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RəX Regent (349 KP) rated L.A. Confidential (1997) in Movies
Feb 19, 2019
A masterpiece, if not THE masterpiece of modern cinema.
A film which understands exactly what it is, what it’s doing and what it’s about and plays out with pace to resolve what is certainly on of the most complex detective stories the multiplex’s have seen in a long while.
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
Nicole Hadley (380 KP) rated Hedy's Journey: The True Story of a Hungarian Girl Fleeing the Holocaust in Books
Jun 16, 2018
Hedy's Journey by Michelle Bisson is a horrific, true story about a Hungarian Jewish girl named Hedy who had to travel through Germany during the Holocaust in search of safety. She takes a portion of the journey to America alone, as she is required to separate from her parents.
She and her family suffered through trials and tribulations on the unpredictable journey. Plans often changed, and she had no choice but to be brave. Follow along in the story to learn there destination and future.
The author, Michelle Bisson, is Hedy's daughter. She tells the story of Hedy's (Hungarian Jewish) journey to safety, from the Nazis to the US. The story is sort of passing of the baton. Someone has to continue to tell their stories, history in its worst manifestation, and I appreciated the effort of this daughter. The story is told with extreme delicacy and the designs convey this emotion. I truly appreciate that she has taken the story about her mother's experience and offered it to others so that they can retain this piece of history that is so essential to children's education. In addition, I appreciated the author mentioning that it wasn't just Jews who were persecuted.
The book also contains lots of photographs of Hedy and her family as well as a timeline of events. This book is one I believe should be integral to children's curriculums and should be in every library.
She and her family suffered through trials and tribulations on the unpredictable journey. Plans often changed, and she had no choice but to be brave. Follow along in the story to learn there destination and future.
The author, Michelle Bisson, is Hedy's daughter. She tells the story of Hedy's (Hungarian Jewish) journey to safety, from the Nazis to the US. The story is sort of passing of the baton. Someone has to continue to tell their stories, history in its worst manifestation, and I appreciated the effort of this daughter. The story is told with extreme delicacy and the designs convey this emotion. I truly appreciate that she has taken the story about her mother's experience and offered it to others so that they can retain this piece of history that is so essential to children's education. In addition, I appreciated the author mentioning that it wasn't just Jews who were persecuted.
The book also contains lots of photographs of Hedy and her family as well as a timeline of events. This book is one I believe should be integral to children's curriculums and should be in every library.
Sarah (7798 KP) rated A Monster Calls (2016) in Movies
Dec 30, 2018
Heartwrenching
Anyone who’s read my reviews on here knows I very rarely like film adaptations of books, but for this one I make an exception. The book is excellent, and the film is not only as good as the book, but possibly slightly better.
This is a heartwrenching story about grief, and doesn’t shy away about being stark and honest about a very brutal and difficult subject. And it deals with this subject matter in such an elegant way. The film really surpasses the book when it comes to the visuals. The monster looks and sounds amazing, and is sinister looking without being too scary, and the stories he tells are animated brilliantly - looking very similar to the Deathly Hallows animation. The colours and effects are truly impressive. And it helps that the film sticks very true to the book.
Conor is a relatable young character and is played brilliantly in this. The rest of the supporting cast are also excellent, although one of my few criticisms is that Toby Kebbell is underused. He’s a fantastic actor and I appreciate that there isn’t much room to include his character more, I just always wish to see him more no matter what film he’s in.
This is a beautifully made heartwrenching film, that deals with a very difficult subject in a fitting matter. I can’t find anything bad to say about this Not a dry eye around when it got to the ending.
This is a heartwrenching story about grief, and doesn’t shy away about being stark and honest about a very brutal and difficult subject. And it deals with this subject matter in such an elegant way. The film really surpasses the book when it comes to the visuals. The monster looks and sounds amazing, and is sinister looking without being too scary, and the stories he tells are animated brilliantly - looking very similar to the Deathly Hallows animation. The colours and effects are truly impressive. And it helps that the film sticks very true to the book.
Conor is a relatable young character and is played brilliantly in this. The rest of the supporting cast are also excellent, although one of my few criticisms is that Toby Kebbell is underused. He’s a fantastic actor and I appreciate that there isn’t much room to include his character more, I just always wish to see him more no matter what film he’s in.
This is a beautifully made heartwrenching film, that deals with a very difficult subject in a fitting matter. I can’t find anything bad to say about this Not a dry eye around when it got to the ending.
Merissa (12069 KP) rated The End of Hatred (Etherya's Earth #1) in Books
Feb 6, 2020
The End of Hatred is the first book in the Etherya's Earth series and we are introduced to a world that co-exists within our own, that we are (up until now) unaware of. This world is roughly split into three - the Slayeras, the Vampyres, and the Deamons. They have been at war for centuries and Miranda, the Slayera Princess is tired of it. She comes up with a solution to end the war but she needs the help of the Vampyre King to do so, even if she is ostracised by her father.
I thoroughly enjoyed this story! From Miranda to Sathan, Lila to Latimus, Darkrip to Arderin, these characters all came to life. They are individual enough to remain in my mind whilst holding true to the characteristics of their races. I found the pacing to be perfect and there was never a dull moment. I also loved the pop references that I found, in particular, those about 'Buffy', for obvious reasons.
This is the start of the series and one I will be continuing with. It was a fantastic story and there are many more couples yet to come that I want stories for. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I thoroughly enjoyed this story! From Miranda to Sathan, Lila to Latimus, Darkrip to Arderin, these characters all came to life. They are individual enough to remain in my mind whilst holding true to the characteristics of their races. I found the pacing to be perfect and there was never a dull moment. I also loved the pop references that I found, in particular, those about 'Buffy', for obvious reasons.
This is the start of the series and one I will be continuing with. It was a fantastic story and there are many more couples yet to come that I want stories for. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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