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LeftSideCut (3776 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Kristy H (1252 KP) rated Pretty Little Wife in Books
Jan 7, 2021
Slow to start, but ultimately an intriguing and unique thriller
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Merissa (12771 KP) created a post
Feb 12, 2021
Wayne Coyne recommended Live at Leeds by The Who in Music (curated)
LeftSideCut (3776 KP) rated The Walking Dead - Season 10 in TV
Oct 21, 2020
The latest season of The Walking Dead is why I have trust issues. I was all but done with this show during season 8, and now, I'm genuinely sad that we only have one more season left. Stop playing with my emotions!
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Heather Cranmer (2721 KP) created a post
Oct 26, 2020
Kristy H (1252 KP) rated Believe Me in Books
Sep 26, 2019
Claire Wright is young British actress. But she's struggling in New York City--she's in an acting program, but she has no green card and no job or money. So when she's offered questionable work by a law firm, Claire agrees. She serves as a decoy to trap cheating husbands and catch them on tape. But when one of Claire's clients is violently murdered, the police need a suspect. They seem to be considering her husband, whom Claire saw--in the name the job--just that evening. They want Claire to try to lure him into a confession. Claire is sure she can do this: she's a great actress. But soon she's wondering who the police really suspect.
This one got off to a slow start, but once it picked up, it drew me in. After reading Delaney's recent book, THE PERFECT WIFE, which I really enjoyed, I knew I had to go back and read this one. I'm glad I did. It was just a fun, twisted ride, and an enjoyable quick read.
There's no one to really root for in this tale, but that's okay, because the journey is interesting enough to keep you hooked. Claire is a fascinating character: you're never sure how much to trust her, what's she's telling us, or what she's doing. At first, I found the confusion a little off-putting, but I soon learned to go with it and just enjoy the ride. And what a crazy one it is.
"I want to be other people. I've never wanted anything else."
This is a dark, bewildering read with some great twists and turns. There's a literary aspect with the work of the poet Baudelaire woven throughout. Claire is a focused actress and the whole "decoy" idea is turned on its head several times. I don't want to tell more and ruin anything. Just know that this book kept pleasantly surprising me, and I loved that--even when I thought I had things figured out--I was never sure where things were going.
If you're looking for a crazy, quick thriller that will keep you on your toes, you'll definitely enjoy BELIEVE ME. 3.5+ stars.
This one got off to a slow start, but once it picked up, it drew me in. After reading Delaney's recent book, THE PERFECT WIFE, which I really enjoyed, I knew I had to go back and read this one. I'm glad I did. It was just a fun, twisted ride, and an enjoyable quick read.
There's no one to really root for in this tale, but that's okay, because the journey is interesting enough to keep you hooked. Claire is a fascinating character: you're never sure how much to trust her, what's she's telling us, or what she's doing. At first, I found the confusion a little off-putting, but I soon learned to go with it and just enjoy the ride. And what a crazy one it is.
"I want to be other people. I've never wanted anything else."
This is a dark, bewildering read with some great twists and turns. There's a literary aspect with the work of the poet Baudelaire woven throughout. Claire is a focused actress and the whole "decoy" idea is turned on its head several times. I don't want to tell more and ruin anything. Just know that this book kept pleasantly surprising me, and I loved that--even when I thought I had things figured out--I was never sure where things were going.
If you're looking for a crazy, quick thriller that will keep you on your toes, you'll definitely enjoy BELIEVE ME. 3.5+ stars.
Becs (244 KP) rated 1984 Nineteen Eighty-Four in Books
Oct 2, 2019
1984 by George Orwell, one of my favorite literary classic novels to this date! This was a monster to get through but once I finished, I was able to take the novel as a whole and learn from it. And man, what a loaded punch it throws at you. George Orwell is a favorite of mine and his writing style is just exactly what I expect from an author from his era.
1984 is about a government that controls everything a citizen of Oceania does, says, etc. If you rebel, you get kidnapped, tortured and then broken down to the point where they are able to rebuild you into the ideal citizen. That’s pretty much exactly what happens in this 328-page novel. But trust me when I say, this is worth a read through!
Genre: Sci-Fi, Dystopian, Literary Classic
Reading Level: High School +
Interests: Dystopian worlds, politics, science fiction, totalitarian systems.
Difficulty Reading: Like putting butter on a soft piece of bread. Not kidding, 1984 was difficult to read but the meaning behind it is what counts.
Promise: Dystopian, Sci-Fi world with a totalitarian system that runs your life until you are no longer a rebellious individual and instead under their complete control. A bit like being a slave.
Favorite Quotes: “Perhaps one did not want to be loved so much as to be understood.”
“Who controls the past controls the future. Who controls the present controls the past.”
“If you want a picture of the future, imagine a boot stamping on a human face—for ever.”
What Will You Gain: Knowledge on what the world could turn into when the government decides to rule over all a certain way. Where everything you do is controlled and if you do anything differently or that goes against what the government says, you end up dead.
Aesthetics: The entirety of the novel. The cover. How Orwell pretty much has the real world mixed in with a fantasy world. I mean, you just have to read it to know.
“The best books… are those that tell you what you know already.”
1984 is about a government that controls everything a citizen of Oceania does, says, etc. If you rebel, you get kidnapped, tortured and then broken down to the point where they are able to rebuild you into the ideal citizen. That’s pretty much exactly what happens in this 328-page novel. But trust me when I say, this is worth a read through!
Genre: Sci-Fi, Dystopian, Literary Classic
Reading Level: High School +
Interests: Dystopian worlds, politics, science fiction, totalitarian systems.
Difficulty Reading: Like putting butter on a soft piece of bread. Not kidding, 1984 was difficult to read but the meaning behind it is what counts.
Promise: Dystopian, Sci-Fi world with a totalitarian system that runs your life until you are no longer a rebellious individual and instead under their complete control. A bit like being a slave.
Favorite Quotes: “Perhaps one did not want to be loved so much as to be understood.”
“Who controls the past controls the future. Who controls the present controls the past.”
“If you want a picture of the future, imagine a boot stamping on a human face—for ever.”
What Will You Gain: Knowledge on what the world could turn into when the government decides to rule over all a certain way. Where everything you do is controlled and if you do anything differently or that goes against what the government says, you end up dead.
Aesthetics: The entirety of the novel. The cover. How Orwell pretty much has the real world mixed in with a fantasy world. I mean, you just have to read it to know.
“The best books… are those that tell you what you know already.”
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