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Phil Leader (619 KP) rated Wanna Get Lucky? (Lucky O'Toole #1) in Books
Nov 28, 2019
Lucky O'Toole is head of Customer Relations at the splendidly over-the-top Babylon Hotel and Casino complex in Las Vegas. That means she spends all of her time dealing with the gamblers, drunks and high maintenance high rollers as well as dealing with any potential bad publicity. When a cocktail waitress falls out of one of their helicopters and is headline news it is a complication Lucky doesn't need, but as she starts to deal with this latest problem it soon becomes clear it may not have been an accident. Determined to get to the bottom of what is going on she plunges into the seedy world of Vegas behind the bright lights. As if this isn't enough her long-neglected love life starts adding complications all of its own. With the adult film awards and a convention for swingers about to hit the hotel she certainly has her hands full.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
Lottie disney bookworm (1056 KP) rated The Winter Duke in Books
Oct 13, 2020
A duchy of ice and snow above, a duchy of water and magic below, separated only by a lake of ice. Both dependent upon one another and both as violent as they are beautiful.
Ekata is a middle child within the Avenko royal family: a family who are intent on murdering each other to get to the throne. However, Ekata has no interest in the throne at all: her interests lie in biology rather than brokering treaties and she wants nothing more than to leave Kylma Above and attend university.
However, at the age of thirteen, Ekata wakes to find herself the only member of her family who has not been cursed into a permanent sleep. Suddenly, she is the Grand Duke and is expected to prove herself worthy to rule Kylma Above: conquering the world of politics and magic in order to find a way to wake her family and avoid death herself.
The Winter Duke spans only six days in its storyline. Nonetheless, this does not diminish the journey that Bartlett takes her readers on: there are twists at every turn and almost everyone seems like a villain; neither Ekata nor the reader knows whom they can trust.
Although this is very much Ekata’s story, there are so many characters surrounding her that there is a danger some of these may seem undeveloped. Thankfully, I didn’t feel this way at all. Bartlett brings something different to each character she introduces: from Sigis’ immediate repulsiveness; Eirhan’s deadpan nature and Inkar’s flirty charms. All the characters have their part to play and, although keeping track of all the ministers could be difficult at times, this only added to the overwhelming suffocation that Ekata must be feeling.
Ekata herself is an amazing protagonist: at just thirteen she makes a number of impulsive decisions which end disastrously – so why do we, as a reader, not get frustrated with her? Again, I feel that this is due, in part, to the dizzying number of secondary characters. The reader witnesses the sheer number of commitments that fall onto the shoulders of one who never aspired to this role: we attend unwanted proposals; hear the accusations of murdering her own family; comprehend that she is used as a pawn by her Prime Minister and constantly see Ekata’s authority undermined due to her sex. It is impossible not to empathise with her desperate need to return to her normal life.
Sexism plays a large part in Ekata’s story, with Sigis immediately heralded as the solution to her problems due to his position as a strong man with an army. Inkar is also underestimated due to being female: before she then shatters these perceptions with her axes, her willingness to fight and her protective nature over Ekata.
However, The Winter Duke has to be commended for the gender fluidity within its pages. The brideshow is made of men and women, at least one minister is non-binary and the only romance within this novel is between two queer females. This was such a natural romance as well, slow-burning and cautious due to the politics involved but one that, when the walls of both women came down, could achieve the impossible.
The world building by Claire Eliza Bartlett in this novel is second to none. Kylma Above is impressive with its ice palaces and winter roses invading every corner. However, Kylma Below, the duchy below the ice is magical and sinister in equal measure. With fields of magic, sharks used in tribunals, and coral gardens, it wasn’t only Ekata who wanted to explore further.
Quite a few YA novels recently have included queer women smashing the patriarchy. This is the first one I have read where they smash the autocracy.
Ekata’s journey to find out what kind of ruler she will be is encapsulating and riveting. In a story where the betrayal just keeps coming, Ekata remains loyal to the end – despite the epilogue proving that this is never appreciated. The world of Kylma was immersive and the themes of politics, murder, sexism and violence are swept up by the breezy writing style to create a book that was impossible to put down.
Thank you to Netgalley for giving me the opportunity to read and review this wonderful novel.
Ekata is a middle child within the Avenko royal family: a family who are intent on murdering each other to get to the throne. However, Ekata has no interest in the throne at all: her interests lie in biology rather than brokering treaties and she wants nothing more than to leave Kylma Above and attend university.
However, at the age of thirteen, Ekata wakes to find herself the only member of her family who has not been cursed into a permanent sleep. Suddenly, she is the Grand Duke and is expected to prove herself worthy to rule Kylma Above: conquering the world of politics and magic in order to find a way to wake her family and avoid death herself.
The Winter Duke spans only six days in its storyline. Nonetheless, this does not diminish the journey that Bartlett takes her readers on: there are twists at every turn and almost everyone seems like a villain; neither Ekata nor the reader knows whom they can trust.
Although this is very much Ekata’s story, there are so many characters surrounding her that there is a danger some of these may seem undeveloped. Thankfully, I didn’t feel this way at all. Bartlett brings something different to each character she introduces: from Sigis’ immediate repulsiveness; Eirhan’s deadpan nature and Inkar’s flirty charms. All the characters have their part to play and, although keeping track of all the ministers could be difficult at times, this only added to the overwhelming suffocation that Ekata must be feeling.
Ekata herself is an amazing protagonist: at just thirteen she makes a number of impulsive decisions which end disastrously – so why do we, as a reader, not get frustrated with her? Again, I feel that this is due, in part, to the dizzying number of secondary characters. The reader witnesses the sheer number of commitments that fall onto the shoulders of one who never aspired to this role: we attend unwanted proposals; hear the accusations of murdering her own family; comprehend that she is used as a pawn by her Prime Minister and constantly see Ekata’s authority undermined due to her sex. It is impossible not to empathise with her desperate need to return to her normal life.
Sexism plays a large part in Ekata’s story, with Sigis immediately heralded as the solution to her problems due to his position as a strong man with an army. Inkar is also underestimated due to being female: before she then shatters these perceptions with her axes, her willingness to fight and her protective nature over Ekata.
However, The Winter Duke has to be commended for the gender fluidity within its pages. The brideshow is made of men and women, at least one minister is non-binary and the only romance within this novel is between two queer females. This was such a natural romance as well, slow-burning and cautious due to the politics involved but one that, when the walls of both women came down, could achieve the impossible.
The world building by Claire Eliza Bartlett in this novel is second to none. Kylma Above is impressive with its ice palaces and winter roses invading every corner. However, Kylma Below, the duchy below the ice is magical and sinister in equal measure. With fields of magic, sharks used in tribunals, and coral gardens, it wasn’t only Ekata who wanted to explore further.
Quite a few YA novels recently have included queer women smashing the patriarchy. This is the first one I have read where they smash the autocracy.
Ekata’s journey to find out what kind of ruler she will be is encapsulating and riveting. In a story where the betrayal just keeps coming, Ekata remains loyal to the end – despite the epilogue proving that this is never appreciated. The world of Kylma was immersive and the themes of politics, murder, sexism and violence are swept up by the breezy writing style to create a book that was impossible to put down.
Thank you to Netgalley for giving me the opportunity to read and review this wonderful novel.
Emma @ The Movies (1786 KP) rated Love, Simon (2018) in Movies
Jun 29, 2019 (Updated Sep 25, 2019)
Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
Andy K (10821 KP) rated Daybreakers (2009) in Movies
Sep 8, 2019
A nice vampire surprise!
A vampire "plague" has killed off most of the human population, only about 5% or less now survives. (This film was made in 2009, so 2019 is the year this will happen!). Vampires now occupy our cities and have transformed the Earth to suit their needs including conduit walkways between buildings, underground tunnels they can walk so they don't have to walk through the sun and even automated cars which close off the sunlight so no risk of frying on the way to work.
Their culture is just like humans now: the rich get richer and the poor stay the same, but now there is a growing problem. Since there are so few humans left, blood is now a hot commodity since it is needed for survival. The search is on for a cure or a blood substitute which could pacify the population and prevent the newly discovered evolution from taking place. It has been discovered without blood, vampires will "de=evolve" into their more primal form becoming mindless bat-like creatures who will do anything for their next fix.
Enter Ed Dalton, a hematologist working to secure a blood substitute to ensure vampire continued survival. A synthetic blood serum has been found, tested and proven to be not successful. A chance "bat" encounter at Ed's home soon afterwards takes the vampire vampire plight close to home and scares Ed tremendously. If not for the appearance of Ed's brother, the situation could have ended a lot worse.
Ed has a chance encounter with some humans who come to trust Ed as a "friendly" vampire and take them in their ranks. They may have discovered a "cure" for vampirism which intrigues Ed. His brother has decided to covertly follow Ed and take matters into his own hands at the direction of Ed's employer, Charles Bromley.
Ed eventually has to decide on which side he is taking as he grows to know his new human friends. The situation is becoming quickly perilous and skirmishes with the ruling vampire forces become inevitable and more frequent.
What will they do to survive?
Writer/Directors The Spierig Brothers manage to forage a very interesting premise which I bought into almost immediately. The audience actually begins to sympathize with the bloodthirsty population as their situation becomes more desperate even to the point of killing one another for survival.
Very interesting to feature vampires as the ruling class of society just going to work and existing on a more "human" level most of the time than we normally see them portrayed onscreen.
If you round up the trio of Ethan Hawke, Willem Defoe, and Sam Neill in a genre-type film you should be ensured of some intense, spectacular acting and these three do not disappoint. Hawke plays Ed so well you are really not sure which side he will end up on and are constantly rooting for him. Dafoe isn't given as much to do, but his role as a human freedom fighter is crucial for Ed to start and see the truth of his situation. The antagonist Neill is a role he must love to play since he has done so several times in his career including The Final Conflict and Event Horizon.
As you would expect with a vampire film, there are a lot of scenes at night where the bloodthirsty can run amok, but also a surprising amount of daytime scenes as well since the vampires have adapted their environment to work for them.
The production value is well designed and the look of the cities is well thought out and a visual splendor. The creature effects are very believable and well put together and there is no scene where the bad CGI takes you out of the scene. There is no shortage of blood (of course), but it is also done well and there are plenty of gruesome bits for those who enjoy their gore.
At the end, I was left actually wanting the film to go one longer as I was really having a good time with the action and bloody carnage. Something I do not say very often.
Their culture is just like humans now: the rich get richer and the poor stay the same, but now there is a growing problem. Since there are so few humans left, blood is now a hot commodity since it is needed for survival. The search is on for a cure or a blood substitute which could pacify the population and prevent the newly discovered evolution from taking place. It has been discovered without blood, vampires will "de=evolve" into their more primal form becoming mindless bat-like creatures who will do anything for their next fix.
Enter Ed Dalton, a hematologist working to secure a blood substitute to ensure vampire continued survival. A synthetic blood serum has been found, tested and proven to be not successful. A chance "bat" encounter at Ed's home soon afterwards takes the vampire vampire plight close to home and scares Ed tremendously. If not for the appearance of Ed's brother, the situation could have ended a lot worse.
Ed has a chance encounter with some humans who come to trust Ed as a "friendly" vampire and take them in their ranks. They may have discovered a "cure" for vampirism which intrigues Ed. His brother has decided to covertly follow Ed and take matters into his own hands at the direction of Ed's employer, Charles Bromley.
Ed eventually has to decide on which side he is taking as he grows to know his new human friends. The situation is becoming quickly perilous and skirmishes with the ruling vampire forces become inevitable and more frequent.
What will they do to survive?
Writer/Directors The Spierig Brothers manage to forage a very interesting premise which I bought into almost immediately. The audience actually begins to sympathize with the bloodthirsty population as their situation becomes more desperate even to the point of killing one another for survival.
Very interesting to feature vampires as the ruling class of society just going to work and existing on a more "human" level most of the time than we normally see them portrayed onscreen.
If you round up the trio of Ethan Hawke, Willem Defoe, and Sam Neill in a genre-type film you should be ensured of some intense, spectacular acting and these three do not disappoint. Hawke plays Ed so well you are really not sure which side he will end up on and are constantly rooting for him. Dafoe isn't given as much to do, but his role as a human freedom fighter is crucial for Ed to start and see the truth of his situation. The antagonist Neill is a role he must love to play since he has done so several times in his career including The Final Conflict and Event Horizon.
As you would expect with a vampire film, there are a lot of scenes at night where the bloodthirsty can run amok, but also a surprising amount of daytime scenes as well since the vampires have adapted their environment to work for them.
The production value is well designed and the look of the cities is well thought out and a visual splendor. The creature effects are very believable and well put together and there is no scene where the bad CGI takes you out of the scene. There is no shortage of blood (of course), but it is also done well and there are plenty of gruesome bits for those who enjoy their gore.
At the end, I was left actually wanting the film to go one longer as I was really having a good time with the action and bloody carnage. Something I do not say very often.
Debbiereadsbook (1110 KP) rated Forged Redemption (Tribal Spirits #5) in Books
Oct 2, 2019
a stunning conclusion!
I was gifted my copy of this book, direct from the author, that I write a review was not required. But when the previous four books in the series have ALL been 5 stars, it’s only right and proper that you round off the WHOLE series, with a 5th FIVE star review!
I strongly and highly recommend; find it absolutely NECESSARY that you read the other books first, and in order. The ongoing story arc that runs through them all comes to a head here and you NEED to know what has happened before. What this group of people have suffered before at the hands of a madman.
Drew is trying to redeem himself, even though the things he did weren’t under his own steam. Joining forces with the Red River and the Silver Springs packs to rid the world of his nemesis, Drew knows he faces the final battle. But at least he has his Ally-Cat at his side, and if he dies today, she knows he loves her. Ally suffered when Drew left to join the Landsliders, in more ways than one and now, no one will want her, damaged as she is. Drew though? He might, if they survive this last fight.
When Drew turned up with Lucas, right near the beginning, you knew, you just KNEW he had a tale to tell and that it wasn’t going to be pleasant. And it certainly isn’t! Far darker than I was expecting, with so many twists and turns, I had to concentrate to keep up! Trust me when I say, this is a good thing: when a book makes ME slow down my reading, because I must keep up, it’s a very good thing. Ally’s tale is equally hard reading, just in a different way.
We knew Drew turned Landslider, that much is clear from the previous books, but WHY he did, isn’t so clear. When you hear what his father did, and then Hendricks made Drew do, you wonder how the man is still standing, the weight of his guilt is massive. Ally doesn’t sugar coat his feelings, she doesn’t try to make him feel any better. She carries her own (misplaced) guilt and that’s enough for her. What Ally DOES do, though, is make Drew HOPE. She makes him hope there is an end to their nightmare. She makes him hope there will be a happy ending, for the others at least. And deep down, deep within that part of him that never really let Ally go two years ago, she makes him HOPE there will a place for him in her heart, even after all he did.
It’s difficult reading, watching Ally and Drew come together again, especially when Drew comes across a particularly nasty reminder of something he did, and Ally suffered because of it. But it also BEAUTIFUL reading, when they finally, FINALLY give in to the true feelings, and just be together, the way they are supposed to be, as mates.
The end, for Hendricks, when it comes is long and heavy on the fighting, but I really think it is needed here. You need to know how Drew and Ally are feeling as they close in on Hendricks, and I would have loved to have heard from him, as his end draws nigh, I really would. Some clue to his feelings is given, but I’m just greedy!
All the previous pairings show up, Sierra and Dex (Forged Alliances) Finn and Navi (Forged Decisions) Raven and Jer (Forged Contracts) and Lana and Lucas (Forged Futures) and I am so pleased they did!
Just why I didn’t pick up that Dex was Drew’s brother before this book, I have no idea!
It’s always sad when a series comes to an end, but this one goes out with a huge bang!
Thank you, Ms McIntyre, for bringing these people into my world. I shall miss them!
5 stars
**same worded review will appear elsewhere**
I strongly and highly recommend; find it absolutely NECESSARY that you read the other books first, and in order. The ongoing story arc that runs through them all comes to a head here and you NEED to know what has happened before. What this group of people have suffered before at the hands of a madman.
Drew is trying to redeem himself, even though the things he did weren’t under his own steam. Joining forces with the Red River and the Silver Springs packs to rid the world of his nemesis, Drew knows he faces the final battle. But at least he has his Ally-Cat at his side, and if he dies today, she knows he loves her. Ally suffered when Drew left to join the Landsliders, in more ways than one and now, no one will want her, damaged as she is. Drew though? He might, if they survive this last fight.
When Drew turned up with Lucas, right near the beginning, you knew, you just KNEW he had a tale to tell and that it wasn’t going to be pleasant. And it certainly isn’t! Far darker than I was expecting, with so many twists and turns, I had to concentrate to keep up! Trust me when I say, this is a good thing: when a book makes ME slow down my reading, because I must keep up, it’s a very good thing. Ally’s tale is equally hard reading, just in a different way.
We knew Drew turned Landslider, that much is clear from the previous books, but WHY he did, isn’t so clear. When you hear what his father did, and then Hendricks made Drew do, you wonder how the man is still standing, the weight of his guilt is massive. Ally doesn’t sugar coat his feelings, she doesn’t try to make him feel any better. She carries her own (misplaced) guilt and that’s enough for her. What Ally DOES do, though, is make Drew HOPE. She makes him hope there is an end to their nightmare. She makes him hope there will be a happy ending, for the others at least. And deep down, deep within that part of him that never really let Ally go two years ago, she makes him HOPE there will a place for him in her heart, even after all he did.
It’s difficult reading, watching Ally and Drew come together again, especially when Drew comes across a particularly nasty reminder of something he did, and Ally suffered because of it. But it also BEAUTIFUL reading, when they finally, FINALLY give in to the true feelings, and just be together, the way they are supposed to be, as mates.
The end, for Hendricks, when it comes is long and heavy on the fighting, but I really think it is needed here. You need to know how Drew and Ally are feeling as they close in on Hendricks, and I would have loved to have heard from him, as his end draws nigh, I really would. Some clue to his feelings is given, but I’m just greedy!
All the previous pairings show up, Sierra and Dex (Forged Alliances) Finn and Navi (Forged Decisions) Raven and Jer (Forged Contracts) and Lana and Lucas (Forged Futures) and I am so pleased they did!
Just why I didn’t pick up that Dex was Drew’s brother before this book, I have no idea!
It’s always sad when a series comes to an end, but this one goes out with a huge bang!
Thank you, Ms McIntyre, for bringing these people into my world. I shall miss them!
5 stars
**same worded review will appear elsewhere**
Ivana A. | Diary of Difference (1171 KP) rated Just My Luck in Books
Aug 3, 2020
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<b><i>What would you do if you win the lottery?</i></b>
What happens when a person suddenly has a chance to be rich? Just My Luck by Adele Parks is a brutal book about bad luck, betrayals, friendships and most importantly – how life can change in just one moment.
For fifteen years, Lexi and Jake have played the same six numbers with their friends. Over dinners, they have discussed many important things over the years: kids, marriages, houses and jobs… But one Saturday night, there is an argument in the group. Someone is lying. And then, six numbers come up on the lottery that are about to change everything.
Lexi and Jake have the winning ticket for almost £18 million. And their friends want their share in it…
<b><i>My Thoughts:</i></b>
I dived into this book completely unprepared. I only knew that someone wins the lottery, but I wasn’t too familiar with the synopsis. And trust me – it was better for me to explore it all throughout the book.
We follow the story mostly focused on Lexi’s point of view, however, we also get a glimpse of other people’s stories as well, which I think for me was refreshing and kept the pace moving in a nice manner.
Not only do we meet different characters in this book, but we also meet different personalities, with different motivations, dreams and life goals. When Lexi and Jake realised they have won the lottery, they both behave in a very different way.
Lexi is the one that wants to keep things as normal as they are, plan for their future, have small luxuries and then keep the rest of the money mostly as savings, and donate some of it to charity and try to help other people.
Jake, on the other side, wants to enjoy the money they won, and spend it on a new house, new car, be part of the upper class and hire driver services for his children, when they move to a private school.
The relationship between Lexi and Jake will begin to change, as they both will change during this period. This book is a perfect summary of what money may actually do to people and relationships, and how it may help them or destroy them completely.
I loved the drama where the friends were involved as well, also when the children played their part as well into the whole situation. It is crazy to see how easily children can be manipulated by words and wealth too, in their own little worlds.
I really wished I have seen more of Toma’s story and point of view, and had a proper closure to his chapter. His story was definitely my favorite one for sure!
<b><i>If you are a fan of thrillers and drama, you will definitely enjoy this book. It will keep you on the edge until the very last chapter. And that last chapter will change everything! Let me know once you’ve read it, because I am dying to talk to someone about that last revelation!</i></b>
I am extremely lucky to be part of the blog tour organised by the amazing team at HQ! Thank you for this opportunity, and thank you for sending me this book in exchange for my review! Check out the other amazing participants of this blog tour as well:
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<b><i>What would you do if you win the lottery?</i></b>
What happens when a person suddenly has a chance to be rich? Just My Luck by Adele Parks is a brutal book about bad luck, betrayals, friendships and most importantly – how life can change in just one moment.
For fifteen years, Lexi and Jake have played the same six numbers with their friends. Over dinners, they have discussed many important things over the years: kids, marriages, houses and jobs… But one Saturday night, there is an argument in the group. Someone is lying. And then, six numbers come up on the lottery that are about to change everything.
Lexi and Jake have the winning ticket for almost £18 million. And their friends want their share in it…
<b><i>My Thoughts:</i></b>
I dived into this book completely unprepared. I only knew that someone wins the lottery, but I wasn’t too familiar with the synopsis. And trust me – it was better for me to explore it all throughout the book.
We follow the story mostly focused on Lexi’s point of view, however, we also get a glimpse of other people’s stories as well, which I think for me was refreshing and kept the pace moving in a nice manner.
Not only do we meet different characters in this book, but we also meet different personalities, with different motivations, dreams and life goals. When Lexi and Jake realised they have won the lottery, they both behave in a very different way.
Lexi is the one that wants to keep things as normal as they are, plan for their future, have small luxuries and then keep the rest of the money mostly as savings, and donate some of it to charity and try to help other people.
Jake, on the other side, wants to enjoy the money they won, and spend it on a new house, new car, be part of the upper class and hire driver services for his children, when they move to a private school.
The relationship between Lexi and Jake will begin to change, as they both will change during this period. This book is a perfect summary of what money may actually do to people and relationships, and how it may help them or destroy them completely.
I loved the drama where the friends were involved as well, also when the children played their part as well into the whole situation. It is crazy to see how easily children can be manipulated by words and wealth too, in their own little worlds.
I really wished I have seen more of Toma’s story and point of view, and had a proper closure to his chapter. His story was definitely my favorite one for sure!
<b><i>If you are a fan of thrillers and drama, you will definitely enjoy this book. It will keep you on the edge until the very last chapter. And that last chapter will change everything! Let me know once you’ve read it, because I am dying to talk to someone about that last revelation!</i></b>
I am extremely lucky to be part of the blog tour organised by the amazing team at HQ! Thank you for this opportunity, and thank you for sending me this book in exchange for my review! Check out the other amazing participants of this blog tour as well:
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2020/05/JUST-MY-LUCK-BTB.jpg?resize=594%2C1536&ssl=1"/>;
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Bob Mann (459 KP) rated A Simple Favor (2018) in Movies
Sep 28, 2021
A Dangerous Liaison.
Wow, this one starts spectacularly well! Who’s not to love some “Thomas Crown” style titles over a French language version of “Music to watch girls by”? Brilliant!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Bob Mann (459 KP) rated Hacksaw Ridge (2016) in Movies
Sep 29, 2021
In God, and Doss, we Trust.
Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move that could be considered arrogant if it wasn’t so well researched, here we even lose the first two words.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
Purple Phoenix Games (2266 KP) rated Exodus: An Interstellar Pathways Adventure in Tabletop Games
Jan 10, 2022
We ALL loved those “Adventure Books That Let You Choose Your Own Path” when growing up. At least I THINK we all loved them. But what would happen if the same premise was applied to a card game and set in the same universe as another game from the same designer and publisher? Well let me introduce you to Exodus.
Exodus is a “choose thine own pathway” card game for one to five players. In it, players will be reading sections of a story that unfolds across several oversized cards in the hopes of settling down on some other planet not being torn apart by galactic war. Sound familiar?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are preview copy components (I think), and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook or purchase the game from the publisher directly. -T
Setup is super simple with this one. Yank out the cards from the box (and make sure they are numerically ordered), place them in a stack on the table, and also place out the stack of Inventory cards. The main Exodus cards are numbered 1-121 and there are 12 Inventory cards. Determine the first reader and the game may begin!
There really are not any “rules,” aside from reading the new card/scenario and choosing the card to jump to in order to continue the story. Or die, as I happen to do quite often. DARN YOU, CARD 13!! Players may decide to follow one path, or players may even split up and follow their own stories. The rules state that stories may have players rejoining each other on future cards, but I have yet to experience that before death.
The game continues with players reading cards, collecting Inventory items that are necessary for certain future choices, and attempting to tell a great story. Exodus could take five minutes, or even up to 60 minutes if the players make good choices. Players decide when to finish, and are even allowed to respawn after death or even retrace their steps in order to choose alternate endings to their stories.
Components. Again, we were provided with a prototype copy of the game. That said, Exodus is a box full of big tarot cards depicting excellent artwork and lots of text to be read. This certainly is not a game for budding readers (like my 5-year-old), but for players who enjoy a nice night reading an interesting sci-fi story.
I have a hard time deciding if I consider this a game or not. There are definitely choices to be made, akin to those made in the inspiration sourcebooks. However, I really feel this is more an activity that is set in the Xenohunters universe that may setup lore and be a jump-off to other games in the family. This is not at all a knock on the game, as having fleshed out lore for a game universe is necessary for a series containing several titles. You know, a game or not a game, I enjoyed playing through this one and discovering little secrets about the lore of the Xenohunters universe.
Though this isn’t a complex game at all, the choices made are sometimes quite difficult and could result in game-end conditions. I have definitely had games last five minutes before I died, but I have also had a couple that have lasted a lot longer as I try to find optimal choices and even backtracked a choice or two. I think I would suggest gamers play through this one a few times before attempting the Xenohunters game, if just for the backstories and lore alone. Want to grab a copy for yourself? Check out the Half-Monster Games store listing for Exodus. I also recommend grabbing both Xenohunters and Trust Me, I’m A Superhero. They are both great!
Exodus is a “choose thine own pathway” card game for one to five players. In it, players will be reading sections of a story that unfolds across several oversized cards in the hopes of settling down on some other planet not being torn apart by galactic war. Sound familiar?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are preview copy components (I think), and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook or purchase the game from the publisher directly. -T
Setup is super simple with this one. Yank out the cards from the box (and make sure they are numerically ordered), place them in a stack on the table, and also place out the stack of Inventory cards. The main Exodus cards are numbered 1-121 and there are 12 Inventory cards. Determine the first reader and the game may begin!
There really are not any “rules,” aside from reading the new card/scenario and choosing the card to jump to in order to continue the story. Or die, as I happen to do quite often. DARN YOU, CARD 13!! Players may decide to follow one path, or players may even split up and follow their own stories. The rules state that stories may have players rejoining each other on future cards, but I have yet to experience that before death.
The game continues with players reading cards, collecting Inventory items that are necessary for certain future choices, and attempting to tell a great story. Exodus could take five minutes, or even up to 60 minutes if the players make good choices. Players decide when to finish, and are even allowed to respawn after death or even retrace their steps in order to choose alternate endings to their stories.
Components. Again, we were provided with a prototype copy of the game. That said, Exodus is a box full of big tarot cards depicting excellent artwork and lots of text to be read. This certainly is not a game for budding readers (like my 5-year-old), but for players who enjoy a nice night reading an interesting sci-fi story.
I have a hard time deciding if I consider this a game or not. There are definitely choices to be made, akin to those made in the inspiration sourcebooks. However, I really feel this is more an activity that is set in the Xenohunters universe that may setup lore and be a jump-off to other games in the family. This is not at all a knock on the game, as having fleshed out lore for a game universe is necessary for a series containing several titles. You know, a game or not a game, I enjoyed playing through this one and discovering little secrets about the lore of the Xenohunters universe.
Though this isn’t a complex game at all, the choices made are sometimes quite difficult and could result in game-end conditions. I have definitely had games last five minutes before I died, but I have also had a couple that have lasted a lot longer as I try to find optimal choices and even backtracked a choice or two. I think I would suggest gamers play through this one a few times before attempting the Xenohunters game, if just for the backstories and lore alone. Want to grab a copy for yourself? Check out the Half-Monster Games store listing for Exodus. I also recommend grabbing both Xenohunters and Trust Me, I’m A Superhero. They are both great!
