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Hazel (1853 KP) rated The Joyce Girl in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
BankofMarquis (1832 KP) rated Green Book (2018) in Movies
Dec 14, 2018
One of the best of 2018
When the dust is settled on 2018, you can be rest assured that GREEN BOOK will be listed as one of my top films of the year.
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated Vampires Suck (2010) in Movies
Aug 8, 2019
Vampires suck – but does the movie? We open on the San Salvatore Festival with the angsty Becca watching her beau, Edward Sullen, disrobe and expose his sparkly secrets- he’s a vampire! Cue the “True Blood- 40oz” toting, Mono-fang vampire to take Edward out….wait, we have to get the rest of the story! What follows is a parody of the first two movies of the Twilight Saga. Most of the characters analogous to the spoof’s target are introduced in the first 30 minutes; few of them are actually seen again throughout the movie.
Becca (newcomer Jenn Proske) is forced to move to Sporks, Washington, with her deadbeat father and town sheriff, Frank Crane (Diedrich Bader of The Drew Carey Show). Frank’s best friend is the rough-and-tumble paraplegic Native American, Bobby. His contribution to the plot is his hunky teenage son, Jacob White (Chris Riggi of Gossip Girl). The town of Sporks seems to have vampires on the brain and its population is only growing smaller.
Our heroine is introduced to Edward Sullen (Matt Lanter of Disaster Movie) and what follows is the “classic” story of girl-meets-vampire, girl-loses-vampire, girl-gets-threatened-by-vampire-nemesis, etc. Writers/Directors Jason Friedberg and Aaron Seltzer use their formulaic approach to spoof movies by making the plot a cliff-notes version of the Stephanie Meyer’s original material, with ample jokes thrown in-in an attempt to beef up their rendition.
In fact, there are so many visual jokes in the movie that it left me wondering what a sight-impaired person might conclude of the movie. “What are all these people laughing at?” I noticed a few of the dialogue driven jokes weren’t even played off by the actors. They seemed to have been missed by everyone, including the editors. Other jokes are pop-culture references that will get stale with time. They’re integrated well, but definitely dated. The movie is redolent with the classic American comedy tradition of slapstick, which occasionally comes off as funny.
The production value left something to be desired as several scenes were obviously one-takes. I counted several instances where Becca’s kiss left Edward’s mouth with a smudge of his own flesh-tone showing through. But hey- at least single takes have continuity, right? The contacts, no doubt purchased in bulk, gave the characters an occasional Marty Feldman goggly-look. The effect is hilarious, although I’m not always sure if it’s intentional.
The cast has its standouts. Jenn Proske’s Becca comes dangerously close (like copyright-violating close) to the performance of Kristen Stewart’s Bella as the fidgety, twitchy, sullen and hormone-y heroine. And Ken Jeong (The Hangover) as Daro, while not appearing on screen much, definitely makes his comedic presence felt.
All in all, “Vampires Suck” didn’t really suck… it kind of chews, like gum. Gum out of the package is fresh, flavorful, but the longer you chew it, the tougher and more stale it becomes. This movie is fresh, funny, and quirky right now, but it won’t stand the test of time like more accomplished parodies.
Becca (newcomer Jenn Proske) is forced to move to Sporks, Washington, with her deadbeat father and town sheriff, Frank Crane (Diedrich Bader of The Drew Carey Show). Frank’s best friend is the rough-and-tumble paraplegic Native American, Bobby. His contribution to the plot is his hunky teenage son, Jacob White (Chris Riggi of Gossip Girl). The town of Sporks seems to have vampires on the brain and its population is only growing smaller.
Our heroine is introduced to Edward Sullen (Matt Lanter of Disaster Movie) and what follows is the “classic” story of girl-meets-vampire, girl-loses-vampire, girl-gets-threatened-by-vampire-nemesis, etc. Writers/Directors Jason Friedberg and Aaron Seltzer use their formulaic approach to spoof movies by making the plot a cliff-notes version of the Stephanie Meyer’s original material, with ample jokes thrown in-in an attempt to beef up their rendition.
In fact, there are so many visual jokes in the movie that it left me wondering what a sight-impaired person might conclude of the movie. “What are all these people laughing at?” I noticed a few of the dialogue driven jokes weren’t even played off by the actors. They seemed to have been missed by everyone, including the editors. Other jokes are pop-culture references that will get stale with time. They’re integrated well, but definitely dated. The movie is redolent with the classic American comedy tradition of slapstick, which occasionally comes off as funny.
The production value left something to be desired as several scenes were obviously one-takes. I counted several instances where Becca’s kiss left Edward’s mouth with a smudge of his own flesh-tone showing through. But hey- at least single takes have continuity, right? The contacts, no doubt purchased in bulk, gave the characters an occasional Marty Feldman goggly-look. The effect is hilarious, although I’m not always sure if it’s intentional.
The cast has its standouts. Jenn Proske’s Becca comes dangerously close (like copyright-violating close) to the performance of Kristen Stewart’s Bella as the fidgety, twitchy, sullen and hormone-y heroine. And Ken Jeong (The Hangover) as Daro, while not appearing on screen much, definitely makes his comedic presence felt.
All in all, “Vampires Suck” didn’t really suck… it kind of chews, like gum. Gum out of the package is fresh, flavorful, but the longer you chew it, the tougher and more stale it becomes. This movie is fresh, funny, and quirky right now, but it won’t stand the test of time like more accomplished parodies.
Night Reader Reviews (683 KP) rated Testosterone in Books
Jan 9, 2020
Testosterone by Danough OBrien & Liz Cowley was a work very different from anything I have ever read before. While I did give it a lower review I believe that the topic makes it worth a read it its own right. The fact that one thing that seems so small could destroy our entire world is amazing, yet the events that happen is the book I believe to be true. There were a few little surprises during the book that a reader might miss if they are not fully paying attention. I will not be forgetting this book anytime soon and will be keeping an eye out for the movie that it deserves.
Multiple objects crash into Earth with no warning as they were undetectable by our radar, and land in various bodies of water. At the crash sites, there are no remains to be found except for a mist that covers the planet temporarily. When the mist clears it becomes apparent that something devastating has happened to all the mammals on the planet. The males no longer produce testosterone. This means no more sex drive in males, in fact, they no longer even have the ability to have sex. The worst part is that there is no more viable sperm.
The lack of testosterone in the males could mean the end of the human race as no more children can be born naturally. Then it is discovered that all of this was an alien attack meant to weaken the human population on the planet over time. In a last ditch effort to save the human race all the world leaders team up to create Havens. These Havens must be kept secret form most of the population and the alien drones watching the planet. While the outside world falls into turmoil as it ages with no young to replace those passing away. Selected people are still having children through artificial insemination and preparing for war with an unknown enemy in secret. How long can these secret Havens stay a secret and when will the attack come, if at all?
What I liked best was the subject matter itself. I have never encountered an end of the world book where aliens first attack humans on a biological level. The concept was refreshing. I did, however, find the book to be dry at times. Years passed during the story but the only way to tell was because the author directly states how much time passed. The story just did not move very well at all.
Target readers for this book are mature young adults and older. Topics of artificial insemination and infertility may make this book inappropriate for younger readers. The reading level itself is not that difficult. I rate this book 2 out of 4. While the concept and subject matter was different and interesting the way it was presented was not. This is one of the few times that I would like to see it as a movie because I believe a movie version would be better.
https://nightreaderreviews.blogspot.com/
Multiple objects crash into Earth with no warning as they were undetectable by our radar, and land in various bodies of water. At the crash sites, there are no remains to be found except for a mist that covers the planet temporarily. When the mist clears it becomes apparent that something devastating has happened to all the mammals on the planet. The males no longer produce testosterone. This means no more sex drive in males, in fact, they no longer even have the ability to have sex. The worst part is that there is no more viable sperm.
The lack of testosterone in the males could mean the end of the human race as no more children can be born naturally. Then it is discovered that all of this was an alien attack meant to weaken the human population on the planet over time. In a last ditch effort to save the human race all the world leaders team up to create Havens. These Havens must be kept secret form most of the population and the alien drones watching the planet. While the outside world falls into turmoil as it ages with no young to replace those passing away. Selected people are still having children through artificial insemination and preparing for war with an unknown enemy in secret. How long can these secret Havens stay a secret and when will the attack come, if at all?
What I liked best was the subject matter itself. I have never encountered an end of the world book where aliens first attack humans on a biological level. The concept was refreshing. I did, however, find the book to be dry at times. Years passed during the story but the only way to tell was because the author directly states how much time passed. The story just did not move very well at all.
Target readers for this book are mature young adults and older. Topics of artificial insemination and infertility may make this book inappropriate for younger readers. The reading level itself is not that difficult. I rate this book 2 out of 4. While the concept and subject matter was different and interesting the way it was presented was not. This is one of the few times that I would like to see it as a movie because I believe a movie version would be better.
https://nightreaderreviews.blogspot.com/
Night Reader Reviews (683 KP) rated Exile in Books
Nov 24, 2020
Surprise its the first book in a series.
Exile by Sophie Breeze is a great book. It is the first book in a series of unknown length as the second has yet to be released. The cover however says nothing about it being part of a series. Please keep in mind as well that Sophie was only nine years old when she started writing Exile, no small feat.
A group of five kids live on the planet Mellania but are not accepted there. Mellania only accepts those without human DNA and unfortunately these kids are all half human. The kids live with Lucia, a demon whom they believe to be their friend until she takes them to Earth. Upon arrival they are almost immediately attacked and discover Lucia’s true intentions. Now on the run from an evil demon on a planet they are unfamiliar with the kids don’t know who to trust and the stress creates a rift in the group.
Two of the kids go one way and the other three go another, wondering if they will ever see each other again. Soon it is clear that even apart they are not safe as both groups are attacked and tracked down by the SSC. Sadly even once they are with the SSC the kids don’t know who to trust and secrets start revealing themselves. Will they ever be able to feel safe again? Who is really their friends and who is just trying to use them for their own benefit?
The style of this book is rather unique to me as it doesn't seem to hold to any one genre. It starts out as a science fiction heavy in politics and with an assassination. Then as the story moves on it seems to take a more fantasy element with question. While the politics remain through out they do not overpower the rest of the story. The only thing that I really did not like was the surprise factor of learning this is the first in a series. I found myself becoming increasingly confused as I came towards the end and things were no where close to a conclusion.
This book is probably best for young adults with an interest isn’t science fiction/fantasy. They dynamics of the relationships between the hybrids themselves might be a little difficult for young readers to understand. Those who have enjoyed the Percy Jackson and the Olympians series should enjoy this book as well since they share many elements. I rate this book 3 out of 4 or 4 out of 5. I enjoyed this book very much and the twists actually surprised me. The only twist I did not like was how the book turned out to be the beginning of a series. While I have nothing against series I plan when I start a new one carefully and I imagine so do may others, because of this the book lost a point.
A group of five kids live on the planet Mellania but are not accepted there. Mellania only accepts those without human DNA and unfortunately these kids are all half human. The kids live with Lucia, a demon whom they believe to be their friend until she takes them to Earth. Upon arrival they are almost immediately attacked and discover Lucia’s true intentions. Now on the run from an evil demon on a planet they are unfamiliar with the kids don’t know who to trust and the stress creates a rift in the group.
Two of the kids go one way and the other three go another, wondering if they will ever see each other again. Soon it is clear that even apart they are not safe as both groups are attacked and tracked down by the SSC. Sadly even once they are with the SSC the kids don’t know who to trust and secrets start revealing themselves. Will they ever be able to feel safe again? Who is really their friends and who is just trying to use them for their own benefit?
The style of this book is rather unique to me as it doesn't seem to hold to any one genre. It starts out as a science fiction heavy in politics and with an assassination. Then as the story moves on it seems to take a more fantasy element with question. While the politics remain through out they do not overpower the rest of the story. The only thing that I really did not like was the surprise factor of learning this is the first in a series. I found myself becoming increasingly confused as I came towards the end and things were no where close to a conclusion.
This book is probably best for young adults with an interest isn’t science fiction/fantasy. They dynamics of the relationships between the hybrids themselves might be a little difficult for young readers to understand. Those who have enjoyed the Percy Jackson and the Olympians series should enjoy this book as well since they share many elements. I rate this book 3 out of 4 or 4 out of 5. I enjoyed this book very much and the twists actually surprised me. The only twist I did not like was how the book turned out to be the beginning of a series. While I have nothing against series I plan when I start a new one carefully and I imagine so do may others, because of this the book lost a point.
Andy K (10821 KP) rated Stoker (2013) in Movies
Oct 5, 2019
Chan-wook Park, the director of Oldboy and Thirst brings audiences his unique visual style and unsettling themes in his first English speaking film.
After the death of the family's patriarch, his surviving wife and teenage daughter handle the grief in very different ways. Wife Evelyn cries at the funeral, then doesn't seem to be too morose after the appearance of her former brother-in-law, Charles. Daughter India thinks about times her and her father had together when she was a child. They seemed to have much more of a bond in hanging with one another hunting small game. Evelyn seems jealous of their relationship until brother Charlie arrives in her gazes full time.
Charlie just seems a bit to nice and proper and trying to fit in with his new female friends. Something not quite right about him. This is also noticed by the family's live in housekeeper and an aunt that drops by the house sometime after the funeral. Mysteriously, both women go missing sometime after.
India has her own issues at school dealing herself with bullies and an aggressive boy who tries to rape her. She deals with them herself, and with help from others. She seems very pleased with herself and remembers fondly what she has done.
Events then become very disturbing, family members start to show their true feelings for each and motives are explained and revealed for a memorable and unique third act.
Director Park's visual style of interesting camera angles, memorable images and close up photography here as well; however, muted compared to his usual over-the-top style of his Asian films. Disturbing images followed by exterior shots or interesting camera transitional moments are one I love to see if film and there are several of them in this piece.
The unraveling of the mystery and of the character motivations and the continually changing family dynamic are certainly the most interesting aspect of the story. Not sure if I completely understand some of the subtle thematic elements or how they relate to the overall message the film is trying to convey, but that is not a negative.
The ending is shocking and unexpected and not sure if I understand that either, but it ties the story up and makes the audience wonder what will happen to the characters after the credits roll.
Mia Wasikowska stood out to me as very good in this film. Her nuanced and emotional roller coaster of a character was done with conviction. You may remember her from the Alice in Wonderland Tim Burton reboots; however, she is much more wicked this time around.
Not sure if everyone would enjoy as it may seem boring or confusing to some. I did read several 1 and 3 star reviews along with many 9 and 10 star reviews which seem to be the type of movie I am watching lately. Those types of movies are divisive and I like to see which side I am on.
Watch for yourself and tell me what you think.
After the death of the family's patriarch, his surviving wife and teenage daughter handle the grief in very different ways. Wife Evelyn cries at the funeral, then doesn't seem to be too morose after the appearance of her former brother-in-law, Charles. Daughter India thinks about times her and her father had together when she was a child. They seemed to have much more of a bond in hanging with one another hunting small game. Evelyn seems jealous of their relationship until brother Charlie arrives in her gazes full time.
Charlie just seems a bit to nice and proper and trying to fit in with his new female friends. Something not quite right about him. This is also noticed by the family's live in housekeeper and an aunt that drops by the house sometime after the funeral. Mysteriously, both women go missing sometime after.
India has her own issues at school dealing herself with bullies and an aggressive boy who tries to rape her. She deals with them herself, and with help from others. She seems very pleased with herself and remembers fondly what she has done.
Events then become very disturbing, family members start to show their true feelings for each and motives are explained and revealed for a memorable and unique third act.
Director Park's visual style of interesting camera angles, memorable images and close up photography here as well; however, muted compared to his usual over-the-top style of his Asian films. Disturbing images followed by exterior shots or interesting camera transitional moments are one I love to see if film and there are several of them in this piece.
The unraveling of the mystery and of the character motivations and the continually changing family dynamic are certainly the most interesting aspect of the story. Not sure if I completely understand some of the subtle thematic elements or how they relate to the overall message the film is trying to convey, but that is not a negative.
The ending is shocking and unexpected and not sure if I understand that either, but it ties the story up and makes the audience wonder what will happen to the characters after the credits roll.
Mia Wasikowska stood out to me as very good in this film. Her nuanced and emotional roller coaster of a character was done with conviction. You may remember her from the Alice in Wonderland Tim Burton reboots; however, she is much more wicked this time around.
Not sure if everyone would enjoy as it may seem boring or confusing to some. I did read several 1 and 3 star reviews along with many 9 and 10 star reviews which seem to be the type of movie I am watching lately. Those types of movies are divisive and I like to see which side I am on.
Watch for yourself and tell me what you think.
Ivana A. | Diary of Difference (1171 KP) rated Close to Home in Books
Oct 2, 2020
Close To Home is, I believe, the first mystery/thriller book I have given one star to. I had very high hopes for this one. And it crashed my hopes quite hard.
Close To Home is the first book in a series called DI Adam Fawley. The books are not related to themselves and can be read as standalones. They all feature the detective Fawley, therefore the series solution. Something similar to Dan Brown's series. I listened to the audio book, and I think that the format might have a little blame on my rating.
In this book, the 8-year-old girl Daisy Mason disappears from her parents's summer party. No one in the neighbourhood saw anything, not even the parents, and the detective is trying to keep an open mind in this whole situation, as someone is clearly lying.
The story begins with an interesting premise, and I loved the initial interviews that are happening, right after the disappearance. And after this initial moment, everything goes downhill.
There are many twists in this book, and they all are happening based on dumn luck or weird circumstances.
I would understand if this happened once or twice, but they have solved the whole mystery with coincidences happening one after another as well as random plot lines being added in the middle of nowhere, just to keep the story going.
Oh - we're running out of clues. Let's add a secret random second family the dad has. Oh - we're running out of clues again. Let's add a suspicious background for the mother. And now, let's make both these events come up at them at the same time, right when we're trying to solve an investigation. And now, let's add a mental issue with the brother. (Despite receiving all doctor's reports at the beginning)...
Too many events that came up afterwards and that I still have trouble to believe could make sense.
And on top of all this, I need to mention that the book doesn't have chapters as such. The parts are split with excerpts from social media. Something which I truly believe I would have enjoyed if I read the book. But instead, I was listening to it. And it is so annoying.
The below excerpt is not a quote, as I don't have the paperback copy. However, it does represent the true format of how this sounded in the audiobook:
Twenty-ninth of October, nine twenty five.
Angela G Bettaton at angela dot g bettaton. I hope they find the person that took Daisy. Hashtag Daisy Mason. Hashtag Find Daisy.
Mike eighty seven at mike dot eight seven The person that did this should take responsibility. Hashtag Find Daisy. Hashtag Missing Girl.
The ending - it just wasn't worth the wait, and it was the most unsatisfying ending I have ever encountered in mystery novels.
I regret picking this book up and I regret reading it. I really wish I love it, as I was looking forward to Cara Hunter's new novel, but now, I am not so sure anymore.
If you think you might enjoy it, please pick it up! Perhaps you might love it, who knows!
Close To Home is the first book in a series called DI Adam Fawley. The books are not related to themselves and can be read as standalones. They all feature the detective Fawley, therefore the series solution. Something similar to Dan Brown's series. I listened to the audio book, and I think that the format might have a little blame on my rating.
In this book, the 8-year-old girl Daisy Mason disappears from her parents's summer party. No one in the neighbourhood saw anything, not even the parents, and the detective is trying to keep an open mind in this whole situation, as someone is clearly lying.
The story begins with an interesting premise, and I loved the initial interviews that are happening, right after the disappearance. And after this initial moment, everything goes downhill.
There are many twists in this book, and they all are happening based on dumn luck or weird circumstances.
I would understand if this happened once or twice, but they have solved the whole mystery with coincidences happening one after another as well as random plot lines being added in the middle of nowhere, just to keep the story going.
Oh - we're running out of clues. Let's add a secret random second family the dad has. Oh - we're running out of clues again. Let's add a suspicious background for the mother. And now, let's make both these events come up at them at the same time, right when we're trying to solve an investigation. And now, let's add a mental issue with the brother. (Despite receiving all doctor's reports at the beginning)...
Too many events that came up afterwards and that I still have trouble to believe could make sense.
And on top of all this, I need to mention that the book doesn't have chapters as such. The parts are split with excerpts from social media. Something which I truly believe I would have enjoyed if I read the book. But instead, I was listening to it. And it is so annoying.
The below excerpt is not a quote, as I don't have the paperback copy. However, it does represent the true format of how this sounded in the audiobook:
Twenty-ninth of October, nine twenty five.
Angela G Bettaton at angela dot g bettaton. I hope they find the person that took Daisy. Hashtag Daisy Mason. Hashtag Find Daisy.
Mike eighty seven at mike dot eight seven The person that did this should take responsibility. Hashtag Find Daisy. Hashtag Missing Girl.
The ending - it just wasn't worth the wait, and it was the most unsatisfying ending I have ever encountered in mystery novels.
I regret picking this book up and I regret reading it. I really wish I love it, as I was looking forward to Cara Hunter's new novel, but now, I am not so sure anymore.
If you think you might enjoy it, please pick it up! Perhaps you might love it, who knows!
Bob Mann (459 KP) rated Beautiful Boy (2018) in Movies
Sep 28, 2021
Trying to climb a slippery pole.
As John Lennon’s lyrics go:
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.
Bob Mann (459 KP) rated All the Money in the World (2017) in Movies
Sep 29, 2021
You can’t take it with you.
The big talking point of this Ridley Scott film is not of course the film itself but the fact that the disgraced Kevin Spacey (“Baby Driver“) was ‘airbrushed’ out of the movie, replaced by the legend that is Christopher Plummer. With that background, and the fact that the re-shoot only took 9 days (NINE DAYS!!!!), I must admit to having been a tad scornful when Plummer was nominated for a Best Supporting Actor Oscar. “Oh” I thought “…it’s Judi Dench’s minimalistic performance in ‘Shakespeare In Love’ all over again”.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
Bob Mann (459 KP) rated Lion (2016) in Movies
Sep 29, 2021
Lost in Train-station.
As January progresses, the quality Oscar films just keep on coming! India’s vibrant and teeming tapestry of life is a natural gift for film-makers, without a word needing to be spoken, and director Garth Davis – in an impressive feature film debut – utilizes that backdrop to the max.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.