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ClareR (5726 KP) rated The Rules of Revelation in Books
May 30, 2021
I really enjoyed The Rules of Revelation - although I started reading it fully prepared to be confused. I wasn’t. This is the third and final part of a trilogy - I do own the first two books, but in true Clare style, I haven’t read them. I like that this stands alone, although I’m sure that I will have missed out on some important parts of the plot - never fear! I’ll just go back and read the first two!
I really like stories set around bands or singers - and this does have something extra to that storyline. The side character really made this novel interesting. I loved Maureen, the mother of the local big drug baron. She really doesn’t care what anyone feels or thinks about her, and isn’t frightened by her son one bit - unlike most of Cork.
Georgie is an ex sex-worker who wants what she thinks is fair - and that’s to make sure that Ryan Cusak’s band, Lord Urchin, get what they deserve. Nothing. I can’t help but think that a lot of her problems come from the fact that she is so easily taken advantage of: in her past as well as by the journalist in her present.
And then there’s the love story of Ryan and Karine. How much more complicated could they make it for one another? On top of that, is Ryan’s battle to make his art accessible to others, to sell an album or play to an audience, but his past is constantly putting a spanner in the works. He wants to improve his life from his poor, deprived upbringing, and put his drug-dealing past firmly behind him.
And all of this set in a time of great change in Ireland. Maureen should see some positives in the new Ireland. She talks about Cork being a city for men, but Ireland has just passed laws for marriage equality and abortion rights.
There’s a lot going on in this novel, I’d never get through all of it here, and I wouldn’t want to. You should just read it. I loved it, and wouldn’t hesitate to recommend it.
I really like stories set around bands or singers - and this does have something extra to that storyline. The side character really made this novel interesting. I loved Maureen, the mother of the local big drug baron. She really doesn’t care what anyone feels or thinks about her, and isn’t frightened by her son one bit - unlike most of Cork.
Georgie is an ex sex-worker who wants what she thinks is fair - and that’s to make sure that Ryan Cusak’s band, Lord Urchin, get what they deserve. Nothing. I can’t help but think that a lot of her problems come from the fact that she is so easily taken advantage of: in her past as well as by the journalist in her present.
And then there’s the love story of Ryan and Karine. How much more complicated could they make it for one another? On top of that, is Ryan’s battle to make his art accessible to others, to sell an album or play to an audience, but his past is constantly putting a spanner in the works. He wants to improve his life from his poor, deprived upbringing, and put his drug-dealing past firmly behind him.
And all of this set in a time of great change in Ireland. Maureen should see some positives in the new Ireland. She talks about Cork being a city for men, but Ireland has just passed laws for marriage equality and abortion rights.
There’s a lot going on in this novel, I’d never get through all of it here, and I wouldn’t want to. You should just read it. I loved it, and wouldn’t hesitate to recommend it.
ClareR (5726 KP) rated A Thousand Ships in Books
Sep 13, 2020
How could it be anything other than ‘Epic’ when it’s Greek Mythology involved?
A Thousand Ships is the story of the Trojan War as experienced by the women. Greek mythology is always centred around the men - after all, it was men who original myths down (The Iliad and The Odyssey both having been written by Homer). Women are side characters who have things done to them, rather than them being the ones doing things - unless they’re a goddess or a witch. Although witches and nymphs don’t seem to come out of these stories particularly well either 🤷🏼♀️
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
Kristy H (1252 KP) rated Our Little Cruelties in Books
Dec 17, 2020
William, Brian, and Luke Drumm--three boys each born a year apart. William becomes a successful movie producer. Luke, a famous singer. And Brian, the steady middle brother, watches over careers, money, and their mother. But none of the brothers are as successful and happy as they appear--scarred by their traumatic childhood and their constant attempts to gain the attention of their mother. Now, the brothers are gathered together again: but only two are alive.
"All three of the Drumm brothers were at the funeral. But only one of them was in the coffin."
I made a lot of mistakes with this book. First, I thought I loved Liz Nugent, but then I realized I had her confused with another writer, and that I've never read any of her books. Next, I thought this would be more of a true, suspenseful mystery. It is not.
I feel bad, but this book was not for me. It started out slowly and just never got better. The plot drags on and on. While it is somewhat a mystery about a dead brother (which Drumm has died?), it's mostly a character-driven tale about three awful brothers. Because these three men are terrible and despicable, and I found it nearly impossible to become interested in them or their stories.
The book is told in chunks--from the perspective of each brother. Within their parts, their stories go back and forth in time. It's hard to keep track of the passing of time, especially as the book progresses.
This novel could provide in-depth perspective on mental illness and the impact our parents can have on our lives, but so much of that nuance gets lost in our characters and their abject hatefulness. There is little redemption to be had here. I had twinges of sympathies for the brothers, but, at times, I wasn't sure I would care if they were dead. They are truly evil sometimes.
Overall, this book just didn't work for me. I wasn't interested in the characters, and I wanted this to be a different type of story. Many others found this much more captivating and enjoyed the character driven style, so it may work better for you. 2 stars.
"All three of the Drumm brothers were at the funeral. But only one of them was in the coffin."
I made a lot of mistakes with this book. First, I thought I loved Liz Nugent, but then I realized I had her confused with another writer, and that I've never read any of her books. Next, I thought this would be more of a true, suspenseful mystery. It is not.
I feel bad, but this book was not for me. It started out slowly and just never got better. The plot drags on and on. While it is somewhat a mystery about a dead brother (which Drumm has died?), it's mostly a character-driven tale about three awful brothers. Because these three men are terrible and despicable, and I found it nearly impossible to become interested in them or their stories.
The book is told in chunks--from the perspective of each brother. Within their parts, their stories go back and forth in time. It's hard to keep track of the passing of time, especially as the book progresses.
This novel could provide in-depth perspective on mental illness and the impact our parents can have on our lives, but so much of that nuance gets lost in our characters and their abject hatefulness. There is little redemption to be had here. I had twinges of sympathies for the brothers, but, at times, I wasn't sure I would care if they were dead. They are truly evil sometimes.
Overall, this book just didn't work for me. I wasn't interested in the characters, and I wanted this to be a different type of story. Many others found this much more captivating and enjoyed the character driven style, so it may work better for you. 2 stars.
Mayhawke (97 KP) rated Elevator Pitch in Books
Jun 28, 2019
A nice return to U.S. crime fiction
Crime fiction is my thing. It's what I read most of, most of the time.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Sensitivemuse (246 KP) rated A Hero Born in Books
Sep 25, 2019
Great plot but translation isn't so good
Despite what you read on the covers (e.g. “It’s like Lord of the Rings”) ignore all of that. It’s nothing like it. There is no epic adventure to fight evil (at least not yet - this is the first book in the series). So before you get all disappointed in what the outside quotes say, completely disregard them.
Translation will always be an issue with these kinds of books. It’s hard to keep it true and coherent. Sometimes you get a good one that is completely comprehensible and makes the reading a journey well worth it. Then you get one like A Hero Born and it’s not the greatest translation. The writing style is dry and hard to get into. Sometimes it gets too descriptive, but other times it’s not descriptive enough. It can be a little long winded at times and it drags - I’m not too sure if that’s because of the run on writing style or the plot itself. Either way by the last third of the book it was getting to be tiresome.
Speaking of the plot, it was good! There’s plenty of action, a bit of intrigue here and there. If you don’t mind something akin to Chinese historical fiction movies with classic martial arts fighting then perhaps this is for you. There are small elements of political intrigue which keeps the story interesting, however keep in mind there are a lot of characters to keep track of, but luckily there is a cast of characters in the beginning of the novel so that should not be a problem. This isn’t a book to put down and turn back to later, this needs to be consistently read you will easily lose your place.
There’s also several plot arcs that happen throughout the novel so it’s best to keep track of them carefully. They are all intertwined at some point. It’s a great plot and if it wasn’t for the horrible writing/translation.
I don’t know if I could recommend this one to anyone. I would under normal circumstances but the writing just do the plot justice. It’s too bad, it would have been such a great series.
Translation will always be an issue with these kinds of books. It’s hard to keep it true and coherent. Sometimes you get a good one that is completely comprehensible and makes the reading a journey well worth it. Then you get one like A Hero Born and it’s not the greatest translation. The writing style is dry and hard to get into. Sometimes it gets too descriptive, but other times it’s not descriptive enough. It can be a little long winded at times and it drags - I’m not too sure if that’s because of the run on writing style or the plot itself. Either way by the last third of the book it was getting to be tiresome.
Speaking of the plot, it was good! There’s plenty of action, a bit of intrigue here and there. If you don’t mind something akin to Chinese historical fiction movies with classic martial arts fighting then perhaps this is for you. There are small elements of political intrigue which keeps the story interesting, however keep in mind there are a lot of characters to keep track of, but luckily there is a cast of characters in the beginning of the novel so that should not be a problem. This isn’t a book to put down and turn back to later, this needs to be consistently read you will easily lose your place.
There’s also several plot arcs that happen throughout the novel so it’s best to keep track of them carefully. They are all intertwined at some point. It’s a great plot and if it wasn’t for the horrible writing/translation.
I don’t know if I could recommend this one to anyone. I would under normal circumstances but the writing just do the plot justice. It’s too bad, it would have been such a great series.
ClareR (5726 KP) rated The Familiars in Books
Jul 14, 2019 (Updated Jul 14, 2019)
The fact that this book is based on true events makes it all the more harrowing, in my opinion. When people ask “What era would you like to visit or live in?”, I pretty much always answer “I’m fine just where I am. I rather like the antibiotics, general freedom and option not to be hung and/ or burned as a witch, thanks very much”. I do however, very much like reading about the past, and this gives a fascinating insight to the Pendle Hill Witch Trials.
Fleetwood is seventeen years old and pregnant for the fourth time. Her three previous pregnancies have all resulted in stillbirth or miscarriage, and she has found letters from a doctor to her husband, saying that she will not survive another. She meets Alice Grey, who is a midwife, by chance. Alice promises to help her give birth to a living child, and assures her that she will survive the birth.
The fact that Alice is a midwife leaves her vulnerable to accusations of witchcraft, and accused she is. Fleetwood is adamant that she will save her as she is her friend and the only person who will be able to save hers and her baby’s lives. No one takes Fleetwood seriously though; when they do take her seriously, they expect her to go home and knuckle down to the more womanly pursuits of child bearing and being a wife.
Fleetwoods frustration is described so well - no one will listen, and no one will help. It’s such a tense atmosphere - Fleetwood just wants to help,her friend, and there are so many obstacles in the way. Even her social standing is no deterrent if someone were to accuse her of witchcraft if she becomes too troublesome (there’s the example of Margaret Pearson in the story, whose maid accused her of having a toad as a familiar, and spent time in the stocks before being imprisoned)
I really enjoyed this book, and I’ll be waiting for whatever the author writes next (I’m on the mailing list!).
Many thanks to Readers First for my copy of this book.
Fleetwood is seventeen years old and pregnant for the fourth time. Her three previous pregnancies have all resulted in stillbirth or miscarriage, and she has found letters from a doctor to her husband, saying that she will not survive another. She meets Alice Grey, who is a midwife, by chance. Alice promises to help her give birth to a living child, and assures her that she will survive the birth.
The fact that Alice is a midwife leaves her vulnerable to accusations of witchcraft, and accused she is. Fleetwood is adamant that she will save her as she is her friend and the only person who will be able to save hers and her baby’s lives. No one takes Fleetwood seriously though; when they do take her seriously, they expect her to go home and knuckle down to the more womanly pursuits of child bearing and being a wife.
Fleetwoods frustration is described so well - no one will listen, and no one will help. It’s such a tense atmosphere - Fleetwood just wants to help,her friend, and there are so many obstacles in the way. Even her social standing is no deterrent if someone were to accuse her of witchcraft if she becomes too troublesome (there’s the example of Margaret Pearson in the story, whose maid accused her of having a toad as a familiar, and spent time in the stocks before being imprisoned)
I really enjoyed this book, and I’ll be waiting for whatever the author writes next (I’m on the mailing list!).
Many thanks to Readers First for my copy of this book.
Lottie disney bookworm (1056 KP) rated Slumber in Books
Sep 9, 2019
Thank you to NetGalley and Becky Bird for providing an e-copy of Slumber in exchange for an honest opinion.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Andy K (10821 KP) rated The Brood (1979) in Movies
Sep 22, 2019
An R rated version of Inside Out?
Frank Carveth is just a father with some problems. His wife is currently enrolled in an intense, secluded, mysterious form of psychotherapy being conducted by an unusual doctor. His eccentric mother-in-law, has just been murdered through unusual circumstances and his young daughter is showing signs of physical abuse at the hands of his institutionalized wife that he must now investigate.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
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