant The Ninth Rain was – not just the story the name comes from but the overall storyline. The characters, plot, balance between good versus evil and everything in between – outstanding.
A great read with heart and soul and epic beasties. I highly recommend this book.
The Ninth Rain is the first book of a new trilogy from my new go-to author Jen Williams. As in her previous books, Jen Williams creates a world like no other, a world where witches, vampires (of a sort) and giant bats coexist to an extent; a world where gods existed and massive war-beasts once lived and fought, where parasitic beetles are the enemy.
I invite you all to most heartily buy this book, read this book, pause and read it again and again.
Once again Jen Williams has created a trio of characters to love in similar veins to her Copper Cat trilogy, though different in their individual way:
-Noon – a fell-witch from the plains imprisoned in the Winnowry for her crime of being born with power.
-Lady Vincenza ‘Vintage’ de Grazon – A human scholar with a love of all things Jure’lia, a constant hunt for knowledge and cash to splash.
-Tormalin the Oathless – an Eboran mercenary trained in the ways of The House of the Long Night.
Three brilliant characters that each bring their own special flair to this book. Tor is witty and sarcastic, Vintage is much the same but show her eccentricities and has a heart of gold, Noon originally so frightened comes into her own on the journey she shares with Vintage and Tor. Another perfect trio of characters.
The plot for this book resolves around the Jure’lia- or worm-people- who came to Sarn and waged war; the Eighth Rain came from the Eboran God Ygseril, a silvery birth of war-beasts who fought off the Jure’lia and their Behemoths and then passed on themselves. Since the end of the Eighth Rain the war-beasts have been extinct and Ebora started to die.
The book follows Vintage and Tor on their journey through Mushenka and the rest of Sarn in pursuit of knowledge of the Jure’lia- eccentric explorer Vintage’s Poison of choice. They enter the Wild and come across Noon, an escaped fell-witch masquerading as an agent of the Winnowry and from then on their journey becomes a lot less regular and and lot more interesting!
Lots of fire! Lots of action and the sweetest romantic creation I’ve read in a long time – a minor bit of romance that does not detract from the overwhelming fantasy that is this book.
Jen’s world building skills are akin to no other, her cities are ancient but with a modern flair, her enemies disgustingly brilliant and savagely evil, her heroes full of charm and heart. The writing style sucks you in and doesn’t let you go until long after you’ve hit the end of the book and leaves you wanting more.
There are no words strong enough for me to describe how utterly brilliant The Ninth Rain was – not just the story the name comes from but the overall storyline. The characters, plot, balance between good versus evil and everything in between – outstanding.
A great read with heart and soul and epic beasties. I highly recommend this book.
Phil Leader (619 KP) rated The Magicians' Guild (Black Magician Trilogy, #1) in Books
Nov 20, 2019
Trudi Canavan has been on my 'to read' list for a long time (far too long really). I finally found the time to read The Magicians' Guild - book one of the Black Magician trilogy.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.