Search
Search results
Neon's Nerd Nexus (360 KP) rated The Immortal (2019) in Movies
Sep 9, 2020
You can't stop what's coming.
l'immortale is a good companion piece to possibly the greatest TV show of all time gomorra & while it does shed a bit more light on what sort of the life one of its best characters had at a younger age and where he is now i can't help but feel it's tainted one of the best twists the show has to offer overall. (WARNING: spoilers for gomorrah ahead but if your watching this anyway before you have seen the show I'd strongly advise not to). After surviving the incident on the boat at the end of season 3 Ciro begins a new life in Latvia caught working between Russian clans in Latvia. Long gone now are the days of him being a top dog & while he still has a certain celebrity status among people here he is undoubtedly someone else's bitch. He's a man that has absolutely nothing left to loose now & it's finally stating to take a toll on him mentally and physically. Marco D'Amore again is fantastic here & this time plays a more subjude Ciro. As a character he lacks confidence now & walks around with less pride & cockynes, he's not as sure of himself & personality wise he's alot quieter & socially distantanced. He also spends a lot of time thinking in silence, just remenising & taking in the scenery almost like life itself bores him now & he is just waiting for the day to come where someone puts him down. Marco D'Amore plays this character perfectly as always & as a viewer its great to see the mighty Ciro from a different light & helps us to feel his pain connecting with him in an alternative way to which we usually do. Marco D'Amore is also the director this time too & as a first film it's a really great effort but also at the same time he seems to really struggle finding an identity of his own & here lies my biggest problem with the movie. Far to often it feels like he's trying to just replicate Gomorra instead of taking the regins & putting his own spin on things (a bit like what ryan gosling did with the lost river trying to initiate nwr). Don't get me wrong is very similar to Gommora but it's not as griping, powerful, raw, gritty, impactful & full of tension like the show is & thus most of the scenes that use the same format either feel a bit hollow or off in some way. I did really enjoy the flash back scenes & seeing Ciro's upbringing & other tragidies that happen back then certainly do a great job of explaining why he's generally such a cold hearted desensitised person. What I can't understand is the main plot & that's mainly because the characters life had a fitting conclusion at the end of Gomorra season 3 so bringing him back now randomly for a movie just makes a very realistically grounded show seem a bit far fetched because while he maybe nicknamed the immortal after all he's still only human. All in all if it had just been a prequel film I think I'd of enjoyed it a lot more however if your a fan of the show & it's characters I would recommend seeing this as it definitely fills the time while waiting for season 5 & it absolutely proves Marco D'Amore shows promise as a director too.
ClareR (5589 KP) rated The Testaments (The Handmaid's Tale #2) in Books
Sep 22, 2019 (Updated Sep 23, 2019)
This was well worth the wait!
The Testaments is the book that many people have been waiting for since the TV series first aired (me!). It seems that everyone likes a sequel. Well, most people anyway, because for every person that I’ve seen rave about how good this book is, I’ve seen as many say that it doesn’t live up to the original. Personally, I’m glad that it’s not written in the same style as the first book. The Handmaid’s Tale was written at a different time. 1985 is a lifetime away. We were entering a time then, where women felt hope for the future - equality seemed achievable. I’m really not so sure that we feel the same way in 2019. Certain developed countries are making it more difficult for women to have abortions, more US states are making it illegal, female children are still being married to adult males in many developing countries; climate change is having a huge impact on the poorest countries and as Margaret Atwood has said, with any disasters, natural or otherwise, it’s always the women and children who suffer the worst deprivation. So Margaret Atwood had all of these things at her disposal when she wrote The Testaments. Everything that happens to the women in Gilead has happened, or is happening, somewhere in the world.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
DriveBox - Vehicle Infotainment & Navigation
Music and Navigation
7.0
Rate It
App
Car app award 2014 *** UK APP & MOBILE DESIGN WINNERS 2014 FOR BEST CONNECTED APP *** DriveBox is...
Kurio – App Berita Indonesia
News and Lifestyle
App
Want to read more news that is more accurate and "sane"? Kurio is the place. Enjoy completeness of...
Ivana A. | Diary of Difference (1171 KP) rated Virgin River (Virgin River, #1) in Books
Feb 3, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/3099359251">Virgin River</a> - ★★★★
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/01/VirginRiverBlogTourBanner.jpg?resize=512%2C1024&ssl=1"/>;
I am so thankful to the team at Mills & Boon for letting me a part of this amazing blog tour. It is an honour, and a pleasure! <a href="https://diaryofdifference.com/2020/01/29/virgin-river-by-robyn-carr-blog-tour/ ">Click HERE to read the first chapter!</a>
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-18-1024x576.png"/>;
<i>When recently widowed Melinda sees an advert for a midwife in the quiet town of Virgin River, she decides this is the perfect place to escape her heartache and to revitalise the nursing career she loves.
However, her dreams are shattered as soon as she arrives. The cabin is uninhabitable, the roads are treacherous and the local doctor has nothing to do with her. But when a tiny baby is abandoned on a front porch, Mel needs to make a decision.
Helped by a local barman and former marine, Jack Sheridan, Mel has to face her past, and realises that there may be a future in Virgin River after all. </i>
<i><b>First Impression</b></i>
I don’t usually go for the drama romance stories. But I do love a bit of new town girl, and I also love watching medical shows, despite knowing close to nothing about medicine. Grey’s Anatomy, The Resident, Doctor House, The Good Doctor, ER, etc. fans - please let yourselves known! :)
I loved this book. It has a very good vibe about if from the beginning until the end. First of all, I fell in love with Virgin River. A lovely quiet place, with amazing selfless people living in it. I would love to live in a town like that! The author described the place so well, that it made me feel like I was there, in the pub, in the doctor’s office, by the river…
<i><b>Characters</b></i>
We found ourselves to have Mel as a main character, followed by Jack. However, we had a lot of side characters, who actually played a crucial role in the development of Mel and Jack and their story.
<i><b>Mel is a city girl, born and raised.</b></i>
Always lived in big cities, most recently in L.A. and she is used to all the poshy posh stuff that come along with such a lifestyle. She was married to Mark, an emergency doctor, who recently passed away. We never get to meet Mark, but we get to know him through Mel’s memories of him.
Wanting and needing change, she sells everything and moves to Virgin River, a promising quiet town, where she can start again. But things don’t go as planned. They never do. When struggling with challenges, she has to find a way to cope with her pain, then learn how to live with it, so she can move on and be happy in life.
<i><b>Then we have Jack, who owns a bar in Virgin River, and who is the person that helps everyone around.</b></i>
When Mel arrives, he is determined to make her stay and show her that this place is not so bad after all. But as a former marine, he also has his demons, and as much as he will help Mel, he also needs her to help him get over his pain as well.
From the side characters, I really loved Doc, the sassy old doctor, Preacher, Jack’s friend from the marines and Joey, Mel’s sister. Even though I hated Joey at the beginning, she started to grow on me as time passed by.
Very interesting story, a lot of dramatic events that change our characters and teach them something. The plot was predictable in the sense that I knew there would be a love story between Jack and Mel, but it was still adorable and cute to read how both of them grow by each other.
<i><b>The Netflix Show</b></i>
You might have heard, but now Virgin River also has a TV show as well. My plan was to read and watch them simultaneously, and I did watch the first few episodes. I love the show, and I will definitely continue watching. However, the plot is changed a lot and it is quite different from the book, so I suggest you read the book first before watching the TV show.
<i><b>Have you read this book? Have you read something similar? I would love to read your thoughts. :) </b></i>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/3099359251">Virgin River</a> - ★★★★
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/01/VirginRiverBlogTourBanner.jpg?resize=512%2C1024&ssl=1"/>;
I am so thankful to the team at Mills & Boon for letting me a part of this amazing blog tour. It is an honour, and a pleasure! <a href="https://diaryofdifference.com/2020/01/29/virgin-river-by-robyn-carr-blog-tour/ ">Click HERE to read the first chapter!</a>
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-18-1024x576.png"/>;
<i>When recently widowed Melinda sees an advert for a midwife in the quiet town of Virgin River, she decides this is the perfect place to escape her heartache and to revitalise the nursing career she loves.
However, her dreams are shattered as soon as she arrives. The cabin is uninhabitable, the roads are treacherous and the local doctor has nothing to do with her. But when a tiny baby is abandoned on a front porch, Mel needs to make a decision.
Helped by a local barman and former marine, Jack Sheridan, Mel has to face her past, and realises that there may be a future in Virgin River after all. </i>
<i><b>First Impression</b></i>
I don’t usually go for the drama romance stories. But I do love a bit of new town girl, and I also love watching medical shows, despite knowing close to nothing about medicine. Grey’s Anatomy, The Resident, Doctor House, The Good Doctor, ER, etc. fans - please let yourselves known! :)
I loved this book. It has a very good vibe about if from the beginning until the end. First of all, I fell in love with Virgin River. A lovely quiet place, with amazing selfless people living in it. I would love to live in a town like that! The author described the place so well, that it made me feel like I was there, in the pub, in the doctor’s office, by the river…
<i><b>Characters</b></i>
We found ourselves to have Mel as a main character, followed by Jack. However, we had a lot of side characters, who actually played a crucial role in the development of Mel and Jack and their story.
<i><b>Mel is a city girl, born and raised.</b></i>
Always lived in big cities, most recently in L.A. and she is used to all the poshy posh stuff that come along with such a lifestyle. She was married to Mark, an emergency doctor, who recently passed away. We never get to meet Mark, but we get to know him through Mel’s memories of him.
Wanting and needing change, she sells everything and moves to Virgin River, a promising quiet town, where she can start again. But things don’t go as planned. They never do. When struggling with challenges, she has to find a way to cope with her pain, then learn how to live with it, so she can move on and be happy in life.
<i><b>Then we have Jack, who owns a bar in Virgin River, and who is the person that helps everyone around.</b></i>
When Mel arrives, he is determined to make her stay and show her that this place is not so bad after all. But as a former marine, he also has his demons, and as much as he will help Mel, he also needs her to help him get over his pain as well.
From the side characters, I really loved Doc, the sassy old doctor, Preacher, Jack’s friend from the marines and Joey, Mel’s sister. Even though I hated Joey at the beginning, she started to grow on me as time passed by.
Very interesting story, a lot of dramatic events that change our characters and teach them something. The plot was predictable in the sense that I knew there would be a love story between Jack and Mel, but it was still adorable and cute to read how both of them grow by each other.
<i><b>The Netflix Show</b></i>
You might have heard, but now Virgin River also has a TV show as well. My plan was to read and watch them simultaneously, and I did watch the first few episodes. I love the show, and I will definitely continue watching. However, the plot is changed a lot and it is quite different from the book, so I suggest you read the book first before watching the TV show.
<i><b>Have you read this book? Have you read something similar? I would love to read your thoughts. :) </b></i>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Gareth von Kallenbach (971 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Ryan Hill (152 KP) rated Justice League (2017) in Movies
May 27, 2019
"They said the age of heroes would never come again."
As a huge fan of Zack Snyder's first two efforts inside the DCEU and Patty Jenkins wonderful Wonder Woman, my expectations for Justice League were pretty much through the roof. After the mediocre buzz that it got and all the stuff that happened behind the scenes, I was a little skeptical but still very excited, but after getting out of the theater, one word really just describes how I felt; disappointed.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
Movie Metropolis (309 KP) rated Pokémon the Movie: I Choose You! (2017) in Movies
Jun 10, 2019
20th Birthday Tribute
For the uninitiated, let’s start with some key facts: Pokémon has been entertaining kids and the young at heart for 20 years. A phenomenon like no other in the 90s, Nintendo’s award-winning franchise has been a worldwide smash, and despite a dip in the late 00s, it shows no signs of slowing down.
With 19 movies under its belt, dozens of video games including the ridiculously popular Pokémon Go, and countless TV series, Pokémon is an occurrence that doesn’t come around too often. Now, to celebrate the brand’s 20th anniversary, Nintendo has released this; Pokémon the Movie: I Choose You! But does being the 20th film in the franchise mean it’s not worth a watch?
Acting as a soft reboot of sorts, Pokémon: I Choose You! follows franchise hero, Ash Ketchum from Pallet Town, as he starts out on his journey to catch as many Pocket Monsters as he can. For fans of the brand, what follows next needs no introduction; he meets Pikachu and the rest as they say, is history.
Or is it? Well, in this case, not so much. The basic story that delighted kids in the 90s has been slightly reset as we are taken through the pairs journey, meeting people and Pokémon that weren’t in the original 1st television series. This has both positive and negative results on the finished product.
The plot is as simple as you would expect from a children’s film and it’s clear that Nintendo are out to make as much money from this as possible. Pre-film adverts were all Pokémon related and the cost of a ticket for this particular showing was double the normal price.
Why? Well, this is the first Pokémon film to be released in the UK in 15 years. That’s not a milestone to be sniffed at, and it’s clear the producers, animators and orchestras have gone all out for this instalment.
The film itself is beautiful to look at. Pokémon has always been criticised for its rather lacklustre animation compared to other Anime features like Spirited Away, but I Choose You is right up there with the very best. It’s colourful and drips with detail. From gorgeous sunsets to damp caves, the animation comes alive.
Elsewhere, the score is nicely integrated into the film with a single, haunting piano playing through much of the succinct 98-minute runtime. The familiar theme tune that kids and adults have come to know and love over the years is given a lovely instrumental upgrade and this is when the flutters of nostalgia start to kick in.
Unfortunately, the removal of Ash’s companions, Brock and Misty, from the film undoes some of the hard work for this 20th anniversary as they were such an integral role in the first films and television show. However, newcomers Sorell and Verity each provide the story with a couple of different layers.
I Choose You also tugs at the heartstrings more than previous instalments. As the title suggests, this is about Ash’s journey with Pikachu and that doesn’t just include the happy times. Younger viewers may find some of the imagery on screen a little disturbing as we’re taken through an at times, dark and menacing backstory.
Overall, Pokémon the Movie: I Choose You! is a film that absolutely represents 20 years of the beloved series. With gorgeous animation and an intriguing change to the story that kids and adults have come to know, it’s definitely the best Pokémon movie out there. Let’s be frank, each of the films has been made to sell Pokémon toys and games, but never has it been done so beautifully.
https://moviemetropolis.net/2017/11/05/pokemon-the-movie-i-choose-you-review/
With 19 movies under its belt, dozens of video games including the ridiculously popular Pokémon Go, and countless TV series, Pokémon is an occurrence that doesn’t come around too often. Now, to celebrate the brand’s 20th anniversary, Nintendo has released this; Pokémon the Movie: I Choose You! But does being the 20th film in the franchise mean it’s not worth a watch?
Acting as a soft reboot of sorts, Pokémon: I Choose You! follows franchise hero, Ash Ketchum from Pallet Town, as he starts out on his journey to catch as many Pocket Monsters as he can. For fans of the brand, what follows next needs no introduction; he meets Pikachu and the rest as they say, is history.
Or is it? Well, in this case, not so much. The basic story that delighted kids in the 90s has been slightly reset as we are taken through the pairs journey, meeting people and Pokémon that weren’t in the original 1st television series. This has both positive and negative results on the finished product.
The plot is as simple as you would expect from a children’s film and it’s clear that Nintendo are out to make as much money from this as possible. Pre-film adverts were all Pokémon related and the cost of a ticket for this particular showing was double the normal price.
Why? Well, this is the first Pokémon film to be released in the UK in 15 years. That’s not a milestone to be sniffed at, and it’s clear the producers, animators and orchestras have gone all out for this instalment.
The film itself is beautiful to look at. Pokémon has always been criticised for its rather lacklustre animation compared to other Anime features like Spirited Away, but I Choose You is right up there with the very best. It’s colourful and drips with detail. From gorgeous sunsets to damp caves, the animation comes alive.
Elsewhere, the score is nicely integrated into the film with a single, haunting piano playing through much of the succinct 98-minute runtime. The familiar theme tune that kids and adults have come to know and love over the years is given a lovely instrumental upgrade and this is when the flutters of nostalgia start to kick in.
Unfortunately, the removal of Ash’s companions, Brock and Misty, from the film undoes some of the hard work for this 20th anniversary as they were such an integral role in the first films and television show. However, newcomers Sorell and Verity each provide the story with a couple of different layers.
I Choose You also tugs at the heartstrings more than previous instalments. As the title suggests, this is about Ash’s journey with Pikachu and that doesn’t just include the happy times. Younger viewers may find some of the imagery on screen a little disturbing as we’re taken through an at times, dark and menacing backstory.
Overall, Pokémon the Movie: I Choose You! is a film that absolutely represents 20 years of the beloved series. With gorgeous animation and an intriguing change to the story that kids and adults have come to know, it’s definitely the best Pokémon movie out there. Let’s be frank, each of the films has been made to sell Pokémon toys and games, but never has it been done so beautifully.
https://moviemetropolis.net/2017/11/05/pokemon-the-movie-i-choose-you-review/
Lee (2222 KP) rated Frozen II (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Just as enjoyable as the original
I'm sure you don't need me to tell you how big a hit 2013 movie Frozen was. For a long while after it was released, you couldn't go on social media, or even turn on a TV, without seeing mention of Frozen in some form. And you couldn't really avoid hearing somebody bash out their rendition of 'Let It Go', arguably one of the biggest and most recognisable songs of this decade. Frozen became the highest-grossing animated film ever and a sequel was always inevitable. But, with any sequel, there's always a high chance that they'll fail to live up to the original, simply coming across as nothing more than a cash grab. Frozen 2 had a lot to live up to!
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Gareth von Kallenbach (971 KP) rated Seven Psychopaths (2012) in Movies
Aug 7, 2019
Unfamiliar with writer and director Martin McDonagh’s previous gangster film In Burges, I was not exactly sure what I was getting into when watching Seven Psychopaths. I had seen a few trailers and was looking forward to what looked like a quirky new movie that I hoped delivered at least a few solid one-liners but was not expecting much more. Well, I am delighted to say that McDonagh delivers a fantastic self-referential crime caper that is one part Pulp Fiction and one part a meta episode of NBC’s TV show Community.
This self-aware film has a story that is hilarious in its antics and creates a world where these characters come to life. Colin Farrell (In Burges) plays Marty, an alcoholic film writer suffering from a terrible case of writer’s block. He has the title for his next film Seven Psychopaths but little more. However in spite of what the title suggest, Marty does not want his film to be violent. He wants his main psychopath to love more than kill, whch is what appears to be giving Marty the writing block in the first place. Enter Marty’s good friend Bill played by Sam Rockwell (Iron Man 2). In an effort to help Marty find inspiration for the characters in his story, Billy encourages and informs Marty of various psychopathic stories he is aware of. He even goes so far as putting a “psycho story” want ad in the paper, asking psycho’s to come to Marty’s house and tell their story. This causes Marty to spend the length of the film trying to create the characters for his story from the crazy interactions going on around him.
While based on “real life” people, these characters are introduced through individual dramatized stories about them complete with glorified over the top cartoon like violence that hits home as visual comedy. From the Quaker psychopath who stalks his daughter’s killer, to the psychopath who spent his youth killing other psycho killers, to the Vietnamese Psychopath who just seems crazy for most of the movie. These stories give us a glimpse into the psychopathic mind of Marty and friends and help create a visual world where anything seems possible from these characters.
In addition to these characters, Marty has to deal with a “real life” shih-tzu-loving psycho gangster Charlie played by Woody Harrelson (Natural Born Killers), when Billy and friend Hans (Christopher Walken, Poolhall Junkies) “accidently” kidnap Charlie’s dog in their regular dog-napping scheme to collect a found reward from owners. This interaction with Charlie helps Marty, Billy and Hans figure out the story to Seven Psychopaths that borrows from their own in-film “real life” experience.
The ensemble cast all hit their mark in his film. Each shows us enough of their characters to fit their quirky stereotypes but gives us something memorable about each. No more is this shown through Rockwell’s performance of Billy that builds on his lunacy throughout the film until his shining moment, a scene where he is telling Marty how he would finish his story. In addition, Walken delivers his best performance in years with his traditional over the top serious but hysterical Walken Style. Any fan of his should not miss this film.
Seven Psychopaths turned out to be an enjoyable experience and thrill ride from start to finish. The ensemble cast breathes life into the crazy characters that help move along the action. It is a film that is self-aware and does not take its self too seriously. As such, we are delivered an eccentric but entertaining film experience that anyone looking for a change of pace should not miss.
This self-aware film has a story that is hilarious in its antics and creates a world where these characters come to life. Colin Farrell (In Burges) plays Marty, an alcoholic film writer suffering from a terrible case of writer’s block. He has the title for his next film Seven Psychopaths but little more. However in spite of what the title suggest, Marty does not want his film to be violent. He wants his main psychopath to love more than kill, whch is what appears to be giving Marty the writing block in the first place. Enter Marty’s good friend Bill played by Sam Rockwell (Iron Man 2). In an effort to help Marty find inspiration for the characters in his story, Billy encourages and informs Marty of various psychopathic stories he is aware of. He even goes so far as putting a “psycho story” want ad in the paper, asking psycho’s to come to Marty’s house and tell their story. This causes Marty to spend the length of the film trying to create the characters for his story from the crazy interactions going on around him.
While based on “real life” people, these characters are introduced through individual dramatized stories about them complete with glorified over the top cartoon like violence that hits home as visual comedy. From the Quaker psychopath who stalks his daughter’s killer, to the psychopath who spent his youth killing other psycho killers, to the Vietnamese Psychopath who just seems crazy for most of the movie. These stories give us a glimpse into the psychopathic mind of Marty and friends and help create a visual world where anything seems possible from these characters.
In addition to these characters, Marty has to deal with a “real life” shih-tzu-loving psycho gangster Charlie played by Woody Harrelson (Natural Born Killers), when Billy and friend Hans (Christopher Walken, Poolhall Junkies) “accidently” kidnap Charlie’s dog in their regular dog-napping scheme to collect a found reward from owners. This interaction with Charlie helps Marty, Billy and Hans figure out the story to Seven Psychopaths that borrows from their own in-film “real life” experience.
The ensemble cast all hit their mark in his film. Each shows us enough of their characters to fit their quirky stereotypes but gives us something memorable about each. No more is this shown through Rockwell’s performance of Billy that builds on his lunacy throughout the film until his shining moment, a scene where he is telling Marty how he would finish his story. In addition, Walken delivers his best performance in years with his traditional over the top serious but hysterical Walken Style. Any fan of his should not miss this film.
Seven Psychopaths turned out to be an enjoyable experience and thrill ride from start to finish. The ensemble cast breathes life into the crazy characters that help move along the action. It is a film that is self-aware and does not take its self too seriously. As such, we are delivered an eccentric but entertaining film experience that anyone looking for a change of pace should not miss.